t can be complicated to create unique, attractive designs for your latest projects especially when you are left with an abundance of boring fonts because ordinary fonts make your designs less prominent, unattractive, and unprofessional. Therefore, we would like to introduce you to Hello the Dog. Hello the Dog is a display font with cute, charming characters inspired by a dog theme. All of its letters and characters are created in a cute way that portrays a dog’s characteristics, such as long ears, big eyes, and a cute nose. It has various sizes and variations ranging from uppercases for title displays and lower cases for softer text displays. Hello the Dog font, of which available features and a clipart bonus you can enjoy, will live up and charm your designs in order to attract the audience with the theme you have. In fact, it will also help you build up your brand identity to be unique and memorable, particularly brands related to dogs or pets. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Hello the Dog fits best for various design projects, such as brandings, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

It can be a tough challenge to find a visually best font for your project as an inappropriate font may ruin the project and make it seem unprofessional and careless. Therefore, Stay Love, through which your project will be outstanding, is here for your perfect font to show lovely nuances and displays leaving the best impressions to your project. Stay Love designs are beautifully crafted to look as similar as the artistic humans’ handwritings for unique, interesting displays. The letters, which connect to each other to create continuity and consistency, have high contrasts to show clear differences between the thick and the thin parts of the letters for stronger and more legible writings. Moreover, the swinging letter ends can add feminine touches and elegant beauty to your designs, which you can use in big text sizes for a legibility reason. In addition, you may indeed enjoy the available features here. Features: Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Stay Love fits best for any design projects requiring artistic, elegant displays such as wedding invitations, greeting cards, merchandise designs, and more. For such artistic and elegant displays, this script font is also applicable for logo designs, posters, and packaging. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Mintely is a sophisticated and versatile serif font family designed to elevate your typography to new heights of elegance and legibility. With its 6 style variations and 8 weight options, this font offers an extensive array of choices to suit a wide range of design projects. This family combines classic and modern elements, resulting in a timeless design that can adapt to various design contexts. The 6 style variations in this serif provide you with a variety of typographic options, allowing you to experiment with different looks and moods. Whether you need a sleek and minimalistic appearance or a more decorative and ornate style, Mintely has you covered. Additionally, the 8 weight options in Mintely offer a wide range of possibilities in terms of contrast and emphasis. From thin and elegant weights to bold and impactful variations, this font family ensures that you can effortlessly find the perfect weight for your specific design needs. Because of its legibility you can use this font in a variation of text sizes. Enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Mintely fits in headlines, logos, posters, flyers, invitations, branding materials, print media, editorial layouts, headers, and any many more. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Remora is an extensive new humanist sans serif which comes in 2 style variations, the effervescent Remora Sans and its corporate business partner Remora Corp . Both styles include 5 individual width sets ranging from the condensed W1 to the extra-wide W5. Furthermore, with an impressive 7 weights (Thin to Ultra) and true matching italics in each pack Remora is an ultra versatile super family comprising 140 individual fonts, perfect for any typographic assignment or design brief. Remora was designed by G-Type founder Nick Cooke. Both the Sans and Corp families share the same proportions, with the exception of certain key characters that change the overall appearance. Remora Sans is an exuberant and characterful typeface while Remora Corp, as its name suggests, is a businesslike typeface more suited to corporate typography. Quite early on in the design process Nick decided to give Remora Corp equal billing instead of incorporating these glyphs as alternates or a stylistic set that may get overlooked. “I created two separate families after learning a valuable lesson with one of my earlier typefaces, Houschka”, says Nick. “Houschka contained distinctive rounded A’s W’s and w’s, with ‘straight’ styles as character alternates. Even though style sets and alternates are easy to activate they are rarely used, so after many requests for customised versions of the fonts with the straight characters as defaults it was decided to create the separate ‘Alt’ family. So I cut straight to the chase with the two Remora variants and created two complementary families.” Both sets contain many shared letterforms, but it is the alternate characters that significantly alter the appearance of each font. Remora has been carefully designed for optimum legibility at large and very small sizes. Although fairly monolinear in appearance, especially in the lighter weights, particular attention has been paid to optical correction like the overshoots of the curved characters. Open counters and painstaking attention to detail (e.g. weight contrast between horizontal and vertical strokes, junctions of shoulders and stems etc) all boost readability and make Remora a great choice across all media. Remora Sans and Corp are ‘humanist’ rather than ‘geometric’ in style, meaning they’re not strictly based on rectangles and circles, resulting in a warm and friendlier feel. The slightly ’super-elliptical’ rounded forms create generously attractive curves. Remora has very distinctive italics in that they are only inclined by 8 degrees, but are not just based on slanted uprights. The italic styles are very alluring when used for display at large sizes and the good news is they come bundled free with their respective uprights. Each family also contains many OpenType features including proportional and tabular numbers, small caps, discretionary ligatures, plus five stylistic sets for ultra versatile typography.

