Nordikka is a 10-style sans-serif simple pure typeface designed by Luciano Vergara. Nordikka is a condensed font with a large x-height and straight terminals well-suited for headlines and short texts. A good option for clean and visually appealing designs. Nordikka is inspired by Scandinavian culture and its globally recognised design, which is characterised by pure, clean and clear forms. The final stage of the design process was completed in Olinda, Brazil, which inspired some of the words in the font specimens, allowing for reflecting an image of people’s daily habits and customs.

Frontage is a charming layered type system with endless design possibilities using different combinations of fonts and colors. Achieve a realistic 3D effect by adding the shadow font or just use the capital letters of the regular and bold cut for stark artwork. The typeface’s design is based on a simple grid, which creates the friendly, handcrafted look of facade signs. It is generously spaced for maximum impact of your message. As a display typeface Frontage loves color and is suitable for headlines and logotypes. Details include 224 characters in six styles and manually edited kerning.

Rafgins is an exquisite and modern sans-serif font. Its clean, minimalist lines and sleek, contemporary style create a sense of understated elegance that is perfect for adding a touch of professionalism to your branding or typography. With its refined and versatile design, this font is sure to impress and inspire. Rafgins have alternate on B, D, P and R. Rafgins perfect for headline, logo, or anything your creativity and want something new with your project. Happy creating with Rafgins by Holyline. It is also PUA encoded which means you can access all of the glyphs and swashes with ease!

Andove is a narrow sans font with very tight compression. With a slim character and a fairly large x-height, Andove looks great for very large and eye-catching typesettings. The one-sided serif in ascenders makes this font very unique and stands out to show it is sporty and strong enough. What's even more interesting is Andove has a true italic on each weight so it can be an option for really big headlines and poster title. Andove consists of 10 styles in six weights — Thin to Bold — Upright and True Italics and comes with extended language support including Cyrillic.

Zygon Regular is a shape changing, unicase display font inspired by British cultures and transcultural theory. Zygon Regular was inspired by the 2012 Royal Diamond Jubilee and the notion that the Jubilee, as a multicultural event, would feature celebrations inclusive of all cultures. The typeface is based on the Panjabi syllabary alphabet (Gurmukhi script) combined with the Latin alphabet. Zygon Regular contains a set of stylistic alternates as well as a range of standard and discretionary ligatures. These are accessible in applications that support OpenType features. Zygon Regular is especially suitable as a headline font for designs seeking a cultural edge.

Benah is a beautiful and exotic handwritten typeface that may be used for a variety of applications. This typeface will make your graphic look harmonious and simple, allowing you to align and maximize the appearance of your project to be the most noticeable among those accessible. This font is designed with a natural touch of handwriting which is refined to create a portion and composition that suits your needs. So this font is suitable for craft, children’s writing, adventure posters, food banner titles, wedding invitations, product packaging logos, quotes, social media page covers, furniture banner headlines, book covers, and much more.

Peosa is Modern sans serif fonts great for product logo, poster, headline, card logo, web, magazine, packaging, stationery and much more. Easily creates your own logo type with fonts. Peosa has an Open Type feature to access a large selection of unique alternative letters and many ligatures to make it easier for you to create. Peosa can be accessed perfectly on design applications such as Adobe Illustrator, Adobe Photoshop, Corel Draw, Affinity Designer but does not rule out the possibility that it can also be accessed using web-based applications such as kittl, canva, artboard studio and others.

The Brave love font is an elegant serif typeface with subtle details. This neat font can add modern and fashionable brand appeal. This versatile display typeface has enough character for logos and branding, as well as headlines, apparel, bridal and more. Keep it classic, or decorate it with ornate alternatives to uppercase and lowercase glyphs! Important information: To access the alternatives, you must have access to an older version of Photoshop to copy/paste the glyphs from the included PSD, OR the Glyphs Panel, which can be found in Photoshop CC or any Version of Adobe Illustrator.

Linotype Not Painted is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This fun font from German designer Robert Bucan grabs attention immediately. The forms are made up of multiple layers. The upper case’ alphabet forms, numerals and punctuation are two different styles of the same character, one over the other, and the lower case’ letters are composed of the lower case and upper case of the same letter superimposed. Linotype Not Painted is particularly good as a headline font in larger point sizes.

