Superstar Grotesk is a free interpretation of the first Cyrillic versions of Royal Grotesk and Akzidenz Grotesk, later the "Roublennaya" typeface is the same irremovable pop artist who lingered in the top of the typographic charts until the digital era, and formed the image of the Cyrillic alphabet in the 20th century.

Browsing through an online edition of the Feb 29, 1960 issue of Billboard magazine, an ad was spotted for the Jamie record label of Philadelphia. The text was hand lettered in a free-form show card style, and this inspired Popular Records JNL, which is available in both regular and oblique versions.

Winter is coming and Winttra Wonsy is here to celebrate it. Winttra Wonsy is a perfect addition to make your holiday and winter more exciting. Feel free to use it for any craft work, book cover, name card, poster, logo, magazine, cover, banner, t-shirt, or even artwork in a large scale.

Sabeth - Elegant Typeface perfectly captures its essence, combining opulence, elegance, and timeless allure. It creates a captivating statement of refined luxury. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Starlit Neon is a delightful display font that combines the elegance of rounded letterforms with the captivating allure of neon lights. With its bold uppercase characters and unique design, this typeface adds a touch of playfulness and charm to your projects. The defining feature of Starlit Neon lies in its rounded letterforms, which exude a sense of softness and approachability. Each letter is meticulously crafted with smooth curves, creating a harmonious and pleasing aesthetic. The rounded shapes give the font a friendly and welcoming appearance, while the neon style adds a touch of excitement and vibrancy. Inspired by the mesmerizing glow of neon signs, Starlit Neon infuses a sense of enchantment and allure into each character. The font captures the captivating charm of neon lights, casting a radiant glow that evokes a magical atmosphere. In some letters, you'll find additional subtle accent lines, which enhance the overall composition with a touch of sophistication. The uppercase letterforms of Starlit Neon are bold and assertive, commanding attention with their rounded shapes. Each letter of Starlit Neon is thoughtfully crafted to strike a balance between rounded shapes and legibility. The uppercase characters are distinct and easily recognizable, ensuring your message remains clear and impactful. The additional subtle accent lines in select letters add an extra touch of visual interest, elevating the font's overall composition. Find out more ways to use this font by taking a look at the font preview. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Starlit Neon perfect for designs like headlines, logos, and eye-catching titles that seek to make a bold statement with a touch of whimsy. Whether you're creating posters, branding materials, digital artwork, or anything in between, this font will infuse your projects with a sense of joy and uniqueness. It particularly shines in applications related to entertainment, children's products, beauty, and lifestyle themes. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

The Rally Symbols 2D font family has been developed for integrated graphical motor racing design. First of all that includes rally, rally raid, cross-country rally and hill climb. With the Rally Symbols 2D - Signs font one can create quality road maps with rally routes and various symbol books. The font also includes symbols that can serve as workpieces to create competition logos and other design solutions. The Rally Symbols 2D - Arrow font has been specially developed for building tulip diagram road books. It includes various ready-made combination of traffic direction indicators and individual elements that can be combined together. The Rally Symbols 2D - Picto font can be used for the same purposes but also contains a range of convention that can help to find one’s bearings on the ground. This is a a wide range of icons or pictograms of various scenery, for example: different buildings, churches, cemetery, bridges, tunnels, different types of trees, posts, etc.