Remora is an extensive new humanist sans serif which comes in 2 style variations, the effervescent Remora Sans and its corporate business partner Remora Corp. Both styles include 5 individual width sets ranging from the condensed W1 to the extra-wide W5. Furthermore, with an impressive 7 weights (Thin to Ultra) and true matching italics in each pack Remora is an ultra versatile super family comprising 140 individual fonts, perfect for any typographic assignment or design brief. Remora was designed by G-Type founder Nick Cooke. Both the Sans and Corp families share the same proportions, with the exception of certain key characters that change the overall appearance. Remora Sans is an exuberant and characterful typeface while Remora Corp, as its name suggests, is a businesslike typeface more suited to corporate typography. Quite early on in the design process Nick decided to give Remora Corp equal billing instead of incorporating these glyphs as alternates or a stylistic set that may get overlooked. “I created two separate families after learning a valuable lesson with one of my earlier typefaces, Houschka”, says Nick. “Houschka contained distinctive rounded A’s W’s and w’s, with ‘straight’ styles as character alternates. Even though style sets and alternates are easy to activate they are rarely used, so after many requests for customised versions of the fonts with the straight characters as defaults it was decided to create the separate ‘Alt’ family. So I cut straight to the chase with the two Remora variants and created two complementary families.” Both sets contain many shared letterforms, but it is the alternate characters that significantly alter the appearance of each font. Remora has been carefully designed for optimum legibility at large and very small sizes. Although fairly monolinear in appearance, especially in the lighter weights, particular attention has been paid to optical correction like the overshoots of the curved characters. Open counters and painstaking attention to detail (e.g. weight contrast between horizontal and vertical strokes, junctions of shoulders and stems etc) all boost readability and make Remora a great choice across all media. Remora Sans and Corp are ‘humanist’ rather than ‘geometric’ in style, meaning they’re not strictly based on rectangles and circles, resulting in a warm and friendlier feel. The slightly ’super-elliptical’ rounded forms create generously attractive curves. Remora has very distinctive italics in that they are only inclined by 8 degrees, but are not just based on slanted uprights. The italic styles are very alluring when used for display at large sizes and the good news is they come bundled free with their respective uprights. Each family also contains many OpenType features including proportional and tabular numbers, small caps, discretionary ligatures, plus five stylistic sets for ultra versatile typography.

Polthena is a brush script typeface created by skilled hands which makes it look very refined. Its subtle shapes make this font suitable for all your projects. Polthena Brush Script is perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects that need handwriting taste. Polthena Font multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

Caros Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with geometric shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Caros is a versatile type family of 18 fonts. Caros family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Nick Marco is a brush script typeface created by skilled hands which makes it look very refined. Its subtle shapes make this font suitable for all your projects. This font is perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects that need handwriting taste. Multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

Old Kharkiv was inspired by the first half of the 20th century photo with a signage on the building of the Ivan Kotlyarevsky Kharkiv National University of Arts. During the development, the font has acquired unique features not from the original signage, for example, drops in uppercase were replaced with sharp serifs. This font contains the letters of all the main European languages, Cyrillic and basic special characters. Some uppercase letters (where allowed their form) have decorative elements (swashes) to use them as drop caps or initials. There are stylistic alternatives for some Ukrainian letters. Also, as a bonus, this font contains up to a dozen graphic elements that you can use in your layout.

