Introducing "Bentband" - a unique and playful typeface inspired by the way a pipe bends. This typeface features curved lines, bold and geometric shapes that tries to mimic a pipe. With its distinct style, Bentband is perfect for creating eye-catching headlines and titles that stand out. The font is available in both uppercase and lowercase letters, a range of symbols and numerals. Bentband is available in 66 languages.

Sunbeam is a new, classy & modern typeface that looks incredible! The contrasting lines and vibrant shapes give sunbeam a sleek and elegant look. Sunbeam is a versatile typeface that's full of character, using optical correction for better legibility, sunbeam is the perfect fit for graphic design, editorial design, magazines, posters, logotypes, brands and corporate design. Sunbeam is designed by Coert De Decker in 2019 and published by Kustomtype Font Foundry.

The LCT Ragnarök is inspired by the cinematographic universe. Its thick and generous shape makes this typeface naturally stand out. In addition, its lines embody soft serifs thus adding elegance to it. This original font endows two styles; regular and slant. It is an asset for the creation of titles, logos or even generics. LCT Ragnarök encompasses a rich alphabet going from Latin PRO going to Greek , Polytonic Greek and Cyrillic.

Wizard Illusion is a halloween display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation 6.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more). I really hope you enjoy it.

Introducing Trivenia, a display typeface inspired by such an amazing *Baldur Type Specimen". It has a modern shape with a classic touch on its curves. Comes with 2 styles, regular and inked for you to be more creative in your project. Perfect for most any aspect of graphic design, from logo to layout designs. Check the display images for the list of included glyphs and how this font can be used.

Rottko is a strong, static grotesque. Round shapes tend to square. The smooth silhouette of the letters contrasts with the clear rhythm of the composition. Diagonal strokes are a bright accent. The font contains a standard set of Latin, mathematical symbols. Rottko is designed for poster slogans and bright headlines. This typeface suit for modern logo and branding. It's clear and memorable. The family set consist 12 style.

Carole is an interpretation by Matz Gasser of the old-style serif model. It explores the early serif typefaces and how handwriting still had a significant influence on the shapes. The result is a dynamic serif text font to use in small sizes and make reading comfortable. It was designed to work for text sizes, but you might find it in packaging or food brands because of its robust design features.

Swanville developed as part of a train font that eventually became LetterTrain. The letters of Swanville are bold, have a funny “serif” on the top but not on the bottom, and when the letters have interiors, the interior has the shape of the letter. Lower-case letters are smaller versions of the upper-case letters. Because development of this face stopped long ago, it has a limited character set.

Bosque Line is a condensed display font that has an attractive appearance that brings you to a modern urban feel. Inspired by the long exposure of tree trunks in forest, Bosque line letters are designed with tall and clean shapes. Alternate and ligature features are available to make your work more attractive. It's perfect for your projects such as: posters, logos, book covers, social media posts and many more. Thank you!

Visigoth font was created in 1988 by Arthur Baker for AlphaOmega Typography. He designed it specifically for setting the text of A Dante Bestiary published in 1989 for Ombondi Editions in New York. Highly expressive and unusual letter shapes make Visigoth unique among script faces: it has bold, pen written lines, a slight incline, and a distinct variation in stroke weights, making it ideal for advertising and other display work.

Carina is based on the Modern serifs from the 18th and 19th centuries. With high contrast and proportions, the font has a pronounced feminine nature tailored by its stylish details and ornamental swashes and ligatures. The round letter shapes evoke the impression of pointed pen calligraphy. Carina s most striking feature is the Cyrillic glyph set (together with swashes and ligatures) that is created by a native Russian designer.

BOXDON is an extra heavy expanded typeface which was especially designed for VERTICAL layout. Each shape looks like a box and has minimum graphical treatment to distinguish each character. It means that the counter space is not enough to use this typeface for small font sizes, however, for titles this typeface should give incredible effects. I highly recommend using it with software that is compatible with vertical layout. (e.g. Adobe illustrator)

Sign Production JNL somewhat resembles Sign Kit JNL but there are some noticeable differences. The letters and numbers in Sign Production JNL are bolder, wider and have some slightly different character shapes. The common theme is that both fonts were designed from die-cut letters and numbers found in the Webway Sign Cabinet, manufactured by the Holes-Webway Company of St. Cloud, Minnesota until its demise in the 1980s.