Introducing Ultra System; A modern exploration of 8 fonts, each carefully designed to naturally compliment one another. With 6 clean sans fonts and 2 textured script fonts, Ultra System gives you a variety of ways to combine and arrange each font, allowing you to create striking & modern typographic designs. This typeface collection consists of 8 fonts; Ultra System Script • A textured, bouncy & flowing marker script font containing upper & lowercase characters, numerals, and a large range of punctuation. Ultra System Script Alt • This is a second version of Ultra System Script, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Ultra System Sans • A wide, bold sans font containing uppercase only characters, numerals, and a large range of punctuation. Ultra System Sans Line One • A thick outlined version of Ultra System Sans, pair this with other Ultra System Sans fonts to add emphasis to words or phrases. Ultra System Sans Line Two • A thin outlined version of Ultra System Sans, pair this with other Ultra System Sans fonts to add emphasis to words or phrases. Ultra System Sans Italic • Italic variations are included for all 3 Ultra System Sans fonts. FAQs; Accessing Ligatures • Ligatures are supported by most desktop graphics & text software (not just the fancy ones!), including Photoshop, Illustrator, InDesign, Word, Pages & Keynote. Many programs will automatically have this feature switched on for you, but if you need any help accessing then please feel free to drop me a message. Language Support • All Ultra System fonts support the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Brother Dreams is a captivating brush font that exudes a raw and artistic vibe. With its bold capitalized letterforms and ragged edges, this typeface brings a unique and rebellious touch to your designs. The defining feature of Brother Dreams lies in its rugged and ragged edges, giving the font a handcrafted and slightly distressed appearance. This font is designed with expressive brush strokes, capturing the essence of brush calligraphy. The bold capitalized letterforms command attention, making a powerful statement with their unconventional and untamed style. Inspired by the untamed spirit of artistic expression, Brother Dreams embodies a sense of creativity and authenticity. The rough and ragged edges add a touch of uniqueness and individuality to each letter, as if they were painted with passion and emotion. This font embraces imperfection and celebrates the beauty of artistic spontaneity. Each letter of Brother Dreams is meticulously crafted to maintain its boldness and legibility while embracing the rugged and ragged edges. The resulting composition is a balance of artistic expression and readability. This font allows your message to stand out with its raw energy and rebellious charm. Enjoy the various features available in this font. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Brother Dreams is ideal for headlines, titles, logos, and any design that requires a lively and energetic display. Whether you're working on posters, packaging, branding materials, or any project that needs a touch of liveliness, this font will bring a contagious sense of cheer. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Rolling Brush is a script font that gives handwriting appearance with original and personal brush details. This font is made beautifully so that the letters are connected to each other, creating a continuous and flowing look. Each letter is attached to the previous letter and continues to the next letter, creating beauty in writing unity. This font shows brush details on each letter. Brush strokes displays a rough, organic texture to the edges of the letters, adding dimension and visual life. These details give a unique impression to this script font. On the other hand, even though it has a rough border, this script still maintains a natural and elegant aesthetic touch. Some letters may have dramatic twists, while others are simpler. This flexible shape creates an expressive and creative look to the lettering. Because it is designed with a rough border, it would be better if you use this font at a large text size so it is more easy to read. Enjoy the various features available in this font as well. Features: Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Rolling Brush is suitable for any designs that want to convey a warm, personal and alluring impression. You can use this font in the design of greeting cards, invitations, logos, labels, and many other design projects that want to create uniqueness through a natural, handwritten touch. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

The typeface Hand Of Evouli is designed from 2022 for the font foundry Typo Graphic Design by Manuel Viergutz. The display font based on the original Handwriting. Digitized via handwritten template. Thanks to Evouli. 6 font-styles (Light Pen, Bold, xBold, Black Marker, Black Bounce, Mix) + 1 icon-style with 567 glyphs (Adobe Latin 3) incl. 100+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ❤️ or #SMILE for 🙂 as OpenType-Feature dlig) and stylistic alternates (4 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! Font Spe­ci­fi­ca­ti­ons ■ Font Name: Hand Of Evouli ■ Font Styles: 6 font styles (Light Pen, Bold, xBold, Black Marker, Black Bounce, Mix) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play Script for head­line size ■ Font For­mat:.otf (Mac + Win, for Print) + .woff (for Web) ■ Glyph Set: 567 glyphs (Latin 3 incl. decorative extras like icons) ■ Lan­guage Sup­port: 87 languages: Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu ■ Design Date: 2022 ■ Type Desi­gner: Evouli & Manuel Viergutz

girl love Script is a sweet calligraphy writing while maintaining its elegance. This will increase your design stand out! girl love is the perfect typeface for all your types of projects, such as advertising, branding, graphic design, quotes, wedding designs, logos for online or offline businesses, photography, and more. Make your business more beautiful! girl in love has 2 VERSIONS of the regular script with slanted tails. Feature: - Uppercase and lowercase letters (including PUA coded extra glyphs) - Numbers and Punctuation - Most Multilingual Accent - Can be used in any software, such as Adobe Photoshop, Illustrator, Silhouette Studio, even Microsoft Word, PowerPoint and others. HOW TO ACCESS SWASH: PC: Using the character map. Easier to use Character Map UWP (Free Download from Microsoft store) Feel free to chat with us if you have any questions. Thank you :)

Artifex Hand is a humanist sans-serif with subtle calligraphic overtones. Designed for flowing, easy-to-read text, its softened details, moderate contrast, and subtle flare give the typeface a clean and warm tone. A near-upright italic adds emphasis and urgency with elegance. Artifex Hand also doubles as a handsome display typeface, scaling gracefully to any size with understated detail and charm. Artifex Hand CF pairs nicely with bold, clean sans-serifs, such as Greycliff CF and Visby CF. Artifex Hand also has a sibling typeface, Artifex CF, cut from the same cloth, but with a classically serifed design. All typefaces from Connary Fagen include free updates, including new features, and free technical support.Check out Visby Round CF which is a great pair for Artifex Hand CF.