Future Bugler is a font based on the second logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font can convey several perspectives or moods. It can suggest a space-age vision of the future, or an art-deco perspective of the future as in the movie “Sky Captain and the World of Tomorrow”. It also communicates the idea of high performance, or extreme sports, without the grunge. Also be sure to check out the upright version of this font, Future Bugler Upright, available separately. Digitized by John Bomparte. Additional tags: NFL, NFL Network, NFLN

Dexter is an original new typeface creation by Alex Kaczun. It is a warmer, more sophisticated grotesque that is both fun and interesting. Its tight letter spacing and narrow proportions make the typeface particularly well suited for display sizes and headlines. This intriguing sans with distinctive letter shapes is typical for display fonts of the late 19th and early 20th centuries. Dexter is ideal for titles and headlines looking for impact and style. Dexter is also an excellent choice for magazines, books, posters, brochures, flyers, etc. The large Pro font character set, which supports most Central European and many Eastern European languages, also includes a corresponding small caps font along with old style figures.

Karmaline is a six-weight sans serif font family with a unique and expressive design. This font has some intriguing special features such as subtly tapered topheavy vertical strokes and selected wedge-shaped horizontal strokes. It is evocative of designs from Switzerland, Germany, and the Netherlands in the period spanning 1900 – 1930, but with thoroughly modern features like high legibility at small sizes, even inter-character weight and flow, and a high x-height. You'll find Karmaline's semi-condensed width to be useful for both strong headlines and for comfortable copyfitting in narrow column widths. This font also works very well when adding layered shadow and highlight effects, and is a great choice for logos.

Nimrod was released by Monotype in 1980. Designed for current newspaper technology, the Nimrod font family evolved as a result of extensive examination of newspaper industry needs. Nimrod retains many of the features of the traditional newspaper Ionics, but some of the fussier detailing has been replaced by the more sober forms of the old styles, such as Plantin. A highly legible font family, especially in smaller sizes, its clear unambiguous character shapes make easily readable blocks of text. Nimrod also withstands the degradation encountered in newspaper production and printing. First used for body text in the Leicester Mercury newspaper, the Nimrod font family has subsequently become a popular choice in newspapers for text and headlines.

This font has been especially designed for Mostardesign Studio by Olivier Gourvat. Created in 2010, this font family has been designed to serve sectors like financial services, modern industries, business and many more activities who needs a modern aspect in their communication. Its square proportions make the design very readable at a wide range of sizes. Shapes give the face a unique futuristic look and is a very practical choice for modern headlines, branding, text and web fonts work. The family contains also an alternative set with simplified letters designed especially for text and a unique stylistic set for titles and branding. UNicod Sans is available in 5 weights with corresponding italics and 2 styles.

NULATO is a sans serif font inspired by the great Alaskan outdoors and the clean shapes of the horizon. The font represents a modern and slick approach to a minimalist trend behind the core of great brand identity practices. Nulato took a year to develop, from the first sketches to the final 700+ glyphs the process took a significant amount of research and variables. The letters, specific ligatures, and symbols are a full stack. It was specifically designed with the classic approach to balance and appearance, but with a strongly advocated contemporary characteristic of font design and marks. NULATO evokes the perception of something familiar, but with that extra, needed for inspiring the new.

