Ikhsani Grotesk is a modern, contemporary font that offers an elegant and stylish look. It's perfect for any project that requires a bold yet sophisticated style. The font features strong lines and curves with sharp edges to create a unique visual effect. Its clean design makes it easy to read on both digital platforms as well as in print materials, making it ideal for logos, branding projects, websites or other graphic designs. With its versatile nature and timeless appeal, Ikhsani Grotesk is the perfect choice when you need something special yet classic!

Crackers Brusher is a carefully crafted brush script and full of imagination and rough textures that are typical of this font. It includes two regular and slant styles and OpenType and 28 ligature features (in uppercase) as well as a swash weight. This font is perfect for challenging jobs, titles, t-shirts, websites, hoodies, and various print and digital media with energy. With extra attention to quick strokes and sharp details, Crackers Brusher is ideal for logos, apparel, quotes, product packaging, or anything which needs a typographic turbo-boost.

Bron Shadline is the semi-outline and lighter variation of the original Bron typeface. The outline adds an extra vibrancy, more contrast and bring a special shading effect out. The Shadline version has also two separate layered fonts to make your own multi-color compositions. Possibilities of editing the font are infinite : even use Bron Black Two Color One to add an extra third layer. These can be used separately to create even more subtle effects. Bron Shadline is packed with an extended character set, supporting Central, Western and Eastern European languages.

Galaktik is a fresh embodiment of the monospace font. Born out of creative ideation, it attempts to pay homage to a long history of display fonts while exhibiting contemporary, playful accents. This balance of geometric shapes and creative expression allows Galaktik to feel both familiar and yet unique. Features Numerals Punctuations Special Characters Galaktik's freshness fits modern typographic schemes, futuristic logos, and even command-line consoles. The limits are boundless. Thank you for your purchase! Feel free to reach out for any issues or if need any assistance.

Started with a base of geometric shape, Havard is a Strong and Sturdy display font with an industrial feeling, college style, vintage look, and sporty and athletic theme. Best use for this family is for headlines, display, logotype, clothing, or any short text. Havard includes 12 styles, starting with a regular, regular with inline, shadow, bevel. All of the style also have rough version. Since some of them are connected you can mix and match to use it for a layered fonts, just combine what you like as I created on a design sample above.

The Poole Chiselcut faces are a useful companion to the regular Poole fonts. In the Standard weight, the diamond shapes inside each character, work toward an elegant, sophisticated look. In the Mid and Heavy weights the chisel cut makes the alphabets look Victorian. In particular, the Heavy weight look is that of a circus letter. Of course the 2 color options for this group are endless. Used in concert with the rest of the Poole Family, or as stand alone fonts, the Poole Chiselcut set is a useful addition to your library.

When I was surfing the internet, with rock n 'roll music. I accidentally found a picture of a hotel sign with a very unique style, namely: Mid-century Modern (MCM). It looks very pretty and charming to me. And inspired me to create Font Family. And I am proud to present the Vallery Hills Font Family. This font is in the Retro style of the 50s to 60s. Okay, here are the specifications. 1. Vallery Hills Schrift There is one unique thing about this font. Usually, script fonts with Retro style always have an angled anatomical shape, but I made this font upright. The goal is to make a difference with other script fonts I've seen. By the way, this font comes in two styles, namely: Regular and Bouncy. Why do I make it like that? Because I want to make this font into two different functions, namely: If you want to make it a Display Font, which is usually used for Headings, then use the Bouncy style. And if you want to use it as Bodytext, then use Regular. 2. Vallery Hills Sherift This second font is a font that is very synonymous with the Mid-century Modern (MCM) era. A very distinctive form of the serif font of that era. Similar to the first font, this font also has 2 styles, namely: Regular and Bouncy. You can combine this font with the other two fonts in Vallery Hills. It could be Title, or Bodytext. And you can also combine two styles, namely: Regular and Bouncy. Try! 3. Vallery Hills Suns Sherift This last font is Sans Serif. Also has 2 styles like his two brothers, namely: Regular and Bouncy. The goal is actually the same. I am sure you are cooler to create a design that uses this font family. Well, there is one advantage of this font from its two siblings, which is that it has a feature, namely: SMALLCAPS. Which will be an option when you are bored with the mediocre shape or style of Lowercase. Try combining the Smallcaps with Uppercase or Lowercase. Must be cool! : D Oops, almost forgot. This font consists of several font formats, namely: OTF, TTF, and Webfonts. And of course everything is MULTILANGUAGE. OK, friends. That's all I can describe about the Vallery Hills Family. Hopefully it will please all of you. Cheers!

