"Wild Graf" is an urban graffiti font characterized by sharp edges and a bold look. Ideal for music posters, apparel designs, shirts, and streetwear, this font brings a touch of edginess to your projects. The unique style of "Wild Graf" makes it the perfect choice for death metal or urban graffiti themes. Whether you want to create a strong and powerful statement or simply add a touch of attitude to your designsWild Graf" is the font for you.

Introducing "Diary Indie" it's an authentic handwritten with natural character. Perfect for creating Instagram quote posts, novel or book TrueType, invitations, labels, packaging, stationary, etc. This is a full font, which features all uppercase and lowercase letters, numbers and punctuation, multi-lingual, and ligatures. Some swash elements are included as bonuses to bring attention to the fun of authentic Diary Indie! Features: Ligatures Numerals & Punctuation Swashes Accented characters Languages Supported How to use this font: Just open your Opentype features ( Minimum Compatible with Adobe Photoshop CS 6 and Adobe Illustrator CS 6 ) in Adobe Photoshop go to Window - Glyphs and all the alternates will appear while using the script font to use the ligatures and swashes. As you type, your text will look like a natural signature or handwriting.

The first versions of Nimbus Sans have been designed and digitized in the 1980s for the URW SIGNUS sign-making system. Highest precision of all characters (1/100 mm accuracy) as well as spacing and kerning were required because the fonts should be cut in any size in vinyl or other material used for sign-making. During this period three size ranges were created for text (T), the display (D) and poster (P) for small, medium and very large font sizes. In addition, we produced a so-called L-version that was compatible to Adobe’s PostScript version of Helvetica. Nimbus was also the product name of a URW-proprietary renderer for high quality and fast rasterization of outline fonts, a software provided to the developers of PostScript clone RIPs (Hyphen, Harlequin, etc.) back then.

Created for J. SCOTT CAMPBELL'S DANGER GIRL SKETCHBOOK, this slick and stylish font is perfect for architectural drawings, marker comps or, um, sketchbooks! Artwork from Elephantmen: Man and Elephantman by J. Scott Campbell

The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.

Camplones is a handwritten font that accentuates the style and curve of the hand when inking the ink on the paper by perfecting the shape of each character so that Camplones looks very beautiful when applied in a sentence. Camplones is specially shaped and made so that users feel the touch of a hand that lives in the character of the letters so that it has tremendous value when used in your templates, game fonts, wedding invitations or sales products which will surely be very attractive to consumers when they see it and will definitely love it. make the product look more elegant and will increase the selling value of your product.

Twentieth Century was designed and drawn by Sol Hess in the Lanston Monotype drawing office between 1936 and 1947. The first weights were added to the Monotype typeface library in 1959. Twentieth Century is based on geometric shapes which originated in Germany in the early 1920's and became an integral part of the Bauhaus movement of that time. Form and function became the key words, unnecessary decoration was scorned. This clean cut, sans serif with geometric shapes was most appropriate. The lighter weights of the Twentieth Century font family can be used for text setting; the Twentieth Century bold and condensed fonts are suitable for display in headlines and advertising. Commonly spelled 20th Century.

The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.

Foros(tm) is a modern humanist sanserif font family of 8 styles. Each style contains beside many other alternatives of upper and lowercase letters a 'unicase' character set. Foros is a development of a modern pattern of rough geometric shapes in combination with open humanistic forms that produces a mixture of obstinacy and delicacy. Quadratic shapes of ovals bring stability and firmness, but angular terminals of diagonals in several letters together with curved junctions of bowls with verticals stems add emotions and elegance. Such variety in image make it possible to use the fonts in different kinds of display typography. Foros type family was designed by Oleg Karpinsky. Released by ParaType in 2013.

The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.

