Abodin is a modern and fresh futuristic font. This font gives off a clean, minimalist, and futuristic feel. This font is equipped with upper and lower case. This font also contains Alternate and is equipped with 4 different styles, so it can give the impression of unlimited designs and is perfect for all kinds of your projects. Use this modern san serif font to have a high impact on your design, giving it a futuristic feel. This font is the right choice for websites or designs that need to be presented with a futuristic character. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Range Serif is a sharp, contemporary, wedge serif typeface with just a hint of fraktur influence. There are five weights from light to black, each with corresponding italics. This is a typeface designed for demanding typographic work; it’s legible at small sizes, but unique at display sizes. There is an abundance of OpenType features in each font, including: Ligatures - all fonts contain standard f-ligatures. Contextual Alternates - Range Serif has been carefully designed to not ‘need’ ligatures. If you choose to deactivate them, the contextual alternates feature will make sure an alternative f is used before certain letters to avoid clashing. Fractions - When activated, numbers separated by a slash will automagically turn into fractions. Numerals - There are many different figure sets. These are Proportional Lining, Tabular Lining, Proportional Oldstyle, Tabular Oldstyle, Superiors and Scientific Inferiors. A slashed zero feature is also included. Small Caps - All styles include small caps, for both small caps and capitals to small caps functions. Ornaments - For convenience, the arrows are grouped in the ornaments feature. Case Sensitive Forms - There are different punctuation and bracket glyphs for all caps usage. Stylistic Alternates / SS01 - The italic fonts contain alternates for the letters A, K, R, U and X. Range Serif is a versatile and fully-featured typeface, ideal for corporate identities, contemporary art catalogs, even t-shirt slogans. The language coverage is impressive (Latin Extended A is fully covered) so Range Serif should prove a useful text and display workhorse for speakers of many different tongues. The typeface includes an array of currency symbols, including the new symbols for Indian Rupee and Turkish Lira. Also check out the accompanying sans serif version, Range Sans.

Rullen is A Retro typeface the 70s font style great choice for expressing a summer. The Typeface comes with Stylistic Set Exellent typeface to use for covering your Project, like Branding, Movie Title, Headline Letter, Bookcover or Book Content, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design. - Unique glyphs - Multilingual Characters Support - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Stylistic Set inumocca type Studio

Lusto display typeface , come from mexican style and atmosphere. Bold, Powerfull and unique glyphs character. with some unique Alternates for covering your Project, like Branding, Movie Title, Headline Letter, Bookcover or Book Content, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design. - Unique glyphs - Multilingual Characters - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Ligature - Stylistic Alternates (ss01, ss02, ss03, ss04, ss05) inumocca type Studio

Yekuana is a typeface whose design is based primarily on the study of certain geometric ethnic ancestral Venezuelan signs, visually rich and originally used in the enrichment of various utilitarian objects with high symbolic and cultural content. Yekuana is a family of two weights, stylistic alternates, fractions, ordinals and ligatures. Its use is recommended for titles or short phrases and elements of oversized visual communication.

Kingfish is a perfectly playful display font with sweet ligatures. Inspired by hand lettering marker pen with bold, thick and strong style. The unique characteristics of kingfish make it suitable for logotype, packaging, branding, heading, poster, apparel, title, and more kids content. With a set of ligature characters make your have many choices to be creative. It brings joyful and happiness to all of us.

Agrea is a serif typeface with 9 weights and italics and variable versions. It’s a typeface that combines the elegance of calligraphy with a modern twist. One of Agrea's defining features is its fluid strokes and deep ink traps, which add a touch of sophistication and uniqueness to your projects. Whether you're designing for natural, organic, or ecological content, Agrea is a nice choice.

In the days of metal type or paper clip art, spot illustrations with stock phrases were used to embellish ads and fliers in order to grab the attention of potential customers. The convenience of digital type puts art like this at a designer's fingertips. Attention Getters JNL contains fifty-two such ad phrases, certain to add a nostalgic, yet functional appeal to your printed or online piece.

Caldicote is a formal and conventional serif typeface, with slightly broadened verticals. The Tab version is the same as the ordinary version, EXCEPT the Tab version has monospaced numerals and zero kerning between numbers - useful where you might like columns of numbers all vertically aligned in a Tabular display. The zip files contain both OTF and TTF versions of the font - install one version only.

Designed originally for the BBC's listings magazine "Radio Times", this dingbat font has been extended to include the US rating as well as the UK ones and a selection of symbols for use on DVD film packaging and satellite listings. The font used is Paralucent, and an ideal accompaniment. Note: the icon for sexual content comes in two versions, one with genitalia and one without.

Put the kettle on and break out the biscuits. This no-nonsense stencil face is a faithful recreation of Tea Chest, released by the Stephenson Blake Type Foundry in 1939. Its bold strokes and slender profile retain their freshness, even seventy-plus years on. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.

