Shauqy is a font with a modern Calligraphy look and energetic. With extra attention to quick strokes and sharp details, is ready and perfectly fit for your logo designs, music projects & social media posts, event poster, brand imagery, product packaging, handwritten quotes, merchandise, etc.

Scout is a sharp, clean, and bold athletic font. It is a very versatile display typeface perfect for sports branding, emblems, jerseys, posters, apparel design, magazine headlines, labels and so much more. Scout is fully-kerned and ready to be used right out the box.

Newlook is a display font drawn with geometric shapes and high contrast. The stylistic set 01 shows capital letters using heights from descenders to ascenders and x height which gives a crazy dancing look. Perfect for display, poster, magazine etc… Support all latin languages.

Country Charm is a picture font. A cute collection of vectored sketches brought to life by designer Natsuko Hayashida. More than 50 unique illustrations. Her depictions of fruits, vegetables & herbs are beautiful organic shapes, perfect for you to use on signs, posters, invitations, and more.

Garcia is a modern take on a Serif-style typeface. I created a serif style but with added contrast and make a contemporary and memorable font. Sharp points mix with smooth curves creating unique glyphs that are perfect for interesting wordmarks and typographic posters.

Sogeh is a sanserif font with a simple and straightforward design. This basic font has a modern shape and an exotic appearance while being comfortable and attractive to the eye. With this font, all of your special projects will look luxurious, cool, and well-liked by a large portion of your audience. Use this typeface to achieve the best possible outcomes in all of your projects. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Gamy font is a san serif font family that is designed with the appropriate composition and portion to be placed in each of your design media, has a sharp character above on each alternate capital letter making it manly and mighty for your project. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, clothing, logotypes, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text. start using our fonts for your amazing projects.

FONT UPDATE → CFF Accelerator Roman is the ultimate logo typeface. It’s an efficient font family, consisting of 8 fonts with 4 weights and 2 widths. The masculine wide shoulders and sharp diagonal serifs are instantly recognizable and leave a lasting impression. CFF Accelerator is a space-age font made for heavy lifting. The original Accelerator Italic font was designed in 2005, making it our very first commercial font. It was created as an all-caps typeface. Now, the new Accelerator Roman font family has lowercases, an extended glyph set, a gazillion discretional ligatures, and loads of OpenType features. CFF Accelerator is currently our all-time bestseller!

Agree is a san serif font that we made with a more modern and unique shape than most other fonts. If you use this font in your project, the graphic appearance of your project will be perfect and unique, attracting the attention of many people. With this typeface, your work will be made easier because your design will stand out from the crowd. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

In the early days of printing it was soon recognized that there was a need to identify the printer and publisher behind the printed work. So these industrious people created marks to identify themselves to clients. This font contains over 160 marks dating back to the early years of printing with the likes of Fust, Ratdolt, Manutius, Caxton, and a whole host of others represented. Some of these printers were very influential and altered the course of history, some merely enabled the broader public to access the classics. Some were imprisoned and others helped foment revolutions. But all were riding the new current of this technology of moveable type that helped transform our world through the enabling of easily exchanging information.

Bourgeois Rounded is built upon the framework of Bourgeois, our popular geometric type family. As with the sans-serif Bourgeois Rounded letterforms are contemporary in look and feel. Echoing late 20th century modernism in style, Rounded’s overall look is clean and sleek, more ephemeral and dynamic than Bourgeois’s pared-down asceticism. The Rounded’s place in the history of font is a complex one. Being lauded for their legible characteristics and also at the same time their fashionable qualities, looking ultramodern and nostalgic, readable and highly stylised, authoritative and playful. Bourgeois Rounded and Rounded Condensed when combined, offer 24 styles suited for text of all kinds and sizes. Both are particularly good for short pieces of text requiring a sense of urgency or playfulness.