Mestizo is a term traditionally used in Latin America and Spain for people of mixed heritage or descent. In some countries it has come to mean a mixture of European and Amerindian. The font Mestizo is based on a strict grid system – but combines it with ethnic symbolism. Six weights can be combined in various ways. Accius, Alerio & Amias display the basic geometric shapes, Balbo, Belus & Borba represent the playful icons.

In Sidewalker we can see pieces of OCR-A, letters and of other fonts; letters pressed over metallic supports with too much ink and then redesigned on a computer. Reminiscent of how different materials in Burri or Rauchenberg's paintings are used. Some numbers have the same shape of some letters (J=2, 6=G=9, I=1=l ...) and many pieces of letters are copied into others. Very experimental...

Currently the only serif font from the Quadraat foundry. Cervina is characterized by a sharp lettering like the edge of the Hörnli or knife blades as well as closed forms in lowercases plus a stylistic set of square numerals. Cervina is a typeface specifically designed for big volumes of text but also for titles of books, newspapers, magazines, posters. Variable format available on request. Supports all latin languages

Looking for a real fun whack-a-doodle typestyle? You may have just found your match with the Chilidog PB typeface. Chilidog PB began as a digitization of the film typeface called Nectar by LetterGraphics. This font is filled with irregular shapes, shifting weights, and a collection of ligatures that give it real personality. It's a real eyecatcher, but don't take my word for it, give it a spin for yourself.

Middle Earth is a Medieval calligraphy serif font. With the historic charm of ancient manuscripts and the ethereal beauty of elven realms, Middle Earth typeface weaves tales of valor and legends. Its calligraphic allure is accentuated by rounded contours, reminiscent of Tolkien's enchanted worlds. The unusually large lowercase, almost circular in its form, seems to echo the undulating hills of the Shire, while its Irish-inspired design lends a timeless elegance.

Introducing vintage classic display typeface its called Burnic Typeface. Inspired by antique, mix victorian and art deco period with decorative shapes*. Those all will make you work easily to create : Posters, Logos, Print, Quotes, Headers, Clothing, Labels, Packaging etc. Features : Character Set A-Z Numerals & Punctuations (OpenType Standard) Accents (Multilingual characters) Ligatures Above the description of this font, I hope you're satisfied with what I have created. Thanks and enjoy designing.

Introducing Inkarus a playful font with a bold and all uppercase characters style. This font is perfect for posters designs, packaging, logotype, title, label, print ads, gift card, magazine title, movie title, sign, and the beautiful and curvy shape will give your designs that alternative look to your creative work looks innovative. Amazing curvy was hand-drawn and make the outlines look irregular and beautiful. This font has a lot of hand-lettered looks and the characters give a retro or urban feel. Inkarus has a serif style but can collaborate with sans-serif style together because the modern bold sans serif typeface has been the alternatives and ligatures of this font. Combine that bold shapes together will make your work a more unique, retro attitude. Ligatures Inkarus has 32 ligatures that you can turn on via the glyphs panel in Adobe applications. The ligatures make a innovative difference in the look of this font. It switches out between serif and sans serif styles that make your designs look still unity. Opentype The Alternatives and Ligatures use OpenType features. First, you will need a design app to access these options an application such as Adobe Photoshop, Illustrator, or InDesign. Alternatives All lowercase a,d,e,h, I, j,k,l,m,n, p,r, t, r you can switch out letters for other and makes your design look more like hand-lettering and innovative although you using in a repetitive way. Inkarus font includes; All uppercase characters 32 ligatures option Support for multi-languages characters Punctuation, Symbols, and Numbers Alternative lowercase characters ( a,d,e,h, I, j,k,l,m,n, p,r, t, r ) The font format is OTF So what you are waiting for? Grab it fast this font and make your innovative design. If you have any questions drop me a message.

