HWT Artz is the newest wood type to be cut at Hamilton Wood Type and Printing Museum. It was designed by venerable type designer Erik Spiekermann exclusively for his own print studio (P98a in Berlin), specifically to be cut into large size wood type. The digital version is being offered to the general public with proceeds of sales to benefit the museum's ongoing operations. HWT Artz evokes bold early 20th century European poster lettering. The design itself is intended to minimize hand-finishing and thus production time with rounded corners rather than sharp interior corners that would normally have to be hand-finished. In keeping with the tradition of naming new Hamilton designs after key figures from the living history of Hamilton (and following Spiekermann's tradition of four letter font names), Artz is named after Dave Artz- Hamilton Manufacturing retiree and master type trimmer.

Cushy is a versatile san serif font that’s stuffed with numerous plush swashes and unique alternates. But it’s not limited to display use only. Cushy is well suited for text or display applications. Cushy’s large “x” height, square proportions, and generous even weight enhance its legibility in all point sizes. The font’s bold personality radiates friendliness and warmth. Clean classic proportions lend it authority and vigor. Cushy bends around corners and flows throughout. You won't find any sharp corners. The diagonal strokes possess a subtle arch and enhance its characteristics. Available in 8 styles with multiple weights: Thin, Light, Regular, Bold, including italics. Cushy includes stylistic sets, stylistic alternates, swashes, ligatures & discretionary ligatures, and foreign language diacritic glyph support. Cushy provides 40 distinctive swash options, 17 ligatures, and 13 alternates. Weights include Thin, Light, Regular, Bold, with italics. Cushy is suited for corporate ID, retail, magazines, books, brochures, websites, logotypes, etc.

Maga shares the skeleton with one of our first typefaces (Quaestor, from 2004), but we didn't want to simply expand an existent design, so we took a step forward—not just with improved features and new weights, but also making the italics more usable than its predecessor. The balance between the counters and the space between letters makes this a very space-saving typeface with plenty of legibility, yet stylish enough for contemporary magazine design.

Espect Retro beckons to the discerning eye with its harmonious blend of the modern and the classic. Its wide, yet hairline-thin structure gracefully extends into elongated serifs, giving it a poised and elegant stance. The extended x-height isn't just noticeable; it's a celebration of design that evokes charm and cuteness in every curve and counter. Espect Retro's lightness radiates a fashion-style sophistication, making it a go-to for classy projects.

FF Marselis crossbreeds geometric and humanistic forms, creating a freshly dynamic sans serif family. All of the counters in the typeface are open; this aids readers’ eyes quickly flow across lines of text, without experiencing hang-ups. Certain superfluous strokes have been eliminated – there are no spurs on the b or q, for instance. The alphabet’s diagonals all bow outwards slightly, adding flavor to the “A”, “K”, “R”, “V”, “W”, “X”, “Y” and “Z”.

This typeface is named after Sarah Eaves, the woman who became John Baskerville’s wife. As Baskerville was setting up his printing and type business, Mrs. Eaves moved in with him as a live-in housekeeper, eventually becoming his wife after the death of her first husband, Mr. Eaves. Like the widows of Caslon, Bodoni, and the daughters of Fournier, Sarah similarly completed the printing of the unfinished volumes that John Baskerville left upon his death.

Graffix is best described as a modern classic. A crisp geometric sans serif with just a hint of Art Deco in the roll of the capital A, D & R, and the curvaceous lines of the capital M, V & W. The distinctive tear shaped counters of the lower case a, b, d, p & q give it its essential character, together with such quirky features as the angular descenders of the lower case g and j.

Decutto is a neo-grotesque that packs the Marionette formula and some blackletter ideas into a low-contrast sans serif design. Its name plays on the phrases “off cut” and “cut to” which express the key feature – the contemporary legible letter shape is decorated with cut carved edges and counters, giving the typeface crisp and simplistic look, like that of an old minted coin. Scripts: Latin, Greek, Cyrillic, Hebrew. Hinting: Manual PostScript.

