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  1. Gart Serif by Vitaliy Gotsanyuk, $25.00
    Gart Serif is a serif font that combines traditional Antiques from the 18th century with modern solutions. Compared to other Antiques, Gart Serif stands out with its "display" metrics that enhance its character without compromising readability. With a variety of weights, Gart Serif can have an elegant demeanor seen in its thin weight or a more robust and sturdy presence in its bold rendition. It serves well for setting large amounts of text as well as for short headlines. Gart Serif comprises 5 weights, 642 glyphs, basic Cyrillic and extended Latin, several stylistic sets, ligatures, numeral sets, and a variable font.
  2. Quitos by Nathatype, $29.00
    Want to transport your audience to a world of wonder with your branding? Want your headings to spark happiness and engagement? Quintos-Serif Font A modern and elegant serif font that’ll make your audience swoon and enhance your branding projects, printed materials, and website design. This font was created to bring out modernity and style. Ideal for social media banners; posts, and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. Features: Stylistic Set Alternates Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype
  3. Siller by Twinletter, $14.00
    Siller is a playful display typeface that is appropriate for a range of game applications. It is created in a relaxed, fun, and beautiful manner. This typeface is appropriate for both official and informal projects, and it is appropriate for all designs for children and adults. This typeface is appropriate for a broad range of creative applications, including game covers, titles, book covers, outdoor events, posters, banners, promotional materials, movie titles, YouTube covers and thumbnails, children’s games, cartoon projects, title, and text. . What are you waiting for? Go ahead and use this font in your amazing creations right now!
  4. Eclectic Three by Altered Ego, $45.00
    STF Eclectic Three contains dingbats and a special set of glyphs which make it simple and easy to create registration and fill-in forms for print materials. Create rules with hash lines, fill-in boxes and many other variations. Also includes handicapped, recycled and arrow right/left symbols. The Eclectic family is legendary, with a cult-like following among the inititated. With over 100 characters in the complete set, you'll find yourself using Eclectic Three almost daily to add spice to your otherwise san-serif typographic existence. Available in Mac and PC formats. License it today!
  5. Takhie by Nantia.co, $8.00
    The Takhie Pro Multilingual Brush Font is a 100% hand-drawn decorative font with which you can achieve a handwritten-type lettering feeling. T This typeface is a multilingual lettering font with Greek (of course), Latin characters and diacritics. The style of the font is perfect for your modern graphic design needs. Also, the font has a really nice flow so you use it in a large text if you want to give them a touch of personality. In addition, this typeface can be used on social media content, for branding or packaging. Also, this font is perfect for crafting and invitations material.
  6. Badbad by DYSA Studio, $19.00
    Badbad is a monoline script font. This another collection of script is perfect for your next personal branding project, excellent for "Logotype". Badbad have a smooth edges, so this font gives an authentic handcrafted feel style. Badbad is perfect choice for people looking for clean, modern, minimalist, elegant, beauty design styles. Suitable for almost any graphic designs such as logo, branding materials, business cards, gift cards, t-shirt, cover, thumbnail, print, poster, photography, quotes .etc sans-serif, legible, geometric, clean, sans, modern, display, grotesque, corporate, branding, magazine, contemporary, text, headline, elegant, sans serif, grotesk, advertising, classic, swiss, poster, logo, editorial, technical, logotype
  7. Ampelas Brush Script by Get Studio, $19.00
    Introducing, Ampelas Brush Script. This hand-made font is well crafted with original dry brush imperfections that make this font perfect for delivering an extremely fearless message in your design without losing the natural impression. Ampelas Brush Script is very suitable for various types of design needs such as branding materials, t-shirt, food packaging, business cards, logos, posters, and more. This font comes with a complete set of lowercase alternates, numerals, a large range of punctuation ligatures, and Special European Characters. The OpenType features can be accessed by using OpenType savvy programs such as Adobe Illustrator, Adobe InDesign, and Adobe Photoshop
  8. Michela by BBA Key, $15.00
    Michela Script New fresh & modern style with handmade calligraphy, decorative characters and dancing lineage! So wonderful are invitations like greeting cards, branding material, business cards, quotes, posters, and more. Michela Script comes with 612 glyphs. Alternate characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternate, Contextual Alternate. Open Type features are accessible by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X versions, and Microsoft Word. And this font has code PUA unicode (font with special code). So that all alternative characters can be easily accessed by craftsmen or designers.
