Introducing Happiness Mood Retro Fonts, comes with 2 styles clean and stamp style. Use this font for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: dedukvic@gmail.com Hope you enjoy it.

This is my latest release : monmica family - a set of three multilingual, handwritten stylish copperplate calligraphy fonts. The files listed here are containing 1118, 1229 and 2018, glyphs respectively. There are many open type features: fancy swashes, alternates, ligatures, contextual alternates, fractions etc. - all easily available at the click of a mouse. Those fonts allow for creating text in majority of languages where Latin script is used.

NorB Casual is a handwritten text font which my daily casual writing, it can be used with any word processing program for text and display use, print and web projects, apps and Comic Books, graphic identities, branding, editorial, advertising, scrapbooking, cards, and invitations or even just for fun. This font comes with 16 styles, Light, Normal Bold and Heavy each with their Italic and Condensed version.

This font is influenced by Walbaum. However, I did not just trace the design, but sort of had the image in my head while I drew the letters. This font is balanced by not being entirely Walbaum, but still basically is. I've named it "NoraPen." Nora comes from the name of the main character in Ibsen's "A Doll's House," and Pen means a cage for livestock.

It's nice when a font provides old style figures, small caps and alternate letters. But what if my typesetting program doesn't support Open Type features? The solution may be old-fashioned, but it's effective: the variants are placed in separate font families: Standard, Old Style Figures (OSF), and Small Caps (SC). Any word processor can handle it. HGB Info SC adds real Small Caps to HGB Info.

Sticky Annie is the latest in the series of fonts I've designed that are named after my wife. Little bundles of overlapping sticks or lines make up each character. It's made to look good at small font sizes, but the bigger, the better. At small sizes it's fun and a little childish. At bigger sizes, especially in all-caps, it looks intricate, distinctive and stately.

I seem to be in my astronomical phase right now. I recently released several fonts with names relating to space! Don’t worry, it is just a phase and this too will pass… Gravity Well is a handmade brush font, ideally suited for product packaging or book covers. Gravity Well comes with all the diacritics you can ask for and a set of double letter ligatures to boot!

Fake Limp is my layered handmade sans font - use it for your craft project, or anything that needs a handcrafted and organic look. I've added 5 different versions of each lowercase letter, and they automatically cycle as you type. Furthermore There are 4 versions of the font (each with the same amount of lowercase letters!) - mix and match these versions for the result you like! Enjoy! :)

I don't have an Uncle Oscar, so the font is not named after someone I know. The name just kind of stuck. Uncle Oscar is a pencil font, made with a black ‘Lamy’ pencil I took from my son Sam’s pencil box. It is a little rough, but very legible and comes in Regular and Italic. Of course, Uncle Oscar speaks a lot of languages.

Missale Solis is an overhaul of my previous font Missale Lunea from 2004. After some usecases and requestes for customized versions I decided to make a redesign that is better suited for screen. The font is useful for headlines and small amounts of text with a distinctive medieval impression. It includes Roman figures, dynamic fractions, zodiacs and an alternate design for T and ampersand (&).

Hoyer Script™ is a fresh redesign of Hans Hoyer’s Schoenschrift, a slender vintage italic with a calligraphic touch. This font should be used like my blackletter fonts. It means that the s-key is occupied by the long s, and the round s lies on the #-key. By typing N, o, and period plus activating Ordinals feature you will get an old-style number sign.

Heavy Brush is my hand drawn brush font, and makes with original brush paint, by using high resolution brush stroke images with incredible definition. Its look natural. It will be great for Logotypes, Posters, Digital Lettering Arts, Clean Design, Branding Design, Sign, Merchandise and Social Media Posts. This font contain of Uppercase, Lowercase, Number, Symbol, Punctuation, also support multilingual and already PUA encoded. And swashes.

Satin Blues is my easy going and very legible sans. Actually I drew this by hand and then traced each letter digitally, leaving a super steady, yet funky, comic font. I've made two versions: the Regular and Soft. The Soft version has rounded edges, which gives a smoother look. The font is very suitable for anything that needs a clear but wild comic look.