MARRY GOLD is A Retro Display Typeface, Come from 70s Style. The Typeface comes with Stylistic Set and Ligature Combinations Exellent typeface to use for covering your Project, like Branding, Movie Title, Headline Letter, Bookcover or Book Content, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design. - Unique glyphs - Multilingual Characters Support - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Ligature - Stylistic Set (ss01 - ss06) inumocca type

Roxton is a feature-filled elegant display serif that you'll be reaching for over & over again! This typeface includes a massive selection of ligatures, making it perfect for a variety of creative projects such as logo design, content creation, packaging designs, stationery & so much more. Add Roxton to your font library today! Feel free to try out the basic version of this font in personal projects only.

ITC Ellipse is the work of designer Jean-Renaud Cuaz, who specializes in visual identity programs combining graphic and typographic design. Cuaz contends that the ellipse has become prevalent in current design as a result of software which makes it possible to manipulat circular forms. ITC Ellipse is an excellent display typeface whose classical structure and proportions make it flexible enough for a variety of applications.

Art Deco Flowery Initials is a collection of richly decorated Art Deco letters set on a background of vines and blooming flowers. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters. Perfect for starting off the beginning of paragraphs in artistic publications, storybooks, fairy tales, and texts conveying the feel of the Art Deco period.

Amberine is a captivating reverse contrast script font that defies convention with its unique and striking design. The thick, bold lines flow gracefully, creating a sense of dynamism and movement, while the delicate, thin strokes provide an elegant contrast. This font evokes a sense of drama and sophistication, making it perfect for titles, branding, invitations, and any design where you want to make a bold statement.

Lost Signal is a two-style display that's absolutely perfect for editorial headlines. Her bold and characterful figure makes her perfect for posters, extreme sports, automotive and magazine covers. Reserved for upper and lower case in each style, featuring fl and fi ligatures, this calm and bold typeface is a content creator's best friend. Including: Uppercase, Lowercase. Numbers, Punctuation & Symbols. Diacritic for Multilingual Support

SugarBoo is A Reverse-Contrast letterform , Modern look, Fresh, eyecatching, strong character and power full. The Typeface comes with Stylistic Set Combinations Exellent typeface to use for covering your Project, like Branding, Movie Title, Headline Letter, Bookcover or Book Content, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design. - Unique glyphs - Multilingual Characters Support - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Stylistic Set inumocca type Studio

I love geometric sans serifs, their crispness and rationality. Le Havre taps into this style, but for a while, I've wanted to create a font recalling the printed Futura of the 1940s, which seems to have an elusive quality all its own. After seeing an old manual on a World War II ship, I developed a plan for "Le Havre Metal" but chose to shelve the project due to Le Havre's small x-height. That's where Steagal comes in. When Robbie de Villiers and I began the Chatype project in early 2012 (a project which led one publication to label me the Edward Johnston of Chattanooga!), we started closely studying the vernacular lettering of Chattanooga. During that time, I also visited Switzerland, where I saw how designers were using a new, handmade aesthetic with a geometric base. I was motivated to make a new face combining some of these same influences. The primary inspiration for the new design came from the hand-lettering of sign painters in the United States, circa 1930s through 1950s. My Chatype research turned up a poster from the Tennessee Valley Authority in Chattanooga, Tennessee, which exhibited a number of quirks from the unique hand and style of one of these sign artists. Completing the first draft of Steagal, however, I found that the face appeared somewhat European in character. I turned then to the work of Morris Fuller Benton for a distinctly American take and discovered a number of features that would help define Steagal as a "1930s American" vernacular typeface--features I later learned also inspired Morris Fuller Benton's Eagle. The overall development of Steagal was surprisingly difficult, knowing when to deliberately distort optical artifacts and when to keep them in place. Part of type design is correcting optical illusions, and I found myself absentmindedly adjusting the optical effects. In the end, though, I was able to draw inspiration from period signs, inscriptions, period posters, and architecture while retaining just enough of the naive sensibility. Steagal has softened edges, which simulate brush strokes and retain the feeling of the human hand. The standard version has unique quirks that are not too intrusive. Overshoots have almost been eliminated, and joins have minimal corrections. The rounded forms are mathematically perfect, geometric figures without optical corrections. As a variation to the standard, the “Rough” version stands as the "bad signpainter" version with plenty of character. Steagal Regular comes in five weights and is packed with OpenType features. Steagal includes three Art Deco Alternate sets, optically compensated rounded forms, a monospaced variant, and numerous other features. In all, there are over 200 alternate characters. To see these features in action, please see the informative .pdf brochure. OpenType capable applications such as Quark or the Adobe Creative suite can take full advantage of the automatically replacing ligatures and alternates. Steagal also includes support for all Western European languages. Steagal is a great way to subtly draw attention to your work. Its unique quirks grab the eye with a authority that few typefaces possess. Embrace its vernacular, hand-brushed look, and see what this geometric sans serif can do for you.

