The dynamic design duo of Koziupa drawing and Paul digitizing strikes again. This time they cover the space from light nonchalance to eerie darkness, and everything in between. Quicker than lightning and just as poignant, Brisa Pro shows unprecedented determination, presence of spirit, and finality of confidence. Brisa Pro is the teenager leaving home, the lover leaving one last note on the refrigerator door, the prophet announcing the imminence of doom, the rebel scratching anger on the wall, the bereaved clawing torment into life, and the bogeyman dropping a line to keep your eyes wide open through the night.

Classic XtraRound is a companion typeface to Classic Round, designed by Ben Blom. Although Classic Round has a lot of roundness, Classic XtraRound has more. Classic XtraRound has maximum roundness — no sharp corners, anywhere. Classic XtraRound has maximum roundness — and is still legible. It can be used as an interesting workhorse in small text sizes. It makes eye-catching headlines in big display sizes. Classic XtraRound can be combined in any way with Classic Round, to create an interesting variation and sameness within the same document, brochure, catalog, advertisement, etc. For more information about Classic XtraRound, download the PDF Specimen Manual.

This chunky rounded bold font is not only fun and playful but also incredibly versatile. Whether you're working on food product branding, creating a display headline, or designing packaging for your latest project, Omletta font will surely bring a smile to your face. With its bold and rounded design, Omletta font is perfect for creating eye-catching designs that demand attention. It's perfect for brands that want to make a bold statement and stand out from the crowd. Plus, with its support for Latin multilingual, you can use Omletta font for all of your international design projects. So what are you waiting for? Add some fun and excitement to your next project with Omletta font. With its playful and youthful tone, this font is perfect for creating unique and memorable designs. Whether you're designing for a food brand or a fun event, Omletta font is the perfect choice to help you capture the essence of your project. Get ready to make your designs pop with this bold and playful font!

Hello, Everyone! Ready to spark your project? Want font to make your branding bold? Looking for a fabulous, stylish, modern, and adventure font? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be-then this is the perfect font for you. Milan-A Serif Font Family Milan is a package that will makes you super happy. We offer you a very best choice to coloring your branding or project. With this family you will get many options of weight to maximize your designs with stylish fonts. Milan is made in uppercase and lowercase that easy on the eyes and nice to look while it’s also easy to read. This font family is an excellent choice to ensure a great font match for your designs and projects! Perfect to create amazing headings, logos, menus, social media graphics, and many more. Features: Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Brush Drops is a modern, impressive font that mixes the brush script characteristics and lovely, smooth ink drop details. This capital letter font shows stronger, more elegant displays. The letter shapes are in soft and smooth brush wipes with even edge lines to show firmer, clearer impressions. Furthermore, the ink drop details show personal, interesting touch on some of the letter parts. Bright, contrast colors will make this font outstanding and eye-catching. In addition, you may apply it for big text sizes to be greatly legible, and enjoy the available features here as well. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Brush Drops fits best for various design projects, such as brandings, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Kolaron – A Modern Condensed Sans Serif Font Kolaron is a contemporary condensed sans-serif font that effortlessly blends sophistication with modernity. Its sleek and streamlined design features condensed letterforms that exude a sense of efficiency and space optimization, making it an ideal choice for projects where legibility and style are paramount. The font’s clean lines and geometric shapes contribute to a polished and professional appearance, making it versatile for a range of applications, from corporate branding to editorial design. Kolaron’s balanced letter spacing and subtle yet distinctive details showcase a meticulous attention to typographic detail, ensuring a harmonious and eye-catching visual experience across various mediums. Whether used for headlines, signage, or digital interfaces, Kolaron stands as a testament to the elegance achievable in contemporary typography. Kolaron is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Hinnual เป็นฟอนต์ที่ผสมผสานระหว่างรูปทรงสี่เหลี่ยมและทรงกลมเพื่อสร้างสไตล์ที่ไม่เหมือนใคร ชื่อมาจากคำไทย 2 คำ คือ Hin แปลว่า หิน และ Nual แปลว่า อ่อน ผสมผสานองค์ประกอบที่แข็งและอ่อนนี้สะท้อนให้เห็นในแบบอักษร ซึ่งมีเส้นที่สะอาดตาและเส้นคมซึ่งถูกทำให้อ่อนลงด้วยมุมโค้งมน ฟอนต์มีให้เลือกถึง 18 แบบ มีตัวเลือกหลากหลายให้คุณได้เลือกใช้ Hinnual เหมาะอย่างยิ่งสำหรับใช้ในพาดหัวและพาดหัวย่อย ซึ่งลักษณะที่โดดเด่นสามารถช่วยดึงดูดความสนใจของผู้อ่านได้ เส้นสายที่สะอาดตาและสไตล์ที่เป็นเอกลักษณ์ยังทำให้เป็นตัวเลือกที่ยอดเยี่ยมสำหรับแบรนด์ โลโก้ และงานออกแบบอื่นๆ ที่ต้องการภาพลักษณ์ที่น่าจดจำ โดยรวมแล้ว Hinnual เป็นฟอนต์อเนกประสงค์และสะดุดตาที่ผสมผสานองค์ประกอบทั้งความแข็งแกร่งและความนุ่มนวล การออกแบบที่เป็นเอกลักษณ์ทำให้เป็นตัวเลือกที่ยอดเยี่ยมสำหรับนักออกแบบที่ต้องการสร้างผลงานที่น่าจดจำ Hinnual is a font that combines the square and rounded shapes to create a unique visual style. Its name comes from two Thai words - Hin, which means stone, and Nual, which means soft. This juxtaposition of hard and soft elements is reflected in the font's design, which features clean, sharp lines softened by rounded corners. The font comes in 18 styles, providing a range of options for designers to choose from. Hinnual is particularly well-suited for use in headlines and sub-headlines, where its bold and distinctive appearance can help to grab the reader's attention. Its clean lines and unique style also make it a great choice for branding projects, logos, and other design elements that require a memorable. Overall, Hinnual is a versatile and eye-catching font that combines elements of both strength and softness. Its unique design make it an excellent choice for designers looking to create impactful visual content.

