XKANZ is a futuristic, robotic, variable display font geared towards cyberpunk poster text, cover text, and futuristic UI. It can easily shine as both as header and body. Wide glyphs, high weight and corner contrast, and "connectors" that bridge the gap between the stems, it's this mix of elements that give XKANZ its unique look. The purchase includes two static styles, regular and oblique, and a variable font file with a interpolatable 0-12 degree slant axis. Extensive multilingual support covering most latin characters 4 stylistic sets that include alternates for the D, I, R, and E glyphs, along with symbol/punctuation alternates such as the parenthesis, brackets, and more. Possible updates include condensed versions. The updates will be free and available to everyone who has already purchases XKANZ. This one was a wild and weird journey. It took A LOT of iteration to get to this end product. I'm proud to share it. Enjoy All questions, requests, or inquiries can be sent to abe.xuveki@gmail.com or DM'd to Xuveki on Instagram (https://www.instagram.com/xuveki)

Gin is a futuristic decorative font that combines calligraphy, graffiti and typography. This font is inspired by the street art called calligraffiti where it is abstract and elegant. This font is suitable for those who are anti mainstream and out of the zone, this is a new face in the world of fonts, for those who are against this font it will be considered broken but for those who are from the future, this font is an answer to futuristic design needs

Introducing Polotan, the ultimate futuristic and modern sans-serif font. With its sleek and streamlined design, Polotan is perfect for creating a cutting-edge, high-tech look that's perfect for a variety of design applications. Featuring strong lines that convey a sense of power and confidence, Polotan is perfect for headlines, titles, and branding materials. But what sets it apart is its unique alternates, which give you the flexibility to create custom designs that stand out from the crowd. And with its alternates, you can take your designs even further and truly make them your own. Its clean and minimalist design makes it easy to read, while its sharp angles and unique letterforms create a sense of energy and movement!. Whether you're designing a high-tech website, a sleek user interface, or a modern brand identity, Polotan will help you make a bold and unforgettable impression. So why settle for a boring and outdated font when you can make a statement with Polotan sans-serif? Try it today and see how it can take your designs to the next level. And please message me if you want your language included or if there are any features or glyph requests, feel free to send me a message.

Culebra is a neo-traditionalist small-caps font designed in the tradition of high-end metalwork craftspeople and Western & Victorian sign-painting styles. With a bit of a nod to the standard of perennial favorites like Copperplate Gothic font, Culebra brings some eye-catching design touches and a more condensed structure for more economical use of horizontal space. It's a font that is as readable as they come, and would hardly be out of place in any design context, as it truly takes on a complementary vibe to almost any font style you want to pair it with.

Silentgraph is a script font made from handwriting in lovely designs to make your designs prominent. Every stroke expresses beauty and cursive styles of which letters are interconnected. Details of each letter show curvy wipes and high contrasts on its edges. Use this font for big-sized texts to be legible. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Silentgraph fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

Morning Rain Dot is handmade font with cute little dots. It’s great for big and short titles. You can costumize it and make it look even cuter :)

IntroducingRadja Lover Script Font 🖤The Radja Lover Script Font 🖤 is valentines day inspired font made for romance theme. The Radja Lover Script Font adheres to a simple and elegant modern script style, besides that this font has a unique swash in the shape of a heart that can be used for unique love designs. Very suitable for use in making greeting card designs, Instagram posts, logo designs, wedding texts, romance quotes and so on, the first is about love. Apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA).

Remhu is a sans serif font from the modern era. An option with a distinctive shape adds value to your brand and is ideal for branding purposes. It’s wonderful to be able to help designers or product owners who are looking for ways to make their designs more classic and elegant. And, in particular, for font satisfaction, multilingual language support, numbers, and punctuation. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Introducing Mybook Again Font 🖤The Mybook Again Romantic Script Font 🖤 is valentines day inspired font made for romance theme. The Mybook Again Font adheres to a simple and elegant modern script style, besides that this font has a unique swash in the shape of a heart that can be used for unique love designs. Very suitable for use in making greeting card designs, Instagram posts, logo designs, wedding texts, romance quotes and so on, the first is about love. Apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA).