Introducing, Divine Stone - A brush display font. This font has unique shape with watercolor brush effect, very catchy for fresh and playful theme design. This font also perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase and lowercase numbers and punctuation multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Introducing Al Nevrada Font. It's a display typeface with sharp serif forms. If you want to stand out then this is the font for you. It’s a chic and luxurious serif font with a contemporary feel. Use it to add a bold flavor to any design! It’s ready and perfectly fit for your logo designs, headlines, music projects & social media posts, event posters, brand imagery, product packaging, quotes, merchandising, etc. Features : OpenType features ( ligature, alternate ) Easy to use, you can use combination like a.2 e.2 etc Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works in Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual support

Mersin is a modern sans serif font family. The asymmetrical structure of the beginning and ending shapes of letters such as "Cc, Ss" is its most distinguishing feature. Mersin has a total of 20 fonts, includings 10 weights and their appropriate italics. With its 2-axis (Weight & Italic) Variable Version, Mersin offers the advantage of using a very rich weight between 100-900. It includes detailed ligatures such as "Th, Tl, Ti, Tä, Tä, Tü, Tö, iï, fä, fä, fö fü" for very wide and different accents. “Mersin Book” and “Mersin Book Italic” are specially designed for body texts and small fonts usages. Ideal for corporate identity, posters, brochures, guidance signages and all other kinds of graphic design works.

KubaApplique is a bold and exciting African font that makes use of the interplay of black and white shapes -- reminiscent of the Kuba cloths that are made and used by the Bakuba tribe. Typified by a balance between dark and light areas, the characters reflect the ethos of Africa. Kuba applique contains the full range of upper and lower case characters, all punctuation and special characters as well as the accented characters used in the major European languages. Because the way in which the individual letters fit together is so important in Kuba Applique, I took especial care of the kerning and spacing of characters. The font is intended to be used as a display font.

This Kaonug display font will make your work stand out. It brings just the right amount of uniqueness and style to whatever project you’re working on, the anatomical shape of the letters makes it unique and artistic. This is a great font to use when creating logos, posters, advertisements, and all your projects or anything else that needs to stand out in a variety of media. What’s Included : Standard glyphs Iso Latin 1 Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Mecanica is an original design by Alex Kaczun. It is a display font not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Mecanica is a futuristic, techno-looking and expressive typeface with an appearance of metal-like parts with some very sharp edges. This attractive display comes in roman with lower case and lining figures. The font also is available with true-drawn slant italics. Other design style variations include Swash as well as Ornamental Italic Capitals along with a few Ornamental Symbols to embellish and enhance the possibilities.

Paperclip Wire is a great font for anyone looking to have a straightforward yet elegant look. All letters consist of Capitals yet the uppercase letters are exaggerated. Because of the nature of the font I suggest using it in no less than 20 pt. font. However, because it is simple it can easily be read when printed. This typeface was developed loosely based on a paper clip itself. the x-height was determined based off the size ratio of the clip and the cap height was based off of a paper clip as it is folded open. The overall shape is straight lines and subtle curves, all relating to each other to allow for a constant flow of letters.

Hildor San is a san serif font with full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. Hildor San elegant san serif font 9 family, classic and elegant style for poster design, magazines, beauty branding with a flower-shaped asterisk glyph suitable for your beautiful and elegant design concept. Features Standard glyphs uppercase and lowercase letters Numerals, a large range of punctuation and ligatures. Lowercase letters include ending swashes. Works on PC & Mac. Simple installations, accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡

Meet our new exploration Cherione, a playful Sans Serif font family. Cherione has a unique letterform with the lowercase designed in the same height as the uppercase, which gives a playfully look. Cherione has a geometric shape and was carefully adjusted to look elegant and minimalist. Perfect for fashion, minimalist, luxury, kids, and other joyful themes. Cherione font family consists of 3 weights: Light, Normal, and Bold. So you can use this font set for many purposes such as logos, storefront, social media design, quotes, name cards, menus, magazines and editorial, signboards, posters, and more. There are 30+ unique ligatures which give you many variations of typography designing. Also complete with accents, swashes, and alternates.