Darling Suttine is a font is both awesome and classy. It comes with a natural feeling and so many ligatures. We kept this font looks classy, readable, elegant, stylish, catchy and absolutely easy to use. Darling Suttine is the great choice for watermark on branding, design, wedding, photography, signature, logo design, album cover, business card, quotes, and many other design project. This font is for those who want to show something smooth and modern. Use this font if you want to attract modern buyers. The font design seems to show that you have a passion in the business and give your love to the products and services you are offered to customers. Because it is an eye-catching signature font, you can use it for a variety of purposes including wedding invitation, signature, logo, branding, poster, and more. Each font has: - Stylish handwritten style - Many special ligatures - Multilingual support - PUA Encoded Characters - Fully accessible without additional design software. - How to access alternate glyphs? you can see it here: http://goo.gl/1vy2fv

Introducing Nipsey - a unique display font inspired by vintage albums and posters from 1970s music bands. With its classic typeface and groovy impression, Nipsey brings a fun and retro vibe to your designs. What sets Nipsey apart is the combination of various alternates, such as swashes, stylistic sets, stylistic alternates, contextual alternates, and ligatures, making this font even more distinctive and versatile. Nipsey is perfect for a wide range of display purposes, including album covers, posters, labels, t-shirts, apparel, signage, quotes, logos, greeting cards, logotypes, and more. Its eye-catching design adds a touch of nostalgia and personality to any project, making it stand out in a crowd. To access the alternative characters in Nipsey, you can use OpenType savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop, Corel Draw X version, and Microsoft Word. The OpenType features allow you to easily switch between uppercase and lowercase letters, as well as apply alternates and ligatures to create unique and customized lettering compositions. In your zip package, you'll find the Nipsey font files in otf, ttf, and woff formats, providing versatility for different design projects. The font includes uppercase and lowercase letters, numerals, punctuation, and symbols, ensuring that you have all the elements you need for your designs. Nipsey also offers multilingual support, making it accessible for designers around the world to create designs in different languages. Whether you're designing for English, Spanish, French, or any other language, Nipsey has got you covered. If you have any questions, feedback, or comments, feel free to reach out to PutraCetol Design Studio via PM or email. The team is happy to assist you in your creative endeavors. In conclusion, Nipsey is a unique and versatile display font that brings a fun and retro vibe to your designs. With its alternative characters and multilingual support, Nipsey offers endless possibilities for creating eye-catching designs for various display purposes. So, let your creativity flow with Nipsey and elevate your design projects to the next level! Thanks for choosing Nipsey from PutraCetol Design Studio. Happy Creating!

