English HU Green Tea is a brush-type calligraphic display font for headlines with round shape and smooth strokes. This font gives you beautiful, natural and relaxed impression and is suitable for natural pictures, magazines, logos, posters, product designs and etc. Greek Το HU Green Tea είναι μια γραμματοσειρά καλλιγραφικής οθόνης τύπου πινέλου για τίτλους με στρογγυλό σχήμα και απαλές πινελιές. Αυτή η γραμματοσειρά σας δίνει όμορφη, φυσική και χαλαρή εντύπωση και είναι κατάλληλη για φυσικές εικόνες, περιοδικά, λογότυπα, αφίσες, σχέδια προϊόντων κ.λπ. Cyrillic HU Green Tea - каллиграфический дисплейный шрифт кистевого типа для заголовков с круглой формой и плавными мазками. Этот шрифт создает красивое, естественное и непринужденное впечатление и подходит для естественных изображений, журналов, логотипов, плакатов, дизайна продуктов и т. Д.

Ganache is a smart, intricate, fun, and deceptively simple font. This distinctive hybrid is a unique blend of script, Roman, and italic. My fascination with letter-fitting makes this an intriguing exercise in negative space. The uppercase letters are boldly stylish, and here some of the counters display unexpected shapes. Between some letters, the negative space is transformed into a type of swash itself. Customize your design with Ganache’s 185 swashes and alternates and 10 ornaments. *NOTE* Basic versions DO NOT include swashes, alternates or ornaments See what’s included! http://bit.ly/2bUfPmt These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

HS Ali was designed in memoriam of my brother - Ali Abu Afash who was martyred during the last aggression on Gaza in summer 2014. HS Ali introduced a modern OpenType Arabic typeface, which had the characterstic, features of Kufi style with noticeable both curvy and sharp segments; beside the refinements of its letters that made it more readable. HS Ali is a display font that has been designed to be used in titles in modern graphic and publication projects. It supports Arabic, Persian, Urdu and Kurdish languages and contains four weights: Light, regular, medium and bold which can be condsiderd as and elaboration to the library of Arabic fonts contemporary models that meet the variant purposes of designs for all tastes.

Darka is a splendid, mysterious dark lady reincarnated in digital vectors as an original blackletter font. Her gothic, medieval, nocturnal attributes take the form of sharp terminals, seductive curves, calligraphic flair and complex character. Darka blends the balance of Textura, the flow of Fraktur and the elegant lowercase-to-uppercase ratio of Bâtarde into a stylish, inventive typeface with a Mexican soul. Starting as a personal, calligraphic hand, Darka slowly evolved into digital type, developing alternate glyphs, flourishes and special signs to preserve its hand-written origins and delicate tension, making it an excellent display typeface and, surprisingly, even a distinctive, crisp font for short texts. Darka received an Award of Excellence at the Type Directors Club of New York annual competition.

Unleash the power of typography with Noxvile, a revolutionary font that demands attention and exudes confidence. Crafted with precision and designed to make a statement, Noxvile brings a whole new level of intensity to your words. Ignite your creativity and let your message roar with Noxvile's super bold style and captivating all-caps specimen. Whether you're designing eye-catching headlines, striking logos, or empowering social media posts, this font will make your words leap off the page and leave a lasting impression. Stand tall among the rest with Noxvile's commanding presence. Embrace its sharp edges, powerful curves, and unparalleled strength to create a visual experience that is truly unforgettable. Let your message shine brighter than ever before, cutting through the noise and leaving your audience captivated.

Merlo Neue is the younger brother of Merlo. New family received refreshed, more square proportions and a new shape of many glyphs. However, what is the most important in new Merlo, is the wide range of instances – nine new weights, from Hairline to super dark Black – which allows to use the family in a complex way, depending on the user’s needs. Italic version has narrower and lighter proportions. Font has a glyph set for latin script and old-style figures. Merlo Neue would be a great choice for display use as well as for the longer texts. Font Merlo Neue is inspired by a “You And Me Monthly” published by National Magazines Publisher RSW "Prasa” from May 1960 till December 1973 in Poland.

As as a computer programmer, it is my job to stare at screens of text all day. For my first font, I completed a simple monospaced font, Debug, based on my own handwriting. Mickey Mono is much more ambitious: I wanted a humanist design - something with organic curves. It had to be clean and fresh. It had to have the advantages of Debug, like distinctive numerals (to distinguish between 8 and 3) and huge punctuation characters (so I could read complicated Perl one liners). Mickey Mono would be a good friend to me as I struggled through difficult coding tasks. It has a wide range of Latin Extended characters and diacritics, so it can speak French, Portuguese, and Ruby. Enjoy!