Avenia it is a modern calligraphic font with exquisite accents. It is perfect for branding, wedding invitations and invitation cards and many more Font includes a full set of gorgeous uppercase and lowercase letters, numbers, a large selection of punctuation marks and ligatures. Includes: Regular Script Latin languages support Uppercase and lowercase Numbers and punctuation Ligatures Swashes Check out my blog: https://www.instagram.com/di.zigner pinterest.com/dmitriychirkov7 Enjoy

Hey Boo! HALLOWEEN TALES FONT - a fun and spooky Halloween font with webs, spiders, ghosts, pumpkins and more. Perfect for Halloween designs, logos, branding, packaging, cards, stickers, posters, quotes, social media posts and much more! You could make me happy if rated my work! Feel free to contact me, if you have any questions. Happy creating and have a Boo day! 💀 👻 🎃

Boxed, the best seller of the Tipo Pèpel foundry has been expanded with variable font technology to multiply its creative possibilities, from now on and with a single file, it is possible to control its appearance thanks to three axes with which to modify the weight, the rounding and the the width of the characters. Offering more options to customize the appearance of the text and personalize the headlines. Boxed typography is brightly conceived and designed to look good on small screen devices, but offering also enlightened looks on paper. The semi-modular geometric font shapes seek to be fully responsive to the grid of screen«s pixels to deliver a crisp, fluid reading rate. It offers an extensive set of Latin characters, even the Cyrillic.

The Ruby Duo - a retro inspired font duo with a wide range of sans and script styles. Rugged and simple sans with a cool pair of mono line script. The main thing is the possibility of various combinations of using - from Condensed to Extra Expanded and from Light to Black. You will definitely find the best way to use in your projects with more than 50 styles. The sans has underline small caps alternates to use it with conjunctions. The script also has some alternates to change the script mood. Also, you will find a five graphic fonts with 130 elements total! A lot of vintage badge shapes and more than 100 vector vintage mood icons to use it in your badges or logos. PDF graphic navigation

Fleurons are embellishments and this is my sixth and so far most beautiful round. I again found some nice old ones and made them completely new. These go well with many Copperplate scripts and especially with my scripts Nadine and Ellida. Your very elaborate, Gert Wiescher

Jamel is a Modern Luxury Elegant Sans Serif Font with Sharp shape make your design look classy and elegant A new San Serif Font that we created special for Headline, Title and more stand out typography needs, with extra ligature that will add your variations. It's so perfect to add your style and headline overview. And specially for Luxury font, we crafted for unique style and modern feels so enjoy to create any project that will show your main idea out. Jamel Modern Luxury Elegant Sans Serif Font ready with: Any options to get creative variations (combination of Ligature Characters) Preview as a inspirations that you can do with Jamel font Ready with All characters Wish you enjoy our font. :)

