An interesting hand lettered sans serif type style with a “brush stroke” feel was used for various article headlines in the October, 1938 issue of “Radio Stars” magazine.

The hand lettered titles and credits from the 1945 British film “The Way to the Stars” were the working model for the aptly-titled British Cinema JNL, which is available in both regular and oblique versions.

Based on the character shapes of Atria Bold, Blocksta is a bullish rough cut sans with extensive language support. Hopefully it won’t start another cold war.

America otf color font. Letters and numbers in national flag design, stripes of red and blue, white stars ornament for festive decoration.You can use this font for design logos, quotes prints on t-shirts, Presidential election posters and other. OpenType-SVG Font was designed with Fontself Maker in Illustrator CC. WARNING Color fonts are pretty new technology - they currently show up in Photoshop CC 2017+, Illustrator CC 2018 and some Mac apps. Learn more about color font support on third-party apps here: https://www.colorfonts.wtf/

There's a war starting; you just didn't notice because you were too busy fighting to realize what was happening. Take your sides. Pick your battles. Choose a face that stands ready to defend, enforce and police. All who are ready to serve, please step forward. Deathe Maach is a six-font family of descending weights with the strength and stamina to face all comers in the approaching conflict. Armor on. Pistols out. Barrels forward. Enforce and serve.

The design of VLNL Mais started out as a thought experiment – "How would it look if you dressed up FuturaBlack in LatinWide serifs?” DBXL drew up the first sketches on graph paper in 2014. Although the concept looked promising enough, it ended up dormant in a desktop folder. To be resurfaced recently when covid-19 started spreading and we were asked to all stay home. The final design ended up with a distinct latino flavour due to the long spikey serifs. They look like tortilla chips. And as maize is the main ingredient in many South-American and specifically Mexican dishes – tortillas, burritos, nachos, tamales, tacos – a name was quickly found. VLNL Mais was designed by DBXL, and can be used for logos, headlines, flyers or posters (and not just for Mexican restaurants). It can be found in the VetteLetters vegetable section.

Elbow Grease was made with, yes, you’ve guessed it: Elbow Grease! It started off as a grungy font, but it didn’t look right, so I reworked all the glyphs. Then I forgot to save the font, so I had to start all over again. Naming a font was never this easy! Elbow Grease is a didone-ish font with some seriously warped glyphs, a lot of panache and a ‘get-it-done’ attitude. Also comes with a toolkit full of diacritics.

You begged with us..! You pleaded with us..! But we decided to release the official Richard Starkings font anyway! Yes, I am Richard Starkings and you may remember my hand lettering from such comic books as THE KILLING JOKE, TRANSFORMERS and, um, THE KILLING JOKE! Yes, finally Comicraft is making available the font that started it all -- from the pages of MARVELS, SUPERBOY, GENERATION X and, um... MARVELS! The font that Kurt Busiek, writer/creator of ASTRO CITY, really, really likes but we've always refused to make available to him. Always leave your friends wanting more, that's my motto.

Lateman is a casual font built with apps. with freestyle and natural make this font look friendly to the project you are working on. Lateman only consists of uppercase letters, but if it collaborates with other fonts, it will feel more striking like the preview example above. This font was created for superhero movie titles and is perfect for movie titles, superheroes, action, animation, war, and more. You can see the sample preview above for comparison, stay the center of attention and classy!

Edward...the star, the hero. Or, the villain?

