Mira is a playful, decorative Art Nouveau font, released by Roos & Jung Foundry in Offenbach AM, Germany about 1902. The exaggerated serifs and the sharp contrast between the thick and thin strokes gives the page a whimsical “salt and pepper” look that is very distinctive. Mira uses our new encoding. The Euro symbol has been moved to position 128 and the Zcaron/zcaron have been added at positions 142/158 respectively. Otherwise, MIRA has our usual idiosyncratic glyph selection, with the German ch/ck instead of braces, Western European accented letters, lower case “o” and “u” with Hungarian umlaut and our usual Hand-in-Hand symbol. In addition, black-letter-style upper case “H” and “T” characters are included. Download the PDF Type Specimen for locations.

One look at the font Wanted brings to mind swinging saloon doors, double shots of whiskey and sheriff's badges. It belongs to the so-called Italienne typefaces which began to appear at the beginning of the 19th century. The distinguishing characteristic of such typefaces is the robustness of its serifs, which exceeds that of the base strokes. Wanted looks almost as though it were stamped on paper. Small white flecks appear in some of the strongest black strokes just as they would in a stamp which did not get quite enough ink...or are they perhaps the work of a sharp shooter? Wanted is best for short headlines and perfect for anything which should have the look and feel of the Wild West.

The Narsinh Series (from the 1940 Gujarati Type Foundry of Bombay, India) is a modular metal font comprised of 32 basic shape pieces which would be assembled into any configuration to form various letters and numbers. Examples of the alphabet and numerals were set in an Art Deco, condensed sans serif and were the basis for this type revival. Strongly resembling a stencil design, the typeface was named after the revered 15th-century poet-saint of Gujarat, India Narsinh Mehta, and the foundry itself gets its name from the language and script of Gujarati [spoken by the Indo-Aryan residents of the Indian state of Gujarat]. Divided Highway JNL is the digital version of this design, and is available in both regular and oblique versions.

In May of this year, I went to Japan with my (then 11 year old) son Sam. It was his dream to visit Japan, probably because of my tall tales, stemming from the time I was a tour guide! Sam really wanted to try all kinds of Japanese delicacies and one day, when walking around Tokyo, we came across a little stall selling Taiyaki. Taiyaki are fish-shaped waffle/cakes with a red bean or sweet potato filling. They are really delicious! This nice ‘oriental looking’ font was made with a broken popsicle stick and Chinese ink. You are now wondering why I always use Chinese ink and not Japanese ink. Well, I have a stash of the Chinese stuff and it’ll last me a lifetime!

Courteous is absolute elegance. It's semi-condensed serif font with straight and consistent shape in every letter that will give a taste of professional feels to any design. Adding ligature will make it more stylish and modish, very suitable for fashion or beauty projects. Courteous also have the bold version that will looks more gentle. FEATURES: Regular and Bold Version Uppercase and Lowercase are the same 35 Ligature that only works with lowercase, so you can access regular letter by using only uppercase. Ligature: od ai ad ap ed eb ab ib ob ud id ub ou rt yl al le an lu ur gn ha ri ce ho ry ev in ro um ox ve as on Numbers, symbols, and punctuation Multi language support

Silian Calligraphy is a sharp serif typeface. With classy letterforms and an organic appearance, this calligraphic lettering has a proper look, yet a vivid personality. Use [ ] { } for decorative elements. Example: [Silian Calligraphy] The Silian Calligraphy typeface family consists of eight high-quality styles: Light, Regular, Bold and Black, and each style as Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Boxiest is a stylish cartoon typeface that effortlessly combines playfulness with a touch of modern flair. Its bold and chunky letterforms are reminiscent of cartoon characters, creating a sense of whimsy and fun. With its clean lines and geometric shapes, Boxiest exudes a contemporary aesthetic that adds a dash of style to any design. Each letter is like a carefully constructed box, giving the typeface a unique and distinctive look. Whether used for children's books, comic strips, or vibrant signage, Boxiest injects a lively and energetic vibe, instantly capturing attention and igniting imagination. This versatile typeface brings a delightful and fashionable twist to any project, making it a perfect choice for those seeking a stylish and eye-catching cartoon-inspired font.