Born from the intersection of the geometric and grotesque typefaces. Aribau Grotesk combines low contrast and generous width proportions with typical traits of american gothics from the early 20th century, like the counters aperture and a double story ‘g’. Driven by the process, some details that come from the geometric style arose, like the clean-shaped figures and the circular dots that convey a more affable and contemporary look. Aribau Grotesk PDF.

If you watched ND Gestalt glitter in the dark near the Tannhauser gate. You know all these sans serifs will be lost in time, like tears in rain… If you like circles you will like ND Gestalt just as much. The unconventional stem to counter bridge in the lowercase gives this one its rather unique appeal. Fonts like this are unlike any other font – they’re either a benefit or a hazard. Beware!

Foundry Form Sans and Serif were drawn concurrently with matching proportions for harmonious use. Although designed to complement each other both families function independently. The Foundry Form Sans characters have a strong horizontal emphasis for readability; open counters to improve legibility at small sizes; and slightly condensed proportions to ensure economic use of space. Foundry Form Sans has a simplicity of design approach balanced with just enough character to achieve a unique, timeless look.

The original Swift (1985) proved its worth in corporate identities, magazines and newspapers and occasionally in books. It is a versatile type and can be used in a wide range of circumstances. It is a striking type, with large serifs, large counters and letters that produce a particularly strong horizontal impression. This means that words and lines in Neue Swift are easily distinguished, even where there are large spaces between words, as can occur in newsprint. Neue Swift's large, robust counters were designed to improve legibility particularly in newspapers. It was designed in the early eighties, when papers were less well printed than they are today, and its special features help it survive on grey, rough paper printed on fast rotary presses. Today it is used more often outside newspapers than in them. Neue Swift (2009) is the newest version of the Swift concept. It has been improved by technical and aesthetic enhancements, and has been expanded into a family of twelve variants. Featured in: Best Fonts for Logos, Best Fonts for Websites, Best Fonts for PowerPoints

Flinders is a modern humanist sans serif font family designed by Eko Bimantara in 2023. This typeface is intended to be used for various reading purposes and has letterforms optimized for legibility and ease of reading. The styles of Flinders are a sans serif interpretation of classical roman proportions, characterized by a low x-height, subtle calligraphic strokes, angled stroke ends, and open counters and apertures. Flinders is a versatile typeface that is readable in both large and small sizes. Its legibility makes it an excellent choice for body text in books, magazines, and newspapers, while its modern design and open counters make it well-suited for digital screens and web design. Flinders can also be used for branding and identity design, as well as packaging and signage. Overall, Flinders is a contemporary and readable typeface that is suitable for a wide range of design projects. Its humanist characteristics and modern design make it a unique and versatile option for designers looking for a typeface that combines classical proportions with contemporary style.

Rubber B is a heavy display typeface with very tight open counters & character spacing and non-existent closed counters. It is an amalgam of styles and influences that demands attention. It is comparable with the highly geometric experimental fonts of the '90s and early '00s, but also heavily inspired by decorative fonts of the '60s and the psychedelic poster art of the '70s. Bold and loud, yet delicate, almost calligraphic in some cases. It works with Latin & Extended Latin, Cyrillic & Extended Cyrillic and Greek. It comes with 1,500+ glyphs, with more than half of them being ligatures. It also contains several Stylistic Alternates as well as Localised forms (available through the Open Type Features and also as ligatures). All these features are available in order to not only make sure that it works with as many languages as possible, but also that depending on the specific glyph or ligature one chooses to use, they have the ability to alter the emotional character of the word(s) they’re setting. Ideal for titles and logos, as it works best in medium and large sizes.

