Magès is a modern and elegant font. This font is made with a shape that sticks out more to the classics. So you'll find this font emphasizes an artist's feelings for his work. Masculin and feminine flavors are contained in this font. We created a different character for each letter so that it is easy to stick to the mind. Modern and minimalist character! it's perfect for logos, name card, magazine layouts, invitations, headers, or even large-scale artwork.

Retro is in again! The distinctive font Kabif will give your work a vintage, extraordinary look. With its erratic, rounded, and geometric shapes, this font typifies popular culture from the 1960s and 1970s. A cool and simple font with an easy-to-see and easy-to-read typeface is called Kabif. The Kabif font works best for text, headlines, headers, signage, greeting cards, posters, flyers, invitations, packaging, book covers, printed quotes, album covers, and other visual elements.

Spring is in the air! At least, where I live. My two pear trees are in bloom, bees are buzzing and everything turns a brighter shade of green. Time for a new and fresh font package with a spring-inspired name! Springwood is a handmade set of fonts, ranging from a fat display font to a messy script font. Use it for your freshest ideas, your coolest designs or just anything that needs a bit of springtime.

"Atnew" is a modern typeface that includes six individual fonts (ExtraLight, Light, Regular, Medium, SemiBold, Bold) and a variable font ranging between Light (50pt) and Bold (200pt). Keeping geometric shapes but with soft curves gives fonts a playful feel. They can be used in interfaces, websites, posters, stationery, tv show credits, and many other purposes. It could be for your everyday activities like journaling. The variable font version provides more flexibility for your needs by fine-tuning weight points.

The Roger family was designed in memory of a friend of ours who passed away recently. We created a humorous design for him because he was always laughing and never failed to see the funny side of things. We miss his great outlook on life.

It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there. Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds. Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff. Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well. This is one quill script that no large bird had to die for. A few technical notes The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on. Awards During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.

Living from 1545 in Lyon, France, the famous punchcutter Robert Granjon created a typeface that looked like his own handwriting. The first book printed with this font, in 1557, was probably Dialogues de la vie et de la mort by Innocent Ringhier. We offer the complete typeface. It is a charming font with historical forms (long s, final s and others) and many ligatures, enriched with accented letters and other characters that did not exist in the original (thorn, eth, lslash and others), and a lot of alternates that permit rich and varying typography. Warning: all characters appear with the 1500s manual blackletter old style, especially letters “e” “r” or “h” alternate and some ending forms, and may be difficult to read at first, but it quickly becomes very easy. The font contains all characters for Baltic, Western European (Including Celtic), Eastern European, Northern European, and Turkish languages.

This family was created/inspired from the well-known Baskerville Roman and Italic typefaces created by John Baskerville, the English font designer. We were inspired by the original family sent by Baskerville’s wife after his death. The full Baskerville collection was bought by the French editor and author Pierre-Augustin Caron de Beaumarchais who used it to print - in Switzerland - for the first time the complete works of Voltaire (known as the “Kehl edition” from the "Imprimerie de la société littéraire typographique"). We have used this edition, with copies from 1785, to reconstruct these two genuine historical styles. The font faces, kerning, and spacing are scrupulously identical to the original. This Pro font includes characters for Western, Eastern and Central European languages (including Celtic) and Turkish, with a complete set of small caps, standard and “long s” ligatures in each of the two styles.

The Metalista font was created as a sign of undying admiration for the persistence of heavy metal culture. The angled font of almost fixed width proportions combines capitals with small letters for more variety and better definition of individual letters. Stressing the horizontal strokes subdued the historical Gothic character and emphasized a more modern signature, which is far different from the majority of current attempts at a modern adaptation of Fraktur fonts. We offer Metalista in three styles, or rather widths to be exact: Speed is inspired by the whiplash pace of 70s and 80s speed metal, and can tell and perform a lot even in a very small space; uncompromising Death balances on the fine line between expression and readability; and Metalista Black is the universal go-to, whether as megalomaniacal titles sprawled across the entire LP cover or as tiny texts for glam rock CD booklets.

Maracay is a tropical typeface that works for texts or headlines, mainly as a display font and designed to work in layers of overlapping texts. Maracay is a unique design with nine fonts based creating a particular style of design and the combination of a couple different looks can be obtained eighteen. Thanks to the versatility of coloring matter, together form a coherent and attractive ideal for a variety of different projects such as invitations, menus, magazines, brochures, packaging, design, etc. Maracay provides alternate characters, swash, ligatures, icons, ordinals and fractions. Maracay has 4 shape styles : Regular Maracay base as essential as Tooled variations of brightness or wood with the appearance of a WoodType vintage wooden texture . Inner font as serves as Light or inner contour of the foregoing. Follow three fonts contouring as Outline, Shape and Umbra as a 3D projection. For decorative purposes Shape that there is a textured lines or Half as a split in the top half letter. Maracay has been carefully studied to provide the best combinations of the most of pairs and trios of glyphos avoiding undesirable extensions between ornate characters through its Opentype programming.

