Sign Production JNL somewhat resembles Sign Kit JNL but there are some noticeable differences. The letters and numbers in Sign Production JNL are bolder, wider and have some slightly different character shapes. The common theme is that both fonts were designed from die-cut letters and numbers found in the Webway Sign Cabinet, manufactured by the Holes-Webway Company of St. Cloud, Minnesota until its demise in the 1980s.

Mestizo is a term traditionally used in Latin America and Spain for people of mixed heritage or descent. In some countries it has come to mean a mixture of European and Amerindian. The font Mestizo is based on a strict grid system – but combines it with ethnic symbolism. Six weights can be combined in various ways. Accius, Alerio & Amias display the basic geometric shapes, Balbo, Belus & Borba represent the playful icons.

In Sidewalker we can see pieces of OCR-A, letters and of other fonts; letters pressed over metallic supports with too much ink and then redesigned on a computer. Reminiscent of how different materials in Burri or Rauchenberg's paintings are used. Some numbers have the same shape of some letters (J=2, 6=G=9, I=1=l ...) and many pieces of letters are copied into others. Very experimental...

Currently the only serif font from the Quadraat foundry. Cervina is characterized by a sharp lettering like the edge of the Hörnli or knife blades as well as closed forms in lowercases plus a stylistic set of square numerals. Cervina is a typeface specifically designed for big volumes of text but also for titles of books, newspapers, magazines, posters. Variable format available on request. Supports all latin languages

Superpop is sweet and gentle, a rounded geometric sans with a brushy script twist. Soft and refreshing like a soda, this font gets fizzy when geometric letterforms get mixed with script shapes you wouldn’t expect in a Sans Serif. A display family with two styles ( regular and italic ), 5 weights and an outline version for each style. Opentype Features: https://www.rsztype.com/article/how-to-use-opentype-features-adobe-microsoft-pages

Looking for a real fun whack-a-doodle typestyle? You may have just found your match with the Chilidog PB typeface. Chilidog PB began as a digitization of the film typeface called Nectar by LetterGraphics. This font is filled with irregular shapes, shifting weights, and a collection of ligatures that give it real personality. It's a real eyecatcher, but don't take my word for it, give it a spin for yourself.

Introducing vintage classic display typeface its called Burnic Typeface. Inspired by antique, mix victorian and art deco period with decorative shapes*. Those all will make you work easily to create : Posters, Logos, Print, Quotes, Headers, Clothing, Labels, Packaging etc. Features : Character Set A-Z Numerals & Punctuations (OpenType Standard) Accents (Multilingual characters) Ligatures Above the description of this font, I hope you're satisfied with what I have created. Thanks and enjoy designing.

Galberta, a cutting-edge futuristic font, embodies the essence of tomorrow’s typography with its sleek and innovative design. Its geometric, sans-serif characters seamlessly blend bold, crisp lines and subtle curves, exuding a sense of modernity and minimalism. The font’s minimalist aesthetic is complemented by its distinct fusion of sharp angles and graceful arches, creating a visually captivating harmony. Galberta offers a dynamic and versatile typeface that can effortlessly elevate the aesthetics of any design, from sci-fi movie posters to forward-thinking digital interfaces, making it the embodiment of typographic innovation in the digital age.

Gumela is a unique-sans family, based on rounded sans serif whose edges end with unique shapes. Gumela consist of 6 styles: Light, Light Italic, Regular, Italic, Bold and Bold Italic.

A unique slab serif with strong shapes give it an unmistakable character and charm. Every letter has been designed with passion and the family comes with lots of opentype features. Enjoy!

Rudolph is a bold serif headline typeface with strong contrast in the stroke and the sharp edges. It is very expressive and suitable for food packaging, product branding, magazines, and invitations.