Tracy Queen is a velvety display typeface. Drawn and created between 2020 to 2022, this modern lettering has a soft personality while maintaining a strong expression. Tracy Queen gives any project a flowing appearance with its wavy shapes and smooth edges. The Tracy Queen family consist of 4 fonts: Regular, Alt, Italic and Alt Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Caligraf is a classical calligraphy script. It was drawn and created by Måns Grebäck during 2019 and 2020. The character design blends traditional soft flowing handwriting with a modern, sharp look, and its angle and weight balance gives it a determined and progressive pace. Caligraf is a multistyle font family, composed of Thin, Light, Regular, Bold and Black. Its range ensures usability in any context, while also giving the ability to emphasize phrases or words. Use it in an invitation, a diploma, a logotype or in a decorative body text. Being a font with over 850 glyphs, it is guaranteed to contain all characters you'll ever need, including all punctuation and numbers. It has an extensive lingual support, covering European and Asian Latin scripts.

Occam is an informal calligraphic script face. The letter forms were drawn and constructed rather than penned or brushed but reflect a definite flat pen influence. The ascenders and descenders incorporate an abstract implied loop form. Some curves that would normally be round are pointed and some transitions that would normally be sharp and pointed have been made round. A few exit strokes curve back instead of moving up and out for a little different look. This font could be put to good use as a contrasting style combined with sans and serif faces in applications such as newsletters, brochures, invitations and annual reports. It could be used for heads, subheads, pull quotes, drop caps and as a title font for covers.

Fox is a completely new typeface based on my previously designed Fox family font, which has been in distribution by T26 type foundry since 2001. Old Fox typeface design decisions were reconsidered in a way to improve legibility without sacrificing its originality. This new Fox family consists two subfamilies: Fox TRF and Fox Sans TRF. Fox TRF is upright italic typeface with light, regular and bold weight styles. The most distinguished Fox characteristic is the lowercase letters. Their curly, playful and vivid letter forms were derived from handwritten lettering then carefully shaped and adapted onto sans serif category. Fox typeface is recommended for use as a display font, and has been generated in a single OpenType format with Western CP1252 character set.

TBS GARTEK CONDENSED is a latin based condensed type of font that has a different characters from the previous TBS GARTEK BLACK font, TBS GARTEK CONDENSED has a strong yet sharp looks character, with a post modernism and semi 90's nostalgic, supported by more than 60± accent languages ranging from West, South East, Central Europe and a bit of Vietnamese. TBS GARTEK CONDENSED is able to complete your current needs who are designing something great. the single DemiBold weight is stunning in Magazine, Posters, Social Media Content, headlines, clothing, large print formats and wherever you want to see it. Inspired by the design styles of post modernism and popular style's nowadays, let's get your project elevate works with TBS GARTEK CONDENSED.

Joaquin Imperial – Blackletter Typeface Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Joaquin Imperial with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more). There it is. I really hope you enjoy it. Comments & likes are always welcome and accepted. More importantly, don’t hesitate to send a message if you have a problem or question.

Marita combines sternness with swing and, from this, develops its own, unique elegance. This makes Marita quite versatile, also and especially for headline settings. Apart from numerous ligatures, the font also includes old style figures. Marita is based on brush writing with drop-shaped serifs. The idea was to try to apply a given design criteria (also see Volker Schnebel's Manuel and Martin fonts) to every single character. In other words, start with a character and develop all of the others from it. This is quite easy for some characters but extremely difficult for others. This process generates creativity and the characters move away from the initial constructed sketch. Together in a typeface, the individual characters are now all of a piece and character.

Rumble King is a vintage script font. As the name suggests, Rumble King is inspired by classic poster or vintage magazine. Besides that, I also combine it with a script style and it’s a little irregular in its shape style. I strengthen the vintage/retro impression with the character ligatures, there are 140 ligatures in Rumble King. But if you want to use Rumble King Font with a neater impression, you can disable this ligature feature. Rumble King is perfect for projects with vintage/retro and classic themes. But Rumble King is also suitable for logos, branding, greeting cards, invitation cards, advertisements, titles, healines, book titles, stickers, packaging, quotes, posters, t-shirts/apparel, billboards and others. Rumble King is also support multi language.