Use this font to make lines, borders, patterns, backgrounds, unique bullets, or use it inline within text. Let your imagination explore the possibilities to combine these geometric shapes. Use letter spacing to connect the shapes in a continuous pattern, or space them apart horizontally. Stack them vertically and control their distance with leading (line spacing). Make fields of pattern and explore layering and opacity for color mixing. FormPattern Color Six takes inspiration from mosaic patterns seen in the south of Italy. It is easier to use this font to make patterns than to use drawings because you can control the size, color, and spacing from the type menu. It is also an effective way to make web graphics that are responsive with text. Using it is simple. As you type, forms will appear instead of letters. Each font in this collection is a colored set. The sets are primary, secondary, tertiary, analogous, dark, old world, vintage, greyscale, cool grey, and warm grey. There is a solid font that can be colored in the same way as regular fonts. The color fonts are accessed in the type menu where you would normally find the different weights or italics Most design software, such as Illustrator, InDesign, and Photoshop provide a glyphs palette where you can choose the precise form you want. It can work with the simplest text editors too. However, these may not support the color options. FormPattern Color Six is a vector-based and fully scalable SVG OpenType format. Color fonts are supported by Photoshop 2017, Illustrator 2018, and QuarkXPress 2018 (and later versions). This version of FormPattern Color Six is compatible with all FormPattern fonts by Tarallo Design. The display artwork shows it paired with the typeface Scanno.

Bellas Artes is what happens when the brush of Angel Koziupa and the technical expertise of Alejandro Paul go face to face with the Art Deco aesthetic. The recognizable Koziupa curves become players of a game of halves, where there is no such thing as a better half, but both sides complete each other like in that perfect romance you will never forget. Bellas Artes is an excellent choice not only for packaging design, but also for book and music covers meant for the feminine demographic, collateral of classical taste, and of course pre-WWII visuals.

The German designer Alexander Dosiehn developed the Liga Sans type family as part of his graduate thesis at the Fachhochschule Düsseldorf in 2001. Liga Sans is a sans serif typeface that acts as a bridge between classical modern styles. Traces of pen forms and brush strokes can be seen mixed together with the most legible elements from grotesk-style faces in the alphabet’s letterforms. These features work together to create a style that works very in many sizes, including smaller ones! Liga Sans is an original, lively addition to the porfolio from Linotype suitable for text, magazines, and corporate identity work.

It is the point that creates the expression from the writer via the pen unto the paper. The artist guides the point in unique ways to not only communicate, but also to make the resulting expression unique. The point can take the form of a quill or a marker or a pencil or chalk or a fountain pen or a chisel or a brush. What's so funny about that? Maybe that's the point:) Pointe is loose, fun and informal lending itself ideally to Advertising, Packaging design, Invitations and Scrapbooking. Pointe is available in Postscript, Truetype and Opentype for Macs and PCs

This humanistic sans serif distinguishes itself by its Japanese calligraphy influence. Being written with a felt tip rather than with a brush, its Japanese connotation is remote and non-dominant, thus providing excellent readability and a charm of its own. Parametra is a very elegant and modern typeface achieved by the strong form reduction of the individual characters and at the same time harmonizing them by given parameters. It is something of its own, but quite legible and well-suited for small text. Also, Parametra and Bohemian can be mixed perfectly since their proportions and dimensions are the same.

The designer favorite Blue Goblet series has been extended once again with Blue Goblet Frames and Vignettes #2. These animated and lively frames and vignettes can be resized easily without any loss of quality, and can easily be converted to outlines and modified. Combining them to form unique compositions or inserting them into chapter headings are just a few ideas for these versatile ornaments. Please see the sample .pdf to see all 96 Frames and Vignettes in action, and be sure to check out the original Blue Goblet Frames and Vignettes, Blue Goblet brush script and Blue Goblet Ornaments, Emblems and Florals.

Lombriz attempts to bridge the gap between different kinds of typography - including packaging, signage, and sporting. The result is a heavy, yet casual, 1950s-inspired semi-connected script. The freestyle Lombriz feels friendlier, more readable, and a touch more ‘real’ than most scripts of its kind. In certain settings, the thickness of the stroke in the capital letters accentuates, while the lowercase flows like casual, brush-drawn letters should. Lombriz comes equipped with more than 50 alternates and custom ligatures. These extras are conveniently tucked into the OpenType version for those programs that support such functionality.

Elizabeth a script that carries the imperfections of a hand written brush script. It includes regular and discretionary ligatures, as well as stylistic alternatives and swashes. If you are working in a program that supports Open Type, I would suggest purchasing the Pro version as it includes all the features Elizabeth has to offer. If you are not working with Open Type but want to have the option of the swashes are stylistic alternatives, then you can buy both the regular Elizabeth and the swashes version. It will allow you to have most of the functions of Open Type.