Sispany is a sophisticated Sans Serif Font with a unique typeface that works well for your design projects and is carefully crafted to ensure premium quality and a luxurious feel. The shape of the letters makes this typography unique and stand out. It is suitable for logos, headlines, titles, and various other formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, make up, stationery, novels, labels or all kinds of advertising purposes. Here's what's included: (uppercase & lowercase) Alternates & Ligatures Numbers & punctuation Characters with accents Supports Multiple Languages PUA Encoded This type of family has become the work of true love, making it as easy and fun as possible. I really hope you enjoy it! Thank you

Fabelo Kids is a delightful and playful children's typeface that sparks imagination and brings joy to any design. With its whimsical letterforms and charming details, Fabelo Kids captures the essence of childhood wonder and innocence. Each letter has a friendly and inviting nature, inviting young readers on a journey of discovery. Whether used in children's books, educational materials, or playful designs, Fabelo Kids adds a touch of magic and excitement to the visual experience. Its vibrant colors and energetic shapes make it a perfect choice for capturing the attention and imagination of young minds, creating a world where learning becomes an adventure. Fabelo Kids is a font that celebrates the joy and creativity of childhood, inspiring young readers to embrace the beauty of words and storytelling.

New Old English was prompted by two Victorian coins, the mid nineteenth century gothic crown and gothic florin, which featured a gothic script lowercase with quite modern looking, short ascenders and descenders enabling it to fit snugly around the queen’s head or heraldic motif. With thicker hairline strokes than normal Old English, a less sharp, warmer feel than lettering scripted with a pen, and circular instead of rhombic punctuation, this font is an attempt to capture the round-cornered softness of the die-struck lowercase blackletter. To increase harmony and homogeneity between the cases, the uppercase is narrower and simpler than is customary, without the excessive width or antiquated flamboyance of the traditional blackletter. It might even allow text set in capitals to look acceptable.

Latvian designer and educator Gustav Grinbergs created Stencil Moonlight as an attempt to slightly lighten up the stencil type scene. Intended as a lively, semi-formal face, its shapes are smooth and compact. It leaves a very heavy feeling on the page, as its letters display a very fat bold design. Stencil Moonlight is available is two separate font styles, Regular and Small Caps. When used together, the Stencil Moonlight family can create the perfect combination for your next display need. Stencil Moonlight works best in larger sizes, where it is clear that its forms stem from an experiment with stencil design. Grinbergs recommends the face for application in package design, advertising, poster design, and perhaps even for the subtitling of foreign films!

The Boboli garden in Florence (16th century) is one of the first examples of Italian renaissance garden, where nature was shaped into geometric beauty; the Boboli font was designed in the same spirit, filtered by a Modernist view. It comes in two sets, Autumn/Winter and Spring/Summer: by mixing them you can compose the typographic season of your choice. From the geometric, minimal Fall/Winter set stem the leaves of the baroque-esque Spring/Summer set, with many stylistic alternatives that allow perfect matching. The two opposite styles merge perfectly, because the leaves are not mere decorations but organic part of the structure, achieved by sampling the curves of the basic glyphs. With Boboli design meets nature, Bauhaus goes greenhouse.

Merlo Neue Round is the younger brother of Merlo Round and cousin of Merlo Neue. This new family received a refreshed, rounded style and a new shape of many glyphs. New Merlo consist of a wide range of instances' seven new weights with italics, from Hairline to Bold allows to use the family in a complex way, depending on the users' needs. The font has a glyph set for latin and cyrylic script, small caps and old-style figures. Merlo Neue Round would be a great choice for display use as well as for the longer texts. This family is inspired by a "You And Me Monthly" published by National Magazines Publisher RSW "Prasa" from May 1960 till December 1973 in Poland.

Introducing Lando - a handmade uppercase type family with a natural character. Lando comes in two styles with two weights each. Its characters have been drawn by hand to give them a warm and authentic look. Lando's appearance is enhanced by two contextual alternates for each Latin character and all numbers. In addition, all fonts contain several open type functions such as swashes and initials, a selection of ligatures and support of open type fractions. It is rounded up by many handy extras, such as shapes and icons, catch words, bullets and much more. Lando is intended to work best in logos, posters, magazine headlines and on packaging and apparel. But it also feels comfortable with short texts, due to its support of many latin languages.

Sansduski is a sans-serif decorative/display family. Its very high x-height and tight spacing make it more suitable for use at large point sizes than small point sizes. (There are better options if one wants a readable text font.) It comes in nine weights and one outline style, with an oblique style accompanying each of these ten styles to give a total of 20 styles in the family. The letter O is a rectangle with rounded corners and this shape motif is carried over to other characters that are usually rounded. For a monospaced rather than proportional version of this design idea, see SansduskiMono. Sansduski is appropriate for titles, posters, advertising, and other uses that benefit from simple letter forms that are geometric and clean.