Stoilen is font duo family serif typeface made with the desire for a quality, elegant, classy font that can still be used for all design needs. Wrapped with a modern yet unique character with a style. with so many alternate variations that are so unique but still elegant, it will add to the impression that this font is so luxurious for your design. Stoilen is ideal for design, logo design, blog graphics, style quotes, wedding stationery, art prints, additional design, packaging, social media, magazines, fashion, creative branding, editorial design and web designing. Features a Latin character set of more than 500 glyphs covering various languages, and includes advanced open type features such as standard and discretionary ligatures, positional numbers, style alternatives, and so on. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, and Microsoft Word. And this has given PUA Unicode Fonts (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Features : Lowercase and Uppercase Stylistic Alternates & Discretionary Ligatures Numerals & Punctuations Accented characters Multilingual support Don't forget to check out other cool fonts in our store and wait for new fonts. Follow our shop for upcoming updates including additional glyphs and language support. feel free to send me a message, comment, like and share. Thanks

Ladington is a retro and modern typeface inspired by 60s - 80s designs with more unique exploratory styles such as swoshes and alternative characters. This font is made from a manual sketch with lots of strokes then finished into a font. Create your design project with this font and extra illustrations to make it more beautiful. This font is also suitable for designs such as logos, stickers, t-shirt designs, banners, posters, signs, display designs, packaging and other amazing designs! Enyoy with our products and feel free to contact us for support! Feature : Complete Set of Uppercase & Lowercase Characters Numbers & Punctuation Multilingual Language PUA encoded Open Type Feature To use the alternative features of OpenType Stylistic (including swosh), you must use a program that supports OpenType such as Adobe Illustrator CS, Adobe Indesign, Corel Draw X6-X7 and Microsoft Office 2010 or later versions. An additional way to access alternatives/swoshes is using Character Map (Windows), Nexus Font (Windows), Font Book (Mac), or any of the more programs that have Character Pop. Thank you for buying our products and supporting us! We hope that this font will become part of your design project. If you have any other questions, inquiries or concerns, don't hesitate and have fun contacting us directly. We'd love to be able to help you even more! If you are satisfied with our product, please put your star in our design review, it is very great moment for us. Thank You! :)

The typeface Brush Poster Grotesk is designed in 2017 for the children exhibition 1,2,3 Kultummel from Labyrinth Kindermuseum Berlin by xplicit, Berlin (Annette Wüsthoff, Alexander Branczyk, Mascha Wansart (illustrations)). Manuel Viergutz extended the font with some further glyphs & extras. The rough sans serif display typeface is created analogous by hand and brush. 875 glyphs incl. 150+ decorative extras like arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word LOVE for or SMILE for as OpenType-Feature dlig) and stylistic alternates (3+ stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! Font Name: Brush Poster Grotesk Font Weights: Regu­lar + Misprint + EXTRAS (Illustration) + DEMO (with reduced glyph-set) Font Cate­gory: Dis­play for head­line size Glyph Set: 875 glyphs Lan­guage Sup­port: 28+ for extended Latin. Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Romanian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Zulu Spe­cials: 150+ deco­ra­tive extras like arrows, ding­bats, emojis, sym­bols, geo­me­tric shapes, catch­words, deco­ra­tive liga­tures (type the word “LOVE” for ❤ or “SMILE” for ☺ as OpenType-Feature dlig ) and stylistic alternates (3+ stylistic sets), German Capital Eszett Design Date: 2017 Type Desi­gner: Annette Wüsthoff, Manuel Vier­gutz, Alexander Branczyk, Mascha Wansart (Illustration)

Amazingly easy on the eye; it draws the reader in with minimal brain bandwidth use. Designed to enable more focus on the content. Good for web pages. Very Dyslexia friendly. Our mission has been to create a font that scientifically designed to be dyslexia friendly while also being attractive and useful. Dyslexia features: Each letter is unique even if reversed or flipped. The spacing is carefully designed using scientific evidence to help all readers from those who read via word shapes to those who read using phonemes and syllables. The visual stress caused by contrast pattern glare is minimised and has fared well when measured by professionals against other common fonts. Usefully mid-sized to make it easy to transfer artwork from common fonts to Aravis. This is very helpful when providing reasonable adjustments for people with Dyslexia. Based on algorithms found in nature. Range of use: Ø 72 Latin based languages Ø Greek and Coptic Ø IPA extensions Ø Good Maths symbols provision with OT support for vulgar fractions Ø Innovative OT support for creating boxes for forms Ø Small Capitals with some accents also supported (Czech) Ø Subscripts and sups: Complete alphabet upper and lower case and numbers Ø Customers can request additional symbols and characters within reason, or add an accent /shape unique to their country if it fits with the overall mission of the font.