Sortie Super is a take on one of the kings of display lettering - Caslon's high-contrast, reversed stress 'Italian' style. It looks great at big sizes and in short flurries... and shouldn't be used in confined spaces.  When compared with the original face, the weight and contrast of Sortie Super has been exaggerated. To add gravity to the letters I've increased their width overall and reduced the spacing to a hair-line fracture for added visual impact. Characters like 'S', 'E','O' and 'Z' are relatively close to their historical precedents - however the terminals on the 'C-G-S-З-Є', which have been drawn so to be more consistent. Other aspects, such as the leg of the 'R' and 'Я', the apex of the 'A' and the spur of the 'G' are revised and simplified, to help spacing and optical weight across the alphabet. Also, to reduce visual noise terminals in characters like 'C', 'J' and 'R'' are horizontally aligned. Meanwhile, the central horizontal strokes in the 'B', 'P' and 'R' etc are reduced to a hairline, so as to create a more simplified system of thick-to-thin.  The temptation when drawing this kind of esoteric display alphabet is to start to rely on modular components. Which, while copy-paste-repeat is a sure-fire way to make the face more visually consistent, it's a lazy method that risks allowing the font become soulless and mechanical. An early experiment I made was making a monospaced version, which was useful in headlines, but it lost that loving feeling. So, by maintaining a handful of flourishes – the tail of the '?', the inky drop of the '!', the bulbous gloop of arms of the 'Ж' and 'К', the swirling legs in the 'R', 'Я' and 'Л', the big-bowling weight of the 'J' and 'U' – plus a few in-built inconsistencies and a bit of its own silliness, Sortie Super retains some of the organic warmth of its ancestor. Conversely, the counters, apertures and negative space are largely rigidly geometric, which helps give the revival font a bit of a modern touch. Sortie Super is an uppercase-only display font that comes with Western, Central and East European Latin, extended Cyrillic, Pinyin, as well as a set of hairline graphic features and symbols.

Honey Bee is a type family developed over the course of 2020. Consisting of two sub-families that share the same DNA of two opposing styles. Honey Bee Serif is a transitional modern serif with some reference to fundamental letterforms. Honey Bee Sans is a low contrast semi-geometric sans serif with bold rounded letterforms. These typefaces were made in unison, designed for perfect font pairing for a variety of projects and intensions. It’s design is ideal for small and large scale, with the distinct characters of the Sans family and funky headlines or titles with the stylistic Serif Italic. Super legible and a variety of characters allow for multi-lingual use.

Moucha is a geometric superfamily that received the German Design Award 2024 for its multitude of variants. Find a vintage and a modern variant and play with all the proportions in between. The variable font is your typographic toolbox with the perfect sans-serif match for your favorite serif. It supports 619 Latin, Cyrillic and Greek languages. How it works: All variants share the same round characters while rectangle-based characters vary in width. Do you want a dynamic classic look with a narrow ‘n’ and uppercase proportions like you know from prototypes like Futura®? Or do you prefer a homogenous contemporary look? Use Moucha X for the exact middle or bubble up your own variant!

Luba is a multi-script text family designed by Hendrik Moeller. The family includes four weights: Light, Regular, Medium, and Bold. Each of these fonts may be purchased with both Latin and Cyrillic script coverage, or with support for just the Latin script. Moeller initially developed Luba to assist speakers of languages using the Latin script who are just embarking upon learning a language that uses the Cyrillic script, i.e., French, Germans, or Italians who are learning Russian or Ukrainian. Luba's letters place significant emphasis on their identifying elements; clear forms and a relaxed style help familiarize the reader with the foreign glyphs. The typeface makes clear distinctions between Latin and Cyrillic letters, without covering up their shared heritage.

Glaire is a beautiful and inspiring combination of script and sans with unique ligatures. Glaire is made mainly for headlines, titles, and other short texts and is well-suited for advertising, vintage mood board, branding, logotypes, packaging, titles, editorial design, modern logos, websites, social media quotes, wedding branding, and modern and vintage design. Accessible in Adobe Illustrator, Adobe Photoshop, Coreldraw, and even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support. Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration purposes only. Feel free to follow, like, and share. Thanks so much for checking out my shop!

Those footsteps you hear as you walk down that dimly lit Victorian street...? That flapping of leathery wings in the air...? The howl of some kind of Wolf-man in the countryside...? Those sounds that chill your spine and triphammer your heart are the sounds of unspeakable, terrifying terrors.... some might say horrifying horrors, scarifying scares... hammering, uh, hammers and now there's a font to capture them... a font that wants to suck your blood. Custom made for Ian Churchill's Awesome comic, THE COVEN.

Octavian font was designed by Will Carter and David Kindersley for the Monotype Corporation in 1961. Mr. Carter writes: While the ultimate authority is the ancient inscriptional pattern, the physical characteristics of the present rendering are manifest in the economic proportions of the shapes and the modified relations of the strokes. Thus, the letters are narrower than the classical forms and their weight heavier." Octavian is a fine book font and works well for other text settings that are less demanding, such as magazines and brochures."

