A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. TessieOddsNEnds contains shapes that did not fit into the other Tessie fonts: TessieStandingBirds, TessieFlyingBirds, TessieMoreBirds, TessieXtraBirds, TessieSpinners, TessiePuzzlePieces, TessieAnimals, TessieBugs, TessieMiscellaneous, and TessieMoreStuff. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

Introducing Masterson, the strong slab serif that inspired from cowboy and western style. Masterson has three styles : Regular, Spurs and College that you can combine as a unite in your design project. Masterson is all-caps font, the good choice for your logo, logotype, badges, store front, headline, sub headline, even body text because the shapes already set to keep the readability when it's use in small size. This font is recommended for western style, vintage, retro, pop art or minimalist. 300+ Glyphs included with 27 accents : Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish, Zulu. Masterson has catchwords to give you more variants in your design.

Balgena is a versatile, high-contrast sans serif font family. Qualux comes from the words Quality and Luxury. This font has a distinctive serif style with a luxurious style in a light form, but also has a friendly and playful style in a bold font. Balgena has an extra glyph to give the crafter more options in designing. These extras will make a design look more classy, elegant, unique and edgy. Balgena is a font suitable for many projects, for modern or even retro vintage designs, branding, logos, crafts, stickers, sublimation, wedding invitations, and more. This font is suitable for a variety of projects such as logos, branding, magazines, signage, fashion, and many more. You will get : 3 type fonts -Regular -Bold -Italic mail features: Uppercase and lowercase letters Numbers and punctuation Multilingual support PUA encoded fonts Alternative styles and ligatures Thank You

Allister Rough is a handmade font family based on Oldstyle English and Transitional fonts, modern typography and lettering. It’s a kit of joyful fonts that can be used for cards, posters, books, t-shirts, etc. Allister Rough has three font Styles and Extras. “Decor 1” is an expressive font which has three sets for each letter. “Decor 2” has two sets and “Caps” has Capital letters and Small Capitals. So you can choose what you need or combine Styles to create different typography compositions. All contextual alternates are built into the ‘Liga’ feature and duplicated into the ‘Calt’ feature. So when you work with the fonts, please make sure that ‘Liga’ or ‘Calt’ is turned on. Font family also supports OpenType features like Titling, Oldstyle Figures, Fractions, Ordinals. Please take a look at the User Guide in the Gallery.

Marlivane has a strong characteristic sports display font that is suitable for Esports or sports activity. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Bassanova is a dynamic display font inspired by lettering on the "Love in the Afternoon" movie poster by Saul Bass. The font captures the minimalistic, yet very distinct look that is so typical for his designs. Bassanova offers four versions for each letter that change automatically and give the font a handlettered feel. It also contains over 100 discretionary ligatures to add even more dynamic letter combinations to the mix. This cool all-caps typeface fits a wide range of design applications, and it features a full international character set. Please activate Open Type Features to get the most out of this font.

Georges Peignot designed the font Nicolas Cochin based on copper engravings of the 18th century and Charles Malin cut the typeface in 1912 for the Paris foundry Deberny & Peignot. The font is named after the French engraver Charles Nicolas Cochin (1715-1790) although its style had little to do with that of the copper artist. Nicholas Cochin is a freer variation of another Peignot font, Cochin, a bit more balanced and elegant.

Bubble Gum is a juicy multi-dimensional gob of goodness that’s bursting at the seams with loads of alphabetic appeal. Its well-padded figure transforms the ample letterforms found in classic comic strip word balloons into a warm and casual display font with a little extra kick. Cooked up by Dave West for Photo-Lettering, Inc. between the late 1960s and early 70s, Bubble Gum was finally digitized by Jess Collins in 2011. Please note that the shaded version of the typeface is composed by layering the Regular font and a separate Drop Shadow font. Some assembly required. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world. Featured in: Best Fonts for Logos

Glowy modern serif font is an exceptional font choice. This font effortlessly blends contemporary aesthetics with a touch of elegance, resulting in a visually captivating and professional typeface. Glowy Modern Serif font unique attribute lies in its luminous and bold quality. The letters seem to emit a soft glow, which sets it apart from traditional serif fonts and adds a modern twist. Glowy modern serif font also includes ligatures and alternate character, it's easy to achieve custom typography for stunning logos, headlines, and quotes. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products. ~Redy

