Kwikspeed is a italic display font that was developed from typography used in e sport themed design work. The font is designed so that the capital letters link together in a cool way. The font includes lots of alternative capital letters to provide many different options allowing you more versatility. The same goes for the ligatures - they also present cool ways of displaying letter combinations. The font includes uppercase, lowercase, numbers, alternative capitals, discretionary ligatures, basic Latin international and punctuation characters.

Platinor this is a beautiful and elegant Display Serif font. You can use this font in the classical style, with it you can highlight exactly what you need. But Platinor can also be more expressive, playful and looking vintage due to the many alternatives and ligatures that are harmoniously combined in this font. Try changing alternatives, ligatures and you will get many options for your project, which will make it unique. This font is easy to use as it has OpenType features.

This is an extension of Mikolaj's Grabowski first typeface. Formerly known as EPILEPSJA, now coming as ACHTUNG. Adding lowercase and small caps, as well as additional language support including Cyrillic script and some dingbats. ACHTUNG Color Type Family has a range of application from warnings and safety signage to propaganda posters and anarchist graffiti. Every place where you need an indisputable message, be it in headlines or titles, this font comes in handy. It’s a stencil, it’s layered and impossibly dimensional. Download the specimen HERE. I advise you to do so in order to being aware of how the layers work and how to use color fonts. Total of 1020 glyphs. Languages: Afrikaans, Albanian, Bosnian, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Macedonian, Maltese, Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovak, Slovenian, Spanish, Swedish, Turkish, Ukrainian, Vietnamese, Zulu. OpenType features: small caps, localizations, superscript, fractions, ordinals, proportional and tabular figures, case sensitive forms, stylistic alternates, contextual alternates, and proper mark attachment.

TOBOGGAN | Utility Display Typeface Toboggan is a utility display typeface with classically influenced proportions, calligraphic elements, and sporting roots. With 9 weights, upright, and true italics, Toboggan comes in a total of 18 fonts. With flexibility from a crisp Thin weight to an imposing Super in both upright and italic, Toboggan thrives as a utility font spanning the columns of extended text, in artful editorial layouts, eye-catching motion graphics, or commanding headlines in a title role. First drafted around the frame of a perfect circle, Toboggan evolved by taking inspiration from the sweeping contours of the automotive world, expanding into wider proportions, and adopting an abrupt set of constructed features. Sturdy with the spirit of sport, Toboggan’s final form preserves a human connection through features of the written hand, while minimal contrast and its chopped terminals bring a decisive tone with clinical precision. Features: - Nine weights and true Italics - Multilingual support (Extended Latin - Includes Western European coverage and more) - OpenType features including small-caps, stylistic sets, contextual punctuation & more - Extensive numeral sets including stylistic sets, circled, and squared numbers

Orleen is an Arabic typeface from Lina type family, with an elegant and modern feeling. It's luxurious, strong, legible, Clear, Simple, and contemporary. With a handful set of OpenType features and alternatives. The design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Lina type family consists of Lina soft, Lina sans, Lina round. and Orleen. Orleen has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Orleen consists of 7-weight versions from thin to bold.

A display typeface with a muscular character, Doctrine Stencil is the revolutionary comrade of the text typeface Doctrine. Doctrine Stencil was developed from the North Korean national airline livery and, while it retains the idiosyncratic spirit of the original, it has evolved into a more contemporary headline face. Doctrine Stencil draws on elements of neo-grotesque, humanist and geometric styles, and combines them with a playful approach to the stencil model. Doctrine Stencil includes four alternate character sets as well as an array of ligatures and figure styles.

This elegant unicase uncial face is based on a work by German type designer Ernst Engel from 1927.This typeface masterfully combines Art Deco sensibilities with medieval letterforms, and is suitable for both text and headline use. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Blossom Riviera is the perfect brush script font for giving your projects a natural, handmade feel. With its cool, awesome texture, it's perfect for creating beautiful, unique logos and headlines. So what’s included : Standard Latin Numbers, symbols, punctuations and ligatures Multilingual Support. PUA Encoded and fully accessible without additional design software Simple Installations Works on PC & Mac Thank You!

Bommer project started in January of 2014 and I am happy to announce the first family - Bommer Slab - is now ready for release. This family includes 14 weights - being seven uprights and seven italics. This font has a strong personality, that makes it perfect for use in headline sizes but means it also works gracefully within text blocks.

A 1930s luggage tag from an eponymous hotel provided the inspiration for this face. The uppercase letters lean to the left and the lowercase letters lean to the right, so aLtErNaTiNg the two will give your headlines a little bounce. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Here's an offering from the Blackfriars Type Foundry of London that's perfect for commanding headlines. The letterforms have been carefully kerned for a tight fit to increase the visual color of this nostalgic behemoth. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Hello, friend! 'Quessera' font is coming; an elegant typeface with huge playful stylistic & ligatures. Quessera has a complete stylistic of uppercase and has many unique ligatures, so you have many choices to determine the most perfect one for your work and make it look stunning. Quessera is perfect for branding, logo, invitation, wedding vibes, fashion, headlines, and more.