Introducing, Clephons is a captivating serif display font that exudes timeless elegance. Crafted as an all-capital typeface, this font is a homage to vintage letterforms, blending classic charm with a touch of modern sophistication. Perfectly tailored for branding, headlines, logos, and designs with a classic or vintage theme, Clephons effortlessly captures the essence of a bygone era. Its distinctive serifs and refined details make it a versatile choice for projects that demand a touch of retro flair. Elevate your designs with Clephons, where every character tells a story of refined aesthetics and enduring style. **Uppercase

Joy Redick designed Blackoak, a big and heavy Egyptienne-sytle titling slab serif face, in 1990. The extremely robust style of the characters in this typeface was consciously distorted; creating letterforms that appear flattened and stretched, like a rubber band. Blackoak is drawn in the style of old wood tpes, just like those that one envisions when one thinks of the large, decorative posters that once filled Wild West America. The wood type collection of the Smithsonian Institute in Washington, DC acted as a primary source of inspiration for this design. True to its rooks, Blackoak is meant for use exclusively in headlines in very large point sizes, or for logos and other corporate advertising purposes.

Carrara is a highly readable text face with a loose reference to classical transitional types. Carrara was designed 2016. It presents a solid structure which makes it very assertive in text applications. In headlines it shows the individual details of the forms which gives it a gentle flow and makes for a distinguished and distinct appearance, while avoiding any noisiness. The Carrara family consists of 12 styles and is well equipped for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Ribera is a contemporary sans serif typeface including three styles. The Ribera characters have smooth curved spins and little contrast combined with a big x-height and big counters. These characteristics make Ribera ideal for almost any type of graphic design. Its unique look is well suited for corporate identity, its precise drawing for branding and poster design, the fresh look for advertising and the clear appearance for sign posting. But also editorial design benefits from Ribera. It expresses a modern look in headlines and stays highly legible in small sizes. As part of the URW++ SelecType collection, Ribera meets very high quality standards. The character set includes various OpenType features and a broad language support.

Addition to the collection of TypeType display fonts! TT Espina useful links: Specimen | Graphic presentation | Customization options TT Espina is a display antiqua with expressive serifs. Inspired by the historical shape of the letter O, which took on a diamond shape due to print quality, the designers created a modern typeface with high contrast between horizontals and verticals. TT Espina is yet another proof that antiquas can be stylish and expressive display fonts suitable for modern projects. TT Espina will look harmoniously in headlines of posters or billboards, in gallery and exhibitions design, in large-format printed materials or on websites. The font is easily distinguishable among other antiquas by its high contrast, expressive and large serifs, closed aperture and diamond-shaped circles. TT Espina’s characters are quite narrow, which adds to the materials designed using the font a special aesthetic. It makes you to look closely into each letter, so the headlines set in TT Espina will definitely be read. A full set of different icons is a nice addition for designers who will work with a new typeface. TT Espina consists of 7 typefaces: 6 romans and 1 variable. Each typeface has 648 glyphs. The font family has 21 OpenType features, including changing the shape of some characters (Q, g, j), the possibility to replace characters with high-set diacritics with characters with low-set diacritics, which is convenient for poster design.

Daenerys is a thin, elegant signature font that is perfect for a wide range of design projects. It has a delicate, calligraphic style with smooth, flowing lines that give it a sense of grace and beauty. The letters have a slight slant, which gives them a hand-written feel, making it suitable for invitations, wedding stationery, and other special occasions. One of the most striking features of this font is the abundance of swashes. These are decorative flourishes that extend from the letters, adding a unique and ornate touch to your designs. The swashes come in a variety of shapes and sizes, and they can be used to add emphasis to specific letters or words. This makes the font perfect for creating elegant, eye-catching titles and headlines. The lowercase letters have a unique and modern touch, The uppercase letters are more formal and elegant, making them great for headlines and titles. Daenerys is a versatile font, it's perfect for branding, packaging, and web design. The thin lines make it easy to read in small sizes and it's also great for overlaying on top of other design elements. Overall, Daenerys is a beautiful and sophisticated font that can add a touch of elegance to any design project. Daenerys features: A full set of uppercase and lowercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +274 Total Glyphs +40 Signature Swashes

