All good things happen After Dark! This handwritten font has delicate, long lowercase characters and huge, care-free caps. Both dangerous and feminine, perfect for signing your signature, After Dark has a large assortment of European characters to assist in your late-night adventures.

This font was a product of self-initiated project I started a while back. It started and finished as a project that I was working on while procrastinating at school, for fun; however, I spent enough time to not give it out for free.

Benjir Typeface – Display Handwritten Font look with simple, Sport, visual elegance with subtle curves and beautiful bindings, An incredibly versatile font that works both large and small. This font is suitable for a wide variety of projects such as: headlines, logos, labels, branding projects, magazines, home appliance designs, product packaging, mugs, quotes, posters and many more. This font can also be more expressive and fun, thanks to the many alternatives and ligatures that combine harmoniously in this font and make it more attractive and versatile. Try to change alternatives, fasteners and you will get many options for your project that will make it Vintage & Awesome.

Luce Stilren is a serif font with a modern and geometric design from Objectype Studio. With clean lines and bold shapes, this font adds a professional and contemporary touch to any design project. The main feature of this font is its flexibility. Whether you’re working on a branding project, logo design, magazine headlines, or wedding invitations, Luce Stilren is the perfect choice. This font is designed to provide reading comfort, making it a great choice for both print and digital publications. Luce Stilren supports various languages and includes various typographic features such as ligatures, old-style numbers, and letter-style variations. With these possibilities, you can customize the font according to your needs. With Luce Stilren, you can take your designs to the next level. Get it now and start creating!