This font was created to capture the delicacy of ancient art. But it can still be used today very well.

FG Typical is inspired by typewriting. But the letters got skewed in processing making it look a bit corny, but it looks great at small sizes as well as large. the characters all have the same height except for the i, å, ä etc.

ALS Tongyin is a bit rough and square-built with a pronounced oriental touch (Chinese word "tongyin" means "bronze molding"). Tongyin declares its ties to Russian constructivism and has 4 font styles. It matches well the rustic accident type frequently used for ads and announcements in Russian newspapers.

Linotype Freytag is a condensed display face with simple, geometric shapes. With its highly readable and trendy letterforms, it is perfect for flyers, advertising, packaging, posters and magazine headlines.

Aldersgate was designed as a comfortable, easy-to-read sans serif alternative font for a series of retirement community brochures. It was intended to compliment existing sans serif fonts for subheads and captions and is ideal when a conservative but subtly different font is needed.

Furuhashi font is a unique font that is made in a Japanese style adapted to the letters of the alphabet. basically, this font is used for needs displays and headlines. but the user is given the ease of customization as it is alternative letters.

Waltowns is a dynamic and expressive typeface that captures the essence of street art with its bold and energetic design. The letters are characterized by organic shapes, reminiscent of marker strokes on urban surfaces. The font exudes a raw and brave vibe, reflecting the spirit of graffiti culture. The font includes a diverse set of characters, allowing for creative and eye-catching compositions. Whether you’re designing posters, album covers, or any other graphic project, Waltowns inject a sense of urban attitude and artistic edge. Its versatility makes it suitable for a wide range of applications, making your designs stand out in the crowd. Waltowns is not just a font; it’s a statement. It represents expression, the vibrancy of the streets, and the bold creativity that defines graffiti art. Use Waltowns to bring a touch of urban authenticity to your design projects and let your creativity run wild on the walls of the digital world.

TT Tangerine made in 2017 has been a global hit. It's been used by the biggest performing artist in the world, luxury brands, designer packaging and more. Due to its popularity an italic style was added in Feb 2023. From the designer: I wanted to make a retro font with that 70's good vibes feel but i didn't want to just copy letters from that era. I decided to make new unique letters that had that groovy 70s feel. The bold curves pay homage to the big hair and bell-bottoms of the golden era.

Torcao is one of the sporks of the font universe, a useful and functional outlier. Half square, half circle, this uncommon squircle of a family with its asymmetry of curved and angular shapes drives through headlines and body copy with forward velocity. The robust, technical appearance is light-hearted and inviting, and its organic nature plays off of its one-of-a-kind kinks and hybrid forms. Torcao is not merely an experimental font, though. The figures have been crafted and refined into a functional, hard-working typeface that lends itself to many sizes and environments. The font family features a tall x-height and light modulation, which give the typography its unique color highly effective in headlines but still quite legible in longer text. This family contains a comprehensive range of nine weights--slender to black--and features condensed and extender selections for a complete set of forty-eight fonts. The font has been decked out for experienced typographers, together with swash alternates and simplified titling. The typeface also contains a range of numeral sets, together with fractions and old-style figures. OpenType-capable programs including Quark or the Adobe suite allow quick changes to ligatures and alternates. Previews of these options can be found in the .pdf brochure. Torcao also features the glyphs to enable all Central, Eastern, and Western European languages. In all, the font supports around forty languages that utilize the prolonged Latin script, making it an excellent option for multi-lingual publications and packaging. Simple, technical, and open, the Torcao type family could just be the perfect choice for your web type or print project.

Bendita could evoke the didones of the 19th century. It has and an extreme contrast that makes it only suitable as a display typeface, with its characteristic shapes. The fatty type par excellence.

Octagon Calligraphy is calligraphy font with a classic style and a touch of elegance, inspired by the handwriting of women and ancient manuscripts. Carefully designed to work together in harmony that makes it very suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or luxurious. Try Octagon Calligraphy, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. multilingual support and ligatures Your download will include OTF & TTF format files. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows): Do not forget to see, buy, like and share my other great products. And feel free if you have a question, please contact me : slexs515@gmail.com Thank you for purchases.!

