LOOK OUT! It's kinda creepy, we know, but we're convinced that this font does whatever a spider can -- in fact, we believe it can actually spin a web of pretty much any size, and even catch thieves as if they were bugs of some sort -- let's say flies. In fact we'd almost go so far as to say that, in the chill of night (perhaps at the scene of a crime) this font may just arrive like a streak of light in the nick of time. We're releasing this font now not for wealth or fame, we ignore those things, action is our reward. Here at Comicraft we think of life as a great big bang up, and whenever there's a hang up, you won't find us climbing -- or crawling -- the walls... well, not without STICKY FINGERS anyway. Find yourself a pair of webshooters and this font is the perfect complement to any Halloween costume.

Nemocon is a display font family designed by Carlos Fabian Camargo G. Nemocon It is ideal for making attractive messages. Nemocon has over 2200 glyphs distributed in 6 files OT designed from handmade lettering and usability testing. • Nemocon Script (1382 glyphs): based on the rotation of a flat tip brush. Its letters correspond to the uninterrupted calligraphic logic, as well as similar ingredients as the ones used in font Brush Script by Robert E. Smith, created for the American Type Founders in 1942. • Nemocon Tuscan (375 glyphs): Inspired by representative types of wood from the 19th century, specifically speedball brawny Tuscan capitals with serifs fishtail shaped. • Nemocon Catchwords (115 glyphs) + Nemocon Catchwords Shadow (115 glyphs): categorically inflated words with and without shadows, to accompany, highlight and prioritize. • Nemocon Dingbats (114 glyphs) + Nemocon Containers(150 glyphs): unconventional pictograms consisting warm and comforting thoughts designed to highlight words or phrases which needed multicolored illustrations or drawings in black and white.

We would like to introduce our new Thin Line Geometric Font Runista. Runista is a linear font in folk style, lowercase is decorated with geometric elements. The typeface includes a Decorative and a Symbol version. Letters and symbols are perfectly combined with each other. The font is easy to use in various design programs or without any program. Runista Typeface is suitable for lettering posters, music albums, tattoos and photo overlays in hipster style. The font works great for both printing clothes and craft products branding and packaging. Also use individual letters and symbols to create logos and monograms. Runista Decorative contains stylistic alternates for letters O, Q, C, D, G and the most popular ligatures: bb, cc, dd, ee, ff, gg, ll, mm, nn, oo, pp, rr, ss, tt, zz, ty, ly, ct, sp, st, in, ch, ck, sh, ou, qu, th, ph, ge, ng, gn, gh, au QU. The font has extensive language support.

What intrigued me about Buslingthorpe was the virtuoso challenge it presented, of designing a typeface that would, despite a ridiculously tiny x-height, still possess a coherent harmony betwen upper and lower case, and read confortably. At the same time, beyond pure plastic formality, I was aware that there are strong connotations of historicism in this noble style, with overtones of regal magnificence, on account of the extravagant leading and generous point size required for adequate visibility—in traditional letterpress printing such proportions, with so few characters per square inch, were pricey and devoured resources. There are two iconic early 20th century designs in the genre: Koch Antiqua (Rudolf Koch, Klingspor Foundry, 1922) and Lucian (Lucian Bernhard, Bauer Foundry, 1925). Both these have x-heights smaller than fifty percent of ascender height, which nominally defines the category. So I made these my benchmarks, and determined to outdo them in dramatic fashion. —Nick Shinn, Orangeville, March 2021

Infusion is a type family designed by CFCG & Fabio Godoy for andinistas.net. The creative process of Infusion evolved throughout a myriad of experiments supported by my font gluten This is why its expressivity comes from the addition and subtraction of its parts by mixing and combining, resulting in a great variety and new versatility of uppercase, lowercase, multiple and different numbers to be applied at the beginning, middle or end of the word. Infusion is used to write sentences in craft contexts that require organic graphic design, with meticulous imperfect look. Infusion offers typographic solutions out of the limits, or out of borders that divide the mechanics of the drawn by hand. Infusion has 6 decorative and legible fonts to write casual messages with organic, friendly and natural personality. Infusion “Script, Mix, Roman, Shadow, Extras, Dingbats” contain unconventional visually appealing ideas to work independently or in group in the design of logos, packaging, presentations, headlines or editorials.