TT Ricordi useful links: Specimen | Graphic presentation | Customization options The TT Ricordi font family is a collection of three display heading serifs designed to significantly diversify the traditional font palette. Each font from the TT Ricordi family was drawn by a separate designer and has its own story. With that, all three fonts are close in thickness and similar in their character compositions and are featured in the uppercase set and the small capitals set, which replaces lowercase characters. The fonts have the broad support of Latin languages and support basic Cyrillic. The project originates from the pre-coronavirus tourist trips to Italy, during which our art director Yulia Gonina has accumulated many photographs of historical inscriptions and tablets. Many of these inscriptions had interesting character or unusual character shapes. We wanted to work with them, to try to reinterpret them, and, if possible, make them ultramodern and accessible to the modern font user. The fonts from the TT Ricordi typeface turned out to be quite display and contemporary, but at the same time, they retained subtle references to historic inscriptions. The fonts fit perfectly both on the covers of book classics and in glossy magazine layouts. They can also be used in posters and packaging, or as the main expressive element of company branding. In addition, all three serifs from the TT Ricordi font family go well with functional sans-serifs such as TT Norms Pro or TT Commons. TT Ricordi Nobili is a display serif with a rich Roman ancestry and contemporary world views. It stands out from the crowd with its subtlety and elegance. The font was drawn by Anna Tikhonova and was inspired by an inscription carved into the stone floor of a cathedral in Florence. Because people walked over the inscription, some of the letters got thinner and worn out over time. It is this feeling of disappearing or flickering elements that we wanted to capture and implement in the project. The TT Ricordi Nobili has high contrast, even though the font itself is quite thin. The serifs in the font are not massive at all, but at the same time, they are display serifs. There is a certain tension in TT Ricordi Nobili, and the viewer perceives this tension. We can say that behind the external classic facade lies a rather modern plot. The font has a large set of discrete ligatures which allow to create interesting combinations and expand the capabilities of the font. There are 709 glyphs in the TT Ricordi Nobili font, and a whole set of useful features, such as: aalt, ccmp, locl, numr, ordn, tnum, pnum, case, dlig, ss01, ss02, ss06, ss07, ss08, ss09, ss10, calt. TT Ricordi Todi is a wide serif with a classic base and a contemporary nature. The font turned out to be refined yet sharp, and in places even pushy and aggressive. The font was drawn by Yulia Gonina, and the project was based on plaques with engraved street names from the small Italian town of Todi. The main challenge was to decipher the characteristic features of the signs and emphasize them in a modern way. In addition, it was necessary to draw a Cyrillic alphabet that would not be inferior to the Latin alphabet in its expressiveness. The TT Ricordi Todi has fairly wide character proportions, and there is practically no contrast in them. The main feature of the font is the combination of smooth round shapes with deliberately squared shapes. In addition, the font is characterized by crisp and sharp character details, exaggerated ascenders and descenders, and muted contrast. Among the interesting font peculiarities, you can choose between the characteristic long descenders and ascenders and their more tempered versions, you can find a stylistic set with triangular dots, alternative versions of the EF characters and two letter ? shapes, round and squared. There are 876 glyphs in the TT Ricordi Todi font, and a whole set of useful features, such as: aalt, ccmp, locl, numr, ordn, tnum, pnum, case, dlig, salt, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, calt. TT Ricordi Fulmini is a fashionable contemporary serif firmly holding on to its historic roots. The font turned out to be like a thistle flower: bright and catchy, but still subtle and delicate. TT Ricordi Fulmini was drawn by Marina Khodak, and the initial inspiration for the project was the inscription on the altar from the National Gallery of Umbria in Perugia. As the font was pulled into “contemporaneity”, it was completely transformed and revealed its new side. The main catchy detail in the TT Ricordi Fulmini is the aggressive and rather sharp diagonal serifs. In addition, in the process of working on the font, several graphic solutions emerged, for example, the mono-serifs and the very calligraphic connections of diagonal strokes with their historic spirit. We wanted to keep them, and thus 4 thematic stylistic sets appeared in the font, thanks to which we can greatly change the perception of TT Ricordi Fulmini. In addition, the font has a set of interesting discrete ligatures. There are 793 glyphs in the TT Ricordi Fulmini font, and a whole set of useful features, such as: aalt, ccmp, locl, numr, ordn, tnum, pnum, case, dlig, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, calt. TT Ricordi supports more than 180+ languages, such as: Acehnese, Afar, Albanian+, Aleut (lat), Alsatian, Aragonese, Arumanian+, Asu, Aymara, Azerbaijani +, Banjar, Basque +, Belarusian (lat), Bemba, Bena, Betawi, Bislama+, Boholano+, Chamorro+, Chichewa, Chiga, Colognian+, Cornish, Corsican +, Cree, Croatian, Czech+, Danish, Dutch+, Embu, English+, Esperanto, Estonian+, Faroese+, Fijian, Filipino+, Finnish, French, Frisian, Friulian+, Gaelic, Gagauz (lat), Galician+, Ganda, German+, Gusii, Haitianm, Creole, Hawaiian, Hiri Motu, Hungarian+, Icelandic+, Ilocano, Indonesian+, Innu-aimun, Interlingua, Irish, Italian+, Javanese, Jola-Fonyi, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Karelian, Kashubian, Kazakh (lat), Khasi, Kinyarwanda, Kirundi, Kongo, Kurdish (lat), Ladin, Latvian, Leonese, Lithuanian, Livvi-Karelian, Luba-Kasai, Ludic, Luganda+, Luo, Luxembourgish+, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay+, Maltese, Manx, Maori, Marshallese, Mauritian Creole, Minangkabau+, Moldavian (lat), Montenegrin (lat), Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish+, Portuguese+, Quechua+, Rheto-Romance, Rohingya, Romanian +, Romansh+, Rombo, Rundi, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Sasak, Scots, Sena, Serbian (lat)+, Seychellois Creole, Shambala, Shona, Silesian, Slovak+, Slovenian+, Soga, Somali, Sorbian, Sotho+, Spanish+, Sundanese, Swahili, Swazi, Swedish+, Swiss German +, Tagalog+, Tahitian, Taita, Talysh (lat), Tatar+, Teso, Tetum, Tok Pisin, Tongan+, Tsakhur (Azerbaijan), Tsonga, Tswana +, Turkish+, Turkmen (lat), Uyghur, Valencian+, Vastese, Vepsian, Volapük, Võro, Vunjo, Walloon, Welsh+, Wolof, Xhosa, Zaza, Zulu+, Belarusian (cyr), Bosnian (cyr), Bulgarian (cyr), Erzya, Karachay-Balkar (cyr), Khvarshi, Kumyk, Macedonian+, Montenegrin (cyr), Mordvin-moksha, Nogai, Russian+, Rusyn, Serbian (cyr)+, Ukrainian.

Pebl is inspired by the naturally simplified and smoothed shapes of beach pebbles. The result is a bold, super-rounded display typeface. It's pared back to just the most basic, smooth outlines without counters, for a friendly and organic look. It’s ideal for logos, branding, headlines or just abstract type shapes in print, in displays, on the web, on T-shirts, wherever. Enjoy.