The Washington Lumut calligraphy is calligraphy font with a classic style and a touch of elegance, inspired by the handwriting of Italian women and ancient manuscripts. Carefully designed to work together in harmony that makes it very suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or luxurious. Try Washington Lumut Calligraphy, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. multilingual support and special ligatures If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows): Do not forget to see, buy, like and share my other great products And feel free if you have a question, please contact me : zakicreative6@gmail.com Thank you for purchases.!

Metrisch is new sans serif typefamily of seven weights plus seven italics uprights in each weights. The typefaces designed based on traditional geometric construction that have been built with letter size wider, the x-heights taller and short descender that almost proportioned with the basic letter shape. With little details added like clean vertical cuts on the terminals and optimized sharp corners that makes this fonts smooth and refined looks. It was represents the flavor of the most common humanist typefaces style and grotesk feels. The weights comes from extra light to extra bold suitable to make display appearance, and the book and medium weights also works well as small/medium text sizes to accompany your design, such as editorial fashion magazine, solid headline, websites heading, poster, advertising, logo, signage, etc Also, Metrisch type-family fully loaded with OpenType features such as some stylistic alternates, case-sensitive forms, fractions, small capitals,and another most common numerals features such as super & subscript, tabular & oldstyle figures, numerator-denominator, and has more extended latin diacritics characters.

Doorley Hand is a unique new font based on the handwriting of Australian advertising man and creatist John Doorley. The font's character and personality sits somewhere between charming child-like handwriting and classic contemporary calligraphy. It pays homage to simpler times when more organic and personalised forms of communication reigned. A perfect counterpoint to the fast-forward, hi-tech world today.

This connected and brush script is very impressive, but is also legible, so it is the best for package of sweets or breads, shop card, shop front and so on. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Lately I have been thinking about rabbits. Not that I have a particular love for rabbits - they’re cute, but also kind of stupid. But as Christmas dinner is approaching, I see more rabbit carcasses lining the shelves of supermarkets. These poor animals never saw the light of day, never felt the grass between their paws and never had a ‘true life’. In honour of the hundreds of thousands of rabbits being slaughtered for Christmas this year, I have named this font: Rabbit Escape. Rabbit Escape is a slightly back-slanted typeface - handmade with a permanent marker I bought in Japan. It is quite unusual, maybe a bit weird, but it will serve you well. Comes with a generous stuffing of diacritics.

Victorian Orchid is a gorgeous vintage flower. Victorian Orchid is a beautiful, organic serif font family available for both text and display. Its bizarre serifs for A and other diagonal letterforms came from decorative types and letterings in old Victorian era. These unusual serifs support and enhance the horizontal flow of the eyes and vertical alignments. Very eye-catching lowercase g also came from the Victorian era and this is one of the most dramatic letterform of this font. Lowercase such like n and d also have horizontal serifs which designed in the same theory. Victorian Orchid is somewhat organic, humanistic and soft-impression font like Transitional Serif as typified by Times New Roman. But at the same time, this font has horizontal serif and vertical stressed letterform like Modern Serif. They make this font sharp, handsome and neat. In addition, Victorian Orchid has low contrast and the serifs are not too flat and not too coved. By them, Victorian Orchid create strong and casual impression like Slab Serif fonts. Victorian Orchid family consist of 5 weights from Light to Bold including about 500 glyphs, international accented letters, some OpenType features. Italics are "True" italics which designed very carefully to match Romans.

Glosa is a type family designed for editorial purposes. Glosa is delicate and highly readable at very small sizes but reveals all its strength and personality when used at big sizes. The contrast of the sharped serifs and ball terminals, provide a fresh and very contemporary look. Glosa Text is a bracketed serif, softer, smooth and less idiosyncratic, suitable for text settings. Both styles have four weights and italics, in a workhorse typeface, full of OpenType features such as Small Caps, Tabular Figures, Central Europe characters and Historical Figures, among others. Glosa Headline is ideally suited for nameplates and headline typography, with four weights and with lowercase matching the small caps. In Glosa most of the diacritics were designed to fit the gap between the x-height and the caps height, avoiding some common problems with the accented characters.