Bookish A little bit bookish, but quietly elegant and well-proportioned, FS Sally is a graceful font family. It’s a refreshingly uncomplicated design that brings sophistication to text and display type, and a distinctive aplomb to both large and small volumes of text. Hidden talents There’s more to FS Sally than meets the eye. Choose Standard for the Latin alphabet or Pro if you work with Cyrillic and Greek typography. There’s a large range of special features, including elegant small caps and a set of discretionary ligatures to add a traditional flavour to figures and fraction sets. Rhythmic There’s a rhythm and flow to FS Sally – the result of the classic but asymmetric design of its serifed feet and shoulders. The inward curve of the serif at the shoulder and the outward curve at the foot subliminally guide the eye through each letterform, and the flicked feet of the “a”, “d” and “u” add an extra kick of energy to the rhythm. The italic forms have their own flow, too, with a pen-like fluency that retains the formal discipline required for a text type. Regular to heavy FS Sally’s five weights, all with italics, cover every kind of print application. The regular weight is elegant in display and an easy read in longer texts. A subtle step up from the regular is the medium, which was created to deliver a stronger colour and finish in poorer printing conditions. The semibold offers a strong alternative to the regular at smaller sizes, and its intermediate feel suits it to sub-headings, title pages and calmer designs. The bold works excellently in book and title headings, and FS Sally Heavy lends weight and punch to poster headlines and logotypes.

Bookish A little bit bookish, but quietly elegant and well-proportioned, FS Sally is a graceful font family. It’s a refreshingly uncomplicated design that brings sophistication to text and display type, and a distinctive aplomb to both large and small volumes of text. Hidden talents There’s more to FS Sally than meets the eye. Choose Standard for the Latin alphabet or Pro if you work with Cyrillic and Greek typography. There’s a large range of special features, including elegant small caps and a set of discretionary ligatures to add a traditional flavour to figures and fraction sets. Rhythmic There’s a rhythm and flow to FS Sally – the result of the classic but asymmetric design of its serifed feet and shoulders. The inward curve of the serif at the shoulder and the outward curve at the foot subliminally guide the eye through each letterform, and the flicked feet of the “a”, “d” and “u” add an extra kick of energy to the rhythm. The italic forms have their own flow, too, with a pen-like fluency that retains the formal discipline required for a text type. Regular to heavy FS Sally’s five weights, all with italics, cover every kind of print application. The regular weight is elegant in display and an easy read in longer texts. A subtle step up from the regular is the medium, which was created to deliver a stronger colour and finish in poorer printing conditions. The semibold offers a strong alternative to the regular at smaller sizes, and its intermediate feel suits it to sub-headings, title pages and calmer designs. The bold works excellently in book and title headings, and FS Sally Heavy lends weight and punch to poster headlines and logotypes.

If you want to write something sincere and genuine but not too formal then this is the font for you. It is based on real handwriting, not some artificial calligraphy made to be either too haphazard or spiky or have loads of elegant flourishes but an ordinary person's writing, and designed to look as natural and as close to the original lettering as possible. Like any person's writing it is individual and distinctive, but so easy going on the eye those differences sit comfortably with you. It is friendly and open with easy to read glyphs both as lowercase and uppercase. The letters are relatively wide with clearly shaped distinct outlines. This font may be ideal for projects where you expect a wide readership with different reading abilities from young to old. When you are using this font a slightly bigger point size usually gives a better result so for a standard letter or similar you should size up to 15 points or more. Maree has been individually crafted to the smallest detail. To create a realistic handwriting font that looks relatively simple but works in a wide variety of languages requires a complexity and attention to detail most fonts will never require. This font in any ordinary business environment would never have been made, the effort required to make it too great, the length of time too long. There have been no shortcuts in this font, no automatic scanning or tracing, no automatic generation, no class kerning. Not only is each glyph individual but the width of letters, the height, the accents and the positions of the accents are all different. Even the line weight of the letters is designed to have natural variation but yet similar enough that the font appears as though it were written effortlessly in the same pen. And in order to keep the spacing consistent even though the letters have different widths, heights, lengths of descenders and so on, there are a vast number of kerning pairs, letter to letter, number to number, letter to number... All kerning has been individually assessed with an eye to proportionality taking in character shape, size and weight. For instance if you write a telephone number the numbers all sit close together but if you write a number before a letter such as in a UK post code or before a unit of measurement an extra little bit of space has been added which makes the number more distinct and therefore readable. That space is so natural to the eye that you don’t even know it is there. However even in the spacing allowance has been made for the fact it can’t be too perfect because when you write by hand the spacing is inconsistent. There have to be some letters which are too close or far apart otherwise the font would look artificial. For similar reasons if you are going to print out this font for a letter, etc, check the print version before you make any letter spacing changes because with the zoom functions in modern applications that uneven spacing and lettering can seem more pronounced than it actually is. When this font is printed out you will find it is surprisingly neat. This font is what it is, simple clear handwriting. You will not go wow. But if you want something unique and different and looks good on the page you won’t be disappointed. This font is not a work of art but it is a work of love. This font has a soul. How many fonts can you say that about?

