The light and the bold. The thick and the thin. Laverne and the Shirley. Peanut Butter and the Jelly. Hoban is about contrast. Hoban wants to be noticed, but only after a second glance. A friend of a friend to the didones, it has smaller, tapering serifs, slightly calligraphic traits, and spindly little terminals that go where they please. It’s a headline face. Period. Set it big and bold. Or light and airy. But preferably next to something with flair. Cuff links, canapés, or corvettes–it’s up to you. Distinct ligatures, ornaments, and swashy alternates provide plenty of character to tailor your style.

Portello is a display family in the tradition of Tuscan advertising and display faces. It's a family of three 'all capital' faces. A perpendicular regular form is offered, along with an italic form (a true italic - with purpose designed glyphs-NOT merely an oblique) and a basic form for small text - which dispenses with the family's characteristic outlined look. It offers the spirit of the Victorian era with ready and distinctive legibility. It's ideal for poster work, especially at large sizes, and for signage with a period flair. Why not give your work the flair of colorful 19th century commercial design today?

Meet the Letterpress! Jakob Erbar’s Phosphor was released by the Ludwig & Mayer Foundry before 1923. The origins of Aurora date back to 1912 (Johannes Wagner Foundry). Permanent Headline was designed by Karlgeorg Hoefer, also known simply as Headline. It was fun making a mix out of the three classics – with Letterpress Bastard you will quickly get astounding results. To complete the family we added a font containing random symbols we also found in the metal type boxes. Please note that we provided loads of ligatures for double-letters to make your design look as authentic as possible.

Aeroblades is futuristic display typeface inspired by aerodynamic designs. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs!

Screter is a fresh Blackletter typeface with sharp edges that looks brave. Equipped with lots of ligatures and opentype features. Can be used for various purposes.

College Dropout is hand sketched, organic and reminiscent of some of those less-than academic moments at school. Its ideal use is as a display font.

A big fat quirky face for big bold weird uses. Inspired by E. McKnight Kauffer and vintage travel posters, both styles have support for multiple languages.

College Dropout is hand sketched, organic and reminiscent of some of those less-than academic moments at school. Its ideal use is as a display font.

Candycorn Overdose represents how I used to feel on the morning after Halloween, way back when I was young enough to go out begging for candy.

2 font faces that combine together with attached lower case glyphs. A combo type-face that can be used with or without joining its lower case.

Strong Enough is a beautiful and authentic modern calligraphy script that feels fresh and unique. Use it for any design project that requires a charming appearance!

Rosie is a chunky but elegant pen script with useful OpenType features. In non OpenType-savvy applications it still works beautifully as a fully joined script.

Mol is a slightly condensed feminine serif font recommended for use as a display typeface. It features hairline serifs, strong vertical stress and heavy ball terminals.

Stop using Times new Roman in children's books! BrunoBook is here to stay. A complete character set with numbers and most (but not all) special signs.

Backpage Article JNL and its oblique counterpart are a variant to the popular sanserif wood types used in newspaper headlines and on broadsheets in years past.

The presidents busts in a typeable format. Use a Glyph palette or Character Map for quick navigation. Who knows, one day it may come in handy.

The OTSU SANS family is a new sans-serifs typefaces family based on a geometric design. It can be use for text as for titling applications.

A great font for crafters and scrapbookers. This font can be used to design and layout samplers, or to just create that Home Sweet Home look.

Fractal is a font whose Hausdorff-Besicovitch dimension is greater than its typographic dimension. Big is better. To be used at display sizes larger than 200pts.

A revival of one of the popular wooden type fonts of the 19th century, extremely condensed, bold, flat thick serifs, a very useful design for display.