Imagine shaping letterforms and messages from dough or chewed gum. This is Chewbrio in essence; No straight lines, no closed shapes and no sharp corners. Chewbrio is a fresh take on stencil. Four sets of all basic characters make for a very large number of combinations, and a hoard of ligatures will further your ability to surprise. Designed by Hans Samuelson in 2023.

Updated in 2009, Chennai has new weights and OpenType features. Chennai is a simplified sans-serif with a full complement of OpenType alternates. The typeface is rounded, slightly extended and geometric. Over fifty OpenType alternate characters are available, including swashed lower forms, traditional caps and a traditionally formed lowercase. Chennai also includes seven style sets, oldstyle figures, and small caps. Please see the sample PDF to see these in action. Use Chennai whenever you need a contemporary and versatile sans serif.

Hello Everyone, introduce our new product Font RUCKLE is a Rough Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font RUCKLE is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. That is has charming, authentic and relaxed characteristic more natural look to your text. You can activate Alternate OpenType panel.

Hello Everyone, introduce our new product Font Restless is a Rough Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Restless is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. That is has charming, authentic and relaxed characteristic more natural look to your text You can activate Ligatures OpenType panel.

Hello Everyone, introduce our new product Font Unaessthetic is a Rough Display Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Unaessthetic is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. That is has charming, authentic and relaxed characteristic more natural look to your text You can activate Ligatures OpenType panel.

Hello Everyone, introduce our new product font Harmless is a Rough Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Harmless is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. That is has charming, authentic and relaxed characteristic more natural look to your text You can activate Ligatures OpenType panel.

Strijkijzer is a funfont. It originated as a joke between friends. Do not take too seriously for it. But it is complete. Download it for free and swing your iron.

Metropola is font family with 4 classic weights and variable version for those of you with specific visual appetite. Inspired with typefaces from Victorian era, Metropola carry out it's display characteristics and works equally well as typefaces for longer texts even it is not Metropola's main area of usage. Beside extended Latin character map, Metropola is equipped with Cyrillic set. Each weight contains dingbats and Open Type features such as Swashes, OldStyle numerals, Ligatures and Fractions.

Say hi to new member of Typoforge zoo! Gambero family consists of 18 styles (including italics) with a subtle rounded finished details. Gambero is a stable, slab cousin of Kapra, Kapra Neue adn Kapra Neue Pro. It is ideally suited for advertising, editorial and publishing, offering new design potential. Font Gambero is inspired by a "You And Me Monthly" published by National Magazines Publisher RSW "Prasa" that appeared from May 1960 till December 1973 in Poland.

Cervo Neue is the new perfected and extended version of Cervo, containing 18 variants. It differs from the previous version with the higher accents over glyphs, enlarged punctuation, old-style numerals and the newly added varieties Semi Bold, Bold, Extra Bold and Black. Additionally, there is the variety of grotesque. Font Cervo is inspired by a “You And Me Monthly” published by National Magazines Publisher RSW „Prasa” that appeared from Mai 1960 till December 1973 in Poland.

Honeydew Script: Light, Whimsical, Soft & Bright Honeydew is a calligraphic font in a monoline script style. It is a modern twist on classic schoolhouse cursive, and is extremely versatile. Use this typeface for branding, social media, weddings, stationery, packaging, layout design, and advertising. The sky's the limit! Honeydew has 527 glyphs, including the complete Latin alphabet (upper and lowercase), numbers (lining, old style, fractions, and super/subscript), punctuation, and diacritics, and over 40 standard and discretionary ligatures.

D Blues its a sans serif typefamily of 9 weights plus matching italics. It is inspired by the neo humanist typefaces with a mix of 20st grotesque sans typeface. D Blues serve very well in web & print design areas, body text, excellent web-font legibility etc… D Blues is equipped with a complete set of opentype features including alternative glyphs, fractions, ligatures and many more. It is perfectly suited for highlighting lettering, magazines, web, interaction design, advertising & logotypes.

Lindau is a new take on the Jensonian Roman typeface genre. The idea was to combine the Venetian proportions with a conical shaping of the vertical parts. Lindau may be considered an alternative to fonts like Jenson, Centaur, Trump Medieval or Deepdene. Suitable for ads, stationary, branding and label design, headlines and short to medium-length text bodies. Lindau is layed out with comprehensive character support for every Euro-Latin language.

Rummaging through the toolbox recently, I was surprised by how many allen keys I had from years of assembling flat-pack furniture. After some experimenting with the keys to make up individual letters I was struck by their graphic quality. The typeface is defined by the slim, right-angled shape of the allen key; creating a geometrical, yet playful font. The typeface is suitable for logos and feature headings.