Grogie font family consists of 06 families,is a high-contrast typography inspired by transitional and contemporary typography. Fonts extend their use by giving weights ranging from thin to black. The natural curve, a swollen and sloping stem, grows in character as the font gains weight. While the thinner weight has lowered contrast and optical correction to create a warm and soft look. Featuring beautiful, excellent weight and extensive language support. The elegant modern font creates a unique design and is sure to steal the eye of the design target audience. Besides being unique, the Grogie font also has a luxury simple character that makes the design charming and luxurious. Grogie excels in display settings such as headlines, titles, branding projects, Logo design, packaging, magazine headings, advertising, short or long text. Grogie Features: Multilanguange PUA Encoded Alternates Ligatures. Open Type LatPro To be able to access alternative fonts, make sure the software you use can support opentype features such as Microsoft Word, Paint, Adobe, Corel draw, Cricut and other applications. If you need help, please contact me :)

Vintage Binary - Display Typeface Font is a captivating font that embodies the essence of vintage and retro aesthetics. With its classic display style, it evokes a sense of nostalgia and adds a touch of ornamental and decorative flair to your designs. This font is a perfect choice for logos, badges, emblems, titles, headlines, posters, branding materials, and more. The vintage retro style of Vintage Binary brings back the charm and nostalgia of bygone eras. Its classic display design captures the essence of vintage typography, giving your designs a timeless appeal. The font is adorned with ornamental elements and decorative accents, adding an extra layer of visual interest and artistic flair. Whether you're creating a logo for a retro-inspired brand, designing a vintage label, or crafting an eye-catching poster, Vintage Binary is a versatile font that will help you achieve an authentic and visually stunning result. With Vintage Binary - Display Typeface Font, you can infuse your designs with the vintage charm, retro vibes, and artistic details that will capture attention and make a lasting impression.

Are you ready to make your branding stand out? Do you dream of creating headings that stand out and inspire creativity, imagination, modernity, and endless fun? Looking for an elegant and stylish font? We've got what you want. Smooth Miracles-A Script Font Smooth Miracles is a font of choice for writing things that go beyond words. This font type is designed with high detail to deliver stylish elegance. So, it can be said, the character of the change is very beautiful, a kind of classical decorative copper script. Smooth Miracles presents alternative variants of most letters, binders, and many calligraphy tips, ideal for elegant labels, high-end packaging, stationery, and compositions for certain brands, beautiful titling, verses, letters and short texts, which are intended to be read only with the eyes or intended to whisper into someone's ear. Our font always includes various language support to make your branding reach a global audience. Features: Ligatures Stylistic Sets Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Give your voice an eye-catching hand-drawn look thanks to this playful font family. You'll get three styles, along with OpenType features including alternates, ligatures and stylistic sets. Galiba Regular works very well with his small brothers Light and Thin. In addition Galiba Light can be used at smaller size along with the other styles to keep the same line thickness. To achieve a random-like effect, the regular style is packed with 4 different variants of each glyph, that automatically cycle if stylistic alternates are turned on. Also you can choose from 5 stylistic sets to easily change the look of a given string, or pick alternates by hand. Not to mention that we've attentively fine-tuned the kerning that’s crucial for this kind of typeface.