This font is not just historic, but classy, timeless, and in its current form, a modern classic. The original Titling Caps and icons Jacque François Rosart painstakingly carved, now meticulously digitized to be a true, accurate, and complete representation of the original designs. You can get the fully matching family with "ALL", or choose the set that meets your immediate needs: Zodiac and Constellations - The Stars Have Aligned into a Great Font So what's your sign? Whatever it is, R&F has it, and in so many ways! Pictograph, symbol, constellation and picto-constellation are all included. Constellations are useable even in scientific and education settings: based on current star charts and matched to Bayer designations, these stars shine both in design and accuracy! Includes Rosart's original moon and sun faces. Faces for the planets to match those for the sun and moon. Rosart's symbols for the planets. Astrology symbols including, Rosart’s pictographs for the twelve signs. Constellations of the Zodiac from precise star charts. Precise small star shapes, so you can design other constellations. Pinwheel, saltires, asterisks, solid stars, and even the Christmas star. Dave Lawrence, "Each symbol was carefully designed to match the main font." Alchemy Symbols - Turns A Design into Gold From labeling your cupboard of magical ingredients to getting one step closer to the golden goose, these rare alchemical symbols are a treasure trove of possibilities. Including: classic symbols for elements combinations medicinals chemistry mathematical symbols Includes music symbols for titling, as well as Verse and Response symbols. Seasons - Symbols to Keep Things Organized Throughout the Year Classic weather stylings, including old fashioned lightning and an eclipsing moon with the four-o'clock shadow. Map Markers Religious Symbols Phases of the moon. Pointing symbols: fingers, arrows, triangles, with circles Matching Italics CAL's Dimension Slant™ Instead of sloping all the pictures and drawings to an even slant, a multidimensional approach was used. And each symbol was evaluated and crafted individually. Pro World1 Font The pro world font contains all of these: Latin Standard set Rosart's original backwards X alternate. Alternate U shape. In the italic: swash variants for the J, Q, and Y. Proportional Lining (default), proportional old style, small caps figures. CAL Dimension Slant, for dynamic italics Includes Rosart's original moon and sun faces, along with additional faces for each planet. Rosart’s symbols for the planets and pictographs for the twelve signs of the zodiac. Constellations of the Zodiac along with small star shapes. Large stars, pinwheel, saltires, asterisks Symbols for chemistry Medicine Music symbols Mathematical symbols Pointing symbols like the finger, acorn, arrow and triangle. Geometrical shapes. Plus these more: Latin Pro character set for central European languages and Turkish. Rare kerns for Polish, Czech, Slovakian and others. Ligatures needed for some central European orthographies. Lowered German Umlauts for better line spacing. Cyrillic uppercase and small caps for eastern Europe, southern Europe, and Russia, with kerning. Rosart’s original Greek uppercase and small caps, but also tonos for monotonic Greek. Vietnamese, which has been kerned. Pinyin, including a special form of the Ü so that titles can be set closer. Numbers: A set of stacking (nut) fractions, along with very elegant automatic fractions A large set of currency symbols in lining, old style, small caps, denominator and numerator sizes. Our first Retail Pricing Feature: (ss03 + ss04) Just turn on the feature and type $1.99 and Rosart will do the rest. Ampersand alternates. Numerator sized musical sharp and flat symbols. Dave Lawrence, “From the moment I saw these letters I knew I had to make this typeface. What I didn’t know was that I would end up drawing most of Rosart’s special symbols... But it was too hard to resist."

American Spirit STF is a glorious collection of contemporary patriotic symbols: US Flags (traditional and contemporary), a variety of stars, eagles, torches, and combinations of them all. Designed for print and web, this collection is useful for embellishing your designs with a subtle (or not-so-subtle) patriotic touch. The flags have been designed for easy ungrouping in a drawing program, in order to colorize the union and stripes. And as a special feature, American Spirit™ splits the flags into two characters (the union and the stripes) that can be separately colored and will kern together based on the character chosen. Suggestions for doing this are included in every package. This versatile collection also contains a special contemporary version of the US Flag, with rounded corners on the union and stripes, and a five-pointed asterisk-like shape as the stars. (This allows the stars to appear as stars at smaller sizes.) Show your American Spirit! Sign up today for this contemporary collection of patriotic symbols!

Based on retro vinyl records in the middle of 20th century. There are three other fonts designed by in the same concept. -Word From Radio -African Elephant Trunk -Moon Star Soul -Rebel Train Goes

This is the "Starslang" font, that features a star shape embedded within the letters of the vowels. The theme was designed to enlighten the mood and spirit with a fun mood of urban atmosphere.