Debut Studio Presents The Retromax.... This Script is a special script or typeface in which the emphasis is reversed from the norm: instead of the vertical lines being wider or thicker than the horizontal lines, which is normal in Latin alphabet writing and especially printing, horizontal lines are the thickest. It's quirky and fun, you can use for any project. Retromax is also a Layered Fonts, Layered fonts have letters that appear raised, or stacked in multiple layers of different shades or colors. Some layered fonts actually include multiple files for each layer. With layered font families, we can create novel combinations of 3D with Shade. Features: Uppercase & Lowercase Number & Punctuation Multiple Language & Stylistic Alternate Files Included: Retromax Regular Retromax Offset Retromax 3D Retromax Shade I hope you like my latest product, This collection will be perfect for creating posters, art prints, apparel and t-shirt designs, Instagram and other social media posts, and many more. if you have questions and problems when using it, please leave a message in the comments or via direct message, I will be very happy to reply, Happy Designing!

The "Dashie" font is a captivating modern display typeface with a strong feminine touch. Designed with a blend of retro and vintage elements, this font carries an elegant and alluring vibe. Dashie boasts smooth lines while still exuding gracefulness. Each letter possesses a unique form, with soft contours and slightly curved angles, delivering a sense of sophistication and timelessness. This font is exceptionally fitting for creating feminine branding logos due to its gentle yet powerful characteristics. When integrated into designs, Dashie has the ability to infuse a classic touch of retro or vintage, emanating an aura reminiscent of the past yet maintaining a fresh and modern feel. Dashie is the perfect choice for crafting a visually captivating and memorable identity for brands seeking to stand out with an elegant, feminine style, while incorporating retro or vintage nuances into their brand.

David was promised Saul’s daughter in marriage after he defeated Goliath. However, while Saul procrastinated in delivering his elder daughter for marriage, David fell in love with the younger daughter Mikal (1 Samuel 18:20,28). Mikal was the only wife who was reported to have loved David. Her name, Mikal, meant brook, or stream, a symbol of the water of the word. Mikal is a versatile and elegant script font; well suited in the area of magazines, web pages, packaging, logotypes and advertising, etc. This font can be used as body text for its good legibility and accurate kerning. Mikal font has all the advantages of OpenType technology that allows a variety of combinations: Swash, old style numerals, standard and discretionary ligatures, contextual alternates, word ending and tails. Mikal supports all Central European character set as well as basic Western languages.

Your purchases include the Hello Darling Script, conjunctive handwritten script, and printed, handwritten, and printed script fonts. Hello Darling is made side by side to work together. All lowercase letters are placed to receive a connecting tail from Hello Darling. You can mix and match the same words to your heart's content! Hello Darling is also made with the crafter in mind: there are no closed counters on either type, meaning they can easily be used for stencils and electronic cutters such as the Cricut line and the Silhouette. The Hello Darling package includes: - More than 300 glyphs in the Hello Darling font, designed to work together! - No closed counters - useful for stencils and vinyls! - More than 200 accented characters in each font. - Double letter binder staggered for a hand drawn look! - PUA-encoded for easy character map access! Enjoy and thank you.

In nautical folklore, the Flying Dutchman is a ship that can never go home and is doomed to sail the seas forever as a ghost ship. The story of the Dutchman appeared in print in the 1820s. With different versions written over the years, some date the legend to the 1640s or the early 1700s. The Flying Dutchman font is a revival of an 1876 font from MacKellar, Smiths & Jordan Co. The Truetype and OpenType formats include a larger extended character set with Central and Eastern European accented letters. Extra characters in this font are left and right pointing hands in place of the less than and greater than keys and a pirate flag is on the bracket keys. New to this style is the distressed version where the letters look like they've been hacked by a cutlass.

Historia script is the stylish vintage look font. Come with ligatures, stylistic alternate, stylistic set and end swash to make your own design look perfect. Can be used for various purposes. such as headings, signature, logos, retro wedding invitation, t-shirt, letterhead, signage, label, news, posters, badges etc. Features : Unique ligatures Stylistic Alternates Stylistic sets Basic Latin A-Z and a-z Numbers International Symbols included Punctuations To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign, Adobe Photoshop & CorelDraw X6-X7. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). Need help? If you need help or advice, please contact me by e-mail fargunstudio@gmail.com Thank you for your purchase!

Hello Anggela Script a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!! Hello Anggela Script come with 275+ glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. How to access and use font glyphs on a Windows PC : https://designbundles.net/design-school/how-to-access-use-font-glyphs-windows Accessing Font Glyphs with Font Book on Mac : https://designbundles.net/design-school/access-font-glyphs-mac Can't find Glyphs on Mac? Make sure you are in Repertoire Mode! https://designbundles.net/design-school/cant-find-font-glyphs-mac NOTE : Tail is available only for lowercase letters. Thank you

Introducing the Groovy font called Mawur. This font is the perfect way to add style and flair to your designs! The unique, sophisticated shapes and amazing mix of shapes in this font will automatically add a touch of class and sophistication. ideal for use in greeting cards, posters, product packaging, or just to add a little flair to your designs. Its simplicity will make it easy to read and you can use it anywhere you like. Grab your copy now and start making the most of it today! What’s Included : Standard glyphs Iso Latin 1 Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support