Glosa is a type family designed for editorial purposes. Glosa is delicate and highly readable at very small sizes but reveals all its strength and personality when used at big sizes. The contrast of the sharped serifs and ball terminals provides a fresh and very contemporary look. Glosa Text is a bracketed serif, softer, smooth and less idiosyncratic, suitable for text settings. Both styles have four weights and italics in a workhorse typeface, full of OpenType features such as Small Caps, Tabular Figures, Central European characters and Historical Figures, among others. Glosa Headline is ideally suited for nameplates and headline typography, with four weights and with lowercase matching the small caps. In Glosa most of the diacritics were designed to fit the gap between the x-height and the caps height, avoiding some common problems with the accented characters.

Et Cetera is a beautiful, hand-lettered script. It abounds in OpenType features such as terminal swashes and ligatures and is best used with OpenType savvy software with the “standard ligatures” and “contextual alternates” features turned ON. Et Cetera is comprehensive and vigorous. Most letters in the font are connected, but, as in typical handwriting fonts, not all are connected. Most characters have a consistent shape within the font, but not all. Some characters in Et Cetera are sensitive to their position in the text and change depending on the adjoining characters. This contributes to the casual and relaxed style of Et Cetera; not allowing the features of the font to get between the reader and the message. A wealth of OpenType features lie beneath the mellow exterior of Et Cetera. These Open Type features make few demands on the user which makes for a versatile script font that requires no expertise from the user, performs well at larger sizes, and remains legible even when setting copy at very small sizes. Et Cetera comes in three styles, Black, Regular & Line. Et Cetera Black is dramatic and bold, making a powerful statement. Et Cetera Regular is elegant and romantic, perfect for wedding stationery and clothing brands. Et Cetera Line is delicate and feminine, portraying a smooth, flowing effect. Et Cetera is a breezy, light, yet expressive font that is perfect for titling work, product packaging and romantic stationery.

MetroBots is a fun loving, non-traditional but very functional family of 6 fonts made of big city skies, the long tropical morning shadows of ancient ziggurats and entire pueblo villages, nestled into the steep cliff-sides of sage-topped mesas in south western deserts. This is a good solid, but kind of whacky looking display type family borrowing from the heft of good old-fashioned children�s wooden building blocks and the look and feel of both modern and ancient pueblo architecture. With a bit of the not-so-subtle expressiveness of a comical robot on a WD-40 high on the side.

After release of Wood Bonnet Antique No.7 some of my clients asked for a sans serif version. So I printed my second batch of old wood type. I transferred these wood type into a digital font and tried to preserve the warm vintage look. » pdf specimen « The font offers up to four glyph variations of all the Latin base letters, figures and some additional letters - It has an build in letter randomizer. Please check you have turned on contextual alternates in your application. If you prefer a more common look and need more weights or to use the font in smaller text sizes I have done clean and sharp font family called Bonnet Grotesque Nr. It’s the preferred version for all the usages on websites, apps or ebooks. Have fun!

Introducing Bellyman Typeface The Bellyman Typeface is made with the concept of a modern font display that gives a unique impression because it has a curvy shape like waves that is charming and unique. The serif style adopted by the Bellyman font is a 2022 style font, has a unique swash alternative, has a large selection of ligatures. In addition. Serif typefaces such as “ Bellyman typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Bellyman typeface contains 623 glyphs with many unique and interesting alternative options. In the poster preview all the letters are in the Mongkeg typeface.

Introducing Mankey Typeface The Mankey Typeface is made with the concept of a modern font display that gives a unique impression because it has a curvy shape like waves that is charming and unique. The serif style adopted by the Mankey font is a 2022 style font, has a unique swash alternative, has a large selection of ligatures. In addition. Serif typefaces such as “ Mankey typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Mankey typeface contains 704 glyphs with many unique and interesting alternative options. In the poster preview all the letters are in the Mankey typeface.