Spy Royal is a junctionless script typeface and comes in 6 styles. It’s a hybrid between script and so called streamline fonts. The origins are based on an advertising by Japan Airlines, dated around 1954, offering flights to San Francisco, Honolulu and Okinawa in the new DC-6B “Pacific Courier” airplane. Only the letters for the words “JAPAN AIR LINES” were used, so that the creative part was to reimagine a full font out of just a handful of uppercase letters. Originally released in 2004, Spy Royal was now undergoing a major rework and is now republished with additional styles like shadow-lines and 3D-shadow. Its charm is manifold, we think everything related to cars, racing, hot rod, vintage, cocktails, retro, restaurants, gasoline and of course airlines will look great in Spy Royal. Spy Royal includes alternate characters, ligatures and West European diacritics.

Cloudbuster is K-Type’s take on the mid twentieth century style of extra condensed slabs/moderns inspired by Imre Reiner’s Corvinus Skyline of 1934. Unusually, Cloudbuster has a printed-look softness, courtesy of very slightly rounded corners throughout, so it looks a little less harsh than similar typefaces. The font is an imposing display face with elegant, unfussy letterforms and a generous x-height.

It is a handwriting-style font for body text that emphasizes gentleness and solidity by using less curvature and making use of a straight feel. The handwriting feeling is emphasized through the style that makes use of the natural bending and stroke order. Softness was added in the shape of a gentle curve, and perspective was applied by setting a vanishing point in the lower left corner.

Brasílica is a robust design, with wide proportions, that assimilates influences both from old style and modern types. This wide shapes, as well as the moderate contrast and sturdy serifs make it suitable to different conditions of printing. The sharp corners, as well as the abrupt connections and terminals are remarkable features of this typeface, that renders a sturdy and crisp texture, with a distinct aspect.

The hand lettering found on the cover of the 1912 sheet music for "Somebody Else is Getting It" featured a blockish Art Nouveau style with rounded corners and a very lurid title [although it likely had a more innocent meaning in those days than the casual observer might interpret today]. Now available as Nouveau Standard JNL, it is available in both regular and oblique versions.

Toska is a geometric sans serif font. This font has a strong but friendly impression because the rounded corners make the eyes feel comfortable. Suitable for headings, poster titles, logotypes, signage, packaging and Toska can even be used for interesting paragraphs. Comes in eight weights, each weight having an italic version so you are free to pair various weights to make your typography more attractive.

Display block letters inspired by train station LED board. Board Deluxe is a humanist version of previously release Board based on bitmap diamond cells pixel font. Original Board (released by T.26) provided rounded corners diamond shape cells deliver surprisingly nice texture when use in extra large size. Board Deluxe gives you solid headline letters that spell out the midpoint between Digital and OldStyle.

The cover of the 1904 sheet music from the Tibetan comic opera “The Forbidden Land” had the title hand lettered in an unusual Art Nouveau style. Mostly squared with rounded corners, many of the characters twisted, turned and extended in ways that took on the look of the Far East. This became the design model for Nouveau Moderne JNL, which is available in regular and oblique versions.

Hockeynight with its rounded corners is the smoothest sports-font you will find. Hockeynight comes in 7 weights and each one is available in italics. Spice up your designs and mix in some alternate glyphs! Go big and bold on your sports-poster or space it up for that dirty style! Check out the alternate glyphs if you are looking for ideas for your logodesign!

Can you dig it, man? Comicraft's Jazzy "JG" Roshell, just swung by after playing bongos down at the coffee bar in his black turtleneck sweater, stove-pipe trousers, dark glasses and beret. Check out the rad Tiki corners on our freshest font, COOL BEANS and you'll want to snap your fingers, put on some Miles Davis and take the next train out of Squaresville, um, Daddio.

The inspiration source for Arteaga Borders Three is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders Three Guidebook” if you would like to learn a little more.

Our newest font, Bakoh, is now available. This display font is created in a simple and approachable manner. Every corner of the letters has a beautiful curve, making the letters look harmonious and pleasing to the eye. This design style is suitable for any project. of course, your various design projects will be perfect and extraordinary. Start using our fonts for your extraordinary projects.