Meet the successor of our bestselling design kit 'Chameleon': Perron. The concept of designing multiple contrasting designs under the same name was first introduced by Fontforecast in TyfoonSans and TyfoonScript. Two font families that were designed to complement each other. And that's exactly what this new release does. With the three designs in Perron, which means 'platform' in dutch, you will be able to take your design projects where ever you want them to go. This flexible kit consists of 7 fonts in three basic designs, and when combined Perron No1, No2 and No3 reïnforce each others charm. This offers great potential for creating lively layouts for many different projects, e.g. invites, menu's, magazines, brochures, packaging, greeting cards, T-shirts, etc. Perron No1 is a serif display font with large and small Caps. This font requires an Opentype savvy application to reach its full potential. Turn on contextual alternates and beginning and ending characters are replaced by their alternative versions, as you type. Stylistic sets and swashes offer even more variations. Perron No1 comes in two versions: No1 and No1 Shade. They can be used separate or layered for a colorful or shaded effect (if your application allows you to stack text frames). Perron No2 is a charming handwritten font, with slightly rough contours, that was added for an extra personal touch. It comes in regular and Italic. Perron No3 is a clean, tall and very skinny font family. It has large and small Caps and comes in three weights: Light, Regular and Bold. Because of its clean appearance No3 adds a modern touch to the design kit.

Godfrey is a compact, straight-sided, sans serif with a solid and reliable personality. Particularly striking are the descenders on ‘f’, ‘j’ and ‘y’ – which are composed completely of straight lines – and the protracted points of the ‘i’ and ‘j’. This emphasis on straight lines and equal proportions lend Godfrey a very structured and clean appearance while also ensuring its very unique character. As a result, Godfrey is a legible typeface that is expressive without being distracting. Visit this minisite to see Godfrey in action.

The Vernacular trilogy was designed by Swiss designer Hans-Jürg Hunziker, who had worked for Adrian Frutiger in Paris for many years. Based on the concept of a transitional Linear Antiqua, he has developed a colorful bouquet of typefaces that contain the entire spectrum of typefaces for book design and corporate identity. Thanks to his "Swiss school" and his outstanding skills, he has succeeded in giving the typefaces a particularly noble and sympathetic expression. In addition to the Sans family, there is a Serif family and a Clarendon family, each of which, including the separately drawn italics, is equipped with 12 font weights that are finely tuned to one another. Each of the 3 font styles develops its own character, but thanks to a concept that brings the different font styles closer together, they also work well together and complement each other perfectly. Sans and Clarendon have a vertical axis and similar endings in contrast to the Serif, which has a traditional diagonal axis and horizontal endings. The straight stems and the proportions are used as an element to stress the closeness of the typeface-trilogy. They thus share a comon feature. All fonts contain tabular and proportional figures as well as old style figures. Small caps and small cap figures are also available in all fonts. In addition, some fonts have alternative characters available via style set, such as «g», which can be used to further vary the typeface. Vernacular offers all the options for well-kept typesetting for print and web - for small and large orders.

The Vernacular trilogy was designed by Swiss designer Hans-Jürg Hunziker, who had worked for Adrian Frutiger in Paris for many years. Based on the concept of a transitional Linear Antiqua, he has developed a colorful bouquet of typefaces that contain the entire spectrum of typefaces for book design and corporate identity. Thanks to his "Swiss school" and his outstanding skills, he has succeeded in giving the typefaces a particularly noble and sympathetic expression. In addition to the Sans family, there is a Serif family and a Clarendon family, each of which, including the separately drawn italics, is equipped with 12 font weights that are finely tuned to one another. Each of the 3 font styles develops its own character, but thanks to a concept that brings the different font styles closer together, they also work well together and complement each other perfectly. Sans and Clarendon have a vertical axis and similar endings in contrast to the Serif, which has a traditional diagonal axis and horizontal endings. The straight stems and the proportions are used as an element to stress the closeness of the typeface-trilogy. They thus share a comon feature. All fonts contain tabular and proportional figures as well as old style figures. Small caps and small cap figures are also available in all fonts. In addition, some fonts have alternative characters available via style set, such as «g», which can be used to further vary the typeface. Vernacular offers all the options for well-kept typesetting for print and web - for small and large orders.