A font perfect for not just one, but many projects! Introducing Oceanwide Pro, a sans that loves to be used in just about any situation! Designed with ultra clean lines and versatility in mind, Oceanwide wants to be your new favorite sans! Oceanwide’s ultra clean letters work anywhere you want to communicate orderliness and competence, and designed to build trust and rapport with your audience. Its wide proportions make it ideal for display and logo use. Oceanwide especially shines for white/bright letters on black/dark backgrounds! That’s because the inside shapes are nearly perfect circles in many weights. Here's a quick video tour of Oceanwide Pro by Dave Lawrence, including all the great things Oceanwide can be used for! We've tested Oceanwide for these industries, with stunning results!: Tech Arts Fashion & Style Business & Branding Corporations Logistics Architecture Food and many more... Oceanwide can be used for: Headers Subheadlines Logos Even body text, if tracked. Print & Screen The styles it can take are also many. It's great for: Modern/minimalist design Flat design Cut out design User Interface (UI) Technical designs In combination with text effects, even for grunge and other situations. And many others... DESIGN FEATURES Simplicity Tall x-height Hand-sloped obliques (italics) Narrow spacing Semi-wide proportions Expert kerning Well proportioned, usable lights & extra lights Large caps Great ALL CAPS MODE Uppercase punctuation Uppercase spacing with California Type Foundry’s Smart Tracking™ Advanced fraction support Proportional lining figures Thick joins Smooth curves Sturdy—great for textures and effects Variable font available Latin Pro character set for Central European languages. That's the writing for over 782 languages and transliterations worldwide! DESIGN STORY—THE FORGOTTEN SANS by Dave Lawrence, Lead Designer, California Type Foundry Adrian Frutiger was the 20th century master of sans, but I didn't realize he had made—not one—but TWO geometric sans! It wasn't until I had purchased the book “Adrian Frutiger: Typefaces”. I had hoped to someday meet Adrian Frutiger, but he passed away that very same year. Here is the story of Frutiger's forgotten sans. Back in 1968, Frutiger was approached by Pentagram to make a design for British Petroleum. They wanted a "new version of Futura". However, they wanted him to make a couple adjustments. First, they felt that Futura was "too fiddly." By this, they meant that it narrowed too much at the joins. (Joins are for example where the round and straight parts of the 'd' meet.) This is something that is necessary for small print text (to prevent ink clogging), but is not necessary at large sizes. Second, they wanted it to be entirely geometric, using the circular shape with minimal optical corrections. Unfortunately this font was not even used very consistently in the BP brand. A haphazard mix of Futura and Frutiger's BP font ensued. It was then replaced by another font design very soon after. My design is different in several ways. First, the commas and quotes are a more modern style. I tried his original commas, but these just didn’t work to 21st century eyes. Second, in his drawings, Frutiger went for a more standard u with a downstroke on the right. However, Oceanwide has a simpler u. Third, I made more optical adjustments. At the direction of his employer, Frutiger reluctantly put no font optical corrections into the letters. So I think my optical adjustments are similar to what Frutiger would have wanted. Fourth, I extended the weight into the light and extra light ranges. Fifth, the rest of the font I created according to the principles of Adrian Frutiger, but with no sources for inspiration. Here is Frutiger’s design philosophy, in his own words: “If you remember the shape of your spoon at lunch, it has to be the wrong shape. The spoon and the letter are tools; one to take food from the bowl, the other to take information off the page... When it is a good design, the reader has to feel comfortable because the letter is both banal and beautiful.” The words about the spoon were the ones I kept in my mind as I tried to make the curves ultra smooth, and the shapes ultra simple. Hopefully this font is a worthy successor to the font that inspired it. Released on the 93rd birthday of Adrian Frutiger, to celebrate the life and achievements of this amazing designer. ——————— Simplicity. Versatility. Oceanwide.

Introducing Arkais, a glyphic serif typeface inspired by the rhythmic construction of Gothic architecture. This unique typeface is characterized by slightly broken shoulder and bowl shapes, offering a fresh and classic feel. With contrasting brackets, consistent barb, and beak shapes, Arkais brings a touch of elegance to any project. Arkais features five weight variants—light, regular, medium, bold, and extra—as well as three width options: condensed, normal, and expanded. Each font family also includes italic styles, providing even greater versatility. Equipped with OpenType features, Arkais offers multiple character alternatives, ligatures, small caps, and more, ensuring a tailored look for your designs. Designed as an alternative to current trends, Arkais is perfect for creating strong headers or captivating display text. The typeface supports over 500 basic Latin glyphs, making it suitable for a wide range of projects.

Have a great day! My new font was present, Black Rover!! Black Rover is a Bold vintage style serif font with strong character and soft features. modern and classic font with a unique and bold look. It’s a very versatile font that works great in large. Black Rover was built with openType features, Many Ligature makes your project will be awesome!! Perfect for editorial projects, Logo design, web font, clothing branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