Are you getting bored by the growing number of sans-serif fonts that absolutely lack character? Do clean typography and sleek curves repulse you? Maybe it’s time to forget the normal and set sail into the murky waters of abnormality. Abnormal features four styles, ranging from an almost monolinear Light to a reverse-contrast Bold. The design pays homage to 19th century poster typefaces, with their crude character and unconventional means of catching the eye. It is one of the few typefaces out there that features reversed contrast and no serifs. These properties make it an ideal choice for large headlines, posters, flyers and essentially all applications where getting attention is a paramount. Abnormal offers extended language support, standard ligatures, alternative lowercase “a”, fractions, ordinals and a plethora of quirkiness at your disposal.

A modern sans serif typeface inspired by the historic geometric’s of the 1920’s, specifically Futura. The design is not a simple pastiche of what went before this is much more than that. It is a close investigation to how Futura inspired other type designs like Avenir and helped push the boundary of what is a modern typeface of its generation. Overlaying perfect geometric shapes careful adjustment is made for each character and each corner to a point of balance between pure mathematics and optical correctness. The result is a distinctively modern geometric font family that is strikingly simple in design yet perfectly pleasing to the readers eye. Details include 550 characters with an alternative lowercase a, g and y, five variations of numerals, manually edited kerning and Opentype features.

Discota - Fluffy Display Font embodies the retro coolness of the 80s and 90s, exuding a playful and groovy aesthetic reminiscent of those iconic decades. Its rounded, boogie-inspired design with soft edges and friendly appearance makes it an ideal choice for projects aiming to evoke nostalgia or a carefree, energetic atmosphere. Discota effortlessly captures the spirit of the past, making it the perfect choice to infuse your creative work with a touch of nostalgia and a whole lot of fun. Choose Discota to bring the funky and stylish aesthetics of the 80s and 90s to your designs, creating a memorable and captivating visual experience. This typeface enhances a wide range of design projects, including greeting cards, packaging, brand identity, posters, and more, adding eye-catching and trendy appeal.

Introducing our new beautiful calligraphy font, Magthina Blessing! A beautiful script for those who want to perfect their designs with elegance and style. Magthina Blessing includes a full set of upper and lower case letters, common letters, numbers, punctuation, ligatures and multilingual. There are two different strokes for each lowercase letter so you can easily give your designs a natural, yet sophisticated, hand calligraphy look. Magthina Blessing is interesting because the typeface is pleasing to the eye, clean, feminine, sensual, glamorous, simple and very easy to read, due to the many luxurious letter relationships. You will get: (according to what is shown in my presentation or product cover) File Magthina Blessing If you need help or have any questions, let me know. I'm happy to help. Thanks & Happy Designing!

Rig Solid extends your typography toolkit with a range of energetic 3D fonts. Add dynamism to headlines and logos 13 styles across four weights Solid and gradient 3D designs Clean ‘unbreakable’ geometric shapes Rig Solid follows the award-winning design of its big brother, Rig Shaded. Each style can be used individually, making it even easy to achieve eye-catching 3D effects in print and on the web. The striking halftone styles add texture to your typography, while the hardy solid styles give your designs a visual punch and remain prominent when used over photography and patterned backgrounds. The family includes the unshaded style, ‘Bold Solo’, to perfectly compliment the shaded styles or be used on its own. Rig Solid does not require professional design software to use and is compatible with Microsoft Word.

Introducing Keslie - Elegant Stylish Serif Keslie is a modern and stylish serif font that effortlessly combines trendy aesthetics with elegant charm. With its eye-catching appeal and fancy, charming characteristics, Keslie is the perfect choice for captivating designs. Its clean letterforms exude sophistication, making it ideal for high-end branding and editorial layouts. Keslie's unique character forms and balanced proportions ensure that your text stands out, adding a touch of modern elegance to any project. Unleash your creativity with Keslie and let its aesthetic, stylish, trendy, and elegant features elevate your designs to new heights. FEATURES - Stylistic Alternates - Ligatures - PUA Encoded - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Brim Combined packs all of the character of the popular layered typeface, Brim Narrow, into three eye-catching font styles. Inspired by antique wood type from the 1800s, Brim is warm and tactile. Its innovative styles produce both striking headlines and sophisticated titles, making it perfect for posters, packaging and logotypes. Brim Combined makes it even easier to achieve punchy headlines on the web. This flattened version of Brim does not require professional design software to use and is compatible with Microsoft Word. • Combined 1 features Brim’s elegant, handmade line work • Combined 2 includes a drop shade with an outline • Combined 3 has an offset shade and a reversed-out face Brim is an all-caps typeface with Western European, Central European and South Eastern European language support.