The distinctive design of the "Diagram Display" comes from the Venn diagram. It is a common statement and it is a spatial illusion. The delicately differentiated curves balance the technical, geometrically constructed shaping. The graceful character comes with All caps or Small caps typesetting in lighter weights when the font takes on a classicist character due to its proportions. It appears best in headlines and larger sizes, in all applications and themes where its elemental design resonates. Each of the six weights contains an extensive character set, including small caps, uppercase, lowercase and tabular numbers, mathematical symbols, standard and discretionary ligatures, or arrows and other special characters. The stylistic set SS01 contains alternations (a, g, t, u, y) that support its geometrically constructed appearance.

OMBAKE is a curly typeface that looks incredible and has an attractiveness when you see it. Each letter shape has been designed to have a character that is easily recorded in the mind. This font has elegant and classy characters, clean lines and smooth curves give any project an extra touch of class. A sans serif modern and curly typeface that has own unique style & modern look. This typeface is perfect for an large point sizes, for example in magazine layouts, packaging, book, title design, fashion brand, clothes, lettering, quotes design and many other ways to your work. We make all the characters is PUA encoded and multilingual. Features: A-Z Character Set a-z Character set Numerals & Punctuations Multilingual Thanks, Alamsa

Replica seamlessly blends organic and geometric elements to create a captivating geometric grotesque font that draws its creative essence from the principles and design philosophy of organic architecture. Replica's journey towards this harmonious equilibrium begins with a deep exploration of organic architecture, a design philosophy that celebrates the integration of the built environment with the natural world. Drawing inspiration from the works of architects like Frank Lloyd Wright and Antoni Gaudí, Replica seeks to capture the essence of flowing lines, biomorphic shapes, and the seamless fusion of structure and surroundings. At the heart of Replica's design process lies a commitment to translating these organic principles into a typographic form that resonates with viewers in a way that is both visually captivating and functionally versatile.

Mangueira is a sans-serif geometric typeface that is made up of 2 sub-families: one standard more contemporary family perfectly suited for display use and one alternative version for short blocks of text and more neutral titles. Each subfamily comes in 9 weights and includes swashes, which can be easily accessed from the OpenType menu. One of its main features is the combination of geometric shapes and vertical terminals that resemble Humanist sans typefaces. A generous number of swashes along with unique details in some glyphs such as "g" and "k" make Mangueira a versatile font well-suited for editorial design, branding, packaging, web and broadcast use, etc. Mangueira contains a set of 502 characters, supporting over 200 Latin-based languages.

Yumo is a new, textured remix of the original 2010 Yume typeface, and has plenty to offer of its own. Angular and blocky, this typeface creates impactful text with a hint of playfulness, expanded upon by its rough finish. There are no extraneous edges to this font because most of them have been subsumed into the characters themselves, so any sharpness it may have from the squared corners is removed by the lack of thin strokes or serifs. Perfect for headlines and large text that wants to stand out, Yumo’s big, bold text will help your message make an impact. Playing with colours on the textured surface only helps to strengthen this effect, so that Yumo will blow people away, whatever you want to say.

Summer vibes are here with Surfbird! • A playful Display family with large variety options. Four styles comes with seven widths & two graphic fonts. The point of this family is getting more modern moods into a classical cowboy-western typographic. The result is a playful western slab which can be used for any design project. Home decor / mugs / t-shirts / stickers / music or podcast covers / menu's / logo's / posters. It can be playful with "western cut" and smooth styles or more serious with the sharp styles. • The Surfbird has two graphic styles. 82 decor graphic elements to add more fancy style to your design. The first one is a contour and the second is a fill for them, to get full color elements.

Los Lana Pro is a handmade display typeface. Unlike other font families, this type has not a modular structure, that is, each character has been individually designed. The coherence of structure elements across different characters is given by irregular strokes. This curveless typeface is perceived as being curved because of its straight lines, which form different-size angles. Los Lana Pro is a rustic typeface that captures the stereotypical “Andean hippie” handmade aesthetics. Irregular shapes and broken lines give it a distinct personality. Los Lana Pro looks better in larger sizes. Includes many ligatures, two groups of alternate characters, and titling caps characters. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin. Photos by Sergio Recabarren.