Introducing vintage classic display typeface its called Reborn Typeface. Reborn Typeface is a multi-layered type family with awesome ornament. Inspired by antique, mix victorian and art deco period with decorative shapes*. and last the beautiful set of ornament pack match pairs of letters to fit in your designs. Those all will make you work easily to create : Posters, Logos, Print, Quotes, Headers, Clothing, Labels, Packaging etc. Features : Layered font system Character Set A-Z Numerals & Punctuations (OpenType Standard) Accents (Multilingual characters) Above the description of this font, I hope you're satisfied with what I have created. if there's anyone who purchase and find some problem, don`t hesitate to using product support or email me storictype@gmail.com Thanks and enjoy designing.

Jacky Black, Handwritten ink style letters font that have a simple and natural shape, but still look elegant and exclusive. Jacky Black, It is suitable for use in your creative ideas, who want unique and natural-looking writing to support your beautiful design. This is a listing of all 229 glyphs contained in the font, including OpenType variants that may only be accessible via OpenType-aware applications. Each basic character (“A”) is followed by Unicode variants of the same character (Á, Ä…), then OpenType variants (small caps, alternates, ligatures…). This way you can see all the variations on a single character in one place. Thanks for your support, please kindly send us a message for any question about our product. Hope you like it.

The Ruby Duo - a retro inspired font duo with a wide range of sans and script styles. Rugged and simple sans with a cool pair of mono line script. The main thing is the possibility of various combinations of using - from Condensed to Extra Expanded and from Light to Black. You will definitely find the best way to use in your projects with more than 50 styles. The sans has underline small caps alternates to use it with conjunctions. The script also has some alternates to change the script mood. Also, you will find a five graphic fonts with 130 elements total! A lot of vintage badge shapes and more than 100 vector vintage mood icons to use it in your badges or logos. PDF graphic navigation

Rock Road is a racing theme font with sharp and consistent angles combined with a hard and strong style. So it looks very fast and powerful. So I made it a display font. Rock Road has an uppercase and lowercase version that doesn’t have a recing feel, so you can be more creative. In addition, Rock Road has a sans ligature feature that makes the great look. Rock Road would be perfect for Logo, title, logotype, cover, headline, apparel, comic, cover books, cards, posters, or anything that requires a horror or scarylook! Rock Road is also support multi language. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw.

'Euclid. A New Type,' originally designed in the 1930s by modern American designer Alvin Lustig (1915-1955), has been revived as 'Lustig Elements' through a collaboration of designers Craig Welsh and Elaine Lustig Cohen. Only twelve letterforms from the original font design had been retained in archive material in the many decades since its initial development. Lustig Elements combines four simple, geometric shapes aligned to an underlying grid with letterform designs that hold true to the spirit of the original font. Lustig Elements initially came to life in 2015 as wood type cut at Hamilton Wood Type & Printing Museum. The digital version expands on the basic character set with a pro expanded latin character set, small caps and even an Inline variation.

Mode is a typographic experiment exploring how same sans serif form adapts to different circumstances and what are the possibilities in variations of Thin / Black, Contrast / Negative contrast. Two main groups are Mode 0 (with rounded shapes) and Mode 1 (with angular shapes). Each of them varies from Thin to Black in six cuts, in the same manner it varies from contrast shapes to negative contrast. Mode comes in total of 72 cuts regular and italic, it speaks majority of Latin based languages and is equipped with smcp, c2sc, Old style and all caps numerals. Mode is made by DAGGERtypo during a period of 2019/2020

Koya Sans is a contemporary, humanist sans with a friendly yet clear and distinct personality. It is designed for excellent legibility, particularly for long continuous reading. The sharp terminals add liveliness and variety to the carefully crafted letterforms. Koya Sans, a highly versatile type family consisting 12 styles that are designed to work equally well on paper and on screen. The family ranges from Thin to Black variations, with complimenting italics. Inspired by a trip to the Buddhist temple of Kōyasan south of Osaka, Japan, this carefully crafted sans serif typeface with its sharp terminals loosely emulating the sharp corners of the temple’s pagoda roof.