The Vernacular trilogy was designed by Swiss designer Hans-Jürg Hunziker, who had worked for Adrian Frutiger in Paris for many years. Based on the concept of a transitional Linear Antiqua, he has developed a colorful bouquet of typefaces that contain the entire spectrum of typefaces for book design and corporate identity. Thanks to his "Swiss school" and his outstanding skills, he has succeeded in giving the typefaces a particularly noble and sympathetic expression. In addition to the Sans family, there is a Serif family and a Clarendon family, each of which, including the separately drawn italics, is equipped with 12 font weights that are finely tuned to one another. Each of the 3 font styles develops its own character, but thanks to a concept that brings the different font styles closer together, they also work well together and complement each other perfectly. Sans and Clarendon have a vertical axis and similar endings in contrast to the Serif, which has a traditional diagonal axis and horizontal endings. The straight stems and the proportions are used as an element to stress the closeness of the typeface-trilogy. They thus share a comon feature. All fonts contain tabular and proportional figures as well as old style figures. Small caps and small cap figures are also available in all fonts. In addition, some fonts have alternative characters available via style set, such as «g», which can be used to further vary the typeface. Vernacular offers all the options for well-kept typesetting for print and web - for small and large orders.

This typeface was inspired by a font used by Henrie Ballard. Ballard operated on Fleet Street at the Signe of the Bear in London, England. He was active in the industry from 1597-1608. The font is meant to capture the feel of the original typeface with the capability of reproducing the many ligatures that are part of what make that era's printing interesting. The Italic version has a dramatic feel that is almost handwritten in appearance. Every Proportional Lime font comes with a complete guide to its Unicode extended character set.

Chapter 11 is a pseudo-random typewriter font with the ribbon on the fritz. The single font contains four different character sets of varying ranges. If your program supports advanced OpenType features, activate the contextual alternates to see the ghost in the machine while you type. Otherwise, character variations are accessible through any character map or glyph palette, so you can manually mix and match your setting. This font is highly recommended for use in filling out government bailout forms. It will make the whole world believe you actually need it.

RMU Gilgengart is a revival of Hermann Zapf’s beautiful calligraphic blackletter font which was cut and first released by Stempel in 1952. This font comes with fine ligatures and swash letters. Before working with this font it is recommended to activate both OT features Standard and Discretionary Ligatures in order to get access to all ligatures. RMU Gilgengart contains the following swash letters: D, L, h, f, g, k, round s, and t, whereby you should use the small letters at the end of a word or slogan only.

Hello! Presenting an originally designed, decorative font, named Bryzhi. The main goal of this font is a flowing liquid reflection of characters. Most of the letters have five variations that switch automatically to create a seamless effect. Check out that the "Context Alternates" OpenType feature is activated to achieve the necessery result. Also simple letters without reflection effect are available using the "Stylistic Alternates" feature. Bryzhi font supports most of the European languages, please check out all the available characters on the screenshots. Thank you and wish you a peaceful sky!

Gutenberg Gotisch is a redesign of an inhouse font released by Bauer in 1885, and it is a predecessor of Princess Engraved. So both fonts make a perfect match. The long s can be reached by typing the integral sign or turning the round s into the long s by using the historical OT feature. In this font, you have the possibility to turn I, V, X, L, C, D, and M into Roman numerals by activating the salt feature. Finally I recommend to use both ligature features.

SAMURI is our newest font with Japanese style features, developed with an exotic and relaxed shape, this font is extremely attractive to match your extraordinary project, using this font will instantly make your project look exquisite, charming, and everyone will be glad to view the look. Unlike the rest, your project will be one-of-a-kind. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

Kamal Vintage Retro Fancy Font is a well-balanced contemporary font with a fancy, unique, and versatile vintage serif, font that you can combine to get any variations and unique shapes easily just in seconds with choose alternates of them. It is a serif display font with moderate contrast that perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects, it makes with a high level of legibility. What's Included: Character set A-Z Uppercase & Lowercase Numerals & Punctuation Accented Characters (West Europe) Stylistic alternates Works on PC & Mac Recommended using Adobe Illustrator or Adobe Photoshop. Wish you enjoy our font. :)