Introducing Jesaya: the typeface that will elevate your design game. With its unique geometric design, Jesaya will bring a new level of sophistication and style to your creative projects. Its clean shapes and sharp angles give your message a distinctive voice, projecting a sense of precision and attention to detail. And with seven weights and italics, you have the flexibility to experiment with different styles and layouts, ensuring your design stands out from the crowd. But that’s not all—Jesaya is designed with your comfort in mind. Its shaved sharps prevent typographic injury, ensuring a smooth and seamless design process. So whether you’re crafting a bold logo, designing a sleek website, or creating eye-catching marketing materials, Jesaya’s contemporary style and unique geometry will help you express your vision with clarity and impact. Try it today and see the difference for yourself. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Handy Andy Andy Lethbridge had only just completed his graphic design BA at the University of Portsmouth when he was spotted by Jason, who’d seen Andy’s exquisite hand lettering at his degree show and on Instagram. Keen to push the handwritten theme further, having recently launched a digitally-created, chalky script font (FS Sammy), Jason offered Andy a job and the chance to develop a suite of more stylised, truly hand-drawn fonts. Andy duly got out his pads, pencils and pens, and started experimenting with styles and textures. Magic followed. Imperfection perfected Most ‘handwritten’ typefaces are created entirely digitally. Not FS Shepton. From the start, the intention was to create a collection of alphabets of similar character but different texture and style – 100% hand-drawn and purposely imperfect, with the kind of inconsistent, organic shapes and textures of market stall signs, dashed off in chalk or paint. FS Shepton Regular, drawn with a wet brush pen, is solid with a rough outer edge and a casual but controlled feel. The dry brush used to create FS Shepton Light gives it more inner texture and a more formal, slanted, calligraphic style. FS Shepton Bold, drawn using a wider, looser dry brush pen, has a woody grain in the middle of its broad strokes and greater solidity where the brush moves more slowly. Fresh as a daisy Think of FS Shepton not as a family of three weights of the same font so much as a collection of three fonts penned by the same author. All of them – the light, regular and bold – were created independently as display fonts that offer something different to labelling, packaging, point-of-sale and advertising. Lovingly crafted by hand, they’re a good match for products and settings that share the same artisinal qualities: organic foods, drinks and healthcare products, as well as premium chocolate, coffee and condiments.

Engraved shaded display typeface.

Dreaming to make remarkable projects? Wanna travel your audiences or costumers to aged world? Then, this is the path that you looking for. Introducing Antique Heritage- A Monoline Script Font This font is best to add antiques to your projects that have vintage styles and shapes can help bring to a fine new level. Also, to increase a real sense of timelessness. Use it for headings, logos, business cards, printed quotes, invitations of all sorts, cards, packaging, and your website or social media branding. Our font always includes Multilingual option to make your branding globally recognised. Features: Standard Ligatures Stylistic Sets Swashes Multilingual Support (91 languages) PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Akumaru, our newest font, is now available. In every area of the eye, there are typefaces made with unique and appealing shapes. if you want your unique project to be charming, unique, gorgeous, and sophisticated enough to hypnotize the entire audience. Then this font should be used in your project. because the letters and words in this typeface have a gorgeous, elegant, and pleasant appearance. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

The Mandau Sans Serif Grotesk font is a typeface that has a modern and minimalist design. Inspired by typography styles that were popular in the 20th century, Mandau Sans Serif Grotesk has clean, bold lines, making it easy to read and perfect for a variety of graphic design purposes. Mandau Sans Serif Grotesk has distinctive characteristics, such as firm thin lines and strong thick lines, as well as very geometric letter shapes. The color of this font tends to be monochromatic, so it is suitable for use in minimalist and modern designs. Overall, Mandau Sans Serif Grotesk is a very flexible font suitable for a variety of design purposes. With a modern and minimalist design, this font can give your design a professional and elegant impression.