The typeface Wood Sans is designed from 2021 for the font foundry Typo Graphic Design by Manuel Viergutz. The display typeface is a digital version of original wood letters from a german flea market find. 8 font-styles (Clean, Clean Invest, Clean Mix, Rough, Rough Misprint, Rough Alt, Rough Dark & Icons) with 450 glyphs (Adobe Latin 2) incl. 100+ decorative extras like icons, arrows, German Capital Sharp S, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ♥︎or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (3 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Wood Sans ■ Font Styles: 8 font-styles (Clean, Clean Invert, Clean Mix, Rough, Rough Misprint, Rough Alt, Rough Dark & Icons) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat:.off (for Print) + .woff (for Web) ■ Glyph Set: 450 glyphs (Latin 2 incl. decorative extras like icons) ■ Lan­guage Sup­port: 69 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena ,Breton ,Catalan ,Chiga ,Cornish ,Danish ,Dutch ,English ,Estonian ,Faroese ,Filipino ,Finnish ,French ,Friulian ,Galician ,German ,Gusii ,Indonesian ,Irish ,Italian ,Kabuverdianu ,Kalenjin ,Kinyarwanda ,Luo ,Luxembourgish ,Luyia ,Machame ,Makhuwa-Meetto ,Makonde ,Malagasy ,Manx ,Morisyen ,North Ndebele ,Norwegian Bokmål ,Norwegian Nynorsk ,Nyankole ,Oromo ,Portuguese ,Quechua ,Romansh ,Rombo ,Rundi ,Rwa ,Samburu ,Sango ,Sangu ,Scottish Gaelic ,Sena ,Shambala ,Shona ,Soga ,Somali ,Spanish ,Swahili ,Swedish ,Swiss German ,Taita ,Teso ,Uzbek (Latin) ,Volapük ,Vunjo ,Welsh ,Western Frisian ,Zulu ■ Design Date: 2021 ■ Type Desi­gner: Manuel Viergutz

Best collection of display fonts, don't miss it: Standing font is vintage elegant, these typefaces are truly made for one another. They work very well to give you the perfect design label you have designed. It's perfect for Logo, Advertising, Apparel Design, Label, Signage, Etc. Enjoy!

Umoya is a modern and fluid African font. Its name means 'spirit' in the Zulu language and it is also the word used for 'air'. It is best used for an ethereal, magical look with tribal undertones. The font is fully professional: carefully letterspaced and kerned.

Quirthy is a textured brush handwritten font. This fantastic font is best suited for headlines of all sizes, as well as for blocks of text that have both maximum and minimum variations. Whether it’s for web, print, moving images or anything else – Quirthy will look spectacular.

Figuratika with its cut out letters is a bold geometric Art Deco inspired stencil font with a retro 1920 1930 feeling. It was designed as a display font and is best for shorter texts, titles, logos, posters etc. Figuratika has multilingual support for most European languages.

Classic House is a beautiful monoline font. It is the best choice for creating eye-catching logos, branding, and quotes. Every letter has a unique and beautiful touch, making your design come alive! This font is PUA encoded, meaning you can access all of the glyphs.

Razor Bland is a classy handwritten font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Features: PUA Encoded Multilingual Support Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Wirey is an uppercase hand drawn font inspired by bent copper wires. It is designed for headers, titles and posters where fonts need to be big and unique. Wirey is styled in a way that looks hand drawn but also keeps a simple, professional element within it.

Kanttelaz is a bold and elegant handwritten font. Its flexibility and neat style will brighten up each of your designs. Have fun with this cool font and explore its endless variations. What's Included : Uppercase, Lowercase, Numerals & Punctuations Ligature & Alternate Works on PC & Mac Simple installations Multilingual support

Redshine is a neat and bold script font. It has swash glyphs and alternate characters which will give you convenience when choosing a character for each design project. This font is PUA encoded which means you can access all of the glyphs and swashes with ease.

Avalors is a bold and authentic sans serif font. It suitable for your any project that needs the outer space touch. This font is the best for branding project, t-shirt print and many more. Featured : Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard)

Pettonia is a classy script font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Features: Ligature Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Dita Type

Duo Heavens Children Font is a script font that contains over 450 alternatives, is very easy to play, and the best part: You also have lots of illustrations to play with, not to mention various arrows you can toggle at the start and end of each word!

Gacor is urban sans serif font. Made for any professional project branding. It is the best for branding, printing, and quotes. Every letter has a unique and beautiful touch. Features: PUA Encoded Multilingual Support Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Yolissa is an elegant and modern sans serif font with an undeniably clean feel. With its neat and beautiful arrangement of letters, this typeface will look outstanding in both formal and non-formal designs.

This font is riddled with subtle personality. Its slight loops give it a homey feel while being neat, and very legible. It has a good weight perfect to use on cutting machines and sublimation.

Splinters JNL is a fun, hand-drawn font emulating letters formed from pieces of wood. Use at larger point sizes for best results. Please note: There is no kerning and a limited character set.