Laricio is the italian name of the larch tree. This typeface has naturalist and renaissance connotations. The design of the stems is organic. The general feeling is slightly prickling like the foliage of conifers. In french, the word "fût" qualifies the "stem" (of a letter) and also the "bole" (of a tree).

The typeface Wood Sans is designed from 2021 for the font foundry Typo Graphic Design by Manuel Viergutz. The display typeface is a digital version of original wood letters from a german flea market find. 8 font-styles (Clean, Clean Invest, Clean Mix, Rough, Rough Misprint, Rough Alt, Rough Dark & Icons) with 450 glyphs (Adobe Latin 2) incl. 100+ decorative extras like icons, arrows, German Capital Sharp S, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ♥︎or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (3 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Wood Sans ■ Font Styles: 8 font-styles (Clean, Clean Invert, Clean Mix, Rough, Rough Misprint, Rough Alt, Rough Dark & Icons) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat:.off (for Print) + .woff (for Web) ■ Glyph Set: 450 glyphs (Latin 2 incl. decorative extras like icons) ■ Lan­guage Sup­port: 69 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena ,Breton ,Catalan ,Chiga ,Cornish ,Danish ,Dutch ,English ,Estonian ,Faroese ,Filipino ,Finnish ,French ,Friulian ,Galician ,German ,Gusii ,Indonesian ,Irish ,Italian ,Kabuverdianu ,Kalenjin ,Kinyarwanda ,Luo ,Luxembourgish ,Luyia ,Machame ,Makhuwa-Meetto ,Makonde ,Malagasy ,Manx ,Morisyen ,North Ndebele ,Norwegian Bokmål ,Norwegian Nynorsk ,Nyankole ,Oromo ,Portuguese ,Quechua ,Romansh ,Rombo ,Rundi ,Rwa ,Samburu ,Sango ,Sangu ,Scottish Gaelic ,Sena ,Shambala ,Shona ,Soga ,Somali ,Spanish ,Swahili ,Swedish ,Swiss German ,Taita ,Teso ,Uzbek (Latin) ,Volapük ,Vunjo ,Welsh ,Western Frisian ,Zulu ■ Design Date: 2021 ■ Type Desi­gner: Manuel Viergutz

Neon Street is a captivating display font that takes inspiration from the dazzling glow of neon lights found on vibrant city streets. With its bold uppercase letterforms and neon-style inline elements, this typeface exudes energy and creates a visually stunning experience. Each letter is meticulously crafted with neon-inspired strokes that run through the center, adding a dynamic and luminous effect. This inline style brings a sense of urban excitement and nostalgia, evoking the vibrant atmosphere of neon-lit cityscapes. Inspired by the enchanting allure of neon signs, Neon Street infuses a sense of liveliness and modernity into each character. The font captures the captivating glow of neon lights, casting a radiant and vibrant hue that is both eye-catching and mesmerizing. This neon style adds a touch of urban energy, making the font truly stand out with its electrifying charm. The uppercase letter forms of Neon Street are bold and assertive, commanding attention with their distinctive design. Enjoy the various features available in this font. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Neon Street is perfect for headlines, signage, logos, and any design that aims to make a bold statement with a touch of neon-inspired flair. This font will also inject your project with a vibrant and captivating element, whether you're creating posters, branding materials, digital artwork, or anything in between. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Knight Souls is a captivating display font inspired by epic medieval adventures. Designed in uppercase, this typeface captures the spirit of heroic quests with its bold and commanding style. The consistent letter proportions of Knight Souls create a sense of balance and harmony throughout the font. This design choice guarantees that every character fits seamlessly together, resulting in a typographic composition that exudes strength and resilience. With sharp endings, Knight Souls adds an element of dynamism and edge to the font. Each letter is defined by precise angles and sharp corners, evoking a sense of power and determination. This feature lends a bold and assertive quality to the font, reflecting the courage and bravery of knights on epic quests. High letter contrast in Knight Souls emphasizes readability and visibility. The distinct difference between thick and thin strokes enhances the visual impact of each character, making them easily distinguishable and captivating to the eye. The high contrast design adds depth and intensity to the font, making it stand out in any game-themed design. You can also enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Knight Souls fits in headlines, logos, posters, titles, branding materials, print media, editorial layouts, website headers, and any projects that aim to transport players to a world of valor and fantasy. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