Bound to rules, unbound in the usage. Hyper geometric, and minimal contrast. Circulo V1 is based on a font project I originally started because of a client I had. I wanted to create a display and text font for their product design brand, which is all about reducing the amount of necessary materials and production steps. Before I started the course at tipo-g it was called -“REDUCE“ and was more or less finished. The concept was based on the name. How far can letter shapes be reduced to their core geometric concepts and still be identified as letters? But in a way, it lacked a unique approach and was just a generic geometric Sans Serif with a lack of finesse. There was already a glimpse of characteristics visible which would later define Circulo V1. ‍ The high focus on geometric shapes was not of the same severity, and the angle on the stems was less intense. Those, as I call them, fake serifs turned out to be a significant factor in legibility and the characteristic of the font. Besides those changes and improvements, I decided to implicate a new feature to the concept, a condensed style. I quickly realised that it is impossible to keep my perfect circles and half-circles in this style without breaking my rules for the font. This „problem“ turned out to be the most crucial feature of the condensed set. Circular-based Letters will ignore the rules and boundaries of the condensed style and stay as they are. This feature allows the user to create a unique rhythm in their texts, and if you use the variable font, you can decide how intense this rhythm will be. In this situation, the user can choose which letters are allowed to keep their shapes and which will be put in their condensed corset. All, some or none of them, you decide.

Akrux is a futuristic variable wide font. It is inspired by forms that are close to futurism, stars and space. Everything related to space, movies, cartoons, art, books, spaceships. Ideas came from everywhere. The font is suitable for headlines, posters, logos, large typography, magazines, everything related to cars and anything that can be futuristic and meaningful. It has great language support, and Cyrillic is planned in the future.

The Pandorum font was especially designed by Alejandro Lecuna and Henning Brehm for film sets in the science fiction movie “Pandorum” starring Ben Foster, Antje Traue and Denis Quaid. It was used for all signage, logos, posters and monitors in the spaceship “Elysium”.

Inspired by futuristic vehicle print designs like seen in Star Trek, Blade Runner, Altered Carbon and the Alien franchise. The goal was a clean, abstract design where horizontal, vertical and diagonal 45 degree lines are the primary guidelines. Features : uppercase and lowercase numbers and punctuation multilingual Ideal for: Logo design Movie promotion Book & magazine print Package design Vehicle print designs Game design

You may already have guessed it...Litter Funk is experimental typography. Some letters are fat blocks, others have stars, stripes or dots, some are funny and funky while others are plain weird - but all in all, they leave a really nice confusing effect when used. Due to the contextual alternates, each letter comes in 5 different versions, and automatically cycle as you type. Well, the font was fun to make - I hope you have fun using it! :)

DB Smartypants is a fun DoodleBat with flowers, dots, and stars!

Kilometro Display is a Font Family inspired by the chrome car emblems of the auto industry. In the early 1950s Car manufacturers started using this sort of joint-lettering (script) to write their brand or model on their cars. The trend quickly made it’s way to other industries like electric appliances and it lasted for a good 30 plus years. Today only a handful of brands still uses this font style for their products. This geometric script re-lives a bold past all the way through 5 styles to a thin future.

Barceloneta is a simple sans-serif font, with heavy bold and very characteristic soaring accents, referring to the shape of sharp towers in the building standing in the very center of Barcelona, designed by Gaudí - the Sagrada Familia. Most of the design work on the font also took place during the stay in the aforementioned city. As a result, a typeface with very different thicknesses was created, containing 364 glyphs, characteristic - in eight varieties, which, thanks to its diversity, can be used both as a headline typeface, but also one used for the composition of continuous text (which was not present in the initial assumptions).

Cotoris is beautiful glyphic sans serif. This font includes ligatures and small caps for advanced typography which are accessible by OpenType features. Highly effective where a graceful and feminine design is desired. Rising Star on June 2007.

Clear Prairie Ornaments were designed as a set of ornaments and border elements to complement Clear Prairie Dawn. Many of the glyphs are based on rural and urban prairie motifs, including stars, wheat and even stylized outhouses.

