Merryas Signature is a beautiful signature script based on manual hand writing. The stylistic alternate, ligatures and the tick and thin stroke make this font looks a real hand writing instead of typing a font. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

This is an angular typeface inspired by axonometric construction diagrams (for flat-pack furniture), particularly the way their lines impart a sense of 3-D space. The horizontal, vertical, and diagonal constraints of stroke direction produce interesting results in characters such as the 'R', 'S', and 'V' and contribute the mechanical appearance of this typeface. There is a high degree of repetition amongst different characters (upper and lower case) for instance the ’M’ and ‘W’ are similar and so are the ’m’ and ‘w’.

Black Orange is a Retro Serif Font. Journey back in time to the classic and timeless era of design with "Black Orange," a captivating retro serif font that exudes the essence of vintage charm. There's some connected letters and some alternates that suitable for any graphic designs. This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

A page from an "ideas booklet" that was copyrighted in 1939 by the Sanford Ink Company displayed a hand lettered variation on the counter-less [or solid] alphabet that so typified the Art Deco style of the times. Bold, brash and beautiful, Upscale JNL evokes high-end department stores, fine millinery shops, cafeterias, night clubs and other business establishments from the Streamline era. This type of lettering style was a workhorse, and could (and still can) tackle any message with strength, clean lines and class.

Way back before digital imaging, video tape and computer editing, the home movie enthusiast had to shoot on film his own titles using any one of a variety of movie titling kits on the market. One common approach was to arrange white ceramic letters on a colored background and film them. A set of such letters provided the inspiration for Entitled JNL from Jeff Levine. The classic, sleek Art Deco lines of this font makes it an all-purpose design for any headline needs.

Rozelle Fonts are serif fonts with rounded edges. These fonts are formed as a unique multipurpose font, you can use them in vintage, retro, and modern designs. These fonts are perfect for a variety of projects, such as branding, poster displays, logo designs, magazine covers, and more. These fonts are perfect for you who need unique serif fonts! Rozelle fonts feature opentype, kerning, and alternates packed in 4 fonts: Regular, Italic, Bold, Bold-italic. Rozelle fonts include uppercase letters, lowercase letters, numeral, punctuation and multilingual support.

Easy to use, but hard to miss. That’s dT Delicatta. An elegant script face that adds a special touch to any message. Script typefaces usually come packed with endless features and, more often then not, all those possibilities take their toll on the designer or art director. With usability in mind, we kept dT Delicatta simple and straightforward to use while delivering refined shapes that enhance your or your client’s communication. dT Delicatta is a revised, improved and virtually new font of our old classic Delicatta

Stand Against Handwritten Graffiti Font Stand Against is a street display graffiti script font. With back slanted mono-line stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Stand Against font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or signature. Make a stunning work with Stand Against font. Cheers, MaulanaCreative

Introducing Moraco Display new generation Typeface created for building brand identity. Moraco Typeface created with the vision of to attract the audience to your brand. The finest details of this typeface are methodically and mathematically created. Moraco is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project.

Criteria CF is a geometric sans, efficiently built from lines and circles. Its strong, thoughtful construction allows for cleanly-stacked lowercase text and stunning headlines and logotypes. Criteria CF pairs nicely with any serif. Typefaces designed for body copy, such as Artifex CF and Addington CF, are a great match. It also looks great with bold display serifs like Wayfinder CF, or a humanist sans, like Artifex Hand CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Ash is a script font hand drawn with dry brush. Ash is packed with automatic contextual alternates that keep the text vivid. Ash also has swash alternates for lowercase letters that add extra flavour. In titling alternates there’s 26 swooshes and strokes placed in a-z that can be used as underlines or just decorations. Ash is great display font for a swift hand drawn look. Ash has wide language support and it is PUA encoded so you can access extra glyphs in most graphic design softwares.

Moscow-based designer Julia Borisovna Balasheva created her Lubok face as a pictogram-based font. The term "lubok" refers to a popular style of Russian folk art printing, which dates back to the 18th Century. In Lubok, Bakasheva has digitised several whimsical characters and animals, which were common in these prints. She suggests that you use Lubok's symbols to illustrate fairy tales; we suggest that you use Lubok to decorate everything: from your next office party invitation to comic books of your own design!