German graphic designer Ralf Weissmantel created Boogie in 2003. Boogie is an ironic reference to pop art, and to disco lettering from the 1960s and 70s. Its round forms and outlines evoke the flashing, pulsating lights and music of that era. Shipping with five different, width-compatible fonts, the Boogie typeface has four different components: an outlined letterform is the base element, and forms the first font. Three additional fonts may be layered over top of this base, surrounding the first font with up to three bubble-outlines. In graphics applications like Adobe PhotoShop or Illustrator, these elements can each be assigned different colors. There is also a fifth font, which contains the base outlined letterform pre-surrounded by three additional outlines of the same color. Boogie works best in large headline, display and signage applications, where its forms can be clearly seen and enjoyed. When different colored layers are applied, text set in Boogie will gyrate and jive across the page! Weissmantel has worked as an art director for various international advertising agencies, and has led Corporate Design projects for firms such as Grey and MetaDesign. His design work, honored internationally, has been included in the typography collection of the Museum for Art and Trade in Hamburg. He is currently teaching graphic design at the Düsseldorf University of Applied Sciences. Weissmantel has been an associate of the United Designers Network since August 2002. Boogie received an Honorable Mention in the 2003 International Type Design Contest, sponsored by Linotype GmbH.

This font is perfect for logotype, apparel, branding, packaging, advertising and more. This typeface comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic alternate, ending swashes. Also having multilingual support. Fireclay is perfect for logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events or anything that requires branding content. Ending the Swash and alternate makes it complete. It comes with several different lengths.It's easy to access swash Kind regards Ergibi Studio

Habita Scenic is the heavy and beautiful serif font that adds a touch of femininity and class to any project. Designed by Mans Greback in 2023, this font features high contrast and retro style, making it the perfect choice for designers looking to add a touch of cool to their work. With its beautiful swash letters, Habita Scenic is perfect for logos, headlines, and other creative projects. This font's classic and elegant design makes it an ideal choice for high-end brands and premium products. If you're looking for a font that exudes sophistication and timeless style, look no further than Habita Scenic. Use underscore _ anywhere to make a swash. Example: Love_Passion The Habita Scenic family consists of four high-quality fonts: Regular, Italic, Bold and Bold Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

RiptCure is a futuristic, but usable typeface for everything from logotypes to magazine headlines. Several weights are included, including an interesting Ultra Light.

Damasquine works well for headlines and titles mostly, could be a sharp Art Deco reinterpreted typeface with a touch of archaic lettering inspiration.

HWDP is heavy letterpress type. HWDP has two style: bold and bold italic. This type looks great in headlines and longer text. CHEERS!

Schoko is a brush script headline typeface. It is elegant and still clear and self-confident. Ideal for food packaging and product branding.

Morning Violetta is modern contemporary display sans, and well suited for magazines, brochures, logos, headline or quotes, stand alone display, and short paragraphs.

Daily Tabloid JNL was redrawn from a set of wood type that was popularly used for newspaper headlines, posters, broadsides and the like.

Blackwood is a sans serif headline face with a woodgrain effect. Based loosely on Grotesk, it has strong, solid forms with distinctive style.

Woodlawn JNL is based on an open face wood type. A bold outline sans, this design is excellent for headline and titling applications.

Jelloding contains 32 funny & cute dingbats. Comes in TTF, OTF and Windows Postscript format to suit your every need. You gotta love 'em, and they're free too!

Avantgarde fonts Batory and Batoswash are monoline sansserifs designed by Bo Berndal. The futuristic Batory (think Bladerunner and Total Recall) and the spicier relative Batoswash come in three versions: Narrow, Middle and Wide. The font family is available in Truetype and Postscript for Mac and PC. Bo Berndal, born 1924, has been designing typefaces over 56 years, for Monotype, Linotype and other foundries. "Batory is a monoline reaction to my many calligraphic fonts", says Bo Berndal. "That is also the reason I did several widths instead of weights. Batory has short stems and high x-height. Batoswash is a Batory gone wild!" The successful Batory has already been used for logotypes, vignettes in magazines and as headline type.

Introducing Joel, a display font that will bring your design to life! With its bold and playful style, this readable cartoon font is perfect for grabbing attention and leaving a lasting impression. Whether you need it for headlines, branding, logotypes, or any other creative project, Joel is here to make your message stand out from the crowd. Its unique design ensures legibility even at small sizes, making it versatile for all your design needs. Get ready to infuse some fun and personality into your projects with Joel! Joel Font includes : Standard Latin Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations Works on PC & Mac Thank You.

Bosca this is an elegant serif font family which includes 4 weights. It is multi-purpose and can be used for a variety of tasks. It can look either conservative and restrained or modern and elegant thanks to ligatures and alternative substitutes, they will add variety to your project and make it more attractive and give many options for creating your design. Heavier weights are great for headlines, logos, and other important things. light will look elegant and more discharged. The regular weight is perfect for text tasks, it has a balanced dynamics and is easy to read. This font is easy to use has OpenType features, and all characters in this font have PUA encoding.