Legatum is a new look at a classical serif Roman font and inspired by Roman sycamore, columns and architectural details of the Eternal City. The shapes of the letters and perfectly balanced high-contrast makes each sign look elegant, sophisticated and eye-catching. Looks great in headlines of posters, text in magazines, books. Also can be used in logos and blog posts. Each font has Latin multi-lingual support as well as uppercase letters, lowercase letters, numbers and basic punctuations and all necessary ligatures and alternates.

Broken is a grunge font with two interchangeable sets of uppercase. Its forms are in the Egyptian style of the early- to mid-nineteenth century, and the totality of its setting gives off the impression of a most unfortunate letterpress situation, with badly cut punches, uncontrolled ink spread, and metal shards and slivers strewn all about. Available in all mainstream font formats, Broken works very well and has a very unique appearance in design concepts where the overall visual can benefit from harshness, erosion, destruction or weathering.

Sobek, the Egyptian crocodile god, comes to life in this font as a striking and impressive set of characters. Somewhat alien and dangerous, Sobek uses sharp corners, excessive lines and geometrically circular curves to create a font that looks both organic and crafted at the same time. Use Sobek when you want your words to stand out from the crowd, and convey the feeling of something Other. Sobek even has support for numerous languages, so you can create interesting forms in many different dialects.

Introducing Seven Moon: A Retro-Inspired Font with Bold and Cheerful Charm. Seven Moon's cheerful charm shines through every character, evoking a sense of nostalgia and excitement. Its bold strokes and unique shape give it a strong presence, while its playful nature adds a touch of warmth and approachability. This font is designed to command attention and leave a lasting impression. Its distinct style ensures that your message will be conveyed with impact, making it an excellent choice for branding, advertising, social media graphics, and more.

Oxima font family has been designed for Graviton Font Foundry by Pablo Balcells in 2021. It is a technical sans serif typeface with rounded endings that provide a mixture between strong general aesthetics and soft elaborated details. Its strong and industrial, yet legible shapes make it perfect for contemporary and futuristic oriented projects and suitable to be used in any sizes, from headlines to body text and everything in between. Oxima consists of 8 styles, each containing small caps and glyph coverage for several languages.

Everyone loves black, strict stylish and elegant shapes. We strive to be perfect. Right? But ... don't you think we have lost something? Maybe childish spontaneity? The Cattyfox font will take you back to those wonderful times when there was no need to be serious, when the whole world was not so serious. If you want to have some uncompromising fun, hover above the crowd to show everyone how free you are, just create something in Cattyfox font and you will understand what true freedom is.

Tritone is a serif old style typeface display. The design is inspired by the Art Noveau style, which taken from the facade of a bathing establishment and reinterpreted it. The beauty of the font lies in it is classic and unique shapes and forms that characterise it, and for this comprises only two weights, for the dedication to the forms. The font expresses beauty and tradition, but in a lyrical context it can express the power of opera, because of it is powerful and elegant design.

Itoya is a contemporary sans serif font influenced by Western and Japanese ideologies. A fusion of modern machine-like functions with a warmer, emotional and more spiritual ethic. The marriage of a western precision and eastern expression forms a sharp functional font with a modern edge ideally suited to graphic novels, fashion and product design. Details include seven carefully chosen weight with true cursive italics, over 600 characters, alternative lowercase a, e, g and y. Five variations of numerals, ligatures, manually edited kerning and Opentype features.

Moon Bleacher is a display experimental aesthetic serif font that have sharp edge to make it look more elegant and luxury, Moon Bleacher inspired by nuance of mysterious thing, but keep it elegance with contrast line on each character. This font can be use in various project like, posters, magazines, logos, banner, invitations, brochure, album cover design and many more. Moon Bleacher also has several features including multiple languages support, punctuation marks, symbols, alternative and ligature. Moon Bleacher ready to stylish your beautiful word.

Inspired by old letter engraving and tombstones, his font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm. OpenType Pro fonts- Excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, Qamatz Katan, Holm Haser and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: https://tinyurl.com/ybgdsxme

Smack, from American designer Jill Bell, is oriented toward a young generation who does not want to mind the rules. The font invites unconventional and playful use. The figures seem to be almost coincidentally shaped. Letters alternate between thin and thick strokes alternate and are accompanied by fine dots which almost look like accidental drops of ink on the paper. Smack is an illustrative font with unmistakable handwriting character and is perfect for cartoons, comics and anything else which is not supposed to take life too seriously.