In 1903, faced with the welter of sanserif typefaces offered by ATF, Morris Fuller Benton designed News Gothic, which became a 20th-century standard. In 1995 Tobias Frere-Jones studied drawings in the Smithsonian and started a redesign. Cyrus Highsmith reviewed News Gothic, and with the Font Bureau studio expanded it into Benton Sans, a far-reaching new series, with matched weights and widths, offering performance well beyond the limits of the original; FB 1995-2012

“Hand Sketch Rough Pos­ter” is a hand­made, rough and dirty sans-serif dis­play font for deco­ra­tive head­line sizes. Hand drawn. A–Z (× 2), a–z (× 2) and 0–9 (× 4) are each many dif­fe­rent forms. Con­text­ual alter­na­tes. Is inten­ded to show the hand-made cha­rac­ter and the vibrancy of the dis­play font. The dif­fe­rent forms of rough­ness crea­tes a live­li­ness in the typeface. Stan­dard liga­tures like ae, oe, AE, OE, ff, fl, fi, fj, ffl, ffi, ffj and more deco­ra­tive liga­tures like CT, LC, LE, LH, LI, LO, LU, LY, TOO, TC, TE, TH, TU, TZ and ch, cl, ck, ct, sh, sk, st, sp, addi­tio­nal logo­ty­pes like BPM, fff, ppp, sfz and many more … plus Ver­sal Eszett (Capi­tal Let­ter Dou­ble S) give the font more life and shows that des­pite their retro-looks works with modern Open­Type tech­no­logy (type the word note for the sym­bol ♫ and the word love for the ding­bat ❤ … ). Sym­bols like play, stop, eject, for­ward, back­ward, skip, pause and so on. The topic for the dis­cre­tio­nary liga­tures and the sym­bols are music. Have fun with this font – turn up the volume! How To Use – awe­some magic OpenType-Features in your lay­out application ■ In Adobe Pho­to­shop and Adobe InDe­sign, font fea­ture con­trols are wit­hin the Cha­rac­ter panel sub-menu → Open­Type → Dis­cre­tio­nary Liga­tures … Che­cked fea­tures are applied/on. Unche­cked fea­tures are off. ■ In Adobe Illus­tra­tor, font fea­ture con­trols are wit­hin the Open­Type panel. Icons at the bot­tom of the panel are but­ton con­trols. Dar­ker ‘pres­sed’ but­tons are applied/on. ■ Addi­tio­nally in Adobe InDe­sign and Adobe Illus­tra­tor, alter­nate gly­phs can manu­ally be ins­er­ted into a text frame by using the gly­phs panel. The panel can be opened by selec­ting Win­dow from the menu bar → Type → Gly­phs. Or use sign-overview of your ope­ra­ting sys­tem. ■ For a over­view of OpenType-Feature com­pa­ti­bi­lity for com­mon app­li­ca­ti­ons, fol­low the myfonts-help http://www.myfonts.com/help/#looks-different ■ It may pro­cess a little bit slowly in some app­li­ca­ti­ons, because the font has a lot of lovely rough details (anchor points). TECHNICAL SPECIFICATIONS ■ Font Name: Hand Sketch Rough Pos­ter ■ Font Weights: Regu­lar ■ Fonts Cate­gory: Dis­play for Head­line Size ■ Desktop-Font For­mat: OTF (Open­Type Font for Mac + Win) + TTF (True­Type Font) ■ Web-Font For­mat: SVG + EOT + TTF + WOF ■ Font License: Desk­top license, Web license, App license, eBook license, Ser­ver license ■ Glyph cover­age: 715 ■ Lan­guage Sup­port: Afri­kaans, Alba­nian, Alsa­tian, Ara­go­nese, Ara­paho, Aro­ma­nian, Arr­ernte, Astu­rian, Aymara, Bas­que, Bela­rusian (Lac­inka), Bis­lama, Bos­nian, Bre­ton, Cata­lan, Cebuano, Cha­morro, Che­yenne, Chi­chewa (Nyanja), Cim­brian, Cor­si­can, Croa­tian, Czech, Danish, Dutch, English, Espe­ranto, Esto­nian, Fijian, Fin­nish, French, French Creole (Saint Lucia), Fri­sian, Fri­ulian, Gali­cian, Genoese, Ger­man, Gil­ber­tese (Kiri­bati), Green­lan­dic, Hai­tian Creole, Hawaiian, Hili­gaynon, Hmong, Hopi, Hun­ga­rian, Iba­nag, Iloko (Ilo­kano), Indo­ne­sian, Inter­g­lossa (Glosa), Inter­lin­gua, Irish (Gae­lic), Istro-Romanian, Ita­lian, Jèr­riais, Kas­hubian, Kur­dish (Kur­manji), Ladin, Lat­vian, Lithua­nian, Loj­ban, Lom­bard, Low Saxon, Luxem­bour­gian, Malag­asy, Malay (Lati­ni­zed), Mal­tese, Manx, Maori, Megleno-Romanian, Mohawk, Nahuatl, Norfolk/Pitcairnese, Nort­hern Sotho (Pedi), Nor­we­gian, Occi­tan, Oromo, Pan­gasinan, Papia­mento, Pied­mon­tese, Polish, Por­tu­guese, Pota­wa­tomi, Que­chua, Rhaeto-Romance, Roma­nian, Romansh (Rumantsch), Roto­kas, Sami (Inari), Sami (Lule), Samoan, Sar­di­nian (Sardu), Scots (Gae­lic), Sey­chel­lois Creole (Seselwa), Shona, Sici­lian, Slovak, Slove­nian (Slovene), Somali, Sou­thern Nde­bele, Sou­thern Sotho (Seso­tho), Spa­nish, Swa­hili, Swati/Swazi, Swe­dish, Taga­log (Filipino/Pilipino), Tahi­tian, Tau­sug, Tetum (Tetun), Tok Pisin, Ton­gan (Faka-Tonga), Tswana, Tur­kish, Turk­men, Turk­men (Lati­ni­zed), Tuva­luan, Uyghur (Lati­ni­zed), Veps, Vola­pük, Votic (Lati­ni­zed), Wal­loon, Warl­piri, Welsh, Xhosa, Yapese, Zulu ■ Spe­cials: Alter­na­tive let­ters, logo­ty­pes, ding­bats & sym­bols, accents & €. OpenType-Features like Access All Alter­na­tes (aalt), Con­text­ual Alter­na­tes (calt), Glyph Composition/Decomposition (ccmp), Dis­cre­tio­nary Liga­tures (dlig) Deno­mi­na­tors (dnom), Frac­tions (frac), Kerning (kern), Stan­dard Liga­tures (liga), Lining Figu­res (lnum), Nume­ra­tors (numr), Old Style Figu­res (onum) Ordi­nals (ordn), Pro­por­tio­nal Figu­res (pnum), Sty­listic Alter­na­tes (salt), Sty­listic Set 01 (ss01), Sty­listic Set 02 (ss02), Sty­listic Set 03 (ss03), Sty­listic Set 04 (ss04), Super­script (sups), Tabu­lar Figu­res (tnum) ■ Design Date: 2015 ■ Type Desi­gner: Manuel Viergutz