  9. Heartsome by Hanoded, $15.00
    Heartsome is a ‘forgotten’ word. It was mostly used in Scotland and it means: ‘giving cheer, spirit or courage’. I had never heard of it, but I thought it deserved a second chance, so I named this font Heartsome! Heartsome is a handmade Didone; I used a brand new bottle of Chinese ink and a brand new synthetic pencil to paint the glyphs. Brand new, because all of my drawing materials seem to have evaporated when we moved into our new house… A synthetic brush, because I don’t want animals to suffer because I feel the need to create fonts.
  10. Black Radiant by Sohel Studio, $14.00
    Black Radiant is a retro display serif font that exudes a classic charm and bold character. With its design inspired by retro styles, this font brings an elegant touch and evokes a sense of the past. Each letter is meticulously crafted with careful attention to detail and proportion, resulting in a visually appealing and unique appearance. Black Radiant is perfect for projects that require a vintage feel, such as posters, logos, packaging, and promotional materials that aim to capture a nostalgic and sophisticated atmosphere. This font will add a special touch to your designs and captivate viewers with its retro allure and distinctiveness.
  11. Hercules by Storm Type Foundry, $26.00
    Where Modern is too fragile and Century too boring, Hercules comes with its elegant forms and, at the same time, with sufficient firmness to be usable for longer texts. In its heavy, bold designs it approaches Falstaff, while in the light ones it has some features which are taken over from Didot or from Modern. The text designs have been corrected for small sizes. The range of its use is, therefore, quite extensive - from dictionaries and technical literature through magazines to art posters and advertising materials. Suitable combination: Splendid Quartett (especially recommended), Excelsor Script, Plagwitz, but also Zeppelin and Compur.
  12. Sanuroemi by Azetype, $19.00
    Presenting Sanuroemi Font! A Display San Serif with more alternates. This font is made with the perfect combination of each character. You can type by Mix & Match to get a unique combination. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and on any project. So, Sanuroemi Font can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, logotype, product packaging, etc. Happy Creating! www.azetypestudios.com
  13. Juwellina by Quothron, $9.00
    Juwellina - a new fresh handmade calligraphy font. Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more!This font are perfect for wedding postcard. Or you can create perfect and unique design of your logo, blog, stationery, marketing, magazines and more :) Also supported PUA encoded. Access font characters are compatible with the Silhouette Studio, Cricut Design Space. Simply copy and paste the alternate characters using the Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). FEATURES Ligatures , Alternates , Multilingual characters (AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸŸ ÆŒßÞàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ)
  14. The Blackport by Ironbird Creative, $15.00
    The Blackport Font Pack! is a Hand Drawn Font Pack. This Fonts gives a feel of vintage, classic, old, handmade looked like. This font also already PUA Encoded and I think this font is perfect for people looking for vintage aesthetic or Hand Made font. Come with 2 font styles, Regular and Stamp (Except The Blackport hand-drawn). Suitable for any graphic designs such as branding materials, t-shirt, print, label, logo, poster, t-shirt, photography, quotes .etc NOTE : For all the characters are also available, accessible in the Adobe Illustrator Glyphs Panel, or in Adobe Photoshop Character Open Type Panel.
  15. Work Crew Stencil JNL by Jeff Levine, $29.00
    In the 1949 Paramount comedy "My Friend Irma" (a film based on the popular radio series that introduced America to Dean Martin and Jerry Lewis), an opening gag set-up involving excavation work utilizes street barricades which inspired Work Crew Stencil JNL. Placed along the site, different advisories are stenciled upon barricades warning of the work in progress. The scatterbrained Irma (Marie Wilson) walks straight through the construction, oblivious as to what's going on around her and steps right into the open hole dug into the sidewalk (a scene she reprises in 1950's "My Friend Irma Goes West").
  16. Mocombo JNL by Jeff Levine, $29.00
    Mocombo JNL is a slightly modified version of one of the numerous alphabets created by the late Alf R. Becker for Signs of the Times Magazine during the period of the 1930s through the 1950s. Tod Swormstedt of ST Media—who is also the curator of the American Sign Museum in Cincinnati, Ohio—supplied Jeff Levine a wealth of source material from which this font is derived. The angular style of this typeface was originally referred to as “German Poster Lettering” by Becker, but it can represent many styles from 1940s night clubs to African safaris and just about anything in-between.