Giza brings back the colorful power and variety of the original Egyptian letterforms, a glory of the Victorian era. Designer David Berlow based the family on showings in Vincent Figgins’ specimen of 1845, the triumphant introduction of this thunderous style. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

Carefully designed, black love pink is a stunning and beautiful handwritten font with a light feel. Fall in love with its delicate and sophisticated characters, and use it for any design project that requires a romantic twist. This font is easy to use. it remains only to add symbols (--,++,--) in front, middle, and back to reveal the features. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, gorgeous glyphs, and stunning alternates.

Voyage is a smooth and friendly vintage script family of two weights and ornament sets. Voyage is packed with alternate characters and OpenType features to allow you create customized headlines. To activate the alternates click on Swash, Contextual, Stylistic or Titling Alternates or Discretionary Ligatures in any OpenType savvy program or manually select the characters from Glyph Palette. Always keep on Standard Ligatures for the best outcome. Combine Voyage with Voyage Ornaments to complete your designs. For the best price purchase the Complete Voyage Family.

JACK FROST is an authentic handmade style font with stunning characters. Real written with a brush and high quality water-based ink. Ideal for name tag, handwritten quotes, product packaging, merchandise, social media, greeting cards, etc. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals. Full accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu. Corel, Ms. Word, Ms. Powerpoint, etc. No special software is required to access any of the standard letters.

Introducing our newest font called Qojarun. With Arabic Style display fonts, you can easily give your designs a genuine Middle Eastern feel. This font features characters in an Arabic style, and goes well with a wide variety of design projects, from posters to logos and beyond. Elegant calligraphy Arabic letters are easy to read, just like writing in general. This download pack contains all the characters needed to translate your project into an Arabic theme, complete with the full character set, punctuation marks, and numbers.

Introducing Vintage Waves. A retro bold serif which will bring you back to 60s feel. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

New Lincoln Gothic is an elegant sanserif, generous in width and x-height. There are twelve weights ranging from Hairline to UltraBold and an italic for each weight. At the stroke ends are gentle flares, and some of the round characters possess an interesting and distinctive asymmetry. The character set supports Central Europe, and there are three figure sets, extended fractions, superior and inferior numbers, and a few alternates, all accessible via OpenType features. Back in 1965, Thomas Lincoln had an idea for a new sanserif typeface, a homage of sorts, to ancient Roman artisans. The Trajan Column in Rome, erected in 113 AD, has an inscription that is considered to be the basis for western European lettering. Lincoln admired these beautiful letterforms and so, being inspired, he set out to design a new sanserif typeface based on the proportions and subtleties of the letters found in the Trajan Inscription. Lincoln accomplished what he set out to do by creating Lincoln Gothic. The typeface consisted only of capital letters. Lincoln intentionally omitted a lowercase to keep true his reference to the Trajan Inscription, which contains only magiscule specimens. The design won him the first Visual Graphics Corporation (VGC) National Typeface Competition in 1965. The legendary Herb Lubalin even used it to design a promotional poster! All this was back in the day when typositor film strips and photo type were all the rage in setting headlines. Fast forward now to the next millennium. Thomas Lincoln has had a long, illustrious career as a graphic designer. Still, he has one project that feels incomplete; Lincoln Gothic does not have a lowercase. It is the need to finish the design that drives Lincoln to resurrect his prize winning design and create its digital incarnation. Thus, New Lincoln Gothic was born. Lacking the original drawings, Lincoln had to locate some old typositor strips in order to get started. He had them scanned and imported the data into Freehand where he refined the shapes and sketched out a lowercase. He then imported that data into Fontographer, where he worked the glyphs again and refined the spacing, and started generating additional weights and italics. His enthusiasm went unchecked and he created 14 weights! It was about that time that Lincoln contacted Bitstream about publishing the family. Lincoln worked with Bitstream to narrow down the family (only to twelve weights), interpolate the various weights using three masters, and extend the character set to support CE and some alternate figure sets. Bitstream handled the hinting and all production details and built the final CFF OpenType fonts using FontLab Studio 5.