Roclante Display is a Brand New Elegant Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies. Roclante Font would be perfect for branding, headlines, Captions, paragraph, and posters. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile The Typeface includes Six Weights - UltraLight, Light, Normal, Medium, DemiBold, & Bold. All offer wide language support, upper and lower cases, numerals and extended punctuation. Thank you for taking the time to look into the font.

Patron is a modern, mono-linear, sans-serif font family with large x-height and softened edges containing 12 fonts. This typeface was born as a corporate font design for non-profit sector and today it is available for public. At the moment Patron is offered as a PostScript-flavored OTF, but its construction is tuned to display well on screen as well. Works on a TrueType version with individual glyph hinting are being carried out. In addition, Patron has alternative family (Patron Alt) with enhanced personality, suitable mainly for headlines. Patron is graduation work of Matěj Hlaváček at AAAD in Prague, Studio Of Typography. Supervised by František Štorm, Tomáš Brousil and Karel Haloun.

Introducing Navigated, a captivating script font that seamlessly combines boldness with balance. Navigated showcases a unique connected letterform design, where each letter is expertly linked, resulting in a fluid and harmonious appearance. With consistent proportions and a low-contrast style, Navigated offers both stability. Adding a touch of flair to Navigated, you'll find striking swinging endings on select letters. These graceful flourishes bring an element of charm and sophistication to your words, making them stand out with a captivating visual appeal. Navigated fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

Mosteri is a gorgeous and elegant display font with an incredibly delicate feel. It features gorgeous and mysterious swashes and ligatures that make this script incredibly versatile. Whether you’re looking for fonts for Instagram, calligraphy scripts, or magic- or wizard-themed projects, Mosteri will turn any creative idea into a true piece of art. This font will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! Comes with a full uppercase, lowercase, numbers and punctuation + standard multilingual support. It’s great for branding, logo designs, lettering, logotype, craft, posters, packaging and much more. We recommend using Adobe Illustrator or Photoshop. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

Karmaline is a six-weight sans serif font family with a unique and expressive design. This font has some intriguing special features such as subtly tapered topheavy vertical strokes and selected wedge-shaped horizontal strokes. It is evocative of designs from Switzerland, Germany, and the Netherlands in the period spanning 1900 – 1930, but with thoroughly modern features like high legibility at small sizes, even inter-character weight and flow, and a high x-height. You'll find Karmaline's semi-condensed width to be useful for both strong headlines and for comfortable copyfitting in narrow column widths. This font also works very well when adding layered shadow and highlight effects, and is a great choice for logos.

Nimrod was released by Monotype in 1980. Designed for current newspaper technology, the Nimrod font family evolved as a result of extensive examination of newspaper industry needs. Nimrod retains many of the features of the traditional newspaper Ionics, but some of the fussier detailing has been replaced by the more sober forms of the old styles, such as Plantin. A highly legible font family, especially in smaller sizes, its clear unambiguous character shapes make easily readable blocks of text. Nimrod also withstands the degradation encountered in newspaper production and printing. First used for body text in the Leicester Mercury newspaper, the Nimrod font family has subsequently become a popular choice in newspapers for text and headlines.

This font has been especially designed for Mostardesign Studio by Olivier Gourvat. Created in 2010, this font family has been designed to serve sectors like financial services, modern industries, business and many more activities who needs a modern aspect in their communication. Its square proportions make the design very readable at a wide range of sizes. Shapes give the face a unique futuristic look and is a very practical choice for modern headlines, branding, text and web fonts work. The family contains also an alternative set with simplified letters designed especially for text and a unique stylistic set for titles and branding. UNicod Sans is available in 5 weights with corresponding italics and 2 styles.

Black Script is a bold connected script family with plenty of weights: Regular, Bold, Inline versions, Caps, Ornaments and Printed versions of all those. For the best price purchase either Black Script Family or Black Script Printed Family or Black Script Complete Pack which contains all versions of the font. Black Script is equipped with automatic OpenType Ligatures, Swash and Stylistic Alternates to let you customise your designs. Find even more alternates from Glyph Palette. Black Script Caps is a block letter font designed to work alone or to support the script. Caps is equipped with Swash alternates. Black Script is a great font family for creating ambitious headlines, logos & posters with a custom-made feeling.