First off, Slivowitz is written with a v (SlivoVitz), rather than a w, but I liked it better with a w. Slivowitz is a plum brandy from Eastern Europe. My father used to be an international truck driver and he often had to go to Eastern Europe. He took all kinds of ‘western’ goods with him to give away (plastic bags, beer, cigarettes - remember, Eastern Europe at the time was still communist!). He always came back with bottles of Slivowitz. I never tasted it, as I was too young, but I liked the name and I decided to name this font after a fond memory! Slivowitz is an easy-going handwritten script font - it looks good on fashion items, book covers and fancy magazines, but greeting cards will look just as great. Comes with a bunch of ligatures, alternates and a whole lotta diacritics!

Gryffensee is designed to be the Futura of blackletter, combining the time-honored gravity and relentlessness of the Gothic script with the clean, contemporary freshness of the geometric sans. Built from a tightly controlled inventory of lines, arcs, sharp cuts, and OpenType features, Gryffensee was born and raised in the digital age, yet retains the powerful charisma and human warmth of its mediaeval blackletter ancestors. As a result, it excels in a wide range of display settings, logotypes, and short text. Unlike most conventional blackletters, it even handles all-caps usage with grace, and includes an extensive Cyrillic character set (in the Pro version). Apart from a generous range of automatic ligatures and contextual alternates, Gryffensee offers stylistic alternates that allow users to customize its appearance to their tastes. The capital letters |AGHIKZ| come in alternate cuts that trade traditional shapes for increased legibility, while the letter |s| appears in three cuts, each with a unique, distinct flavor. All these options are accessible through OpenType stylistic sets in the main Latin font, Gryffensee Eins. For easy use in applications without OpenType support, we provide two additional Latin fonts (Gryffensee Zwei and Drei) in which these options replace the default cuts. Finally, Gryffensee Pro offers all the functionality of Gryffensee Eins, plus Cyrillic support. My intention to devise a contemporary geometric blackletter was inspired by four hand-painted letters, |ABCD|, in Sasha Prood�s online portfolio. I later found out that he had, in turn, taken those letters from an existing font, Bastard, by Jonathan Barnbrook. Luckily, by that time my project had taken on a life of its own. Gryffensee is an original design that bears only the most superficial resemblance to Bastard. Gryffensee is a mediaeval spelling of the lake Greifensee near which I grew up. It is pronounced [?gri?f?n?se?], or "GRIEF-un-say" in English approximation. This font is dedicated to Simone.

Ana is a chromatic typeface consisting of 26 uppercase Latin characters, inspired by arabesque patterns from the nineteenth century. Programmed to enable users to easily create multicolored drop caps and initials, this decorative display typeface features a different ornament for every letterform, which fits perfectly with its glyph shape. This ornament is usually more luxurious on the left side of the letter, while on the right it is scarce, so that the body text can be placed close to the initial. These initials are valuable for use in large sizes, like posters, magazines, packaging design, fairy tales, and so on. The final forms of the initials consist of 5 parts which can be individually colored. There are 5 font files named Ana Layer A, Ana Layer B, and so on. A font user can manually create a multicolored initial with these font files, if there is no possibility to use the Contextual Alternates option. To do that, it is necessary to make 5 layers in the page layout software. Then, the corresponding character should be placed on each layer, so that Ana Layer A is on the lowest layer and Ana Layer E is on the highest one. Note that the glyph shapes are contained in the lower case positions. In contrast, the font file named Ana is programmed, so it is possible to create a multicolored initial with the Contextual Alternates command. There is no need for additional layers, everything happens on a single layer. First, the Contextual Alternates command (usually under OpenType menu) should be disabled. Then, using lower case key, type the desired character 5 times and apply color to them. Select them all and turn on the Contextual Alternates. Also, the font file Ana comes with a set of ‘black’ initials that can be used just like any other non-color typeface. The ornamental versions are contained in the uppercase positions, while the letters without the ornaments are in the lower case. With the font file Ana Monochrome one can only get the monochrome initials. Ornamental letters are contained in the upper case positions, while the letterforms without the ornaments are in the lower case.