Over the years, I've used Impact a lot. But, not because I liked it—rather because it was the only font I could find with the bulk I needed for a given title or whatever. I finally decided to make my own. It was originally built off Librum Sans Bold, but I quickly made a mask of Impact for the widths, bumped the x-height way up, made the horizontals much heavier, and on and on. You know how it is when you start designing. The result is a black sans with the bulk of Impact and much more interesting character shapes. I suspect I'll use it a lot. My hope is that you like it as much as I do. Have fun!

Noland, A new carefully crafted Variable Geometric Typeface. The Ideas of this fonts are from retro poster, music, movie poster, theater, science fiction from the 70s and early 80s. Adding the elements from the reference above to be represented as Noland. It’s Versatile, Fun, Sharp and Retro-ish feel that you get in Noland Typefaces. Noland Available with 3 Weights: Regular, Semibold and Bold. Also Available in Variable, so the weights are more flexible between Regular and Bold. Just Play with slider weight. Our creation on the display to give you a reference what it looks like on your project. such as Branding, Header, Logotype, Poster, Magazine, Packaging, and etc. It shows that Noland clearly can accommodate Retro Vintage style.

“Redzone” is a versatile display family developed as the workhorse typeface for the “Ultimate Football League”, a fictional football league passion project. With a strong focus on the sports branding industry, “Redzone” has a voice that is competitive and sophisticated, its letterforms featuring angled terminals and sharp serifs across 5 weights and widths. Its generous x-height and overall build makes it especially capable for headlines, thought it serves well for shortened body type as well. The “Redzone” name was debuted in October of 2017 as a titlecase font (later refined and renamed “Redzone Classic”), redesigned in November of 2018 with sheared and stenciled styles, and is now presented in the most streamlined version yet with the same charming fearlessness still present. Enjoy!

Introducing Walking Broadway - Bold Type, created by ikiiko. Walking Broadway is a serif bold type, that inspired by typography from a vintage movie & newspaper at that era. This typeface is designed to give a formal yet old style look. Walking Broadway has a distinctive bold to light contrast shape. A style commonly used in movie, magazines, and signage in that era. This typeface is perfect for an formal layout, old movie poster, newspaper, magazine cover, and also good for vintage product, food & beverages, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates & Swashes Multilingual Support Works on PC & Mac Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Introducing the first typeface by Azure studio, Space 101! Space 101 is a handcrafted chalkboard reminiscent typeface with irregular slender lines and a quirky personality. This typeface is perfect to add character and charm to bodies of text and heading where the slight imperfections tie your whole design together. The inspiration for Space 101 was found in an old signwriting book. The character shapes were updated and improved while still retaining the same charm. The typeface gave me interstellar space travel vibes reminiscent of early books based around space travel, which is why I decided to call it Space 101. I hope you enjoy this typeface and if you have any questions or comments get in touch. I'd love to hear from you. fonts@azurestudio.co.nz

Macahe is a modern slab serif with dynamic and irregular shapes. It comes with 7 weights, 3 widths and matching (true) italics. The typeface was inspired and name after the city I was born (Macaé-RJ, Brazil), turning the mixture between nature/beach life and the chaotic urban growth into typography. The options (weight, width and true italics) make the font useful both for web and print in multiple occasions; think websites, posters, logos, signage, packaging and etc. Macahe covers multiple languages, including a wide range of Latin and some Cyrillic languages. It also includes a full range of numerals (included old style figures, numerators, denominators), small caps, standard & discretionary ligatures and stylistic alternates. Those features and variations make Macahe a useful tool for any graphic designer.

This is a deco-style text OpenType Pro font loosely based on Koch's Locarno as seen in KochAltschrift a recent free German tribute to Koch's work. I was familiar with Meek's Letraset presstype version called Locarno, but I never liked the proportions used by either Meeks or Koch. So I radically revised ascender, descender, and x-height to make them more usable and brought the shapes within my sense of design. Mine is probably closer to Meeks than Koch, but hopefully it is a tribute to both. Astaire looks much more modern and it is much more usable. I added oldstyle figures, small cap figures, small caps, several ligatures, and more. There are an italic, bold, and bold italic also in this family