Lemands is a strong-sharp serif font in condensed height. Designed with medium contrast and inspired by the modern-classic typography and the High Octane Rock genre. The serif is quietly sharp and has assertive lines and curves, giving the letterform looks solid and strong as a display font. Lemands is a display typeface that is perfect for many purposes such as a headline, sub-headline, logo, and short body text for magazines, books, fashion, quotes, youth t-shirt, signboards, logos, and many more! Available in 4 weights: Regular - Book - SemiBold - Bold. A great choice for a brave concept! Zip file featured: Uppercase Lowercase Numbers Symbols Punctuation Standard ligatures Accents : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝÞßàáâãäåçèéêëìíîïñòóôõöøùúûüýþÿ ĀāĂ㥹ĆćĈĉĊċČčĎďĐđĒēĔĕĖėĘęĚěĜĝĞğĠġĤĥĦħĨĩĪīĮįİıIJijĴĵĹ弾ĿŀŁłŃńŇňŌōŎŏŐőŔŕŘř ŚśŜŝŞşŠšŤťŦŧŨũŪūŬŭŮůŰűŲųŴŵŶŷŸŹźŻżŽžẀẁẂẃẄẅ Thank you, Ramz

HS Alhandasi is an Arabic display typeface. It is useful for book titles and graphic projects where a contemporary, streamlined look is desired. The font is based on the simple lines of modern and simplified Kufi calligraphy, that support Arabic, Persian and Urdu. This font was created in the beginning as regular weight in 2007 for use in technical and engineering company. The company tends to follow the geometrical shape with equal dimensions in both vertical and horizontal storks. There is also a tendency to make all characters to be similar to oval shape with the impression that they are all geometrical and clear. I followed that with two other weights in 2011, thin and bold.

Rae's Monogram Family is a contemporary take on monograms. Rae's Monogram One letters are best used as the right and left letters. You can add Rae's Monogram Two for the middle letter. Rae's Monogram Doodles One are 50 small illustrations to use with the monogram. If you don't see the one you want take a look at over 1,000 others in Outside the Line's Doodle font library. Of course just because it was planned this way doesn't mean you have use them this way. Use your imagination! You can use just one font, or two or all three. Commercial Licensing: Rae's Monogram Doodles One uses Outside the Line's normal licensing if you are using an illustration alone or not in a monogram on commercial goods. Plz read the http://www.outside-the-line.com/license/ Rae's Monogram One and Two offers Impression Licensing. If you don't intend to sell any items made from these fonts you don't need an additional license. But if you do, to make it easier Outside the Line offers the added ability to buy this license upgrade at the time you place your order. Plz contact Rae directly to do that. By default, you're allowed to sell 250 items in total without any additional licensing required and should you intend to sell more items, additional levels of licensing can be purchased now or at any time in the future. To be clear, 250 items doesn't refer to how many different items you may create but rather refers to the number of total sales of any item or items created with these fonts. If you have any questions or need additional commercial licensing feel free to contact Rae at hello@outside-the-line.com She is always happy to hear from you.

Imagine you want an interesting font that fits in many designs yet looks neat and also eye-catching. Don't worry anymore because it is answered. We present you with a special font named StarTrack. StarTrack is a must-have display font that enjoyable, pleasant, and elegant. It looks neat and suitable for your simple or complicated design. This font looks great for packaging, business cards, invitations, posters, labels and all kinds of your designs. Get this font into your collection now. Check out our font collection for more great and artistic fonts. Pick your most favorite font and use it as you like to reach your goals. What's included: 1. StarTrack font file 2. This font completed with: standard glyph, ligatures, punctuation & symbols, underline, and italic font style 3. Works both on Mac & PC 4. Simple installation 5. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and CorelDraw 6. Support multilingual; ä ö ü Ä Ö Ü ß ¿ ¡ You will love this font!