Wadenfont is a layered font-family with family well-balanced contemporary font with a fancy, unique, and versatile vintage serif font that you can combine to get any variations and unique shapes easily just in seconds with stack it. It is a serif display font with moderate contrast that perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects, it makes with a high level of legibility. What's Included: Character set A-Z Uppercase & Lowercase Numerals & Punctuation Accented Characters (West Europe) Stylistic alternates Works on PC & Mac Recommended using Adobe Illustrator or Adobe Photoshop. Wish you enjoy our font. :)

Fason is a decorative font family. Designed for use in the fashion industry, fashion magazines, branding and packaging. Fason is also perfect for wedding invitations, greeting cards and posters. It is also suitable for use in online activities. Fason contains basic and alternative stylistic sets, decorative swash initials & final forms, many useful Open Type features, as well as discretionary ligatures to decorate your design.

American type designer Michael Abbink created this sans FontFont in 2001. The family has 9 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, book text, logo, branding and creative industries, small text, wayfinding and signage as well as web and screen design. FF Kievit provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super—and subscript characters. It comes with a complete range of figure set options—oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. FF Kievit received several awards: the Bukva:raz award in 2001 and the ISTD award in 2001.

A Stylish Condensed Sans Boilermaker began as a digitization of a film typeface from LetterGraphics dubbed Flair G100. From this origin, it has evolved to a much more robust character set than its original. From the inclusion of original unicase and lowercase alternates to the addition of a Russian language expansion, Boilermaker really shines. See the 4th graphic for a comprehensive character map preview. Boilermaker is loaded with features to give you plenty of customisation options: - Stylistic Alternates feature for Unicase & Lowercase alternates. - Russian language coverage. - A Full set of Inferiors and Superiors for Limitless Fractions - Tabular and Proportional figure sets Approx. 602 Character Glyph Set: Boilermaker comes with a glyphset that includes standard & punctuation, international language support, unicase & lowercase alternates, alternate numeral styles, subscript and superscript.

Introduced by Timurtype Studio! Estella Gardens is a Handbrushed Script Font This font showcases the timeless elegance of handbrush script fonts, where each stroke tells a story and adds a twist to your design. With organic lines and graceful curves, these fonts effortlessly blend modern sophistication with a touch of artisanal craftsmanship, creating a harmonious balance that elevates any project to a level of refined beauty and individuality. Let the art of hand-brushed script fonts transform your words into visual poetry, capturing the essence of your message with a touch of bespoke charm. Estella Gardens Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts 😊 Thank You

Isn’t it interesting to create a design in a stylish, firm font made of mixture of style and authenticity? This is the Gray Asphalt. Gray Asphalt is a racing-themed script font to give you steady, firm, solid impressions for word or message emphases. Its thick display is suitable to apply on bigger-sized texts. The font features you can enjoy are as follows. Features: Stylistic Sets Ligatures Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Gray Asphalt fits best for various designs, such as posters, banners, logos, book covers, headings, printed products, merchandise, social media, and more. Find out more ways to use this font by taking a look at the font preview. Enjoy your experience with this font and feel free to contact us for further product information or trouble complaints. Thank you and wish you good luck with your designs,

All good things happen After Dark! This handwritten font has delicate, long lowercase characters and huge, care-free caps. Both dangerous and feminine, perfect for signing your signature, After Dark has a large assortment of European characters to assist in your late-night adventures.

This font was a product of self-initiated project I started a while back. It started and finished as a project that I was working on while procrastinating at school, for fun; however, I spent enough time to not give it out for free.