Carole is an interpretation by Matz Gasser of the old-style serif model. It explores the early serif typefaces and how handwriting still had a significant influence on the shapes. The result is a dynamic serif text font to use in small sizes and make reading comfortable. It was designed to work for text sizes, but you might find it in packaging or food brands because of its robust design features.

Kazootie was inspired by cut-paper shapes and named after the hand puppet character Rootie Kazootie in a 1950s children's television show. Kazootie is a light-hearted and fun display font with a big, strong voice and crisp confident stride. Best for headlines and larger text in picture books, Kazootie is all caps, but you can type your letters in uppercase or lowercase to access two different variants of the style.

The LCT Ragnarök is inspired by the cinematographic universe. Its thick and generous shape makes this typeface naturally stand out. In addition, its lines embody soft serifs thus adding elegance to it. This original font endows two styles; regular and slant. It is an asset for the creation of titles, logos or even generics. LCT Ragnarök encompasses a rich alphabet going from Latin PRO going to Greek , Polytonic Greek and Cyrillic.

Rottko is a strong, static grotesque. Round shapes tend to square. The smooth silhouette of the letters contrasts with the clear rhythm of the composition. Diagonal strokes are a bright accent. The font contains a standard set of Latin, mathematical symbols. Rottko is designed for poster slogans and bright headlines. This typeface suit for modern logo and branding. It's clear and memorable. The family set consist 12 style.

Carole is an interpretation by Matz Gasser of the old-style serif model. It explores the early serif typefaces and how handwriting still had a significant influence on the shapes. The result is a dynamic serif text font to use in small sizes and make reading comfortable. It was designed to work for text sizes, but you might find it in packaging or food brands because of its robust design features.

Mestizo is a term traditionally used in Latin America and Spain for people of mixed heritage or descent. In some countries it has come to mean a mixture of European and Amerindian. The font Mestizo is based on a strict grid system – but combines it with ethnic symbolism. Six weights can be combined in various ways. Accius, Alerio & Amias display the basic geometric shapes, Balbo, Belus & Borba represent the playful icons.

Mantika Book expands the Mantika super family: a contemporary serif font with a soft, yet robust character and a classic lookMantika Book, an Antiqua, is the third member of the Mantika super family, which consists of the Mantika Sans and Mantika Informal. Designer Jürgen Weltin has gone back to the roots of his font, which he had originally derived from a Renaissance Antiqua. These origins are recognizable in the first member of the Mantika family, Mantika Sans, in the form of carefully suggested line use and a contrast in the weights that recalls the Antiqua. This solid sans serif, optimized for use in text, also has a particularly energetic and dynamically designed italic. Mantika Informal also brings to mind a cursive font at first glance; ultimately, however, it is not easily categorized. Its light, organic shapes combine the informally flowing style of cursive handwriting with the open and airy form and contrast of a humanist sans serif. The shapes in the serif Mantika Book are also based on the Renaissance Antiqua, just like the other members of the Mantika super family. However, the contrast in the weights is somewhat stronger than is conventional for this genre, and the serifs are characteristically asymmetrical, with slanted ends. Lightly grooved stems with an implied curvature in the lower-case letters as well as dots whose shape flirts with a fountain pen lend the Mantika Book a dynamic and particularly friendly character. Details like the open "g" or the contoured foot of the "k" emphasize this dynamism. The letters of Mantika Book have the same large x-height as the other members of the super family, but are equipped with somewhat longer ascenders and descenders.

A revival of “Gras Vibert”, a French fat face originally cast by the Didot typefoundry in Paris. It was cut in 1840 by Vibert, an engraver employed by the foundry. The capitals are heavier than the lowercase letters, and the characters g, k, y and & are rather peculiarly shaped, exaggerating the vertical stress. The font is designed for large sizes.

Habanera's design is based on the idea of taking perfectionist geometric shapes and making them funky! With gentle tweaks here and there, the glyphs are deliberately designed to look more humane and fun. Same fonts are also presented with round corners, giving it an even more gentle look. Latin poster design and graphic art was an inspiration to design Habanera.

This friendly rounded display typeface is perfect for headlines and logos, its gentle curves and comfortable corners are reminiscent of forms found in nature. Inspired by the shapes found in leaves - soft curves forming gentle corners as they meet. Cockle pairs well with Arial for a body font. Includes over 500 characters; with Ligatures, small caps, old style figures, and mathematical symbols.