  17. Willian by Quothron, $9.00
    Willian - a new fresh handmade calligraphy font. Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more!This font are perfect for wedding postcard. Or you can create perfect and unique design of your logo, blog, stationery, marketing, magazines and more :) Also supported PUA encoded. Access font characters are compatible with the Silhouette Studio, Cricut Design Space. Simply copy and paste the alternate characters using the Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). FEATURES Ligatures , Alternates Multilingual characters (AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸŸ ÆŒßÞàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ) INCLUDED Willian OTF Willian TTF Willian WOFF
  18. Skarpa by Aga Silva, $23.99
    This is long awaited thorough revision to Skarpa family. The revision has inculded both another look at letter shapes as well as kerning and metrics of the files. The shapes encapsulated in this font stem from old time architectural drawings hand executed at drawing board with tracing paper and rapidographs. Think of lettering stencils sliding across the tracing paper and craftily exectuted drawing descriptions. The font is based on geometric forms devoid of excessive flourishing. Would suit modern designs either in fashion, technology or laboratory setting. Would look good on door plaques in pharmacy or simple drawer plaques - especially Medium or Bold specimen.
  19. Floorwalker JNL by Jeff Levine, $29.00
    On February 15, 1926, the Display Material Company of St. Paul Minnesota patented a sign making outfit consisting of a series of stencils in various sizes and styles, paints, brushes, instructions for use and all stored inside a convenient wooden case. Sold to any business in need of making many signs at low cost, this versatile stencil set enabled many a merchant to produce posters, show cards and price tags for pennies over what a commercial sign shop would charge. Floorwalker JNL is the digital version of one of these stencil fonts, solidified into a pre-Art Deco-era typeface.
  20. Darling heights by Redy Studio, $19.00
    Darling heights font is the perfect choice for a handwritten design. You can use it for quotes on your blog, posters, and other marketing materials, or even wedding invitations. Darling heights also includes 164 ligatures that will connect letters smoothly – helping to make the words flow more naturally. This font is perfect for leaving a lasting impression and making any design bit more special than usual.\ Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products. ~Redy
  21. Rattani by Allmo Studio, $22.00
    Rattani the graceful nature of the typeface, along with carefully designed details, allows to use it in large point sizes, for example in magazine layouts, packaging design and in many other ways. Rattani was unapologetically conceived as a display typeface meant to be used large as in magazine openings, drop caps or everywhere there’s a need for elegant impact. Rattani is perfect choice for people looking for clean, modern, minimalist, elegant, beauty design styles. Suitable for almost any graphic designs such as logo, business cards, t-shirt, cover, branding materials, poster, print, photography, thumbnail, gift cards.etc
  22. Greene And Hollins by Greater Albion Typefounders, $15.00
    Greene and Hollins of Wolverhampton were a rather smart gentleman’s outfitter, much frequented by my late grandfather and altogether redolent (in memory and actuality) of a bygone age of retail service and respect. I believe they’re out of business now, but we’re rather pleased to offer them this very small if rather random memorial. Greene and Hollins is a set of seven display typefaces, with uniform metrics, which can be overlaid to create multi-coloured ‘engraved’ effects. Also ideal to recreate traditional sign-writing, garment labels, signage and anything else where a period flare is required.
  23. Letter Gothic 12 Pitch by ParaType, $30.00
    The Bitstream version of Letter Gothic designed by Roger Robertson in 1956-62 for IBM electric typewriter. It is a condensed, monospaced font resembling a typewriter face, suitable for tabular material. Primarily used for slide presentations and for word processing applications, Letter Gothic is very helpful for printing out software source listing, for informal office communications and for tabular charts where alignment of columns is important. Besides, being a clear and easy-to-read font, Letter Gothic is popular now for display and advertising matters. Cyrillic version was developed for ParaType in 2000 by Gayaneh Bagdasaryan.
  24. Clumsy Virginia by Letterhend, $16.00
    Introducing Clumsy Virginia, a delightful handwritten script font that effortlessly combines casual charm with a touch of chic. Its playful strokes and natural flow capture the essence of relaxed elegance, making it the perfect choice for a variety of creative projects. Whether you're designing invitations, branding materials, or social media graphics, Clumsy Virginia adds a unique and captivating personal touch. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
  25. Mellinde by BBA Key, $14.00
    Mellinde is new, fresh, & modern with handmade calligraphy, decorative characters and dancing lineage! Wonderful for invitations like greeting cards, branding material, business cards, quotes, posters, and more!! It comes with 472 glyphs. Alternate characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternate, Contextual Alternate. Open Type features are accessible by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X versions, and Microsoft Word. And this font has code PUA unicode (font with special code) so that all alternative characters can be easily accessed by craftsmen or designers.