More Printing Helpers JNL gathers another assortment of vintage printing embellishments and ornaments from the late 1800s. Within the standard twenty-six alphabet keys are pointing hands, corner pieces, border elements and decorative center and end pieces. On the lower case, certain elements have been flipped or inverted for matching effects. Some additional positions are available on the 1 through 9 keys and on the colon and semicolon. A bonus to this font: three expandable panels. the first (with decorative end caps) is attained by typing the left parenthesis for the left side, the hyphen for the center lines and the right parenthesis for the right side. The second one features ribbon ends, and the combination of the less than-equal-greater than keys creates this panel. The third design can be made by typing the left brace/vertical bar/right brace keys.

Gready is a swirly brush typeface. With happy swashes and funny curves, this comic lettering has a flowing and soft character and a greedy, optimistic personality. Use it for a fresh, tasty ice cream or food store logo, a cartoon headline or any playful context speaking to the child within us. Drawn and created by Mans Greback, this modern paintbrush font family comes in four styles: Thin, Regular, Bold and the crazy Outline variety. Gready is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

For decades, cereal companies have included premiums [promotional gifts] inside their packages, printed on the cartons or to send for with a special coupon and redemption instructions. During the 1940s, Pep cereal [a long-discontinued Kellogg's brand] offered a series of water-applied decals within its boxes. Most likely made by the Meyercord Company (one of America's largest transfer decal manufacturers at the time), one decal in particular had an alphabet in gold letters with black outlines. (One can only presume the marketing strategy was to have kids bug their parents to buy more Pep cereal if the child needed more than one letter of the alphabet for his or her initials!) Those decal letters have inspired a digital version as the outline character font Toy Decals JNL, which is available in regular oblique, solid and solid oblique styles.

