Odditype is a font that surely lives up to its name... Odd, quirky, techno...yet not. Its use is as broad as your imagination.

This is an Arabic font designed according at the standards of Calligraphy. It contains a consistent styling and can be used in many functions.

One of the classic old German large x-height Grotesques revised and still in use, identifiable by the rounded form of certain diagonal strokes.

Comic basic font is ideal tó use in a comic book or for children , it is very appropiate becouse it is easy to read.

Corn font is handwritten with a casual impression, this font has two styles, namely regular and bold, suitable for use in casual themed designs.

Gelatique font create with carefully monoline style. Can be use for wedding party, invitation, memorable moment, love story and many more with special moment.

The Poltrone typefaces family was inspired by the public inscriptions of the 19th century and was designed to be used for titling, headlines, etc.

Tomiley font create with carefully monoline style. Can be use for wedding party, invitation, memorable moment, love story and many more with special moment.

Opium — a humanist display typeface with futuristic flared lines inspired by the anatomy of opium flowers. Designed using the herbarium specimens of Papaver somniferum.

Catacumbes is a collection of skulls and bones designed in different styles. It is useful for different applications such as signs or graphic posters.

Good Thinking is a beautifully designed handwritten font that’s both authentic and charming. Use it to turn any design project into a true standout!

Tall, chunky title-friendly sans serif capitals in 3 styles. Use all caps for even lettering or alternate caps and lowercase for bouncy lettering.

Designed at ParaType in 1995 by Tagir Safayev. Based on informal handwriting. Formerly known as PT Tagir. For use in advertising and display typography.

Gallego Pro is a classical, pen-drawn upright script useful for many applications, e.g. book titles, ads, magazines or any kind of display work.

Dephiana is an elegant and bold stylish script font. Great for logos, wordmarks & signboard. Has several stylistic alternates that can be used as needed.

Hortensia™ was designed by Natalia Vasilyeva and licensed by ParaType in 2001. An original calligraphic script. For use in advertising and display typography.

Jumaplitan font special for retro modern style. Will be good if you use for something like logotype, retro logo, typeface, simple and clean design.

Srikaya is a display typeface with a cheerful vibe and autumn nuance. Use it for any creative project in need of a whimsical vibe.

A playful slab-serif font. This typeface is versatile enough to be used in any type of design work, be it serious or fun.

Conversation hearts! Use ALL CAPS for even lettering. For bouncy letters, alternate uPpEr and LoWeR cases to make the letters bounce up and down.

Redrawn from an old wood type we picked up in London. The original manufacturer is unknown. We added the lowercase to increase is usefulness.

Hollyday is designed to be practical and use of texts and titles. Ideal for application in graphics and editorial projects and mobile interface design.

This font is intended to be used with all of the lowercase letters. Alternate glyphs for each letter are contained in the capital letters.

Rain is modern handwritten. Recommended to use this font for signature, wedding party, invitation, memorable moment, love story and many more with special moment.

Ratumba font create with carefully. Can be use for wedding party, invitation, cute, tag, memorable moment, love story and many more with special moment.

Minnie Brush is an modern upright brush script. This curly rough textured font is great for display use. It comes with numerous alternate characters.

What happens if you take a bamboo stick and break it into two, then use it with ink on cardboard? Junkfool! - That's what happens!

The swooshy swirls of the uppercase paired with the simple lowercase creates a very useful title font. Romantic and girly but still perfectly legible.

Calinea is thin handwritten style. Make it look simple and beauty. Recommended to use for memorable moment, beauty product, beauty tag and wedding invitation.

PT Vesna™ was designed by Natalia Vasilyeva in 2000. Licensed by ParaType. An original calligraphic script for use in advertising and display typography.

Melody Cinta is modern handwritten. Recommended to use this font for wedding party, invitation, memorable moment, love story and many more with special moment.

Sini is a warm and delicious hand-lettered fontface in two styles: bold and ornaments. Sini is recommended for use as a display typeface.

LD Gypsy is excellent for chic scrapbook pages or layouts. Use this digital font to add flair and creativity to your titles or captions.

The Kidprint font is designed to look like a child´s printing. Kidprint is useful any time a playful or whimsical look is required.

Sweet Rolling is modern handwritten. Recommended to use this font for wedding party, invitation, memorable moment, love story and many more with special moment.

Geometric forms make this elegant font family a great companion for invitations signs, indoor and outdoor. Useful when you design book jackets, posters etc.

Schwabacher was the predominantly used typeface in Germany from about 1470 until about 1530. It has round character forms other than Textura or Fraktur.

WineGrape uses the following OpenType features to set up to three different color layers: - Small Caps / changing direction - Superscript/Superior (Grapes) - Subscript/Inferior (Leafs)

A happy candy cane striped font. Don't get stuck in a holiday only mode with this one- it is versatile enough for many uses.

Some words from the designer, Frantisek Storm... Designed by Josef Tyfa in 1959, digitalized by F. Storm in 1996. This Roman and Italic are well-known perhaps to all Czech graphic artists and typographers ever since their release. Although this type face in some details is under the sway of the period of its rise, its importance is timeless, in contradistinction to other famous types dating from the turn of the sixties which were found, after some time, to be trite. The italics live their own life, only their upper-case letters have the same expression as the basic design. Thin and fragile, they work excellently, emphasizing certain parts in the text by their perfect contrast of expression. When seen from a distance they are a little bit darker than the Roman face. Tyfa Roman was released in 1960 by Grafotechna in Prague for hot setting. Later on, Berthold produced letter matrices - "rulers" for Staromat devices, used for manual photosetting of display alphabets. In the eighties it was available on dry transfers of Transotype and today it is offered also by ITC. The meticulously executed designs of the individual letters in the 288 point size are arranged into a set of signs on a cardboard of about B2 in size. The yellowed paper reveals retouches by white paint on the ink. Blue lines mark the baseline, the capital line, the ascender and descender lines and the central verticals of the letters. With regard to the format of the flat scanner, the designs had to be reduced, with the use of a camera, to the format A4, i.e. to the upper-case letter height of about 30 mm. These were then scanned in 600 dpi resolution and read as a bitmap template to the FontStudio programme. The newly created bold type faces derive from Tyfa's designs of the letters "a", "n", "p", the darkness of which was increased further, approximately by 3%, to enhance their emphasizing function. The text designs have hairstrokes thickened by one third; the contrast between thin and thick strokes has been modified, in order to improve legibility, in sizes under 12 points. We have used electronic interpolation to produce the semi-bold designs. Josef Tyfa himself recommends to choose a somewhat darker design than the basic one for printing of books.