ITC Coconino is the work of Serbian designer Slobodan Miladinov. His original inspiration for this monostroked typeface was the idea of translating certain auditory impressions into type, in this case, the surprising and confusing music of the Serbian hip hop musician Voodoo Popeye." Miladinov is an art director in Belgrade and created Coconino using a "freemouse" technique with Adobe Illustrator and sees his work as "computer calligraphy which allows for a specific directness and immediacy in notation." The strokes of this font are simple and abrupt with a studied irregularity. The forms can look either cheerful and lighthearted or chaotic and subtly disturbing. Coconino was named for the home of hte Krazy KAt comics and even includes a few additional characters from the strip."

Set the wayback machine for about 1967. Smell the patchouli? Now you can inject just the right dose of swirly-licious mojo into your retro design with this original vintage-styled sixties font. But as with many psychedelic hippie lettering designs, the history reaches back even further; it owes a designer's debt of gratitude to the designs of the Art Nouveau era as well. This is predominantly a uni-case alphabet, but also features a few alternative characters in the lower case – at the full height of the capitals. With an extensive character set and multilingual glyphs, you can use Hippie Mojo to say "Groovy baby" in many languages. Evoke the carefree and tripped-out vibe of the psychedelic era with Hippie Mojo; it's pure retro fun!

Chubbét (pr. Chub-bay) Distended is the extended version of Chubbét. The regular weight starts off plumper than plump, then it expands inward until there is a minimal amount of positive space.

The typeface Wood Sans is designed from 2021 for the font foundry Typo Graphic Design by Manuel Viergutz. The display typeface is a digital version of original wood letters from a german flea market find. 8 font-styles (Clean, Clean Invest, Clean Mix, Rough, Rough Misprint, Rough Alt, Rough Dark & Icons) with 450 glyphs (Adobe Latin 2) incl. 100+ decorative extras like icons, arrows, German Capital Sharp S, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ♥︎or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (3 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Wood Sans ■ Font Styles: 8 font-styles (Clean, Clean Invert, Clean Mix, Rough, Rough Misprint, Rough Alt, Rough Dark & Icons) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat:.off (for Print) + .woff (for Web) ■ Glyph Set: 450 glyphs (Latin 2 incl. decorative extras like icons) ■ Lan­guage Sup­port: 69 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena ,Breton ,Catalan ,Chiga ,Cornish ,Danish ,Dutch ,English ,Estonian ,Faroese ,Filipino ,Finnish ,French ,Friulian ,Galician ,German ,Gusii ,Indonesian ,Irish ,Italian ,Kabuverdianu ,Kalenjin ,Kinyarwanda ,Luo ,Luxembourgish ,Luyia ,Machame ,Makhuwa-Meetto ,Makonde ,Malagasy ,Manx ,Morisyen ,North Ndebele ,Norwegian Bokmål ,Norwegian Nynorsk ,Nyankole ,Oromo ,Portuguese ,Quechua ,Romansh ,Rombo ,Rundi ,Rwa ,Samburu ,Sango ,Sangu ,Scottish Gaelic ,Sena ,Shambala ,Shona ,Soga ,Somali ,Spanish ,Swahili ,Swedish ,Swiss German ,Taita ,Teso ,Uzbek (Latin) ,Volapük ,Vunjo ,Welsh ,Western Frisian ,Zulu ■ Design Date: 2021 ■ Type Desi­gner: Manuel Viergutz

Syntax was designed by Swiss typographer Hans Eduard Meier, and issued in 1968 by the D. Stempel AG type foundry as their last hot metal type family. Meier used an unusual rationale in the design of this sans serif typeface; it has the shapes of humanist letters or oldstyle types (such as Sabon), but with a modified monoline treatment. The original drawings were done in 1954; first by writing the letters with a brush, then redrawing their essential linear forms, and finally adding balanced amounts of weight to the skeletons to produce optically monoline letterforms. Meier wanted to subtly express the rhythmical dynamism of written letters and at the same time produce a legible sans serif typeface. This theme was supported by using a very slight slope in the roman, tall ascenders, terminals at right angles to stroke direction, caps with classical proportions, and the humanist style a and g. The original foundry metal type was digitized in 1989 to make this family of four romans and one italic. Meier completely reworked Syntax in 2000, completing an expanded and improved font family that is available exclusively from Linotype GmbH as Linotype Syntax. In 2009 the typeface family was renamed into a more logical naming of "Syntax Next" to fit better in the Platinum Collection naming." Syntax® Next font field guide including best practices, font pairings and alternatives.