Zibryain is a unique display font. Modern style created as a result of my experiments on letterforms, on the one hand I like the appearance of the individual curved lines, on the other hand they seem very strange, foreign and illogical. It was like looking into a microscope and seeing something strange. I wanted to develop and study these forms as something new, because I had never seen anything similar before. The result is a contrasting font that has sharp, smooth curves and lines. The Zibryain font is perfect for designing company logos, online game logos, magazine covers, biographies, business cards and all your design work of course. become more attractive in appearance.

Spirits design was initially based on Hermann Ihlenburg's Schoeffer Old Style from the 1912 ATF catalog. Soft is the closest version to the printed original typeface. Neutral, with more formal serifs, is ideal for editorial design, for example newspaper headlines. Sharp, more contemporary, is the best choice for meeting today's design needs. Condensed proportions and large x-height, features found in the original font, make Spirits ideally suited for headlines and branding design. As you would expect from Latinotype, this font comes with a standard character set that supports over 200 languages. Each version includes its own alternates and comes in 4 weights, ranging from Light to Black, resulting in a total of 12 font styles.

Barosaki is a unique blend of classic and modern shapes. Imperfect style ups and downs, like dancing letters, which are smooth, clean and simple. Perfect for weddings, events, invitations, escort cards, table numbers, header menus, displays, logos, slider blogs, custom addresses, stamps, packaging, greeting cards, etc. Barosaki Script including alternate glyph and beautiful swirl in a font including stylistic sets, Ligatures etc. The OpenType features can be accessed by using OpenType savvy programs such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7 and Microsoft Word. And this Font has given PUA unicode (specially coded fonts), so that all the alternate characters can easily be accessed in full by a craftsman or designer.

Infamy is a display typeface inspired by graffiti and street art, featuring the ‘bubble letter’ style of writing which was very popular among subway and suburban graffiti artists in the early days of American graffiti. This font recovers graffiti horizontal alignment, tight tracking and colourful lettering. The OpenType version includes many different ligatures which provide multiple options when composing a text. Multiple layers make Infamy a bright, shaded and colourful font, allowing you to dress up your writing. This font incorporates a pictorial rendering of character faces (instead of small caps), capturing the essence of the graffiti: the ‘childish’ and the ‘irresponsible’, which is present in the experimental side of the typeface.

Based on our experience as a graphic designer who works for a lot of companies, we often are requested to design a logo in a unique style but with an elegant shape. So, we try to brainstorming and create this font to make the idea is going out. This is perfect for BRANDING and LOGO DESIGN. You will get classy, elegant, and certainly unique logos with this font. (Update v.2) Added 10+ ligatures for your needs. :) angle is also included full set of: uppercase and lowercase letters multilingual characters numerals punctuation Wish you enjoy our font and if you have a question, don't hesitate to drop message & I'm happy to help :)

Delauney is a display font, inspired by the Art Deco style from the 1920s. Delauney visualizes luxurious looks, elegance, and wealth. This font is an all-caps font designed with geometric shapes and firm strokes that gives a clear look and minimalist. Delauney also has some OpenType features and accented characters to give you many alternatives in your creative process. A great choice for your headline, title, label, editorial, logotype, quotes, typography, and more! Delauney provides three styles : Regular: The main style for display or headline Shadow: Secondary style that you can use to beautify the Regular one. Catchwords: Available in three languages; English, Spain & Bahasa. Complete your words to look more decorative. Thank you for visiting Happy designing!