Haarlemmer is a recreation of a never-produced Jan Van Krimpen typeface that goes one step beyond authentic: it shows how he wanted it to be designed in the first place. The original, drawn in the late 1930s, was created for the Dutch Society for the Art of Printing and Books and was to be used to set a new edition of the Bible, using Monotype typesetting. Hence the problem: fonts for metal typesetting machines like the Linotype and Monotype had to be created within a crude system of predetermined character width values. Every letter had to fit within and have its spacing determined by a grid of only 18 units. Often, the italic characters had to share the same widths as those in the roman design. Van Krimpen believed this severely impaired the design process. The invasion of Holland in World War II halted all work on the Bible project, and the original Haarlemmer never went into production. Flash forward about sixty years. Frank E. Blokland, of The Dutch Type Library, wanted to revive the original Haarlemmer, but this time as Van Krimpen would have intended. Blokland reinterpreted the original drawings and created a typeface that matched, as much as possible, Van Krimpen's initial concept. While Van Krimpen's hand could no longer be on the tiller, a thorough study of his work made up for his absence. The result is an exceptional text family of three weights, with complementary italic designs and a full suite of small caps and old style figures. Van Krimpen would be proud.

Everything is better with Rice! Stylized inktraps, square-ish curves, and a strong, savory flavor make this superfamily an easy-to-use treat in your kitchen. Versatile enough for whatever you'll be cooking up next, Rice is available in a whopping 130 styles, each locally grown and harvested. Raised with stylistic alternates, fractions, tabular and lining figures, hand-kerned pairs, ligatures, and arrow figures that are great for signage, Rice is a strong, welcome addition to your typographic menu that will bring structure and body to anything it's served with.

Introducing Tanamera: Your Portal to Psychedelic Nostalgia Product Description: Unleash the vibrant energy of the '60s and '70s with Tanamera, the ultimate psychedelic type display font that channels the essence of retro vintage style. Whether you're designing a groovy poster, an album cover, or revamping your branding, Tanamera is your ticket to a kaleidoscopic journey through time. Key Features: 1. Psychedelic Vibes: Tanamera captures the essence of a bygone era, where peace, love, and creativity reigned. Its mesmerizing swirls and curves will transport you to the heart of the psychedelic revolution. 2. Vintage Aesthetic: With carefully crafted glyphs that pay homage to the fonts of the past, Tanamera adds an authentic touch of nostalgia to your projects, effortlessly embodying the essence of the retro era. 3. Endless Customization: Tanamera comes with a variety of alternates and ligatures, providing you with endless possibilities to create unique and eye-catching typography that stands out from the crowd. 4. Versatile Usage: Whether you're designing for print or digital media, Tanamera adapts seamlessly to various applications, from posters, branding, and advertising, to websites and social media. 5. High-Quality Craftsmanship: Crafted with precision and attention to detail, Tanamera is a high-quality font that ensures crisp, sharp lines and smooth curves, making it perfect for both small and large-scale projects. 6. Easy to Use: Tanamera is user-friendly and compatible with popular design software, ensuring a smooth and hassle-free integration into your creative process. Why Choose Tanamera? Tanamera is not just a font; it's a portal to the past, a gateway to a world of vibrant colors, free-spirited expression, and boundless creativity. It's your chance to infuse your designs with the unmistakable energy and style of the psychedelic era, creating a visual experience that captivates and enchants your audience. Let Tanamera be your guide to reviving the past while embracing the future. Elevate your design projects with this captivating font, and watch as your creations come to life with the magic of retro vintage style. Get Tanamera today and embark on a journey through time that will leave a lasting impression on anyone who sees your work.

Overview of BD Megatoya Consists of 41 fonts, including nine upright, nine italics, nine extended, nine extended italics, all in nine weights from thin to black. 4 outline version in black weight. 1 variable with three axes (weight, width, slant). 1,470 glyphs in each font. Opentype features include small caps, stylistic alternates, ligatures, complete numeral figures, ordinal, case-sensitive forms. language support: Western European, Central European, and Southeastern European. About BD Megatoya Taking a geometric sans serif approach, we designed the letterform with details on round characters to pursue harmony and leave a slightly boxy feel to the extended style. The stylistic alternate is one of our concentrations to make them versatile yet still preserve consistency in stem and metrics to provide good readability in small text. Overall, the various treatments for each character will encourage each other to dynamic colours, flexible, and functional impressions in their application. Slicing edges The edge of the letter slice in 45 degrees will give the impression of a sparkle of light when you look at them for the first 2 seconds (our experience). This is what we did a few years ago when working on automotive branding. The word-mark logotype with slicing form gives an exclusive and different impression from its crowds. If you agree with us, does BD Megatoya deserve to be called a problem solver in branding projects? Jump over to .ss07, .ss08, .ss09, and .ss10 to find them! The Features BD Megatoya font family includes 41 great fonts in nine weights, an extended character set of over 1400 glyphs, multilingual support such as Southeastern Europe, Central Europe, Western Europe. Also advanced & useful open-type features: case-sensitive forms, small caps, standard and discretionary ligatures, stylistic alternates, ordinals, fractions, numerator, denominator, superscript, subscript, circled number, slashed zero, old-style figure, tabular and lining figure. Use BD Megatoya BD Megatoya is very suitable for branding projects and many designs purpose like advertising, posters, invitations, branding, logos, magazines, merchandise, presentations, etc. It's a FREE Get one weight from the BD Megayoya family for Free! Apply to your amazing projects and enlarge your creative tools by adding the complete BD Megatoya family to your font library.