☞ Bona Nova is a collective revival project of Bona typeface designed in 1971 by the author of polish banknotes Andrzej Heidrich. Besides giving the project a digital font form the aim was to expand the base character set: preparation of small caps, designing the alternative glyphs and multiple opentype features. Working together with the author we designed two new text versions: regular and bold – to give the family a form of a classic script triad. ☞ It is accompanied by three title versions and three contour styles under the name of Bona Sforza. All styles contains over 1200 glyphs. ☞ Bona Nova is an unprecedented typographic adventure for our team. We hope that our work will allow the cultural heritage of Bona and the work of Andrzeja Heidricha to gain new followers and fans. This project connected three generations of graphic designers who graduated the same school – the Academy of Fine Arts in Warsaw. ☞ Bona Nova isn’t only a typeface. We have also prepared a book about the project (including an interview with Andrzej Heidrich, my text about the digitalisation and a font specimen). The Bona Nova release party was a big exhibition (over 1000 guests). I’ve invited 26 graphic designers to prepare their own initials of Bona Nova – they were presented as posters on exhibition too. LINKS Bona Nova WEB Bona Nova FP Bona-Nova-(FREE-FONT) Bona Nova Book BONA NOVA IN THE MEDIA Typeroom Typography Guru Slanted Designalley Stgu Typografie Info Wikipedia Bona Nova is a non-profit project, all founds that we raise we reinvest to develop the Bona Nova project (new styles, Cyrillic & Greek, extend character set).

Conthey Inline™ is your new retro-display best friend! The one and only, unique IN-AND-OUT typeface with strong personality and outstanding flexibility. This display sans features amazing variable fonts letting you adjust not only width of the letters, but also let you fluently transition from thin inline styles to thin outline ones. This mechanics opens a world full of layering possibilities as well as a great fine-tuning ability. The family consists of 39 OpenType fonts - 18 pure inline/outline styles in 3 widths (Narrow, Condensed, Normal) and 21 styles carefully prepared and tuned for layering. For even greater flexibility 3 variable fonts are included in the set. In addition to flexible width and inline-outline transitioning, this playful typeface features 4 different inline styles to spice up things even more! All styles were meticulously crafted with the highest attention to detail in the letterforms as well as spacing. Conthey Inline is a sibling of Conthey, a display unicase family as well as Lutschine, a versatile modern narrow display typeface. Conthey Inline composes perfectly with its family members, covering a very broad range of design scenarios. All these typefaces are a part of big type system containing also a workhorse sans serifs such as Rothorn and Montreux Grotesk. You will have a lot of success using Conthey Inline for any kind of playful, vintage/retro, organic, friendly and stylized designs. Especially, industries such as food & beverage, travel, hospitality, fashion, healthcare, sports, lifestyle, music, art, entertainment and products for youth are perfect areas to make Conthey Inline shine with all its charm.

Luckiest is a Stylish Ligature Serif Font. Its soft curves mixed with high-contrast glyphs, give it a feminine and masculine quality. Come in two versions, namely Regular & Italic. It comes with beauty ligatures. Great in layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, and invitations. Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower, Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North, Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western, Frisian, Zulu. Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration only. Feel free to follow, like, and share. Thanks so much for checking out my shop!

Creepy Tales is a spine-chilling display font that will send shivers down your spine. With its big letters and bold weight, this font demands attention and exudes fear. The horror theme is brought to life with meticulously crafted dripping ink details on each letter, adding a nightmarish and eerie touch to the font. Each letter in this font is bold and impactful, making a powerful statement in your designs. The large size of the letters further intensifies the font's haunting presence. The dripping ink details in this font give the font an organic and unsettling appearance, as if the letters are oozing with dread. These haunting details add a sense of macabre and create an atmosphere of suspense, immersing the viewer into a world of dark and chilling horrors. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Creepy Tales fits in headlines, logos, movie posters, flyers, invitations, branding materials, print media, editorial layouts, headers, and any project that requires a terrifying touch. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Flaminia is a typeface family of 4 members designed by Carlos Fabián Camargo G. The central idea started as Dingbats and titles labeled with fine-tipped brushes and flat tip for graphic design related restaurant menus, instructions, packaging, food containers and labels. Thus began the process of drawings and letters integrated by shapes and counterblocks that seem inaccurate yet but at the same time clean and attractive. For this reason each variable suggests fresh brushstrokes that combine ideas from Roman and italic calligraphy. Flaminia members work separately or together by solving needs in different scenarios. This will enhance its properties in order to control and diagram titles, subtitles and short paragraphs with an effusive and manuscript character. Flaminia is useful for generating a flavor of "hand lettered by skilled artists lettering." In conclusion, Flaminia Regular and Italic are used to write short paragraphs. His ascending and downs are lower that the X height. Its width is imperceptibly condensed to save horizontal space. Its smooth lines and finishes simulating a crescent moon have been made with fine-tipped brush. The contrast between thick and thin has medium intensity. Its complement is an ideal italic to emphasize words and phrases. Its conceptual characteristics are similar with foundation's handwriting, except for his companion who takes ideas from the ornamental italic calligraphy. Flaminia Black is compact and ideal for ranking information such as words and titles. Its personality is based on ornamental penmanship italics mixed with humanistic ideas outlined with contrast-type, flat-tipped brush thickness. Its overall width is slightly condensed, rising and falling are short compared to an exaggerated X height. Its smooth lines and terminations as in a crescent moon simulate the path of a broad brush. Its amount of contrast between strokes have average intensity. In brief, push to the limit parameters such as the type and amount of contrast, size, backward, forward, overall width, etc. And finally, Flaminia Dingbats offers three sets of different illustrations, a total of almost 90 drawings useful in communications related to: Food, Clothes and Sketchy. Each carefully wrought through research, testing, analytical design, visual strategy and high-definition of Bezier paths, optimizing time and work to their users. And in conclusion, I have plans to continue expanding the family with more complete versions in the future.