Austera Text is a clean and structural humanist font face whose purpose is to be clear while don't interferes with the message concept. Austera Text is a contemporary serif with moderate contrast, sharp shapes, fairly large x-height and moderate aperture with the aim to make it very legible in continuous text. The italic version has a unique appearance with its pronounced angle mixed whit its elongate beginning and ending strokes. Although Austera Text was created to be used in continuous text, it also could be applied to many other uses obtaining nice results, from editorial and corporate design to advertising, packaging and digital design. Austera Text has OpenType features such Old Style figures, standard and discretionary ligatures, ordinals and fractions. Composed of more than 500 glyphs, Austera Text supports Western European, Central/Eastern European, Baltic, Turkish and Romanian Languages.

The inspiration source for Carnivale Monogram is an elegantly sexy antique of typographic history. Known as Romantiques No. 3 or Ornate No. 2, this fantastic typefaces has been digitally revived and expanded for monogram designs. While this typestyle was never originally intended for monograms, its ornate nature lends itself so wonderfully to the craft. Download and view the MFC Carnivale Monogram Guidebook if you would like to learn a little more.

Fonseca is a modern sans serif inspired by art deco and typography poster in early 20th century. The key of this all-caps family is simple straight geometric forms and modernized letterforms. This display family is perfect for headlines, posters, logos, branding projects, magazines, and packaging. The modernized retro-look makes this family great to presents any contents related to travel, history & culture in the present/modern way.

Canadian Serge Pichii was inspired by decorative lettering produced during the early 1920s by Jan Tschichold to create Ironwork. Similarly, his ITC Ancestor family was influenced by early work, but in this case, much earlier work: the characters carved by native British Columbian people on solid rock. He worked with anthropologists and linguists to produce a series of books dedicated to the history and culture of the people.

Quercus is characterised by open, yet a little bit condensed drawing with sufficient spacing so that the neighbouring letters never touch. It has eight interpolated weights with respective italics. Their fine gradation allows to find an exact valeur for any kind of design, especially on the web. Quercus serif styles took inspiration from classicistic typefaces with vertical shadows, ball terminals and thin serifs. The italics have the same width proportion as upright styles. This “modern” attitude is applied to both families and calls for use on the same page, e g in dictionaries and cultural programmes. Serif styles marked by “10” are dedicated to textual point sizes and long reading. The sans-serif principle is rather minimalistic, with subtle shadows and thinned joints between curved shapes and stems. Quercus family comprises of the usual functionality such as Small Caps, Cyrillics, diacritics, ligatures, scientific and aesthetic variants, swashes, and other bells & whistles. It excels in informational and magazine design, corporate identity and branding, but it’s very well suited for book covers, catalogues and posters as well. When choosing a name for this typeface I've been staring out from my studio window, thinking helplessly without any idea in sight. Suddenly I realised that all I can see is a spectacular alley of oaks (Quercus in Latin) surrounding my house. These oaks were planted by the builders of local ponds under the leadership of Jakub Krčín in the fifteenth century.

Quercus is characterised by open, yet a little bit condensed drawing with sufficient spacing so that the neighbouring letters never touch. It has eight interpolated weights with respective italics. Their fine gradation allows to find an exact valeur for any kind of design, especially on the web. Quercus serif styles took inspiration from classicistic typefaces with vertical shadows, ball terminals and thin serifs. The italics have the same width proportion as upright styles. This “modern” attitude is applied to both families and calls for use on the same page, e g in dictionaries and cultural programmes. Serif styles marked by “10” are dedicated to textual point sizes and long reading. The sans-serif principle is rather minimalistic, with subtle shadows and thinned joints between curved shapes and stems. Quercus family comprises of the usual functionality such as Small Caps, Cyrillics, diacritics, ligatures, scientific and aesthetic variants, swashes, and other bells & whistles. It excels in informational and magazine design, corporate identity and branding, but it’s very well suited for book covers, catalogues and posters as well. When choosing a name for this typeface I've been staring out from my studio window, thinking helplessly without any idea in sight. Suddenly I realised that all I can see is a spectacular alley of oaks (Quercus in Latin) surrounding my house. These oaks were planted by the builders of local ponds under the leadership of Jakub Krčín in the fifteenth century.