When we think of a child's font, random scribbles often come to mind, but I thought, why not make a child's font fun, spontaneous, and at the same time simple and readable. This is how the Arbus font was born. This font is perfect for anyone looking for a light, free-style font that will last a long time. In addition, the font has a number of undeniable advantages: The Arbus font is perfectly balanced, which allows you to use it both in headings and for large amounts of text. Thus, you can completely design your products with one font family. The Arbus font family has nine font weights. The font supports all European languages ​​and of course the Latin alphabet. Works on PC & Mac This beautiful Arbus font can be installed on any operating system, it can also be used in professional programs like Figma or Addobe Crative Cloud, as well as in other simpler software like Canva.

A girl’s handwriting written on the iPad Writing changes – throughout history over centuries, but also from generation to generation. Each new generation of students learns to write the basic forms of the letters a little differently than their predecessors. The role model is also changing. The cursive handwriting taught in school is getting closer and closer to printed type. The children no longer learn the forms of cursive handwriting required for connected writing, but first the “block letters”, only later should they develop their own individual handwriting from this, which many of them no longer do. And the writing tool is also changing. Of course, script looks different when children no longer learn to write on paper with a fountain pen, but on a tablet computer with the “pencil”. The writing experience is completely different, and the “material properties” are different too. There is practically no writing resistance that would make it difficult to move against the direction of writing. "Die Lara" was created based on the template by Lara Mörwald from the winter of 2023. The font version "Black" corresponds to the handwritten original, all thinner variants up to the wafer-thin "Hairline" are derived from it. In the variable font, the intermediate forms can be selected steplessly. In order to preserve the handwritten character of the font, "Die Lara" contains several alternates to most letters and numerals, so that different character forms alternate in the typeface. If the "ligatures" function is activated in the app (which is the default in most programs), these alternates appear automatically as you type. There is also an alternative "swashed" variant of some letters. So you can set somewhat livelier accents at the beginning or end of a word. "Die Lara" also contains fractions and tabular figures.

Our condensed to extended font is perfect for multiple uses, from branding to packaging designs. Its extendable and variable design makes it great for all kinds of projects. Its tubular shapes, ink traps and juicy curves make it both aesthetic and functional. Its condensation also allows a great flexibility, allowing you to adapt it to any project's need. Its versatility also makes it great for both print and digital projects. With this font's easy to use features, your designs will look good on any project or medium.

Veltro was originally designed in 1931 for Nebiolo in Torino. The typeface has been redesigned, digitized, completed and expanded as OpenType Pro in the profonts studio. Both styles cover the complete character set for Western and Eastern Europe.

PM Showman is based on vintage hand-painted sign writing from the 1900s through the 1960s. Seen on everything from office signs to posters, it was a staple of business communication and entertainment advertising in the early 20th century. We meticulously hand-drew each font, modeling the spacing and quirkiness of the original letterforms to give PM Showman an authentic hand-painted look.

Dialog is my first sans serif. I had made some attempts earlier, but they didn't satisfy me. Dialog was, on the contrary, so inspiring that I made 19 different fonts of it, the most complete typeface for several years. I usually prefer typefaces with serifs, but I don't miss them in Dialog. The name needs no explanation. Dialog was released in 1993.

Turn on the mirrored ball, and haul out the gold chains and white suits! This Disco dazzler is a new take on Bass Rainbow, designed by Saul Bass in the 1970s. Hip, hot and heavy, this typeface is ready to get down. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Based on the handwriting and sketches of American experimental composer John Cage, this set was produced in conjunction with The Museum of Contemporary Art in Los Angeles and the John Cage Trust. This unique collection includes 52 graphic extras culled from the composer's notes and scores, as well as the "Cage Silence" font inspired by Cage's seminal work 4' 33".