Use this font to make lines, borders, patterns, backgrounds, unique bullets, or use it inline within text. Let your imagination explore the possibilities to combine these geometric shapes. Use letter spacing to connect the shapes in a continuous pattern, or space them apart horizontally. Stack them vertically and control their distance with leading (line spacing). Make fields of pattern and explore layering and opacity for color mixing. FormPattern Color Six takes inspiration from mosaic patterns seen in the south of Italy. It is easier to use this font to make patterns than to use drawings because you can control the size, color, and spacing from the type menu. It is also an effective way to make web graphics that are responsive with text. Using it is simple. As you type, forms will appear instead of letters. Each font in this collection is a colored set. The sets are primary, secondary, tertiary, analogous, dark, old world, vintage, greyscale, cool grey, and warm grey. There is a solid font that can be colored in the same way as regular fonts. The color fonts are accessed in the type menu where you would normally find the different weights or italics Most design software, such as Illustrator, InDesign, and Photoshop provide a glyphs palette where you can choose the precise form you want. It can work with the simplest text editors too. However, these may not support the color options. FormPattern Color Six is a vector-based and fully scalable SVG OpenType format. Color fonts are supported by Photoshop 2017, Illustrator 2018, and QuarkXPress 2018 (and later versions). This version of FormPattern Color Six is compatible with all FormPattern fonts by Tarallo Design. The display artwork shows it paired with the typeface Scanno.

If you still think that an antiqua is a typeface with a strong historical character that difficult to apply in modern realities, meet the new typeface from TypeType! TT Livret is an elegant, modern and functional antiqua featuring a calm text and an expressive display subfamily. TT Livret useful links: Specimen | Graphic presentation | Customization options This font looks harmonious in books and other periodicals, on posters or on magazine covers. The scope is not limited to the printing industry, because TT Livret looks aesthetically pleasing wherever text is used. The text subfamily has uniwidth proportions and a calm spirit, oval round characters, free spacing and more open apertures. The glossy display subfamily is proportional and has round signs that are as close to a circle as possible, the apertures are closed, and the spacing is dense. The font has an intermediate subfamily - Subhead, which can look more relaxed when used as text font, or be contrasting and used as a display font. In TT Livret, we have embodied the idea of ​​an antiqua that will be comfortable to use in modern realities. This is a functional font, where the text face does not distract from reading, and the display face, on the contrary, attracts attention. The TT Livret font family consists of 32 faces: 15 upright, 15 oblique, and 2 variable fonts. Each face has 1031 glyphs. The font contains 26 OpenType features, as well as a large number of ligatures. There are many alternative characters in italics, which are especially diverse in Cyrillic.

Bestgift is a striking display font available in regular and outline styles, both featuring a very thick weight and low contrast. With its commanding presence and versatile design, this typeface is the perfect choice for a wide range of creative projects. The very thick weight of Bestgift commands attention and ensures a strong visual impact. Each character is robust and substantial, making a bold statement in any composition. The thick strokes exude confidence and stability, adding a sense of reliability to your designs. With low contrast letters, it offers a balanced and uniform appearance. The consistent stroke width throughout the font creates a cohesive and harmonious visual experience. This display font comes in both regular and outline styles, providing flexibility and versatility to suit different design needs. The regular style exudes solidity and strength, while the outline style adds a touch of modernity and sophistication. This combination allows you to create captivating designs with contrasting elements, adding depth and visual interest to your compositions. For the best legibility you can use it in the bigger text. Enjoy the available features here. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Bestgift fits in headlines, logos, attention-grabbing titles, product packaging, branding materials, editorial layouts and website headers. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.