Super Blaster is the original Comic Font typeface enhanced with smoothed corners to give the typeface a more playful charisma. Super Blaster font if you want to use this font for your work can be used easily and simply because there are many features in it contains a complete collection of lowercase and uppercase letters, a wide range of punctuation, numbers, and multilingual support.

Introducing Heroline, a retro-inspired font that evokes the 1950s to 90s nostalgia. This font is perfect for creating vintage-themed designs and giving it a touch of nostalgia and personality. Heroline features a soft, solid design with curved corners and a unique letter shape. This font also includes a variety of alternative characters and ligatures, allowing you to create many different looks with the same font.

Owly Barn is a Friendly and Playful font. The rounded corners of Owly Barn give it a sense of joy and positivity. Also friendly and approachable vibe. Owly Barn is incredibly versatile. It can be used across various mediums, including digital and print, and it adapts seamlessly to different sizes and resolutions. This versatility makes it a go-to choice for graphic designers, marketers, and creatives alike.

Song Publisher JNL features a design based on the 1945 Art Deco-era hand lettered sheet music title "When the Old Gang's back on the Corner (Singin' Sweet Adeline Again)". It's a good thing sheet music wasn't sold by the word count found in song titles, because this twelve word example would have been more costly than titles such as "Nola", "Tenderly" or "Ciribiribin".

Toyster is an all caps display font designed with playfulness in mind. The childlike characters are defined by their rounded corners, low contrast, and pudgy weight. Smooth contours ensure this will look great for large print projects. Use it for a children's' book, toy packaging, cartoon, or store signage. With 3 different versions Toyster is sure to resonate with kids and the young at heart.

Experience spine-chilling design with Morbid Bones, an exceptional font family that redefines horror-themed typography. Crafted with genuine brush strokes, Morbid Bones embodies the macabre, making it the perfect choice for all your sinister design needs. Morbid Bones is more than a font; it's an invitation to explore the darkest corners of your imagination. Whether you're a graphic designer, filmmaker, or a Halloween enthusiast.

Inspired by mosaic lettering by Heins & LaFarge, architects of the IRT (Interborough Rapid Transit) in New York City. Bedford hints at the station names on platform walls which date back to 1904 but modernize it through a rigid grid system and rounded corners. The family consists of two styles, Bitmap for web usage with a perfect pixel snap, and Rounded for a softer and bolder look.

Architectural yet human, as if the letter forms had been delicately carved in stone; their rounded stroke edges and corners lovingly eroded by the surf of the Baltic Sea; slightly overexposed, radiating comforting warmth, giving the impression one was looking at the characters against the setting sun. FP Head Pro reviewed by Yves Peters and Typographica.org: One of the most noteworthy typefaces for 2008.

The inspiration source for Arteaga Borders One is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders One Guidebook” if you would like to learn a little more.

The inspiration source for Arteaga Borders Two is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders Two Guidebook” if you would like to learn a little more.

Bebas Neue Rounded is the Bebas Neue with rounded corners and terminals. As you know, Bebas Neue is the most widely used free font recently. This rounded version is the new style for more widely use. The basic theory and proportion are same as Bebas Neue but rounded shape gives a warm, soft and natural impression. Softer impression than Bebas Neue SemiRounded. Available at an affordable price.

The sheet music for the title song of the 1960 movie "Exodus" had the name hand lettered in a block stencil style with rounded corners and narrow "rails" [the breaks between the stencil parts]. Loosely based on this design and working from just the six letters of the title, Cartage Stencil JNL is available as a digital font in both regular and oblique versions.

“My goal in creating the Cardamon family,” says Brigitte Schuster of her first design, “was to make an unobtrusive serif typeface which, at the same time, has a determined and straightforward demeanor.” “I wanted to design a typeface with sharp edges and corners,” explains Schuster. “I was influenced by the angularities in Vojtěch Preissig‘s “Antiqua” and “Cursive” in addition to Oldřich Menhart‘s “Menhart” typeface.”