Overview of BD Megatoya Consists of 41 fonts, including nine upright, nine italics, nine extended, nine extended italics, all in nine weights from thin to black. 4 outline version in black weight. 1 variable with three axes (weight, width, slant). 1,470 glyphs in each font. Opentype features include small caps, stylistic alternates, ligatures, complete numeral figures, ordinal, case-sensitive forms. language support: Western European, Central European, and Southeastern European. About BD Megatoya Taking a geometric sans serif approach, we designed the letterform with details on round characters to pursue harmony and leave a slightly boxy feel to the extended style. The stylistic alternate is one of our concentrations to make them versatile yet still preserve consistency in stem and metrics to provide good readability in small text. Overall, the various treatments for each character will encourage each other to dynamic colours, flexible, and functional impressions in their application. Slicing edges The edge of the letter slice in 45 degrees will give the impression of a sparkle of light when you look at them for the first 2 seconds (our experience). This is what we did a few years ago when working on automotive branding. The word-mark logotype with slicing form gives an exclusive and different impression from its crowds. If you agree with us, does BD Megatoya deserve to be called a problem solver in branding projects? Jump over to .ss07, .ss08, .ss09, and .ss10 to find them! The Features BD Megatoya font family includes 41 great fonts in nine weights, an extended character set of over 1400 glyphs, multilingual support such as Southeastern Europe, Central Europe, Western Europe. Also advanced & useful open-type features: case-sensitive forms, small caps, standard and discretionary ligatures, stylistic alternates, ordinals, fractions, numerator, denominator, superscript, subscript, circled number, slashed zero, old-style figure, tabular and lining figure. Use BD Megatoya BD Megatoya is very suitable for branding projects and many designs purpose like advertising, posters, invitations, branding, logos, magazines, merchandise, presentations, etc. It's a FREE Get one weight from the BD Megayoya family for Free! Apply to your amazing projects and enlarge your creative tools by adding the complete BD Megatoya family to your font library.

Violinist is a vintage script font. As the name suggests, this font is inspired by classic billboards/boards. Besides that, I also combine it with a script style and it’s a little irregular in its shape style. I strengthen the vintage/retro impression with the character ligatures, there are 140 ligatures in this font. But if you want to use this font with a neater impression, you can disable this ligature feature. This font is perfect for projects with vintage/retro and classic themes. But this font is also suitable for logos, branding, greeting cards, invitation cards, advertisements, titles, healines, book titles, stickers, packaging, quotes, posters, t-shirts/apparel, billboards and others. This font is also support multi language. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw.

Afrojet Type Foundry presents Sessions, a heavyweight modular typeface with a quirky personality. The design is a fresh reimagination of Joseph Albers' classic Kombinationsschrift alphabet. It utilizes modular, repeating stylized forms to bring dimensionality and personality to the page. Sessions takes advantage of OpenType’s Stylistic Alternates feature with: two numeral options (cap-height and x-height), the option to ‘turn off’ the splayed bottoms of certain glyphs, and numerous alternate characters. All together, these options allow you the designer to create unique and custom designs.

Compote is a fashionable sans serif font that is both retro and sophisticated. The sans serif font pays homage to tradition, while the smooth curves evoke a 70s groovy vibe. Compote is the ideal complement to vintage bringing it up and logos. There are numbers, punctuation, and multilingual letters, as well as a distinct lower and uppercase. The ligature and italic fonts will be useful for anything your imagination can dream up! 5 Weights (Light, Regular, Semibold, Bold and Black) 2 Styles (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Mideo is a Handwritten Script font that will make your designs look classic, Farmhouse, Boho, and Feminine. It is a great font for events, Wedding Project, fashion, apparel projects, signature, album covers, logos, branding, magazines, social media posts, advertisements, but it also works great for other projects. Add it to your fonts’ library, and it will enhance your creativity! Mideo is best for: - logos, branding, & Signatures. - Flyers, Album cover, Magazine, & Advertisements. - Website design , design blogs, & fashion. - Quote graphics for social media. - and also it works great for other projects. Whats included : - Character Set - Numerals and Punctuation (OpenType Standard) - Accents (Multilingual characters) If you have any questions, before or after purchase, please feel free to get in touch.

Smooth Gracier is a stylish display serif font to express modern, friendly, fun nuances on your designs. The unique geometry details and the contrast sketch lines help to make the font visually interesting. It is suitable to apply for bigger sized-texts due to its dramatic, bold styles. Enjoy the lovely features available in this font. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Smooth Gracier fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

Bright Peony is a lovely display serif font to show friendly, feminim, modern nuances. It is truly legible due to its high contrast and simply noticeable forms. Therefore, you can apply this font for any text sizes and lengths. You may also enjoy various features available in this font. Features: Stylistic Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Bright Peony fits best for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.