Here's a new take on an old dry-transfer standard from the 70s named Barrio. This unicase version features several handy ligatures not found in the original typeface, which will substitute in OpenType-savvy applications when the lowercase combos are typed. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

This assertively Art Deco face is based on Cubist Bold, designed by John W. Zimmerman for Barnhart Brothers & Spindler in 1929, and takes its name from one of the co-founders—with Pablo Picasso—of the Cubist Movement. Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

In 1956, Schriftgeißerei Genzsch & Heyse released the pattern for this typeface, designed by Werner Rebhuhn, under the name "Hobby". Despite its Eisenhower-era origins, the face retains its casual charm, spontaneity and freshness even after half a century. Both versions of the font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Here's an Art Deco classic with a bit of an edge. This typeface is based on a somewhat less refined but more energetic version of Broadway, designed by Morris Fuller Benton for ATF in 1928, originally named Broadway Poster. Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

This engaging antique text face is based on Paragon Light, from the 1905 specimen book from Barnhart Brothers & Spindler. Although it is spaced and kerned for text work, it also is suited for headlines if you tighten the tracking. Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Here’s another offering from the Baltimore Type Foundry, originally called Airport Tourist, which was obviously influenced by Paul Renner’s Futura Display, designed in 1932 for Bauersche Gießerei. This version features tight sidebearings and aggressive kerning, so your headlines will pack a punch. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

This elegant stencil face is based on an alphabet found in one of the innumerable Dover Books volumes edited by Dan X. Solo. Intended for headline use, it can also be employed effectively for short blocks of body copy. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Originally designed by Les Usherwood for a famous European car company, Elston Pro has been completely redrawn and remastered by Steve Jackaman and Ashley Muir. The new Elston Pro family has been fleshed out with a glyph set that is over 40% larger than the original Elston release, and contains all the high-end features expected in a quality OpenType Pro font.

If you are looking for a typeface that is both different and stylish, Rustea is a perfect choice. With its combination of modern and vintage curves, this typeface is perfect for creating eye-catching designs that will stand out from the crowd. Affordable and versatile Multilingual support and complete character set Get one font for any occasion Support for 31 languages File OTF

This handy family takes its design cues from Beton, a slab serif designed by Heinrich Jost for Bauersche Gießerei in 1931. A number of characters have been softened by the addition of ball terminals, commonly seen on manual typewriter type in the 1950s. Both versions of this font contain the complete Latin A Extended character set, as well as extended ligatures and fractions.

This distinctive poster face is based on the work of Dard Hunter, one of the pioneers of typographic design within the Arts & Crafts movement. Use it to create distinctive headlines, or to add some architectural interest to your designs. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

The typeface Modernistic, designed by Wadsworth A. Parker for American Type Founders in 1927, provided the design cues for this typeface which, unlike the original, includes lowercase letters. Best used sparingly for dramatic and memorable headlines. Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Staychill is unique textured brush font, contemporary approach to design, handmade natural with an irregular baseline. Suitable for use in title design. Such as apparel, invitations, books tittle, stationery design, quotes, branding, logos, greeting card, t-shirt, packaging design, poster and more. Staychill includes a complete set of uppercase and lowercase letters, as well as multi-language support, numbers, punctuation, alternates and ligatures.

In their circa 1900 specimen catalog, Barnhard Brothers and Spindler called this typeface "Samoa", suggesting exotic locales. On the other hand, it also suggests some serious fun, and is named in honor of British artist Dudley Hardy, whose posters used a very similar typeface extensively. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

The pattern for this typeface was suggested by a poster for beer, designed by German artist Ludwig Hohlwein around 1920. The plump curvy serifs suggested a great complement to beer, hot dogs, and thus the name translates roughly to “weiner wagon.” Prosit! Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

Based on a typeface named "Viola Flare", issued by Franklin Photolettering in the 1970s, this version has been kerned for every possible letter combination, so you can mix the swash uppercase letters with the lowercase as you please, creating distinctive and delightful headlines. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

This quirky little number is based on a typeface originally named Turtle, which made a very brief appearance in Letraset's product line catalog in the 1970s. Admittedly, its uses are limited, but its cryptic and playful nature will reward those with imagination. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Linotype Aperto is a typical text font in the style of transitional faces, like its often-used cousin Times. It is available in roman, semibold and bold weights, each with its matching italic. The roman weight is complete with old style figures and small caps. Its balanced, reserved appearance makes Aperto extremely flexible, good for long texts as well as headlines.