Quercus is characterised by open, yet a little bit condensed drawing with sufficient spacing so that the neighbouring letters never touch. It has eight interpolated weights with respective italics. Their fine gradation allows to find an exact valeur for any kind of design, especially on the web. Quercus serif styles took inspiration from classicistic typefaces with vertical shadows, ball terminals and thin serifs. The italics have the same width proportion as upright styles. This “modern” attitude is applied to both families and calls for use on the same page, e g in dictionaries and cultural programmes. Serif styles marked by “10” are dedicated to textual point sizes and long reading. The sans-serif principle is rather minimalistic, with subtle shadows and thinned joints between curved shapes and stems. Quercus family comprises of the usual functionality such as Small Caps, Cyrillics, diacritics, ligatures, scientific and aesthetic variants, swashes, and other bells & whistles. It excels in informational and magazine design, corporate identity and branding, but it’s very well suited for book covers, catalogues and posters as well. When choosing a name for this typeface I've been staring out from my studio window, thinking helplessly without any idea in sight. Suddenly I realised that all I can see is a spectacular alley of oaks (Quercus in Latin) surrounding my house. These oaks were planted by the builders of local ponds under the leadership of Jakub Krčín in the fifteenth century.

“Quercus” is characterised by open, yet a little bit condensed drawing with sufficient spacing so that the neighbouring letters never touch. It has eight interpolated weights with respective italics. Their fine gradation allows to find an exact valeur for any kind of design, especially on the web. Quercus serif styles took inspiration from classicistic typefaces with vertical shadows, ball terminals and thin serifs. The italics have the same width proportion as upright styles. This “modern” attitude is applied to both families and calls for use on the same page, e g in dictionaries and cultural programmes. Serif styles marked by “10” are dedicated to textual point sizes and long reading. The sans-serif principle is rather minimalistic, with subtle shadows and thinned joints between curved shapes and stems. Quercus family comprises of the usual functionality such as Small Caps, Cyrillics, diacritics, ligatures, scientific and aesthetic variants, swashes, and other bells & whistles. It excels in informational and magazine design, corporate identity and branding, but it’s very well suited for book covers, catalogues and posters as well. When choosing a name for this typeface I've been staring out from my studio window, thinking helplessly without any idea in sight. Suddenly I realised that all I can see is a spectacular alley of oaks (Quercus in Latin) surrounding my house. These oaks were planted by the builders of local ponds under the leadership of Jakub Krčín in the fifteenth century.

Introducing Kageb Bold Serif Display Font, a font that exudes boldness and confidence. With its sharp and pointed serifs and thick lines, this display font makes a strong and impactful statement. The font is perfect for creating headings, titles, and logos that demand attention. Kageb Bold Serif Display Font is ideal for designs that require a bold and daring look. The font’s character is unmistakably strong and powerful, making it suitable for branding, advertising, and other marketing materials. It can also be used in editorial design, such as magazine layouts, where the boldness of the font can make a statement. With multilingual support, Kageb Bold Serif Display Font is accessible to a wider audience, enabling designers to reach out to different markets. Whether you’re designing for a fashion brand, a sports team, or an event, this font will give your design a bold and unforgettable presence. What’s Included : - File font - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Carpe Noctem (Latin for ‘Seize The Night’), was a bit of a surprise. Someone asked me if I could create a lower case for my Closet Skeleton font. I began working on it and lo and behold, a beautiful font started taking shape. So, if you’re in need of a slightly scary fairytale font, complete with angled edges, swirly bits, a couple of alternate - even more curly - glyphs and an alternate medieval ampersand, then Carpe Noctem is your typeface!