The hand lettered show card brush lettering in the trailer for the 1960 musical comedy “Bells are Ringing” (starring Dean Martin and Judy Holliday) inspired Musical Comedy JNL, which is available in both regular and oblique versions.

Morning News is the sister font of Evening News which I designed some years ago for use with my local newspaper Abendzeitung. Morning News is an adaption, a little bit rounder, which gives the font a much softer touch. The general design dates back to the pre-Hitler era, the time when Germany had already lost the first World War and was taking a short deadly breath to start the second big war. Lets hope there will be a day when there will never be another war in Europe (or elsewhere!). Another new peaceful font by your pacifistic designer, Gert Wiescher.

The TYMA Garamont Roman was inspired by the Berner-Egenolff type sample from the 1560s. The Italic was inspired by a sample from Robert Granjon, also from the 1560s. The name TYMA is short for AB Typmatriser, a Swedish company founded 1948, because the Second World War stopped all import of matrices for Linotype and Intertype typesetting machines. It took until 1951-52 before the import was up to speed again. Until then, Sweden had to fend for itself. TYMA produced all technical equipment needed for type production, including the pantograph to cut the matrices, a complete set for each size and version. The templates for Garamont Roman were initiated by Henry Alm 1948. Bo Berndal was hired the following year, and continued the work by drawing and cutting templates for the rest of Garamont Roman, as well as for the remaining Garamont family. Bo Berndal stayed at TYMA until it went bankrupt in 1952. At that time Bo Berndal had already kick-started his career as type designer by drawing the typeface Reporter for one of the big daily newspapers, Aftonbladet, a version of Cheltenham for another daily, Dagens Nyheter, and copied several old typefaces for other customers. Librarian Sten G. Lindberg at The Royal Library of Stockholm, Kungliga Biblioteket, procured copies of original type samples. Henry Alm started the work in 1948, and Bo Berndal completed it - finally in this OpenType version.

In 1978 I went to work at Mergenthaler as a letter drawer. Being an inquisitive sort I decided that I should take a stab at this type design 'stuff'. I drew 25 or 30 glyphs before the work found its way to a high shelf in a dark corner of my apartment. Just 23 years later I found the drawings on a different shelf, in a different home, in a different city and decided to finish what I had started. I'm still trying to deal with my predisposition toward procrastination but I've finished the font. The name of the font is the last name of somebody I played softball with before I moved to Beantown. Ronnie Geis was one of the courageous firefighters we lost on September 11th when the WTC collapsed.

Surpassing traditional Antiqua, our new collaborative font family Audela emerges after overcoming time, national borders, language differences, cultural gaps, and professional challenges. Starting off as an exercise project of our very first intern Léa Bruneau in 2018, Audela slowly shaped into a full-fledged elegant serif typeface of 14 styles under the watchful eye of Plamen Motev, Fontfabric’s Type Director. Three years later, Audela is internally regarded as a breaker of limits earning its name from the French “au-delà,” meaning “beyond.” This new rising star features sharp serifs, flowing letterforms, advanced OpenType features, Extended Latin and Cyrillic support, to name a few.

The hand lettered cast credits for the 1939 film “Golden Boy” (starring Barbara Stanwyck, Adolphe Menjou, William Holden and Lee J. Cobb) was the model for Golden Moment JNL, which is available in both regular and oblique versions.

Metalworker JNL is Jeff Levine's take on a perennial favorite originally known as Eagle, but available under different names over the years. This bold, clean Art Deco font was the basis for Jeff's star-studded National Spirit JNL.

This font was a product of self-initiated project I started a while back. It started and finished as a project that I was working on while procrastinating at school, for fun; however, I spent enough time to not give it out for free.

When letterpress started with the Gutenberg Bible, the typeface was like a texture. Before humanism, type did not really need to be legible. The letters were rather drawn in an ornamental way. It filled a space. My idea for Matrona was to create a similar structure. I wanted it to be very bold and still as legible as possible. The result was a headline typeface that can fill spaces. You can even fill it with a picture. Or you create an ornament with contents. There are 3 weights to extend the usage to different sizes.