  26. LTC Pabst Oldstyle by Lanston Type Co., $24.95
    Frederic W. Goudy originally designed Pabst in 1902. This lettering was used by the Pabst Brewing Company for their promotional materials. It was later developed into type for ATF. Goudy later licensed Pabst Oldstyle to the Lanston Type Library. Lanston Pabst Oldstyle features several differences from the more familiar ATF version. Some caps are narrower while some lower case characters are wider than the ATF version. The descenders are also shorter in the Lanston version. Logotypes of italic words and, of, and the are included as originally designed as well as ligatures including the unusual tt ligature.
  27. Gutknecht by Proportional Lime, $9.99
    Jobst Gutknecht was a highly successful printer in the city of Nuremburg from 1514 to 1542. He published the "Achtliederbuch" (the first Lutheran hymnal, with a whole 4 tunes) and many works by Martin Luther. This font is an accurate "recutting" of the font face Gutknecht used for the body text in his printed works. It has been extended to over 900 glyphs adding hundreds for modern use. It also presents many ancient things like old ligatures such as "tz", a hedera, and alternate style pilcrow for visual interest. And for those conservative types the modern lower case "k" is also available.
  28. Rostema by RagamKata, $16.00
    Rostema - Display Serif Introducing Rostema, a captivating blackletter serif display font that seamlessly bridges the gap between tradition and modern design. This typeface is a testament to the timeless beauty of blackletter fonts, infused with a contemporary twist that makes it perfect for a wide range of creative applications. Whether you're designing posters, branding materials, invitations, or any other creative endeavor that demands a bold and distinctive typeface, Rostema is your go-to font. Its blackletter serif display style adds a touch of drama and sophistication to your designs, setting them apart and leaving a lasting impression.
  29. Primark by Cititype, $17.00
    Primark is a chic, modern and elegant script font with a prominent appearance, it's a great choice for logotypes, brand names, digital signatures, online portfolios, website banners, posters, wedding invitations, book titles, and headlines. The Primark font consists of 3 fonts, the primamark regular, alternate and swash. they are designed in the same metric so that the two fonts can be combined with each other. Come with ligatures to make it more natural impression and supported by diacritic that supports various language. Chic, Modern, elegant and stand out are words that can describe the definition of this font.
  30. Jantan by Sulthan Studio, $13.00
    Jantan is a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more. The alternative characters were divided into several OpenType features such as Stylistic Alternates, and Ligatures. The OpenType features can be accessed by using OpenType savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.
  31. Mahesia Script by Fargun Studio, $14.00
    Mahesia Script! A new fresh and modern hand lettered font with decorative characters and a dancing baseline. Mahesia Script was inspired by clean handwriting with a natural flow, and it features fabulous beginning and ending lowercase swashes as well as lowercase heart swashes. It is perfect for a wide range of designs, including wedding stationery, Instagram quotes, modern logos, packaging, websites, and more. So beautiful on invitation like handicraft, greeting cards, branding materials, business cards, quotes, posters, and more design concepts. Features : Unique Alternates & ligatures Stylistic sets Basic Latin A-Z and a-z Numbers International Symbols included Punctuation
  32. Rovey by Craft Supply Co, $15.00
    Rovey is an all caps handwritten serif font. It can be used to create almost all types of design projects like print materials. Just use your imagination and some graphic design set in Extras and your project will become more alive and look greater than ever with Rovey. You want to make a greeting card or a package design, or even a brand identity, craft design, any DIY project, book title, wedding font, pop vintage design, retro design or any purpose to make your art / design project look pretty and trendy? Feel free to play with this fonts!
  33. Pial by Eurotypo, $20.00
    Pial fonts Family includes: Pial Regular that is totally hand-designed, casual and youthful, with lines that sometimes swell extremely, contain 546 glyphs with many stylistic variations, swashes and ligatures. Pial Sans Regular and Expanded, also hand-designed, and Pial Serif Regular and Condensed to add a little seriousness. We have added also, a font of ornaments, extras and catchwords in the family. Using this font you will achieve a very elegant and warm work. Pial Family is very versatile and ideal for logotype design, magazines and book covers, children's material, fashion, headlines, cards, posters, websites, packaging and, basically, anywhere you want.
  34. Candelize by Graphicfresh, $16.00
    Introducing our Art Deco Font: a classic yet modern and elegant typeface that adds a touch of sophistication to your logo designs. Inspired by the iconic Art Deco movement, this versatile font is perfect for creating sleek and stylish editorial layouts. It's clean lines and geometric shapes bring a sense of timeless beauty to any project. Whether you're designing a magazine, website, or branding materials, our Art Deco Font Editorial will elevate your work to new levels of elegance and professionalism. Embrace the allure of Art Deco and make a bold statement with our captivating font.