Lockdoor- Halloween Font is a display font that is inspired by horror style because its shape is very unique and is perfect for any project that you will use with this theme. Lockdoor came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

Chups is a retro groovy font with rounded corners that is perfect for designing with a retro style. With bold style and unique shapes, Chups brings a touch of retro and grooviness to any design project. The Chups characters are carefully crafted to provide a strong and striking appearance and give a consistent and appealing look. Whether for poster designs, book titles, or product designs, Chups is the perfect choice for those seeking a retro font that will create eye-catching and memorable designs.

Formerly named Atlas, Fortis is a 21st century contemporary Latin. Also categorized as a Glyphic, the design was first introduced in the last half of the nineteenth century and is characterized by large, sharp, triangular serifs. Latins were very popular for posters and as a newspaper headline font. Fortis is a Latin with attitude. It is bouncy and much more animated than its predecessors. As a display font, it brings motion and playful personality to a design. Great for party invitations, packaging, headlines, and children's books!

Chaste a very elegant sans serif font featuring clean lines, and sharp edges with oval combinations, very pretty but still has strong straight lines. Chaste makes it very easy for those of you who design minimalist and modern designs, it has upper and lowercase letters that are very easy to combine with other fonts. Support for 80 languages : Afrikaans, Albanian, Czech, Dutch, English, French, Italian, Portuguese, Swedish, Irish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Filipino, Finnish, Swiss German, Taita, Teso, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo Etc.

Counter Attack - Horror Font is a display font that is inspired by horror style because its shape is very unique and is perfect for any project that you will use with this theme. Counter Attack came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

Azarosa (a.sa.ˈɾo.sa) is a display font inspired by the work of the urban artist Arkano in Bogotá (Colombia). The orthogonal shapes of a continuos line adapt themselves pretty well to the architecture of the city, and the not common ductus of the letters gives a very attractive visual texture, which is always seen before read. Visually, Azarosa is related to the graffiti movement pichação in Brasil and with some nordic runes; this is why this visually "encrypted" font is not easy to read, ideal for underground purposes.

ITC Gema is the work of Brazilian graphic designer Claudio Rocha. It was first written in a small size to keep the surface irregularity of a non-coated paper when enlarged for use as a display font," says Rocha. Many strokes do not quite join, giving Gema the visual effect of a stencil typeface, the distinguishing characteristic of the font. "Some characters have my own handwriting gestures," says Rocha, like elongated endings and angular shapes. Gema comes complete with an unusual variety of ligatures and alternate characters."

Introducing an elegant script font called Sunbathe, every shape of this font is made by the natural strike. To customize, Sunbathe comes with some features like alternate and ligature. It's perfect for branding, magazines, greeting card, wedding invitation, social media stories, etc. What you will get : - Opentype features - Multilingual, support 16 languages ( Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Portuguese, Spanisch, Swedish, Zulu ) If you have any questions or need technical support, don't hesitate to comment, message or contact java.indonesian@yahoo.com.

This typeface was inspired in my dragon drawings, I like dragons and I thought in designing a special font with that inspiration. As the picture tells it, I gave a beveled shape to its terminals, looking like brush traces. Some characters are intentionally opened to give it a distinctive appearance. The number "3" has a different form, combining a wide angle and an opened circle, variating the way to make it. This font is special for some titles and it can even be used in comic dialogues.

Vultura is a razor-sharp typeface with an elegant feel. Inspired by old-style serif fonts, Vultura features exaggerated elements and delicate hairlines for maximum contrast and a classic, elegant aesthetic. FEATURES Two weights: Vultura Regular and Vultura Outline 36 ligatures incl. nested or overlapping caps per font Comprehensive language support including: Albanian, Basque, Catalan, Croatian, Danish, Dutch, English, Finnish, French, German, Hawaiian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Slovenian, Spanish, Swedish, Turkish, Welsh & more Designed in 2020 by Sweetest Goods

paintbrushdd was created using a real paintbrush. It is available in 4 styles including almost 3000 characters (Latin, Greek, Cyrillic, Coptic, symbols, shapes, mathematical expressions and so on). The main focus is on authenticity: The font literally looks like someone just painted it onto your artwork with a paintbrush! Just to name some examples, it is recommended for headlines, posters, t-shirts, computer graphics, and for any other purpose that need less than about 1000 words (due to the complexity of the font and the brush details).