Introducing our new exploration named Mortend, a strong expanded font family. Mortend designed with geometric shapes, bold, strong curves, and modern feels. Inspired by the brutalism poster and minimalism design which has been trending nowadays, and gives you more chance to express your creativity. This font family brings a strong feel yet elegant look that you can use for many purposes. Mortend is an all-caps font with the different letterforms of 'small-caps' that you can combine at will. This family is highly recommended for display or headline on your poster, flyer, apparel, motion graphic, logotype, signage, packaging, labels, and more! The regular and light one, also good for short body text and quotes. Fonts featured: Uppercase Smallcaps Numbers Symbols & punctuation Standard accented characters

Lifeform is a modern display font created as a result of my experiments on the forms of letters. While working on the font, I had ambivalent feelings, on the one hand I liked the individual curved lines, on the other hand they seemed very strange, alien and illogical. It was like looking into a microscope and seeing something strange. I wanted to develop and study these forms as something new, because I had never seen anything similar before. The result is a contrasting font that has both curves and sharp, and smooth lines that resemble some kind of organic matter. The font is well suited for large headlines, posters and covers. Its strange design catches the eye and will not leave the viewer indifferent.

Introducing the breathtaking Bomboniere that is set to elevate your designs to new heights! This font boasts tall and thin serifs that lend a sophisticated and elegant feel to any project. With its clean lines and sharp edges, this font is perfect for headlines, titles, and other attention-grabbing text. Designed with meticulous attention to detail, this font is both striking and versatile, making it the perfect choice for a wide range of design projects. Whether you're creating a logo, designing a poster, or crafting a social media post, this font is sure to make a lasting impression. So why settle for ordinary when you can add a touch of class and sophistication to your designs? Discover the power of elegance!

Nofex is an all caps font that has a very bold body, but still has high contrast. This font looks very modern when paired with contrasting design colors. This font is impressive and features a clean and elegant font, professionally shaped, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, promotions, book covers, magazine layouts, or simply as a stylish text overlay onto any background image. Features : All Caps numbers and punctuation multilingual Ligature alternates PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Threat is an all caps font that has a very bold body, but still has high contrast. This font looks very modern when paired with contrasting design colors. This font is impressive and features a clean and elegant font, professionally shaped, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, promotions, book covers, magazine layouts, or simply as a stylish text overlay onto any background image. Features : - All Caps - numbers and punctuation - multilingual - Ligature - alternates - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Intro Rust is one of the biggest packages on the market, including 214 fonts. The font family is a rough version of the famous Intro. Intro Rust includes 4 sub-families - Intro Rust, Intro Script, Intro Head and Intro Goodies. It can be used to create almost all types of design projects like print materials and web design. Just use your imagination and your project will become more alive and vivid than ever with one of the Intro Rust fonts. You want to make a greeting card or a package design, or even a brand identity? Feel free to play with all the patterns and shapes, scripts or those cool fonts with the dots and that will lead you to your next successful project.

The Castelo is a unique and very elegant font for brand and logo designs. Based on my experience as a graphic designer working in many companies, I am often asked to design a logo with a unique style but with an elegant shape. So, I tried brainstorming and came up with this font to get ideas out. It is suitable for BRANDING and LOGO DESIGN. You will get a classy, elegant, and of course unique logo with this font. To make it look more unique, I also prepared some binders in it: The Castelo also includes the full set: uppercase and lowercase letters multilingual symbol number punctuation Hope you enjoy our fonts and if you have any questions feel free to message & I'm happy to help :)

Axion is an original design by Alex Kaczun. It is a display font not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Axion is a futuristic, techno-looking and dynamic typeface with elements of machined-like parts containing sharp and rounded edges. This attractive display comes in roman with lower case and lining figures. The font is also available with true-drawn slant italics. Other design style variations include small capitals with old style figures. The large Pro font character set supports most Central European and many Eastern European languages.

Lucaria is a modern serif typeface that combines classic design with contemporary details. The most distinctive feature of Lucaria is its strong shape on the edges, which gives the font a bold and commanding presence. This design element is complemented by the wide characters, which provide ample space for legibility and readability. The combination of these features makes Lucaria a great choice for displays and headlines. This versatile font family is available in seven weights, including Light, Regular, Medium, Semibold, Bold, Extrabold, and Black, as well as a variable font for added flexibility. The variable font option allows designers to customize the weight makes Lucaria an ideal choice for a range of design projects, including branding, packaging, and editorial layouts.

Gemulir is the embodiment of the beauty of classic serif fonts. With smooth lines and elegant character shapes, this font brings a timeless and classy look to any project. Gemulir gives you the ability to create luxurious and memorable documents, promotional materials or web designs. Gemulir's key features include its ability to customize various types of projects. From use in formal documents to use in branding designs, this font always provides a consistent and professional appearance. Gemulir is the perfect choice for those who appreciate classic beauty in design. With the ability to convey messages elegantly and powerfully, this font will take your projects to the next level. So, don't hesitate to choose Gemulir and let your designs shine with classic elegance.