Hi, presenting a classic style font Aquatory Serif. It's a decorative classic style typeface with lots of ligatures and thin high contrast shape. A descent advantage of this font is a set of 75 ligatures for small letters. Aquatory Serif font supports most of the european languages and also has ukrainian cyrillic characters. *Make sure that "Standard Ligatures" feature is supported & enabled in your software. Also please consider that this feature is available only for english alphabet.

"Gabret Street" is an urban graffiti font characterized by sharp edges and a bold look. Ideal for music posters, apparel designs, shirts, and streetwear, this font brings a touch of edginess to your projects. The unique style of "Gabret Street" makes it the perfect choice for death metal or urban graffiti themes. Whether you want to create a strong and powerful statement or simply add a touch of attitude to your designs, "Gabret Street" is the font for you.

Bade Hoper is an urban graffiti font characterized by sharp edges and a bold look. Ideal for music posters, apparel designs, shirts, and streetwear, this font brings a touch of edginess to your projects. The unique style of "Bade Hoper" makes it the perfect choice for street style or urban graffiti themes. Whether you want to create a strong and powerful statement or simply add a touch of attitude to your designs, "Bade Hoper" is the font for you.

Wild Rebel is an urban graffiti font characterized by sharp edges and a bold look. Ideal for music posters, apparel designs, shirts, and streetwear, this font brings a touch of edginess to your projects. The unique style of "Wild Rebel" makes it the perfect choice for street style or urban graffiti themes. Whether you want to create a strong and powerful statement or simply add a touch of attitude to your designs, "Wild Rebel" is the font for you.

New expressive font "ColorPaper". It was made using the negative space of letters and it looks amazing! This design captures you with its originality and simplicity. Thoroughly selected geometric shapes make a piece of art out of every symbol. Unfold the full potential of this font, experiment with the color and get pleasant impressions. Production of an original and expressive design of a poster, title, logo, emblem using this font is very simple and fascinating. Make sure yourself.

Roket Monster is an urban graffiti font characterized by sharp edges and a bold look. Ideal for music posters, apparel designs, shirts, and streetwear, this font brings a touch of edginess to your projects. The unique style of "Roket Monster" makes it the perfect choice for street style or urban graffiti themes. Whether you want to create a strong and powerful statement or simply add a touch of attitude to your designs, "Roket Monster" is the font for you.

This font was inspired by the bricks of my wall, I stared at them all the time thinking, wouldnt be great if fonts live in cooperation with bricks, and then, it came to my mind…A font family that shows naked bricks, like it is RIGHT on the middle of design process. The main features are the informal and wired look that make it worthwhile for bands and informal invitations, flyers, for concerts or infantile designs.

Riky is a heavy sans typeface carefully hand-drawn made, with different letter shapes, full of ligatures, and stylistic alternates that will provide great flexibility for your designs. Ricky's typeface is lively, dynamic and energetic. This font has an informal and decorative style. Riky fonts come in 2 versions: Shadow and solid. These fonts are quite perfect for packaging design, posters, children books and many other purposes. Play with them, be creative with them and enjoy them.

"Block Busta" is an urban graffiti font characterized by sharp edges and a bold look. Ideal for music posters, apparel designs, shirts, and streetwear, this font brings a touch of edginess to your projects. The unique style of "Block Busta " makes it the perfect choice for death metal or urban graffiti themes. Whether you want to create a strong and powerful statement or simply add a touch of attitude to your designs "Block Busta " is the font for you.

Break Enemy is an urban graffiti font characterized by sharp edges and a bold look. Ideal for music posters, apparel designs, shirts, and streetwear, this font brings a touch of edginess to your projects. The unique style of "Break Enemy" makes it the perfect choice for street style or urban graffiti themes. Whether you want to create a strong and powerful statement or simply add a touch of attitude to your designs, "Break Enemy" is the font for you.

Graffierz Poison is an urban graffiti font characterized by sharp edges and a bold look. Ideal for music posters, apparel designs, shirts, and streetwear, this font brings a touch of edginess to your projects. The unique style of "Graffierz Poison " makes it the perfect choice for death metal or urban graffiti themes. Whether you want to create a strong and powerful statement or simply add a touch of attitude to your designs, "Graffierz Poison" is the font for you.