The font Geomatrix is an original design by Alex Kaczun. It is a dynamic stencil interpretation based on his extremely successful Contax Pro family of geometric sans typefaces. Geomatrix is a contemporary stencil typeface based on generous proportions and clean, crisp lines.The stencil treatment is balanced visually with the stem weight of the font which creates a uniformity and harmony within the design. Geomatrix makes for easy reading and is ideal for long lines of copy. It exudes a strong sense of sophistication for a true stencil design. However, this is no ordinary stencil typeface. That's putting it mildly. Geomatrix is a font on STEROIDS! This unique OpenType font incorporates hundreds of CAPITAL alternate letter forms and glyph substitutions, automatically and on the fly, within InDesign and other Open Type applications. To turn this feature on, just typeset ALL CAPS and go into InDesign's OpenType>Stylistic Sets and select Set 1 from the menu. Turn character kerning from Metrics to Optical, adjust tracking to minus 20-30, and start typing to create some visually interesting letter substitutions and unique word combinations. Geomatrix was specifically designed to take advantage of the OpenType format, allowing the Graphic Designer a unique tool to achieve the desired degree of possible visual typographic effects. And finally, the character sets in Geomatrix have been expanded to include old-style figures and all Eastern European accented glyphs. Strap in and hold on to your seats. A revolution in new font technologies has begun! GEOMATRIX IMPORTANT PLEASE READ HOW TO ACCESS "ALTERNATE" STYLISTIC "SET 1" LETTER FORMS: Geomatrix is a unique OpenType font which incorporates hundreds of CAPITAL alternate letter forms and glyph substitutions, automatically and on the fly, within InDesign and other OpenType applications. To turn this feature on, just typeset ALL CAPS and go into InDesign\'d5s OpenType>Stylistic Sets and select "Set 1" from the menu. Turn character kerning from Metrics to Optical, adjust tracking to minus 20-30, and start typing to create some visually interesting letter substitutions and unique word combinations. This feature "stylistic set 1" can be toggled "on" or "off" anytime, allowing you to go back and forth, or select only the letters that you want to change. Geomatrix was specifically designed to take advantage of the OpenType format, allowing the Graphic Designer a unique tool to achieve the desired degree of possible visual typographic effects. And finally, the character sets in Geomatrix have been expanded to include old-style figures and all Eastern European accented glyphs. Strap in and hold on to your seats. A revolution in new font technologies has begun!

DIN Stencil on Behance. DIN Stencil: Specimen Manual PDF. Despite the fact that over the years several designers have manually created stencil lettering based on DIN for various projects, there has never been a professional digital stencil version of a DIN-based typeface. After the successful introduction of DIN Monospace a few months earlier, PF DIN Stencil now completes Parachute’s extensive library of DIN superfamilies. It was based on its original counterpart DIN Text Pro and was particularly designed to address contemporary projects, by incorporating elements and weights which are akin to industries such as fashion, music, video, architecture, sports and communications. Traditionally, stencils have been used extensively for military equipment, goods packaging, transportation, shop signs, seed sacks and prison uniforms. In the old days, stencilled markings of ownership were printed on personal possessions, while stencilled signatures on shirts were typical of 19th century stencilling. Two companies dominated the market in the mid-twentieth century: the Marsh Stencil Machine Company in the United States and the Sächsische Metall Schablonen Fabrik in Germany. Ever since the late 1930s, it was the German Sächsische Metall Schablonen Fabrik which used heavily the new DIN 1451 standard font (introduced in 1936), attempting to overthrow the reign of the Didot-style modern roman which was at the time the most common stencil letter in Germany. These letters were manufactured mainly as individual zinc stencils which could be ordered in sizes between 10 and 100mm. The DIN Stencil family manages to preserve several traditional stencil features, but introduces additional modernities which enhance its pleasing characteristics and make it an ideal choice for a large number of contemporary projects. Furthermore, the spacing attributes of the glyphs were redefined and legibility was improved by revising the shape of the letterforms. The DIN Stencil family consists of 8 diverse weights from the elegant Hairline to the muscular Black. Currently, it supports Latin, Eastern European, Turkish and Baltic.