Winden is a geometric slab serif typeface based on the bestselling font Isidora https://www.myfonts.com/fonts/latinotype/isidora/ and inspired by early 20th century famous classic slab-serif typefaces. Characteristic features such as trapezoid shape serifs give Winden a modern, contemporary touch and the rounded edges of the Alt version make it look unique and special. This font consists of two subfamilies: Winden —classic, simple and functional— and Winden Alt (playful and contemporary), ideal for display use. Each version comes in 7 weights, ranging from Thin to Black, and includes matching italics— 28 fonts in all. Winden is the perfect choice for headlines, logos, branding, packaging, publications and websites. The full set contains 615 characters that support over 200 Latin-based languages.

Slugs Racer is an all caps racing display font that has a very thick body, but maintains high contrast. This font looks very modern when paired with a contrasting design color. This font impresses and features a clean and elegant font, professionally shaped, and as a result, it will easily match any creation that calls for a different touch. Add it confidently to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, promotions, book covers, magazine layouts, or simply as a stylish text overlay onto any background image. Features : - All Caps - numbers and punctuation - multilingual - Ligature - alternates - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Aukim is an exceptional, unique and ligature-rich font that gives a new look to your texts. It is a more text-oriented font and thanks to its OpenType features, it becomes versatile. It is available in 3 sub-families (condensed, normal and extended) for a total of 54 fonts. There are 9 weights with their real italics. It has 886 glyphs, 107 uppercase and 65 lowercase ligatures per font. It also offers a wide range of languages, from Latin to Cyrillic, as well as powerful OpenType features such as meticulously and professionally maintained kerning, stylistic variations, swashes, highly distinctive ligatures, old-fashioned tabular figures, fractions, denominators, superscripts, unlimited subscripts, arrows and much more to satisfy the most demanding professionals. On the one hand, it has rounded curves with very open endings that make this font family noble, friendly and contemporary and on the other hand very useful for writing titles on any medium. Perfectly suitable for graphic design and any display use. It could easily work for web, signage, corporate design as well as editorial design. Aukim is a cool, wonderful, elegant, bold and fun display font. It can easily be paired with an incredibly wide range of projects, so add it to your creative ideas and notice how it makes them stand out!

Lopsickles is a family in which the letters are based on lopsided, distorted ellipses. The family has four sets of letters that are combined in six different ways, yielding six fonts. Four of these fonts (styles AB, Ad, Bc, and cd) use the OpenType feature Contextual Alternatives (calt) to alternate letter sets so that top-heavy characters alternate with bottom-heavy characters. The spacing in these fonts is designed for alternating characters and will result in overlap if the characters do not alternate. The other two styles (Ac and Bd) are spaced normally. Style Ac contains the two character sets that are top heavy and style Bd has the two character sets that are bottom heavy. The Ac and Bd fonts have italics and backslanted styles that may be useful to suggest speed. Each of these ten fonts has an inset style designed to be used in a layer above the base font. This layering can be used to give the effect of hollow letters or to add a colored interior. Lopsickles joins several other alternating-characters families in the IngrimayneType library including Snuggels, CloseTogether, and Caltic, but is visually very different from them. It is a strange, unusual family that will get noticed.

Grandecort is derived from the OakPark family. It has lost the serifs, and has moved to a more traditional look. The upper case letters are a bit heavier than the lower case letters, but overall the letter shapes are fairly conventional for a bold, display face. In later 2018 the family was expanded to 9 fonts. GrancMitStripes was reworked to make four new faces: GrancAllStripes, GrancTopStripes, GrancBottomStripes, and GrancCaps. The last can be used as a background layer for the others. Also, The interior of GrandecortShadow was separated out to form GrandecortShadowInside. It has the same shapes as Grandecort-Regular but the spacing of GrandecortShadow and can be layered with the shadowed style to easily create bi-colored letters.