  35. Tioga by Monotype, $29.99
    Tioga is a highly legible typeface designed specifically to display clearly on low-resolution displays. With superior readability even at small sizes, Tioga is an ideal typeface for developers of set-top boxes and digital televisions. Tioga is metrically compatible with Tiresias, a widely-used typeface designed for digital TV applications and adopted by the DVB and MHP standards. Tioga was fine-tuned to be more readable and aesthetically pleasing. Individual characters were adjusted for improved legibility and the letter spacing was revised to improve appearance and readability. Tioga bold was created to make the design more versatile.
  36. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  37. Conversation Hearts by Harald Geisler, $-
    Conversation Hearts are inspired by the sweethearts and conversation hearts that can be found all over the US and Britain, but not in Germany. A source of endless fun and surprise. As a typographer to me they are also a surprising document of written communication. Most people complain that nowadays the inscriptions are not as sweet as they used to be. While they used to held romantic and promising inscriptions like “Be True” “Sweet Talk”, today they carry “Tweet me” “Ur Hot” and “Party Girl”. So i took this as a motivation to work with conversation sweetheart on a conceptial inspirational and typographical level. The obvious: every letter pressed on the keyboard brings out a conversation heart that starts with the letter - i.e. L = Loverboy, H = Heartless but what to write? Since i didn't want to reproduce the old “Fax me” and “Email me” I had to come up with something new. Something with a personal relation and of course something that I Love - what else could i write in the shape of the heart? So I tried to access my upper subconsciousness and looked for two words for every letter in the alphabet. One for the capital letter pressed and one word for the lowercase letter. Resulting in a Kurt Schwitters worthy assemblage of vocables "Post-office" “Internship” “Zebra” “Answers” etc. It is not easy to read a text set in Conversation Hearts but easier as a text set in Zapf-Dingbats. To sparkle the visual appearance uppercase letters are filled hearts with “carved” inscription, while lowercase letters are an outlined heart with written inscription. Conversations Hearts is a part of the Light Hearted Font Collection that is inspired by a recording of Jean Baudrillard with the title, "Die Macht der Verführung" (The Power of Seduction) from 2006. Further inspiration came from the article, "The shape of the heart: I'm all yours". The heart represents sacred and secular love: a bloodless sacrifice. by British writer Louisa Young printed in EYE magazine (#43) London, 2002.
  38. Sungarden by Juraj Chrastina, $39.00
    Welcome to my hand-drawn garden! Enjoy the sunshine, surrounded by my line illustrations of flowers, leaves, birds, hearts, arrows, snowflakes and various ornaments. Sungarden is a bouquet of about 400 handmade pics and floral ornaments, created to get along well with my collection of 12 playful sans serifs and a cute script. Sungarden Script is packed with ligatures and automatic initial and terminal forms accessed through contextual altrenates. All the fonts have an extended character set to support Western and Central European languages. The Sungarden family is well-suited for nature cosmetics, organic food, handmade-style products, wedding and greeting cards, invitations, labels, packaging, menus, books or apparel. You can download the instruction PDF here.
  39. The Ahmedians by Zamjump, $13.00
    The Ahmedians is a handwritting gel pen typeface, The Ahmedians is an out-of-this-world addition to your font arsenal, perfect for quote graphics, modern/edgy vinyl cutting projects, or logos & branding. The Ahmedians is best for: - social media graphics or quote graphics - logos + branding with a modern feel - crafting projects with your Cricut or Silhouette - Starstuff has a super smooth edge perfect for vinyl cutting or SVG designs - website design + website accents - clean print design, like magazines + flyers - header elements that need a handwritten touch The Ahmedians : - full upper + lower case characters - numbers + punctuations - Multi Language Support - Standard double letter ligatures ee, ff, ll, oo, rr, ss, tt - PUA-encoding
  40. Pueblo by Monotype, $29.99
    Like many of Jim Parkinson's alphabets, Pueblo began as poster lettering. It shows a range of influences: turn-of-the-century sign painting, old Speedball lettering books, and a touch of art nouveau. While developing Pueblo, Parkinson debated whether to make the ends of the serifs rounded or square. Rounded looked more like the work of a Speedball lettering pen, but squared stroke endings made the letters more legible at small sizes. The finished design sports serifs that are just slightly rounded. According to Parkinson, the design feature is “enough to be noticed at large sizes, while going virtually unnoticed at smaller point sizes,” adding to the versatility of this distinctive typeface.
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