Figgins and Caslon may be names familiar to many as Type Founders. Indeed they are, but they are perhaps less well known for the emergence of Sans Serif type styles which have become part of our lives since 1889. The first hundred years of this style is celebrated with this design by Adrian Williams, completed in 1989. It echoes many features of the Gothic, Grotesque and Sans Serif models of the period, based particularly on the 1870 Figgins.

My father is retired from teaching after a distinguished career as a professor at the University of Texas (and other colleges). He's also retired from writing in longhand, ever since I digitized his script several years ago. Professor is a slightly modified version of my ol' dad's cursive hand -- a good, strong, helpful, friendly, personable hand, much like the man. Use Professor for all your casual handwriting needs: my father doesn't mind. Comes in a single, medium-weight style.

Wittingau is the original German expression for “Třeboň”, which is a beautiful town near my studio in South Bohemia. I love it for its calm and inspiring atmosphere and rich cultural past dating from the 12th century. The present typeface family is released as homage to Třeboň in the style of its greatest glory – Gothic Revival with classicistic decorativeness. Wittingau is excellent for music covers, book and catalogue jackets, invitations and posters. Contains many ornaments for creating decorative wallpapers.

Bauen (worker in German) is a tribute to the Bauhaus school that has just completed its first centenary and whose ideas are still relevant. It is a geometric typeface inspired by the sans serif typefaces prevailing in those years, and whose cradle resides in the Bauhaus school. It has a wide language coverage, and a generous range of OpenType functionalities, to make it an all-rounder for our day to day, and especially for corporate use.

Imagine the year 2099 and a merger between two multinational conglomerates dabbling in space colonization and research - maybe Nostromo would be their typeface of choice for branding. Inspired by all-time favourite dirty space movies where it would look natural in a setting with green glowing CRT screens on a rundown and dirty space ship. Nostromo is a futuristic / science fiction display typeface in several weights and styles. Nostromo also comes with stylistic alternatives on several letters.

What started out as a typographic exercise to produce the TypeTrust logotype turned out to be the product of obsession. Epic is the culmination of two years of work that has yielded a versatile and respectful contemporary garalde. With a full complement of six weights and true italics, the family offers itself as a true workhorse. Numerous standard and discretionary ligatures, majuscule ligatures, stylistic alternates and swash characters ensure visual interest as an effective headline face.

Nonchalant was inspired by an old Peter Sellers poster from the around 1970 (the year that I was born!) I wanted to keep the funky look of the 70's but update with a more modern 21st century look. That's how Nonchalant ended up looking like a hybrid between funk, grafitti and sans serif! Use Nonchalant for your posters, commercials, postcards, invitations, shout-outs or whatever needs something funky! Comes with an extensive amount of international letters!

Figgins and Caslon may be names familiar to many as Type Founders. Indeed they are, but they are perhaps less well known for the emergence of Sans Serif type styles which have become part of our lives since 1889. The first hundred years of this style is celebrated with this design by Adrian Williams, completed in 1989. It echoes many features of the Gothic, Grotesque and Sans Serif models of the period, based particularly on the 1870 Figgins.

Setsuko finds its origins on the ancient Silk Road, a network of trade routes crossing the continent of Asia, named for the Chinese silk trade which began in the Han Dynasty more than two thousand years ago. Originally designed to brand and package products celebrating the charm and mystery of the Ancient East, the characters in Setsuko are intended to express admiration and respect, not stereotyping or parody hoping to leave room for a designer's creativity and personal interpretation.

The lettering style of Location JNL is based on sets of "vintage" metal house identification letters and numbers seen for sale online. As these sets are available from overseas sources, it's not clear whether those metal characters are cast from original vintage dies that have been used for years or just designed to look like a vintage style of lettering. Nonetheless, they make for a great digital interpretation and the design is available in both regular and oblique versions.

Basque is a delicate nineteenth-century upright typeface of angular appearance, reminiscent of Black Letter scripts. The letterforms of the Basque font do not flow, but are made up of straight lines joined to form a rigid shape.

Expanse is a retro futuristic typeface. The font has a bold and big vibe and mixes sharp and round corners, kind of like the very old sci-fi movie titles. Expanse includes uppercase multilingual letters, numbers and punctuation.

Markup is a fresh, clean, handwriting font suitable for use in many applications. At large sizes, the letters showcase their smooth, natural curves. At text sizes, its sharp rhythm makes for a casual personality while still remaining legible.

Valvolina is a bold headline font inspired by Italian Futurism and the Moderne graphic design of the inter-war period. It uses elementary geometric shapes to build its characters, lending it an energy and punch. Dramatic and contemporary.

Sister Frisky jumps up and down and drinks a lot of coffee. There are no two parallel lines in this font, and no right angles. Here's a flashy, dancing, retro script with an sharp edge and clear wit!

Didyma display font has at the same time an entertaining appearance with its double-line structure and a luxurious feeling with its sharp and fluid serif structure. Didyma offers designers creative alternatives to create brands, packaging and titles.

Created for a skateboard shop logo Sugo is a headline font with a blocky shape, a freestyle finish and a street attitude. Its high readibility and contemporary feel make it the right typeface to mix personality and dynamism.