Taca is a typeface built around a shape that Portuguese designer Rúben R Dias calls a “squircle” — neither square nor circle. We usually associate the rounded, convex box with the television screens of the 1960s and Aldo Novarese’s classic typeface, Eurostile. But whereas Eurostile is cold and machined, Taca is warm and rugged, as if it was molded from clay or carved from stone. Taca’s organic nature is also derived from another unique feature: rounded crotches at the right angles where perpendicular strokes meet. This subtle finish, along with blunt stroke endings, softens the otherwise rigid skeleton. With such a strong conceptual vision, Taca could be relegated to the bin of experimental designs, severely limited in their application. But that fate is usually born of a less experienced maker. As a teacher, designer, and letterpress printer, Dias is a type user, keenly aware of the functional requirements of good type. Taca is therefore not a slave to its concept, but a working font family, effective in various sizes and environments. Its lettershapes break away from the base shape whenever it makes sense for legibility, while still maintaining the flavor of the design as a whole. That said, a set of squircle-shaped alternates give the user the flexibility to get more stylized if the situation calls for it. Fitting to its functional aims, Taca has many of the features one expects of a proper text font: upper and lowercase figures, case-sensitive punctuation, and Extended Latin language support. The simplicity, openness, and squareness of Taca’s forms also make it an ideal design for the pixel grid of screen displays.

It is significant to have a unique font to create impressive, impactful designs because people often forget common things which may cause your work to be forgotten as well. You may have lost your candidate customers even before they know your brand and product. Let us introduce you to Chocoball, a font with firm impressions to protrude your designs. Chocoball is an uppercased display font designed in playful, modern concepts. It has firm, attractive impressions because of the inclined square letter shapes making it more unique than the others. Furthermore, it can show off your desired messages on your designs easily with the use of the uppercases. Besides, this font is able to build up a strong, recognizable brand identity. A playful display font is flexible and suitable for various design types as its advantage because it is applicable for either formal or informal designs producing interesting, consistent results. You can apply Chocoball, which gives you a clipart as a bonus, for big text sizes to be legible. You can enjoy the available features here as well. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Chocoball fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Hyomenha is an elegant script fon and handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs.No matter the topic, this font will be an incredibly asset to your fonts library, as it has the potential to elevate any creation, this font was designed to enhance the beauty of your projects.

Anttalla is modern script calligraphy font, include front swash and ending swash for lowercase glyph, combine it to make the best word for your design. Anttalla font perfectly match for design like banner, book cover, t-shirt, branding, promotion, social media post, quotes, wedding, photography and more. Hope you enjoy with our font! Attype Studio

Lilard - Elegant Serif Font Lilard - Elegant Serif Font is a beautiful typeface that exudes sophistication and grace. The font was designed with the idea of creating a classic and elegant look, while still maintaining a modern and clean feel. The result is a font that is versatile and can be used for a variety of projects such as branding, logos, packaging, photography, and more. The design of Lilard font is inspired by the timeless and elegant look of serif fonts, but with a contemporary twist. The designer wanted to create a font that would stand out and be memorable, while also being easy to read and understand. The elegant curves and sharp serifs make Lilard a perfect choice for projects that require a touch of elegance and sophistication. Lilard font is best used for projects that require an elegant and refined look. This font is perfect for use in wedding invitations, business cards, and other high-end print materials. The font works well when paired with other sans-serif fonts, which helps to create a modern and clean feel. Lilard font comes with a variety of features that make it stand out from other fonts. The font includes uppercase and lowercase letters, as well as opentype features such as alternates and ligatures. Additionally, the font includes numbers, punctuation, and symbols, making it a versatile choice for a variety of projects. The font also supports multiple languages, making it a great choice for international projects. If you're looking for a font that is elegant, sophisticated, and versatile, Lilard - Elegant Serif Font is the perfect choice. Its unique design and features make it an ideal choice for a variety of projects. Use this font to add a touch of elegance and refinement to your designs and make them stand out. In summary, Lilard - Elegant Serif Font is a beautiful and elegant font that is perfect for high-end projects. Its unique design, features, and versatility make it a great choice for a variety of projects, including branding, logos, packaging, photography, and more. With its opentype features, multiple language support, and easy-to-use formats, Lilard is sure to become a go-to font for designers looking for an elegant and refined look.

Scorno is a geometric sans serif that offers a high legibility also in the lighter weights. Scorno is ideal for sports and technology. The shape of its letters makes it different from most geometric fonts, making it suitable for branding, magazines, catalogues and much more. Scorno is available in nine weights, from thin to heavy plus matching italics and it comes with open type features like old style and lining figures, ligatures, numerator, denominator, scientific figures, and fractions. What’s more, it also features the bitcoin symbol in the currencies set.

Astral Night - A Blackletter Typeface is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Astral Night with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

A heavy duty block-shadow font derived from Sentinel Sten Type, Maus' inflexible, near-featureless block-like shapes give the impression of great mass and solidity. Maus is an example of minimalism in type design, using a minimum of sculpting to elicit the essence of familiar Latin forms. Two sets of complimentary letters allow designers to pick and choose combinations for letter fit, for their symmetric values, or to create a particular look or feel to suit the subject. Obviously Maus has great potential for signage, posters and billboards, and screen-printed garments.