Avimode is bold, sharp, and futuristic. An original CubicType design with a design inspired by the holes and tracks on printed circuit boards. Text set in Avimode fills almost all the space available to it, and has small details. CubicType therefore recommends using this type at large sizes and with processes that are faithful to its fine details. It would look great cut 2 metres high on the side of your galactic spaceship. Please be aware that some of the lettershapes have sharp pointy corners: HANDLE WITH CARE!

Dereza is a grotesque typeface designed specially for display use in children’s books and magazines. Books for little ones are usually set in grotesques, and a vigorous font would make a nice addition to the main face. Playful and lively, Dereza is great for any non-grown-up design such as games and toy boxes, cookie jars and cereal packs, clothing labels and other things meant for kids. It looks super in speech bubbles. The Dereza family includes four fonts, from light to bold, with ligatures, lowercase figures and accented characters.

Victoriana arose from an inquiry from the Victorian Society for a Victorian font for their journal. As it turned out, no commission resulted, but interest in such a font was aroused in Andy Benedek. Basing the design on some woodblock letterforms, outlines of a basic set of characters were drawn. These, however, were modified to the extent that the final font bore little resemblance to the woodblock letterforms. As erstwhile cyclists, the font was named after the British and champion world track cyclist, Victoria Pendleton who was greatly admired.

Introducing, The Marysville. A retro bold script which will bring you back to 60s feel.This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Operandi is geometric sans family available in 6 weights inspired with vintage posters design from period between two great wars. Unpretentious family guided by simple design solutions – slightly wide by its character, decently recognizable, fully capable to lead any project – Operandi offers combination of functionality and visual balance that should be enough to recommend it as right choice. From Light to Black, packed in extended Latin character map, Operandi also contains a few OpenType features such as Ligatures, Fractions and 2x Stylistic Sets – one for complete uppercase alternatives and one for “a” and “g”.

Skip the font dilemma and meet your design hero – Meimidle! This collection packs a punch with 5 fonts in one buy. Enjoy 2 scripts and 3 sans- each rocking its own unique style! It's simplifying your design decisions! This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : 5 Script & 3 Sans Serif Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

F.W. Woolworth was once one of the giants of the variety store chains, along with the likes of Kress, S.S. Kresge, McCrory’s, Neisner Brothers, Ben Franklin and others. In 1960, the company brought out a new corporate logo with a type design harking back to the Art Deco style of the 1930s and 1940s. A photo of one of their old store fronts (despite having only eight letters to work with) inspired the digital interpretation of the signage as Bargain Shopping JNL, which is available in both regular and oblique versions.

ITC Musclehead is the work of type designer Timothy Donaldson, a robust, densely packed handwriting typeface. It almost looks like brushwork but was in fact made with a ruling pen which Donaldson had bought from a company in Salem, Massachusetts. He says, The world's gone ruling-pen mad at the moment [late 1990s] and I was beginning to tire of all the skinny splashiness of the letters that most people were making with them. I wanted to do something heavy and robust with the tool, so that's what I did.""

Delicious Pro from Yes Please is a bold, contemporary take on the classic Americana script. Inspired by the vibrant history of early 20th Century American packaging vernaculars, Delicious Pro delivers unique flavor packed with gestural personality perfect for headlines, packaging and more! Delicious Pro features conventional ligatures, a standard set of accents and symbols, and a full set of extended custom styling ligatures to provide a versatile end-user experience. Delicious Pro has played hard for Nike Women's Training, Nike Sportswear, IFC and more. Delicious Pro is designed by Lee Schulz.

Get ready to channel your inner (cute) fear with KONSIDER—spooky yet playful fonts. It was inspired by the vintage Halloween visual campaign, with a touch of happiness and cheerful vibes. To amplify the font itself so it can be a "no-doubt" choice for your branding campaign. Packed up with Ligatures and Stylistic Alternates to double up the joy of your visual statement. Perfectly fit for logo, branding, mood board, campaign, events, poster, game, esport, fashion, snack, packaging, streaming overlay design, graphic design, toys, and many more.