Orto is a type family of sans serif fonts in eight weights. It's a humanist typeface with real cursive, containing both Roman and Italic styles. The letters are designed to look good on screen, they have a bit narrower proportions and simple shapes. Their structure is based on flat horizontal and vertical strokes, which are emphasized wherever possible. That’s where the name comes from: Orto is an abbreviation of the word orthogonal. Thanks to its narrow width, the typeface is less space-consuming and adapts well to the screens of smaller devices. It is legible in small sizes, thanks to the larger x-height. The characteristic details, like bent ends of diagonal strokes, stand out when used in larger sizes. Orto can be used equally good in print and its overall neutral look fits different contexts. However, its character is pretty recognizable. Orto contains Latin and Cyrillic script and covers six codepages: Latin 1, Latin 2, Cyrillic, Turkish, Windows Baltic and MacOS Roman. It has basic OpenType features like ligatures, oldstyle numerals, proportional and tabular lining figures, fractions, superiors, etc. Capital German sharp S shows up when the lowercase is typed between two uppercase letters, and the Contextual Alternates feature is turned on. The Stylistic Set 01 changes the shape of the Cyrillic b. The Stylistic Set 02 is a shortcut for using Serban Cyrillic alternatives that differ from Russian in cursive.

The Comic-Script by ingoFonts In the past cartoons used to be lettered by hand. Hardly anyone does this today. The reason is, because hardly anyone has nice handwriting these days, so there are practical advantages in having a special font. However the font should still look like it’s been written by hand. Well, most script fonts don’t meet this requirement. The LeDrôle Lettering is a computer font, but closely resembles genuine handwriting. The model for the LeDrôle Lettering is my personal handwriting, as can be seen on the example of the Biró Script, which is also an ingoFont. The habit of capitalization comes from the Romanic and Anglo-Saxon countries. Depending on the purpose they are designed in three significantly bolder weights. In order for the typeface to actually look handwritten, it needs to have clearly visible irregularities. These are not found only in the shapes of the individual letters. Even though LeDrôle Lettering is all in capital letters, the characters of uppercase and lowercase letters are clearly different. Additionally, many alternative shapes are used, which are automatically applied when the OpenType “Ligatures” feature is activated. Thus, there are no identical double letters or numerals, and many character combinations are defined as ligatures with alternative forms.

Introducing "Anger Style": Unleash the Power of Emotion Are you ready to harness the raw energy of emotions and bring them to life in your designs? Look no further than "Anger Style," an electrifying and dynamic font that will leave a lasting impact on your audience. Designed by our team of expert font designers, "Anger Style" is a captivating blend of intensity, power, and expressiveness. Possible Design Uses: "Anger Style" is a font that excels in making a bold statement. Its commanding presence and fiery nature make it perfect for various design applications, including: Headlines and Titles: Grab your audience's attention and make a lasting impression with powerful headlines that demand to be noticed. Logos and Branding: Infuse your brand identity with passion and intensity, creating a memorable and distinct visual presence. Posters and Flyers: Advertise events, concerts, or special promotions with eye-catching designs that embody rebelliousness and energy. Book Covers: Create striking covers that captivate readers and convey the emotional depth of your story or message. Apparel and Merchandise: Add an edgy touch to your clothing designs, making a statement that resonates with your target audience. Unique Qualities: What sets "Anger Style" apart from other fonts is its ability to evoke a wide range of emotions, not just anger. It transcends its name, allowing you to express passion, determination, and rebellion through your designs. Its versatility lies in its bold strokes and sharp edges, which convey a sense of intensity and power. By choosing "Anger Style," you gain access to a font that embodies the very essence of raw human emotion. Font Pairing: "Anger Style" pairs exceptionally well with other fonts that complement its intensity and create harmonious combinations. Consider combining it with: "Bold Sans Serifs": The clean lines and strong presence of a bold sans serif font can enhance the impact of "Anger Style," creating a balanced and eye-catching composition. "Elegant Script Fonts": To add a touch of contrast and sophistication, pairing "Anger Style" with an elegant script font can create a visually engaging and dynamic design. Functional Aspects: "Anger Style" offers a range of functional aspects designed to enhance your creative possibilities: Styles: "Anger Style" is available in bold and regular styles, allowing you to emphasize different levels of intensity within your designs. Character Sets: The font includes an extensive character set, covering uppercase and lowercase letters, numbers, punctuation marks, and special characters. This ensures versatility and legibility across various design projects. Special Features: "Anger Style" includes stylistic alternates and ligatures, providing you with additional design options and allowing you to create a truly customized and unique look.