OpenType Layout features: Smallcaps, stylistic alternates, localized forms, standard ligatures, uppercase-sensitive forms and spacing, oldstyle figures, lining figures, smallcap figures, arbitrary fractions, superscript, subscript. Corbel is designed to give an uncluttered and clean appearance on screen. The letter forms are open with soft, flowing curves. It is legible, clear, and functional at small sizes. At larger sizes, the detailing and style of the shapes is more apparent, resulting in a modern sans serif type with a wide range of possible uses. This font is suitable for business documents, email, web design.

Bongani has its origins in wood-carved African design and art. The letter forms are informal and asymmetric and the "decorative" elements are matched to each letter shape and have no mechanical rigidity. It is was designed for situations that require: -- the look and feel of Africa -- strong ornamental headlines It can be effectively used in advertising and in applications such as greeting cards and book covers. The font is fully professional: carefully letterspaced and kerned. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present).

Cira is a superfamily with 7 weights and italics under two main styles: sans and serif. The original concept was created for Katachi Media as a corporate font for text and experimentation in an iPad magazine. It has a diversity of outlines with straight angles which create unusual shapes and counterforms. Its middle weights are suitable for text and can be combined with extreme weights at display sizes. Cira is a versatile superfamily with an original and modern feeling and it’s a great option for giving identity to your designs.

Rika is a combination of supposedly male and female characteristics, combining together to create a beautifully realised, high impact, condensed typeface. The tall but well-built characters are softened with smooth curves and a mixing in of thin lines, so that the sharpness of many condensed fonts is brought under control. Suave in its application, Rika is all professionalism and elegant showmanship, great for both headlines and text. Rika comes with support for a number of languages, as well as specifically designed glyphs, and its uses might be considered limitless.

Agradable is a Modern Stylistic Serif typeface A new serif that we created specially for branding needs, with extra ligatures and alternates in a unique shape just to add value to your brand. It so nice to leverage designer or product owner that need solutions to make their design look more stylish and modern. And specially for Agradable font, We prepared all the ligatures, and the alternates characters to help you create unlimited variations for your creative needs. Agradable includes: All uppercase & lowercase letters All numbers 0-9 & Punctuation Ligatures & Alternates Symbols Multiligual Letters

This is a unique design by Elyahu Koren. He wanted to design another version of his Koren Tanakh sacred font that was for Biblical use only. So he designed Koren Siddur to be used for page numbers etc. OpenType Pro Excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, Qamatz Katan, Holam Haser and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: tinyurl.com/2fbkuy95

Bagoni Type is a very versatile, clean and visually elegant font inspired by the serif typography used in editorial media in the 80s. Bagoni Type with its high contrast and very simple and easily recognizable shape makes it very easy to read, so it also works with small and long text. Great for magazine pictures, for wedding invitations, for branding, poster design and more. Bagoni Type comes in bold and italics that is complemented by various features of open type. Check out Gradia which is a great pair for Bagoni Type.

HS Ishraq introduces a modern OpenType Arabic Typeface that combines the features of Kufi and Naskh Style with noticeable both curvy and sharp segments beside the refinements of its letters that made it more readable. HS Ishraq can be used in both titles and text in modern graphic and publication projects. It supports Arabic, Persian, Urdu and Kurdish languages and contains five weights: Thin, light, regular, Medium and bold which can add to the library of Arabic fonts contemporary models that meet with the purposes of various designs for all tastes and all projects.

Boxed typography is a new and extensive 18 weight typeface, brightly conceived and designed to look good on small screen devices, but offering also enlightened looks on paper. The semi-modular geometric font shapes seek to be fully responsive to the grid of screen«s pixels to deliver a crisp, fluid reading rate. Due to its extensive range of weights and subtle difference in thickness, compensating for the stain of characters between different CSS styles is really easy. It offers an extensive set of Latin characters, even the Cyrillic.

Bocksay Mira is a text font family inspired by the manuscript Mira Caligraphiae Monumenta created between 1561 and 1596 by Georg Bocskay and Joris Hoefnagel for the Holy Roman Emperor. All shapes were taken from the original records in both regular and italic style: lower case (p. 5, 72), uppercase (p. 47, 121), small caps (p. 122, 7). The high contrast forms and the wide spacing makes this family suitable for long texts but also for titling uses, having always that calligraphic and stylish look. Find the original script here