In 2007 we shared our first pride together. More than 1 million people took the streets of Madrid for this huge celebration … seeing the diversity of people supporting love was incredibly touching. Gay Pride is a celebration of freedom, human rights and the right to love whoever we want. It’s a memorial for the battles, the lives lost and the pain suffered while fighting for a growing list of equal rights. But let’s not forget there are still places where LGTBQ community is repressed and persecuted. As Letter crafters we love seeing the signs people design for their different pride parades, and we wondered… Why don’t we create a collection of handcrafted lettering to share some love and to add a typographic realness to the party? Love Wins Font is a series of 60 phrases handwritten with expertise and love specially designed to celebrate diversity. The lettering was crafted with different calligraphic tools creating diverse aesthetics. You can use them to create your signs, t-shirts, stickers, poster, banners.. all you need is to spread love during your Pride Celebrations (or day-to-day life!).

Kolaron – A Modern Condensed Sans Serif Font Kolaron is a contemporary condensed sans-serif font that effortlessly blends sophistication with modernity. Its sleek and streamlined design features condensed letterforms that exude a sense of efficiency and space optimization, making it an ideal choice for projects where legibility and style are paramount. The font’s clean lines and geometric shapes contribute to a polished and professional appearance, making it versatile for a range of applications, from corporate branding to editorial design. Kolaron’s balanced letter spacing and subtle yet distinctive details showcase a meticulous attention to typographic detail, ensuring a harmonious and eye-catching visual experience across various mediums. Whether used for headlines, signage, or digital interfaces, Kolaron stands as a testament to the elegance achievable in contemporary typography. Kolaron is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Basilisk is a futuristic and retro-inspired typeface that works well in any sci-fi space thriller. This one is for you if you like futuristic fonts. The different weights give you a lot of flexibility when it comes to choosing the right typographic color for your project. The available Ligatures and Italic styles offer a wide range of characters to give your project design an unique design. 5 Weights (Light, Regular, Semibold, Bold, Black) 2 Styles (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures and Alternate glyps Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Bellmore is a beautiful serif font family with a classic feel to it. The elegant design is the result of combining modern and vintage elements. The different weights give you a lot of flexibility when it comes to choosing the right typographic color for your project. The available Ligatures and Italic styles offer a wide range of characters to give your project design an unique design. 5 Weights (Light, Regular, Semibold, Bold, Black) 2 Styles (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures and Alternate glyps Multilingual Support for ä ö ü Ä Ö Ü ... OTF file format Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Yonghate is a Calligraphy typeface with personality. You can use it as a logo, badge, insignia, packaging, headlines, posters, t-shirts / apparel, greeting cards, and wedding invitations. Flowing characters are ideal for crafting a catchy message, mix and match Yonghate with lots of alternative characters to suit your project. Alternative characters in this font are divided into several OpenType features such as Stylistic Alternates, Stylistic Sets, and Ligature. OpenType features can be accessed using OpenType programs such as Adobe Illustrator, Adobe Photoshop, and Adobe InDesign. There he is! I really hope you enjoy it - let me know what you think. More importantly, feel free to message me if you have any problems or questions. Email support: irflabstudio@gmail.com

Introducing Sonneta, a free flowing, modern hand drawn script. With a spontaneous feel and lots of alternates, it's a perfect typeface for your branding projects or anywhere you need a fresh hand drawn look. Sonneta has three complete character sets plus alternates, swashes and ligatures making it look authentically handwritten - no duplication of characters here. Note the three distinct styles of capitals, making it a truly versatile font. We particularly like using the large, extravagant caps for monograms. There are also eleven swashes to provide a nice finishing touch to your design. Sonneta pairs beautifully with both sans and serif styles. We think it's particularly successful when paired with ultra thin sans. Check out the previews to see more.

A slim, semi-connected script with lithely upright curves, Spumante is ideal for food packaging and menus, cosmetic labels, book covers, or greeting cards and invitations. Dress it up with over 200 swashes, alternates, and ornaments, or use the titling alternates for a minimalist, unconnected look. Spumante Shadow (FREE!) was designed to complement the regular weight of Spumante. Check out this video to see Spumante’s features and how to use them. See what’s included! http://bit.ly/1yu2mKO *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/