LeBrush is a contemporary Roman typeface based on real brush lettering, in 10 styles from Thin to ExtraDark, inspired on the classic Roman proportion of the “Capitalis Monumentalis” present into the Trajan Column and another Greek architectural structures. The “LeBrush classic” weight was specially developed to easily design ‘Movie titling’ graphics, cover books & magazines and posters. More skilled designers and pro-Users can even set the type, in a very smart way, in logotypes and labels as well, using its multiple advanced opentype options and extra ornamental sets. Lowercases allowed users to work in lecture size requirements.

ITC True Grit is the work of American designer Michael Stacey, a bold distinctive typeface. An enthusiastic collector of vintage graphic design, Stacey says that he is especially intrigued by lettering styles from the days when most display typography was done by hand. The style for ITC True Grit was taken from the 1930s and updated for digital imagine. Stacey say his goal was to retain the casual feel of handlettering yet impart the crisp finish of current precision typography." ITC True Grit is a hybrid design, a cross between German Blackletter and brush script with a hint of Jugendstil thrown in."

Muctar is a bold brush signature script. It can be used for various purposes such as headings, logos, wedding invitation, t-shirt, letterhead, labels, posters, badges and more. Muctar features Contextual Alternates, Standart ligatures, Stylistic Alternates and Stylistic sets. Languages supported: Breton, Catalan, Czech, Danish, Estonian,French, German, Hungarian, Icelandic, Italian, Romanian, Scottish Gaelic, Slovak, Latvian, Lithuanian, Norwegian, English, Finnish, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Welsh. Basically, all European languages that are based on latin alphabet. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.

Remember clear summer days as a kid? Remember open fields that you explored? Sun shining? Simple breezes sweeping past your face as you ran far and free? The feeling was uncomplicated and enjoyable. It was natural. That’s Verao, the simple spirit of summer. Alive and vibrant, Verao takes a turn away from the cold structure of today’s rigid creations and embraces the movement back to the value of things handmade. This artisan creation represents the rare, soul-invested fusion of the craftsman’s tools, materials, and hand movements, which shapes the solid--but beautifully defined--parts, pieces that, when put together, breathe a measure of life into everyday paragraphs and other bodies of text. Verao’s hand-written brush script, with its characters’ imperfect elegance and handmade quality, keeps your work looking organic. Write a word in more than a hundred different ways thanks to the large number of extra letters it offers. Two sets of lowercase alternative letters without connectors are included as is a set of swashed endings. Verao contains stylistic substitutions and ligatures, too, that you can combine however you like. Whichever way you design, the elements continue to appear balanced and separate and will undoubtedly add more personality to your design. So stop switching out cogs in your rigid set of fonts. Take time again to play with a natural face that’s both easy and energetic. Verao’s great temperament makes it a joy to design with. Let this spirit of summer take you away from the mundane. There’s a good chance Verao will lead you where you need to go. Production assistance from Lucas Azevedo.

Although the early 1900s through the 1920s seemed to be the "Golden Age" of ridiculously long novelty song titles, it appears that even the decade of the 1940s had its fair share as well. Song Merchant JNL was modeled from the hand lettered [but exhausting] title of the sheet music for "Princess Poo-Poo-Ly Has Plenty Pa-Pa-Ya (and she Loves to Give it Away)". Despite the obvious double-entendre inferences of the title, the square block letters with rounded corners make for a useful headline font (even if the source material it was drawn from is quite forgettable). Available in regular and oblique versions.

Faktum is an exploration into the geometric sans genre, inspired by Mid-century modern architecture and interior design. Especially the combination of clear lines, organic curves and geometric shapes, highly popular among designers and architects of the second third of the 20th century, gave the impetus for a design with clear modernist roots and a strong contemporary finish. The family comes in 8 weights plus matching italics, featuring a wide range of alternate characters and opentype features like discretionary ligatures, case sensitive shapes, different number sets and many more. Due to its clean lines and slightly organic structure, Faktum functions great in many sizes and surroundings, working either as a restrained supporting font in long paragraphs, or as a main actor in powerful headlines.

Circus Didot typeface presents a rework of a typical neoclassical serif type in a constructivist style. Analyzing the shapes of characters author placed basic geometric figures — triangles, rectangles, circles… above the contours of letters. Resulting constructions staying recognizable letters at the same time bore a resemblance to pictures of Russian avant-garde artists from 20th century. This discovery has brought an idea to design a typeface where the tendency of a modern serif type to rationalism and geometry is realized in maximum possible extent. The prototypes for the project were taken from the works of Didot, lettering experiments of Russian constructivists and art deco artworks. The technique of juggling with shapes and overall grotesque approach to the design explains the selection of the name for the font.