Italic type was invented by Aldus Manutius in 1499 or 1501, first, before to be a style name, it was a plain font familly name. This Italique style font was inspired from these who was used by Jean de Tournes in Lyon (France) to print La mÈtamorphose d'Ovide figurÈe, a splendid book with numerous gothic style wood carved pictures. The original font contains almost all modern usual characters except accented ones, no longer in use on that time. They have been added, with some others, with respect for the original design. . A render sheet, enclosed in file, help to identify various others unusual letters on keyboard. It is used as successfuly as web-site titles, posters and fliers design, editing ancien texts or greeting cards, invitations, gastronomic menus... and much more, as a very decorative and elegant font... It supports easily as enlargement as small size, remaining clear and easy to read from 8 or 9 points to 72 and more, particularly on prints.

Merchantry is a hard-working display font inspired by vintage signage you might find in local supermarkets of days gone by.

Monterra is a font family ideal for flyers, label, logos, magazine, product branding, corporate branding, signage, posters and especially in advertising.

Tanqueray is a modern new and sleek modular font. It is contemporary in its design; but also playful and dramatic. Intoxicating.

Mories is an elegant display serif with unique letter shapes to complete any designs, especially in fashion, branding, and for logos.

Hey Buffalo is a rather unique handwriting script with 55 very beautiful ligatures, as well as several alternatives in the lowercase.

This would be a Clarendon if it weren't for the cute serifs, which set it apart. Reads well in copy blocks.

Stan Davis drew this face for VGC in 1967, following the structure of the MICR figures to suggest a ‘computerized’ effect.

It is an Alternative version of "Paihuen Pro" containing 3 styles that can be combined and all in a rough style.

Luxerie is an elegant display sans with unique letter shapes to complete any design, especially in fashion, branding, and for logos.

Introducing Nightingale calligraphy font. Nightingale have a 631 glyph, Nightingale works well in Logo, poster, title, header, clothing and many more.

Oporto is a modern font which blends the cosmopolitan and bohemian mood from Oporto city in a elegant and timeless design.

A condensed American blackletter designed for ATF in 1932 by Morris Fuller Benton; the face grows out of nineteenth century roots.

Geometric stencil with a variety of weights. It is so orthodox and simple that you can use it in various creations.

Domiland is a beautiful script font that has a classy, elegant, and modern look. Fall in love with its flowing curves!

Presentation JNL is built on the letterforms of Gilbert JNL (which in turn was modeled after Eric Gill's classic sanserif design).

Billing and Shipping JNL is the perfect dingbat font for replicating rubber stamps and labels used in the transit of packages.

Based on the Keystone Type Foundry design, circa 1919. The l/c ‘g’ appears as an alternate character in our font.

Passo Borgo is a blackletter typeface inspired on classic vampire filmes from 50"s and in Dracula's Bram Stoker novel... creepy...

The Ihre-Götlin Runic inscription is one of the other runic inscriptions in America. I couldn't find much data on it.

A bold and arresting geometric font built from parallel stripes. Most effective in short headings or logos at larger, display sizes.

Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les never released this completed typeface before his untimely death in 1983.

A delicate script font with a modern signature style, looks great in big texts and it is suitable for any project.

Saddle Hitch JNL is a Western font inspired by a few words set in a decorative typeface from an 1887 publication.

Cykor is a display typeface with reversed contrast inspired by typography of the late 70s designed in 2020 by Kacper Janusiak.

Modeled after an old sign on a building in New York City, Chinese Menu JNL is a modular style Oriental typeface.

Max Salzmann’s blackletter font released by Schelter & Giesecke in 1912 revived and spiced up with some beautiful filling and framing ornaments.

Crazy sans for happy, fun time. There are two other fonts designed by in the same concept. -Deluta Black -Xesy -Ekistra

Graphique-AR is a digital version of a type designed by Hermann Eidenbenz and issued by the Haas foundry in 1946.

Walk so fresh, talk so fresh - we like it, we like it! TalkSeek is in town and is ready to rock!