Hauntess is a Serif Font that comes with a scary sharp-display's style. suitable for posters, logotype, branding, social media, book, movie and so on. contains standard English letters, numbers, punctuation, alternates, and several accents that support multilingualism.

Looking for sharp-looking characters in ferocious action? Then look no further than this font, originally designed by Senior Comicraftsman John Roshell for GHOST RIDER 2099. Adamantium has also been featured in WOLVERINE and THE UNCANNY X-MEN.

Asbigan is an beautiful and very elegant font for brand and logo design. Based on our experience as a graphic designer who works for a lot of companies, we often are requested to design a logo in a unique style but with an elegant shape. So, we try to brainstorming and create this font to make the idea is going out. This font have 126 BEAUTIFUL LIGATURES is perfect for BRANDING and LOGO DESIGN. You will get classy, elegant, and certainly unique logos with this font. Asbigan is also included full set of: ligatures uppercase and lowercase letters multilingual symbols numerals punctuation HOW TO ACCESS LIGATURES CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type - glyphs Thanks for checking out our font! I really hope you enjoy using it! If you have any questions I'd be more than happy to answer them, just send me a message!

The Rastiku Groovy font is a bold, fun, and retro character, for all your design purposes! This is a versatile and vintage typeface that is perfect for any of your creative projects and will help make your designs stand out. The ideal font for your readers because it’s easy to read and ideal for branding, product packaging, or just to add a little flair to your editorial work. This fun Rastiku font has the right shape and subtle blend of different letter angles making this font very pleasing to the eye as both the title and sentence text of your projects. So what are you waiting for? Stop procrastinating and immediately incorporate it into your designs! What’s Included : Standard glyphs Iso Latin 1 Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Resplendent is a beautiful and free-flowing hand-lettered modern brush script font. Along with a full set of alternate lowercase characters, Resplendent comes in 2 different styles; Brush and Solid - giving you a hugely versatile brush font which can be used in a range of different scenarios. Resplendent Brush maintains a rough hand-painted aesthetic, whereas Resplendent Solid has a totally clean & smooth finish to it's edges; ideal for vinyl cutters such as Cricut and Silhouette Cameo, or simply for any project which needs a silky smooth style. Both styles of the font include an 'Alt' version, this has replaced all of the lowercase characters with a completely new set. If you wanted to avoid letters looking the same each time to recreate custom lettering, or try a different word shape, simply switch to the 'Alt' fonts for an additional layout option. Language Support • All Resplendent fonts include language support for; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay

Brotherline is a connected script built from a single bold mono-line, inspired by hand-lettering style and various calligraphy letterforms.The first idea with this font is to create a font for Logotypes. Curves are smooth and flow with very nice circle shapes. This font is great for logos, logotypes, packaging, and store-front or signboard. NOTE: To access the alternate glyphs, you will need a program that supports OpenType Features. Activate the Ligature (liga) and Contextual Alternates (calt) for better experience.

Fracture is a broken font -- broken into many pieces -- yet it still conveys a powerful and modern message. It is a funky, in-your-face font that has strong overtones of modern rap and hip-hop culture. Its fragmented look brings to mind graffiti, contemporary youth culture, kids-on-the-move. Fracture is a must for movie posters, event posters, CD & DVD covers, clothing ads & swing tags, funky magazines, in fact, any product aimed at the young, trendy market. The font is letterspaced and kerned and has a complete character set (all upper and lower case, numerals and mathematical symbols and a complete set of accented and special characters).

Gothic Round was first introduced as wood type by the George Nesbitt Co. in 1838. The font is a softened variation of a standard heavy Gothic typeface. The style evokes a much more recent history of the 1960s and 70s and can be seen in such places as donut shops and on children's toys as well as inspiration for such fonts as VAG Rounded. Gothic Round has not previously been available as a digital font until now. The font was digitized by Miguel Sousa from a wide variety of historical sources, including visits to the Cary Collection at RIT (Rochester, NY), WNY Book Arts Center (Buffalo, NY) and the Hamilton Wood Type Museum (Two Rivers, WI). The result is a very solid and contemporary font with a 175 year history. For more information about this release, check out the Hamilton Wood Type Foundry website .

Quit trudging through the thick with encumbering fonts, and spring to the front of the pack with the cutting edge sans serif, Haboro Sans. With nothing to clutter up your work, your editorial designs, websites, and software will be sharp and clear. While this hyperfamily is simple in character, it (like Haboro Slab and Haboro as well) provides you with plenty of options. Haboro Sans features simple geometric shapes to help you achieve that perfect effect wherever you use it. Enjoy the comforting reassurance that this multi-tool of a typeface family can work on most anything, including packaging, branding, web copy, and more. Take the simplicity of Haboro Sans a step farther with OpenType features, too. Haboro Sans contains special glyphs like Titling, Small Caps and Oldstyle figures that give your work just enough of a distinct touch. For even more options, use the entire Haboro hyperfamily to expand your capabilities. Put some simple class into your projects with the traditional look of Haboro Sans. Your layouts, websites, iPhone apps, advertising, and newspapers (to name just a few) will thank you.