In 1980, Peter Malutzki, Heidi Hübner-Prochotta and Manfred Prochotta founded the FlugBlatt-Presse and began producing broadsheets, which they called FlugBlätter and which also gave their press its name. They were mostly woodcuts or linocuts, combined with hand-set typography. When they finished the series in 1984 there were 67 FlugBlätter. During a Frankfurt Book Fair in the 1980s the collector Rob Saunders acquired FlugBlatt No. 37 along with other prints. Later they became part Letterform Archive, a non-profit museum and special collection library in San Francisco, which Rob Saunders founded in 2014. In 2021, Letterform Archive posted the FlugBlatt No. 37 on social media, where type designer Lena Schmidt saw it, immediately fell in love with it, and developed the plan to bring it into the digital world. After contacting Peter Malutzki – who is still working as a book artist today – and in close consultation with him, Schmidt translated the letterforms into a font series, Malutzki Initials. The three fonts can be used for black (single-color) text using the Regular style, or for multicolor text by applying different colors to the Letter Layer and Figure Layer styles.

rishgular is inspired by a regular weight, is a unique sans serif font with display character. rishgular is include with tech characters

Legionary is a new sans-serif with six font styles. It would look nice in magazines, on food packages, posters and flyers.

A delicate narrow sans serif face with an apparent even weight, it is characterized by low cross strokes extended to the left.

Montio is a simple Humanist sans serif typeface with rounded corners. It’s a family of 4 fonts: 2 weights and their italics.

Jubilant is an extended, geometric, curveless sans serif font. The font is ideal for headlines, titles, branding or small blocks of text.

Clean and elegant display sans-serif uppercase family with three weights and rounded corners. Excellent for headers, posters, t-shirts and websites.

Oslo is an understated sans with subtle qualities that make it appropriate for many applications. It is simple, clean and very legible.

A sans serif with splayed ends, descenders of the lower case dropping below the baseline, very tall x-height. The expanded version.

Lineatura is a simplistic sans serif caps only typeface with dynamic character width. All its styles are based around the same skeleton.

A sans serif with the futuristic retro, Art Deco feel of mid 20th century science fiction, particularly the early Flash Gordon serials.

Afire is a sans-serif of understated warmth and elegance. Through clean legibility and gentle embellishment, Afire delivers lively bounce with sophistication.

Noteworthy is an all caps, bold, contemporary, sans serif font. It is ideal for headlines, titles, branding and small blocks of text.

A Sans font family of five weight for headline and text use, with old style numerals and small caps, and extensive kerning.

A hefty, powerful geometric sans with weight and presence. The unusual counters are defined by lines which cut into the letter shapes.

Shadeerah is a stunning sans serif font with incredible feel and look. It will add a unique charm to any design project!

Minado Rough is a display sans, stencil and dingbat font family. This typeface has sixteen styles and was published by Rodrigo Typo.

Dueblo is a font family in serif, sans serif and semi serif with variability in weight and serifs. It's a classical antiqua with a sans serif basis, a semi serif version, two decor styles for headlines and initials and the italics in sans and in serif. The small caps, alternates as well as other useful optional and contextual open type features are included in the fonts. It has been in development since 2012 and in use for several projects and publications since 2015. It was worked on until 2020, the cyrillic and greek letters were added, and it was built up in a new and modern way. Now it's really ready for building words and paragraphs.

Kaleko 105 is inspired by the classic, geometric sans-serifs such as Gill Sans, but has shallower ascenders and descenders for a more compact look. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. The Kaleko 105 family comprises of six weights, and is closely related to Kaleko 205. The most notable differences between the two variations, are the single-storey lower case a and g in Kaleko 105, where they are two-storey in Kaleko 205.

Introducing Vilanders, a must-have hand-drawn pair script and san serif font collection designed exclusively for graphic designers. With three unique style fonts (regular, rough, and stamp) and an additional 20 hand-drawn motorcycle illustrations, this versatile package is perfect for logo creation, branding, apparel design, and more. Infuse your designs with vintage and stamp font flair and explore the possibilities with Vilanders. Vilanders font features : - 3 style typefaces (regular, rough and stamp) - Uppercase, lowercase, numeral, symbol, punctuation and alternate in script font - All-caps, numeral, symbol and punctuation in sans serif font - Multilingual - PUA Encoded Vilanders includes : - 7 fonts (script, sans serif and dingbat) - 20 hand-drawn illustrations in dingbat

Kaleko 205 is inspired by the classic, geometric sans-serifs such as Gill Sans, but has shallower ascenders and descenders for a more compact look. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. The Kaleko 205 family comprises of six weights, and is closely related to Kaleko 105. The most notable differences between the two variations, are the two-storey lower case a and g in Kaleko 205, where they are single-storey in Kaleko 105.