Oliva & Oliva Italic are two strong and funky display fonts. Influences came from typefaces like Futura Black by Paul Renner and Motter Ombra by Othmar Motter, but also Stilla by François Boltana and Allegro by Hans Bohn lay on the desk. All these ingredients were mixed to a new and contemporary type experience and packed in proper OpenType files Oliva & Oliva Italic are OpenType Pro, featuring full Western, Central European, Baltic, Turkish and also Cyrillic language support. They contain ligatures, superior numerals, and a stylish set of decorative ornaments and arrows.

The sheet music for the 1939 tune "Chico's Love Song (Ma-La-Ja Fa-La Pas-Ka Lah-Ta) [Cuban Double Talk]" may have had an odd title, but the main portion of it was hand lettered in an interesting style. Condensed letters with rounded corners complemented by sharp lines and angles give the characters an almost futuristic look, despite the fact that they were designed during the Art Deco era. This became the basis for Song Composer JNL, which is available in both regular and oblique versions.

I was listening to the radio and a song caught my attention. It was ‘Demagogue’ by a band called the Urban Dance Squad. That song brought back memories from when I was a student, so I decided to name this font after it. Demagogue was made using a Sharpie pen and a piece of expensive paper. The result is a very legible, very neat and very bold font. Demagogue is ideal for when you want to get your message across, but hopefully not in a demagogue-ish way! ;-)

Retrofunk was inspired by the retro typography design in 70's. Script and Serif form a great combination for creating a logos, signboards or a simple word mark. Hundreds of Alternates with PUA Unicode are packed inside Retrofunk Script. Those alternate characters will help you to create a bold, strong, artistic and variate graphic design for flyers, posters, banner Ads, T-Shirts, book covers, titles or any retro or vintage typography. Tutorial: Watch how to access the alternate characters and pairing the basic script font with the extrude style here.

Side Back is a brush handwriting font following the correct writing rules in making brush letters. This font is a bit more unique because the lowercase style uses uppercase but there are some with lowercase style. Equipped with a ligature, and a wash to be used as a complement or sweetener to the design you make. very suitable for use in various designs, such as headers, websites, clothing, products, even for writing quotes. Congratulations on exploring your design using black side fonts. Included : - Multilingual support - Ligatures - Swash -character symbols

What has become a rite of passage at baseball games got its start in 1908 when lyricist Jack Norworth and music composer Albert Von Tilzer wrote "Take Me Out to the Ball-Game" (which was published by Von Tilzer's York Music Company). The Art Nouveau hand lettered title on the cover of the sheet music was eccentric and attractive enough to warrant being turned into a digital type face, and in honor of its namesake song is called Ball Game JNL; available in both regular and oblique versions.

Mangsi in Javanese means ink. We want to create a modern display typeface with an inked-like feel by combining clean modern serif strokes, brush strokes and the curved line made by the ink tank. Mangsi is a modern inked display typeface that unites the beauty of the old lines with the clean modern lines. A simple, yet distinctive, elegant font that can be applied to many areas of design. Coming with 170+ stunning and super easy to use alternates and ligatures. To get results like the preview just type M.3A.NGS.3I

Dress Code is a modern sans-serif font family that includes 12 fonts: 2 styles - regular and round, each with 6 weights - extra light, light, regular, medium, semi bold and bold. Also included in this font are many alternatives that give you more options for creating your project. with them, you can be unique and experiment with your design. This font is easy to read and versatile, suitable for editorial tasks, creating logos, book and magazine covers, cosmetics, advertising, branding, wedding invitations, posters, postcards, labels, business cards, packaging and much more.

Great Outback is a display typeface that's bold, fun and playful. It's also clean and versatile, making it a perfect addition to any designer's kit. Packed with personality, this typeface screams out loud. Great Outback is suitable for headlines, packaging, logo etc. Use it to give your design that memorable edge. Out of the ordinary and into the great outdoors! So what’s included : Standard Latin Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß PUA Encoded and fully accessible without additional design software Simple Installations Works on PC & Mac Thank You!