Munchies is a reverse contrast slab-serif font family. Inspired by the volume and size of 19th century wood letterpress blocks and the Italian Caslon language. Munchies has 12 variants, from Heavy to Thin, with opentype options in a set consisting of uppercase, lowercase, small caps, ligatures, and alternate letters (A, M, N, V, W, &, Arrows, *). Munchies is divided into two subfamilies: Normal and Display. The Normal style has an appearance reminiscent of Western posters with a “measured” contrast. While the Display style takes the contrast to the extreme. Both styles are also available in Variable version. The inverted contrast makes it an interesting and striking looking typeface that stands out in any context. Perfect for headlines, bold branding, or animation like kinetic typeface.

Mackay is a powerful transitional serif in 6 weights plus matching italics, designed for screen and print. The eccentric serifs on uppercase letters like E, F, L and T are inspired by Alexander Kay’s “Ronaldson” from 1884, working as the starting point for the family. The lowercase letters follow the traditional Antiqua model with attributes tracing back to drawings from the early 20th century. The “grotesk” lowercase a, as well as the sharp lowercase s, derived from the closed shapes of uppercase letters like C, G or S, create a compact and bold appearance while a large x-height and small descenders add a modern look. In favor of a dynamic and elegant impression, the design of the italic cuts come with a strong calligraphic influence. This results in completely new shapes for letters like lowercase a or g, ensuring a smooth integration into their surrounding letters while maintaining a distinctive appearance when combining with romans. The family comes with a variety of opentype features like case sensitive shapes, old style figures, fractions, ordinals and many more. Additional attention was given to the standard and discretionary ligatures, extending the structure of the basic glyphs with elegantly designed letter combinations for g/i, i/t or s/t. According to their dynamic architecture, the italic weights are equipped with additional initial swash characters to subtle accentuate the calligraphic roots. As a result of a high stroke contrast the family works great in paragraphs with medium to large font sizes like headlines, short paragraphs or logos. With its 12 cuts, the family meets all requirements on high quality typography.

Welcome Deportivo - Spanish for sporty. Deportivo is a simple and powerful typeface based on the lettering on vintage sports equipment. I saw it as a brand on a pair of old skis and fell in love with it because it is so bold and it can be easily read while moving at high speed, making it perfect in a sports and dynamic environment. Due to its high legibility, it gets great results with sports teams, league names and t-shirt numbers and race indications. The high x-height gives the typeface a unique look and a strong tone of voice - that will echo in each arena and outside making it perfect also for headlines in newspapers and magazines and product names. Keep scoring!

Luke is a contemporary adaptation of historic English Blackletter, inspired by the creativity of leading English type-creator: Caslon Foundry. Their highly unique 19th century Blackletter typeface provided the core elements of Luke, with the name paying tribute to the Caslon family tomb in the churchyard of St Luke Old Street in London. This modern and versatile type family offers a wide range of styles — from thin to thick contours, and with half-filling to complete — allowing it to work best for headlines, short text and branding. Details include twelve styles and 641 glyphs. Opentype features include superscript, denominators, numerators, scientific inferiors, ordinals, stylistic alternatives, case-sensitive forms, fractions, contextual alternates and discretionary ligatures. Luke supports 37 languages, covering South, East and Western Europe.

Big bangs font is made with letter anatomy that looks very unique with a characteristic bulging shape and very large weight size, inspired by explosions, this font looks big and dangerous as well as unique, suitable for use in graphic designs such as stickers, posters, covers, labels, and others.

The Skywalking font is inspired by sci-fi movies and video games. It purposely avoided the us of curves and preferred the sharp edges to get a more robot aesthetic into it. Designed by Mark Silva, the font is suited for logos, company branding, game titles and shirt designs.

Originally designed by calligrapher Arthur Baker, Marigold font was released by Agfa Compugraphic in 1989. Marigold font is narrow in width like the chancery hand, and its shapes are true to the prescribed Renaissance proportions. The authentic handwritten look makes it versatile for a large variety of informal uses.

Black Bruno is a supercharged, street-wise brush font bursting with energy. It includes extra attention to quick strokes and sharp details. This font is perfect for challenging jobs, titles, t-shirts, websites, hoodies, clothing, headline, logotype, branding, advertising, event and various print and digital media with energy.

Firm is a black sans serif display font. Perfectly attracts attention due to its shapes. With it, you can highlight important information in your text, and it is also perfect for creating a logo.This font contains alternates lowercase, ampersand and ligatures, math symbols, arrows, fractions, and multilingual support.

A simple and cool retro, pop art, stylish font for your design. Popstick has a modern, clean and fresh look with nice perfect rounded shapes. This font is best suited for commercial and editorial uses like advertising, apps, sports brand, packaging, logos, headers, corporate identity and much more.

Carrosserie is made for display use, inspired by the shapes of the ’30s. It is a capital letter font with alternate characters and special domain symbols (check the PDF in the gallery for details). The font is now available in thin, extra light, light, regular, medium, bold & fat. Enjoy!