Throughout the history of typography there have been countless attempts to simplify the alphabet. In the early 20th century, modernist designers experimented with reducing the alphabet to basic geometric shapes. Prozac pushes this utopian experiment further by reducing the roman alphabet to just six shapes. These shapes are then flipped or rotated to make up the 26 letters of the alphabet. Prozac is available without prescription in lite and max versions.

Banana Yeti is a brush script typeface with a condensed vertical slant, inspired by a handmade sample drawn by the calligrapher Ross Frederic George and depicted in Speedball 1947 Textbook Manual. Banana Yeti has a vintage brush script look, perfect for food packaging, display and logo design and period advertising. The original design has been completely reworked and extended by the Zetafonts Masterclass 2016 Team to provide three lighter weights, and a monoline variant, as well as to produce an extended character set with open type support for ligatures, alternates, European languages and ending swashes. Banana Yeti covers over 40 languages that use the Latin alphabet, with a full range of accents and diacritics. It comes in four weights plus a special monoline weight. Banana Yeti makes full use of Open Type ligatures to provide swashes, arching letters and a wide array of ligature characters for a more handmade, natural look. Swashes can be accessed through glyph palette or by typing one to six underscores after the letter. Typing an underscore before a phrase creates arching text; close arch with another underscore. Variant ampersands can be accessed through glyph palette or by typing multiple ampersand characters. Take care: open type features are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying!

Monk is a multi-language geometric harmoniously balanced font in Arabic and Latin. The font family has its origins in Benedictine and Franciscan writing. Both Arabic and Latin work seamlessly together having shared counters, stem thickness, and curved forms. Monk is a type family that seeks a balance between the openness and legibility of humanist sans serifs. Letterforms have a distinct direction of the ductus, a wide overall stance, large open counters that help in its legibility. The typeface is versatile and can be successfully used in magazines, posters, branding, websites, headlines, large-format prints, brand identities, social media, advertising, editorial design, posters. The family contains over 40 alternative glyphs and over 50 ligatures in each style and comes in 10 styles with their corespondent italics. The family Latin supports Western, Central, South Eastern, South American, Oceanian, Pan African, Vietnamese, Sámi & Arabic

Bingo Wood Display in totality and elegance. One of my newest first releases, hand drawn with pinpoint accuracy. Bingo Wood has the perfect amount of simplicity and subtlety for your next project. It perfectly represents retro and vintage aesthetics. I recommend this font for logos, invitations, and your next home decor project that requires a touch of compact alternative combinations! Include Format: - Bingo Wood Display. otf Bingo Wood appears with a total of 593 Glyph characters available: Basic Latin, Extended Latin A, Punctuation, Open & Close Punctuation, Dashes & Quotes, Super Script & Sub Script, Currency, Numbers, Math Symbol, Designer Favorites Case Sensitive Forms, Discretionary Ligature, Denominators, Standard Ligature, Numerators Stylistic Alternates Set, 1, 2, 3, Sup Script, Super Script, Swash Get inspired by the images above and feel free to share with me what you get using this font.

While sketching for a music project logo, Donald DBXL Beekman looked at several wood type alphabets as a starting poing. One of these was No.120, patented in 1880 by William Hamilton Page. With its distinct diagonally cut serifs and round shapes cut off at top and bottom, it bore just the right feel for the project. DBXL digitized the alphabet, adding all characters needed for a full set. During this process all shapes were widened, tweaked and streamlined to enhance consistency and rhythm along the whole font. VLNL Bonen is an all-caps display font with a very specific western cowboy or circus look. For instance burger or barbecue grill restaurants would do well with this one. We can easily see it shine on a festival flyer or poster as well, and not just country & western festivals. VLNL Bonen is suitable for any ‘big’ use that needs to stand out of the crowd. Bonen is the Dutch word for beans, a world wide source of nutrition and proteins it comes in a multitude of shapes, colours and sizes. Beans are also the most eaten foods in a cowboy’s diet along the trail. Available in abundance and easily preserved and transported, many recipes on the cattle drives in the American Wild West used beans. Think of chili, mashed beans with biscuits and bean soups. “Keep them doggies movin’, cowboy!”