With Encercle Draft, you can create circles and other shapes containing numbers up to 999999. Here's how it works: hold shift and type the number of digits, followed by a number. If you want the number 25, hold shift, type 2 followed by 25. If you want the number 250, hold shift, type 3 followed by 250. You can also type letters, periods, slashes, hyphens, question marks and exclamation points. Create an inverse white-on-black effect using your application's Bold feature. Easily change shapes by selecting a different font style from your application's font menu. Encercle Draft is available in the following shapes. Circle Square Box (wide rectangle) Box with rounded ends (tab) Diamond Circle inside a diamond Hexagon Hexagon rotated Octagon Triangle up Triangle down Triangle right Triangle left Quote bubble with left tail Quote bubble with right tail Quote bubble with no no tail Cloud (thought bubble) Encercle Draft uses OpenType technology. Most current graphic design applications support basic OpenType features but there are a few exceptions including AutoCAD, SketchUp, Solidworks and Canva. Encercle Draft will work in Affinity, Inkscape, GIMP, Adobe apps (not Photoshop Elements), Microsoft apps (not Powerpoint), Sibelius and more. Encercle Draft includes a PDF manual with examples. There's also an advanced feature which allows you to create solid-colored backgrounds. For a thicker, sans-serif style, check out Encercle Sans. For more complex layered effects with a different selection of typefaces and shapes, check out Numbers with Rings. Encercle PDF user manual.

With Encercle Sans, you can create circles and other shapes containing numbers up to 999999. Here's how it works: hold shift and type the number of digits, followed by a number. If you want the number 25, hold shift, type 2 followed by 25. If you want the number 250, hold shift, type 3 followed by 250. You can also type letters, periods, slashes, hyphens, question marks and exclamation points. Create an inverse white-on-black effect using your application's Bold feature. Easily change shapes by selecting a different font style from your application's font menu. Encercle Sans is available in the following shapes. Circle Square Box (wide rectangle) Box with rounded ends (tab) Diamond Circle inside a diamond Hexagon Hexagon rotated Octagon Triangle up Triangle down Triangle right Triangle left Quote bubble with left tail Quote bubble with right tail Quote bubble with no no tail Cloud (thought bubble) Encercle Sans uses OpenType technology. Most current graphic design applications support basic OpenType features but there are a few exceptions including AutoCAD, SketchUp, Solidworks and Canva. Encercle Sans will work in Affinity, Inkscape, GIMP, Adobe apps (not Photoshop Elements), Microsoft apps (not PowerPoint), Sibelius and more. Encercle Sans includes a PDF manual with examples. There's also an advanced feature which allows you to create solid-colored backgrounds. For a thinner, classic architecture/drafting style, check out Encercle Draft. For more complex layered effects with a different selection of typefaces and shapes, check out Numbers with Rings. Encercle PDF user manual.

CONCEPT/CHARACTERISTICS This strikin­gly bold, black and exten­ded 3D font remi­nis­cent of sci-fi films and expe­ri­men­tal type­face design. The font acts as a chain of liga­tures and thus recei­ves a uni­que aes­the­tic. The uni­que let­ter forms are in sharp con­trast to other fonts and thus stand out as a uni­que sel­ling point. APPLICATION AREA Pos­ters, music cover, book cover, logos, as a head­line font for maga­zi­nes or websites … TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Sci-Fi Font »Mega Slant Line« Open­Type Font with 303 gly­phs – alter­na­tive let­ters and liga­tures (with accents & €) & 2 styles (regu­lar & 3d) KONZEPT/BESONDERHEITEN Diese auf­fäl­lig pla­ka­tive, fette und breit­lau­fende 3D Schrift erin­nert an Sci-Fi Filme und ist expe­ri­men­telle Schrift­ge­stal­tung. Die Schrift wirkt wie eine Kette aus Liga­tu­ren (Buch­sta­ben­ver­bin­dun­gen) und erhält somit eine ganz eigene Ästhe­tik. Die sehr eige­nen Buch­sta­ben­for­men wer­den sich deut­lich von ande­ren Schrif­ten abhe­ben und somit als Allein­stel­lungs­merk­mal her­aus­ste­chen. Der Fluss ergiebt sich aus den EINSATZGEBIETE Pla­kate aller Art, Musik Cover, Buch­co­ver, für Logos und Wort­mar­ken, als Dis­play­schrift für Zeit­schrif­ten oder Websites… TECHNISCHE INFORMATIONEN Head­line Font | Dis­play Font | Sci-Fi Font »Mega Slant Line« Open­Type Font with 303 gly­phs – alter­na­tive let­ters and liga­tures (with accents & €) & 2 styles (regu­lar & 3d)