“News Gothic” has been a reliable workhorse of a font since it was created by Morris Fuller Benton and first offered for sale in 1908 by American Type Founders. A clean, legible design used for text copy, it can also double as a light headline face. This reinterpretation (named Columnist JNL) is available in both regular and oblique versions.

CA Coronado is a nice display font for use in titles, logos and headlines. With its used look it creates a friendly and human feeling. Upper- and lower-case characters differ in details and can be mixed to get a vivid look. For the best authentic look, the ‘Regular’ can be used as filling and complements the Shadow-style.

Yenthida Script is a modern calligraphy design, including Regular. This font is casual and beautiful with strokes. Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and more. Yenthida Script includes changes in OpenType stylistics, binding, and international support for most Western languages.

Display Black Serif is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Black Serif has an uppercase alphabet located under the character + shift keys and a complete set of alternate uppercase characters located under the character set keys. It also has numbers and punctuation.

This casual, carefree face is based on a showcard alphabet presented by Cecil Wade in his Manual of Lettering. Its extrabold weight, sketchy styling and playful letterforms make it perfect for attention-getting headlines. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Hans Bohn’s Orplid, a shadowed sans serif font strongly influenced by the then prevailing Bauhaus style, and released by Klingspor in 1929, was revived and vastly extended for multilingual use. In addition, a filling style was made to easily accomplish colorful headlines, ads and posters. Both styles come with alternatives for A, M, N and W.

LORCAN MIST is a powerful super modern editorial unicase font with vintage vibes, designed with love and care for amazing projects. It's great for social media, headlines, large-format print, editorial, branding, posters, fashion designs and websites — it's designed not to take too much attention but at the same time be a powerful accent. It's mysterious, elegant and sexy.

Midfield Stencil Family is All Caps display typeface with solid, masculine, urban, sporty & bold character. 390+ glyphs each style with Multilanguage support, Contextual Alternates - Ready for the game! Each glyph is very well suited to make an interesting quote, headline & striking poster design. This font is perfect for logos, badges, clothing, signage, posters, and much more!

A powerful, energetic and exciting condensed typeface. It brings charming curves and satisfying patterns to traditional condensed fonts. It's designed for impact, without sacrificing style or legibility. It looks especially stunning in large scale, although it still carries a punch at smaller point sizes. It's born to be! Ideal for magazine, posters, headlines and pull quotes.

Corpo Serif is REFRESHED version of my old font Korpo Serif. Corpo Serif, designed by Mateusz Machalski, is a serif type family with a friendly feel. This type comprises 12 variants with 6 weights. The high contrast and high x height is perfect for headlines and display uses. Corpo Serif is a great complement for Corpo Sans.

Grim is a display family with a lot of room for application, most obvious being the tightly fitted headlines with impact. It works especially well as a counterpart to a serious, refined serif font. Each family member comes with a set of useful pictograms: arrows, triangles, hands, smilies and a heart. Best suited for poster and editorial usage.

Two classics from American Type Founders specimen catalogs of the 1880s—Othello and ATF Black Caps—inspired this powerful headline face with a decidedly menacing quality. Suitable for creepy, eerie and spooky occasions. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

Display Haphazard is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Haphazard has an uppercase alphabet located under the character set keys and a full set of alternate uppercase characters located under the character + shift keys. It also has numbers with alternates, and punctuation.

An awe inspiring nightmarish font for use wherever you need to add unease or fear to your artwork. The main focus and usage of AweX are headlines, posters for event graphics and music/media/game packaging. AweX was revised 2012 and now hold a full character set of basic english/latin letters and west european diacritics!

Grim is a display family with a lot of room for application, most obvious being the tightly fitted headlines with impact. It works especially well as a counterpart to a serious, refined serif font. Each family member comes with a set of useful pictograms: arrows, triangles, hands, smilies and a heart. Best suited for poster and editorial usage.

Zuider Postduif was my very first font design 3 years ago and I decided to remake and extend it including the Cyrillic alphabet and some OpenType features. It looks pretty cool as printed text(lyrics, poems) and fits best for decorations, posters, menu carts for restaurants, brochures, newspaper headlines or logos. It’s comfortable to read above 12 px.

Introducing Pragnea, a modern sans serif font with a unique touch. It had many unique quirks such as its distinctive e, curved stroke on R, K, V, W, and many others. The type family consists of three weights plus matching italics. Packed with 300+ glyphs, it works well both for impactful headlines and for reading sizes.

Diamond Cubic is a modern serif font with a geometrical and a slightly condensed design which makes it particularly effective for space economizing. It will look fantastic with short and middle length text blocks, headlines, presentations, logo, branding, poster, packaging or any other creative design. Diamond Cubic containing small caps and glyph coverage for several languages.

Bulgary Reagans is a pair of font that brings the playful looks with casual feel. The handwritten sans serif combined with the natural hand writing script are the perfect match for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Handlettering on a 1929 brochure for the P&O British-India Steamship Line inspired this tiddly typeface. Art Deco sensibilities combine with a playful attitude to yield a delightful and amusing headline font. The PC PostScript, TrueType and OpenType versions contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Grim is a display family with a lot of room for application, most obvious being the tightly fitted headlines with impact. It works especially well as a counterpart to a serious, refined serif font. Each family member comes with a set of useful pictograms: arrows, triangles, hands, smilies and a heart. Best suited for poster and editorial usage.