KT Nirma Sans Nirma is a typeface with 9 Weight Sans Serif from thin to Black, inspired by Founders Grotesk, This project start from April 2022 and start from the stretch until shaped the solid character to represent the Dynamic Sans Serif. Nirma has total 462 glyph and 218 Support language. Nirma support Latin Basic, Latin-1 Supplement, Latin Extended A-B, Spacing Modifier Letters, and Combining Diacritical Marks. The Solid Character has multi function Display Sans & Body text based on Display Grotesk. Especially in te Thin to Regular is more legible for body text and the black one good for Display Sans, with dinamyc shape and more wide.

Memoire is an elegant linear hairline contemporary sans. It is based on the underlying form of Vanitas, yet is rendered in a nearly monolinear hairline weight. Memoire is intended to be used selectively for headline use starting at 60pt and above. Stylistically, Memoire retains Vanitas’ alluring, sophisticated sensibility that is directly inspired by high fashion. The delicate linear form creates a sense of cohesiveness and lends the typeface an intriguing lightness of character. The upright styles are complimented by a pairing of optically adjusted true italics, which were purposefully adapted to retain the sharpness of their counterparts. Abandoning traditionally executed cursive italic letterforms retains Memoire’s sharp characteristic through each style.

The Threepoints Series is the result of several years of work that bases three different sans serif type designs on one “shell”. Designed for optimal readability North, with its squarish shapes and rigidity are suggestive of an upright Swiss or Inserat typeface. The East variant takes on the look of another popular condensed grotesk with a softer, more rounded basic shape whilst maintaining the purpose of the original design. With minimal adjustments West leans towards more contemporary European designs. Although these are primarily display typefaces they function extremely well in text sizes in either upper or lowercase composition. Excellent for signage. Each variant comes with matched italic at no additional cost.

Rosabella is a script typeface with plenty of decorative details — flourishes, swashes, twists and other elements, which impart to the face a gorgeous festive look. An unusually large number of alternates and ligatures make it possible to imitate live calligraphic writing. Lower case letters are divided into several stylistic sets from relatively modest variants to the most decorative contextually-dependent swash shapes. Besides that there are two sets of upper case letters — the second one contains larger and more complex shapes. Letters from the different stylistic sets can be used in a wide variety of combinations with the different levels of embellishments. Rosabella was designated for display material, greetings and advertising.

Kaligane is a type family designed with passion. A geometric typeface, first designed in a muscular black weight with a high-powered dynamic typographic aesthetic used in various communications, and later developed in a lighter weight where the shape exhibits some vintage-inspired proportions. With these diverse influences, typefaces allow for the use of impressive displays and effective logo designs as well as the use of more subtle editorials in body text - with a natural inclination for effective and powerful advertising. Sports typography typically uses italics for added dynamism and impact, and Kaligane complies by offering a choice of three alternative italic shapes with different slants.

The Threepoints Series is the result of several years of work that bases three different sans serif type designs on one “shell”. Designed for optimal readability North, with its squarish shapes and rigidity are suggestive of an upright Swiss or Inserat typeface. The East variant takes on the look of another popular condensed grotesk with a softer, more rounded basic shape whilst maintaining the purpose of the original design. With minimal adjustments West leans towards more contemporary European designs. Although these are primarily display typefaces they function extremely well in text sizes in either upper or lowercase composition. Excellent for signage. Each variant comes with matched italic at no additional cost.