The typeface Wood Type DIY is designed from 2016–2022 for the font foundry Typo Graphic Design by Manuel Viergutz. The display font based on the original wood letter from flea market. The font started from 50 wood letters (analog) and was finally digitalize and extended to 300+ glyphs (digital). 4 font-styles (Rough, Clean, Mix, Impact) with 320 glyphs incl. decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ❤️ or #SMILE for 🙂 as OpenType-Feature dlig) and stylistic alternates (9 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! Font Spe­ci­fi­ca­ti­ons ■ Font Name: Wood Type DIY ■ Font Styles: 4 (Rough, Clean, Mix, Impact) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat:.otf (Mac + Win, for Print) + .woff (for Web) ■ Glyph Set: 320 glyphs incl. extras like icons (decorative extras like arrows, dingbats, emojis, symbols) ■ Design Date: 2016–2022 ■ Type Desi­gner: Manuel Viergutz

Meet Halagar! a versatile font family that brings a dash of masculine charm to your creative toolbox. With a diverse range of 8 weights, Halagar offers endless possibilities for your design projects. Whether you're crafting a bold brand identity, designing eye-catching packaging, laying out engaging body text, creating striking titles, composing captivating posters, or sharing vibrant social media posts, 'Halagar' has you covered. Its strong and assertive presence adds a touch of confidence to every piece. With Halagar, you're not just getting a font; you're getting a reliable design companion that elevates your work to the next level. Explore the endless potential and let 'Halagar' be your go-to choice for all things branding, packaging, and beyond. Unleash your creativity with 'Halagar' today and make your designs stand out in style!

Chlara is a Modern Ligature Serif Font. It's soft curves mixed with high contrast glyphs, give it a feminine and masculine quality. It comes with epic ligatures and alternates. Great in layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging and invitations. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Feel free to follow, like and share. Thanks so much for checking out my shop! If you need a custom license or have questions, please email to: krismagraph@gmail.com

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Ambaghy is a goofy font that's elevated by its posh, handwritten style. It will spice up your designs and add a unique feel to your design and it just might be the secret ingredient you've been missing. We've spent years honing our craft to create the most unique and original fonts like Ambaghy. We were inspired by the wild creativity that flows from our hands, and we want to share that inspiration with you. Ambaghy works great for logos and headlines, and also works well in text blocks of body copy. A Million Thanks Colllab Studio www.colllabstudio.com

Metrisch is new sans serif typefamily of seven weights plus seven italics uprights in each weights. The typefaces designed based on traditional geometric construction that have been built with letter size wider, the x-heights taller and short descender that almost proportioned with the basic letter shape. With little details added like clean vertical cuts on the terminals and optimized sharp corners that makes this fonts smooth and refined looks. It was represents the flavor of the most common humanist typefaces style and grotesk feels. The weights comes from extra light to extra bold suitable to make display appearance, and the book and medium weights also works well as small/medium text sizes to accompany your design, such as editorial fashion magazine, solid headline, websites heading, poster, advertising, logo, signage, etc Also, Metrisch type-family fully loaded with OpenType features such as some stylistic alternates, case-sensitive forms, fractions, small capitals,and another most common numerals features such as super & subscript, tabular & oldstyle figures, numerator-denominator, and has more extended latin diacritics characters.

Steel Grrrder is a robust, industrial-style stencil typeface family consisting of six weights, from light to black, with corresponding italics. Suitable for all kinds of display purposes including posters, film titles, book covers, magazines, advertising, logos, packaging, signage and games design, Steel Grrrder is especially useful where the message needs some serious geometric bite behind it. Steel Grrrder is best categorised as a constructivist sans family. The character shapes are sharp, angular and slightly condensed - it’s a rigid, no-frills, no-curves, mega-metallic design. Legible? Not really. Readable? I think not. In your faceable? Absolutely! This is a tough display typeface, designed to work in the most demanding typographic situations. It won’t buckle under pressure or wilt when the heat’s turned up. Forged from carbon steel and wrapped in a layer of Graphene, Steel Grrrder is unashamedly rugged, a rock-hard pound-for-pound boxer specialising in thumping knockouts. The Steel Grrrrder extended family also includes a six-weight joining script and two display fonts, Groove & Nutjob - all designed to work with each other.