Krone is a clean, bold contemporary semi-serif font characterized by its flared semi-serifs and graceful curves. Well-suited for all graphic design challenges such as dynamic display headlines, logos, posters, cover/titles and much more. Its optimized kerning enables it to work well in a variety of text uses for both web and desktop.

A hand-lettered title on a children's stencil book for sale in an online auction served as the basis for Rustic Stencil JNL. Reminiscent of classic wood type, this stencil design adds a Western-influenced flair to any typographic project.

The award-winning Scala family (1990-1993) is a worldwide bestseller and has established itself as a ‘classic’ among digital fonts. It was one of the first serious digital text fonts to support small caps, ligatures and different set of numbers. In fact Scala and Scala Sans (1990-1993) are two workhorse-like typefaces sharing a common form principle: the skeletons of both Scala and Scala Sans are identical, therefore they can be combined perfectly. Where many of the modern sans serifs (like Helvetica and Univers) have rather ‘closed’ letter shapes, the same elements in Scala Sans are much more ‘open’. This greatly improves legibility, especially in the smaller point sizes. The italic of Scala Sans is not a slanted version of the roman, but rather a ‘real’ italic. Another part of Scala is very popular among its users: Scala Hands, containing more than one hundred decorative hands and pointers, is included in the Scala fonts and is a free bonus.

Bfrika is an 'Africa inspired' typeface and a contribution for the typographic issue 'National Typographica' of I-Juici Magazine, in South Africa. This geometrical decorative design represents bold simplicity, directness and rythm. The name evolved from text for the spread in the magazine. The B replaces the A. Africa be free. Bfrika. The concept behind Bfrika is to generate an unpredictable visual rhythm in an attractive decorative presentation. Filling up the white space around the letters accentuates form over function, thus creating an interference of visual impressions with its legibility. This visual rhythm is amplified by its redundancy in a text, only pausing at a break or a word space. Based on the concept of separate printing forms in letterpress, Bfrika Two Tone and Bfribat Two Tone separate the letter from the outside form in two fonts. Placing two text frames exactly on top of each other and assigning each part of these font to a frame in a different color, offers a quick way to add color. Originally Bfrika was designed for I-Jusi magazine #17, National Typografika, South Afrika 2001. Bfribat and both two tone fonts were created for Building Letters, a fund raiser for orphanages in Kenya and Uganda (www.buildingletters.org) and are also available for Mac and PC at www.hollandfonts.com and will be distributed in 2004 through associated foundries.

Calsera is a vintage display font duo. Inspired by 50s-60s signages, this font made to bring back the good ol' days. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. ADDITIONAL INFORMATION : For upgrading license please contact me. Upgraded licenses are required for apps, books, television, commercial exhibition, film, gaming, print on demand products, etc. simply email me to : ironbirdcreative@gmail.com We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative

The Bree font family is a spry sans serif by Veronika Burian and José Scaglione that delivers a spirited look and feel for branding and headline usage. As an upright italic, Bree shows a pleasant mix of rather unobtrusive capitals with more vivid lowercase letters, giving text a lively appearance. Bree is clearly influenced by handwriting. As such, some of its most characteristic features are the single-story ‘a’, the cursive ‘e’, the outstroke curves of ‘v’ and ‘w’, the flourished ‘Q’, and the fluid shapes of ‘g’, ‘y’, and ‘z’. Alternates of these letters are available when a more neutral look is desired. Bree has a touch of cheekiness, a wide stance for each character, and an extra-large x-height. All this adds up to a big personality, so even when set in small text there is no skimming past the words Bree voices. In 2019, the Bree font family got a huge update. A few shapes were updated or added (the ‘k’ and German capital ‘ß’), two entirely new weights were added (Book and Book Italic), and spacing was perfected. More than that, Vietnamese support was added to Bree Latin, and the Bree Greek and Bree Cyrillic scripts were designed from scratch to parallel the Latin’s tone. Additionally, Bree was designed in variable font format for those who want complete control over the font’s appearance while simultaneously saving digital weight in the form of kilobytes and megabytes. Bree is in the perfect position for the next digital revolution. The complete Bree font family, along with our entire catalogue, has been optimised for today’s varied screen uses. Bree has been chosen for such wide-ranging uses as Breast Cancer Awareness Month in the US, the branding for the country of Peru, and numerous layouts including mobile apps, magazines, newspapers, and books. Awards – Tipos Latinos exhibition 2008 – Several best-of-the-year typeface lists of 2008 MyFonts Top 10 Fonts of 2008 Smashing Magazine: 60 Brilliant Typefaces For Corporate Design https://www.smashingmagazine.com/2008/03/60-brilliant-typefaces-for-corporate-design/ Die besten Schriften 2008 http://www.fontwerk.com/619/die-besten-schriften-2008/ – Selected for Typographica’s Best Typefaces of 2008 – Won Bronze for Original Typeface in the 2009 European Design Awards