Kicker FC is a typeface created for the love of sport, it has all the right elements to make for a great sports display font to give your brand and art work the right look and feel in this genre. It has a great variation in weights, stylistic alternates to provide flexibility and to add more customisation a shadow version for each weight to give your typography a custom graphic look and feel. Kicker FC is perfect for use in various sports categories, college sports, baseball, basketball, football and as show in all the poster images and more specifically the name Kicker FC, soccer. Not only is the typeface a perfect fit for sport, it works just as well for beverage, tech and various other industries. Narrow in width provides great eye catching headlines.

Waltowns is a dynamic and expressive typeface that captures the essence of street art with its bold and energetic design. The letters are characterized by organic shapes, reminiscent of marker strokes on urban surfaces. The font exudes a raw and brave vibe, reflecting the spirit of graffiti culture. The font includes a diverse set of characters, allowing for creative and eye-catching compositions. Whether you’re designing posters, album covers, or any other graphic project, Waltowns inject a sense of urban attitude and artistic edge. Its versatility makes it suitable for a wide range of applications, making your designs stand out in the crowd. Waltowns is not just a font; it’s a statement. It represents expression, the vibrancy of the streets, and the bold creativity that defines graffiti art. Use Waltowns to bring a touch of urban authenticity to your design projects and let your creativity run wild on the walls of the digital world.

Technology in mind in 12 fonts Allumi is a different font. Different from anything Jean François Porchez has designed in the past. Allumi is a sleek typeface designed with technology in mind. It’s a perfect font family for any communication concerning design, robotics, or functionality. Pushed to its extreme limits, the Allumi shapes are neither perfectly round or geometrically square. It’s a human design with a high tech touch. Allumi can be described as the Eurostyle (designed by Aldo Novarese in 1964) of the new century, mixed with Frutiger. Allumi is a serious typeface because of the unique design and sturdy form. The pure shapes can create a global presence today with an eye on the world of tomorrow. Two widths The Allumi family has been built around two series of widths, standard and extended. Italics have been carefully designed as slanted roman with all necessary optical and human corrections to create a perfect and neat italic. I Love Typography 2009

Sashay, you stay! Voguing is inspired by the movement and glamour of the ’80s/90s and New York ballrooms scene. Based on multiline strokes like our first font release Afrobeat but this time playing with the movement and direction of strokes we got a 3D effect to embrace the feeling of Voguing Art Expression. We highly recommend to combine Voguing with Nautica Sottile Modern letterforms reminding the skeleton of geometric type and serving optical contemporary elegance to this typeface presented in 3 different styles: regular, slanted and backslanted. The font includes also a set of ligatures accessible through OpenType perfect to customize your text. Bring a “10 across the board” to your layout with this new font family. Voguing is perfect for fashion, publishing, cosmetics, sports and art industries. Its eye catching effect works great for headlines, branding, magazine, social media posts, website headers, posters, ads, stationery designs and products. Check out also Dreamteam & Afrobeat

Say hello to Kokomo Breeze - A deliciously bold and nonchalant casual marker font. Kokomo Breeze was designed to keep a naturally handwritten marker-style look , while still maintaining some subtle inky marker imperfections on its edges , to keep in line with a more realistic, yet very legible look. Great for headlines, bold branding, classy packaging, eye-catching callouts and stand-out advertising, Kokomo Breeze is designed to be your jack of many trades. Be sure to turn on your OpenType features when type with Kokomo Breeze - it’s packed with natural-looking ligatures and alternate characters for both upper and lower case - all of these opentype extras make your type design look mush less mechanical, and much more like naturally formed words as you type. Pair it with a bold tall sans serif font, or a classy serif to add another whole new dimension to this very versatile marker font. Great as large and small sizes, Kokomo Breeze is perfect for any size design.

OCR A and OCR B are standardized, monospaced fonts designed for Optical Character Recognition" on electronic devices. OCR A was developed to meet the standards set by the American National Standards Institute in 1966 for the processing of documents by banks, credit card companies and similar businesses. This font was intended to be "read" by scanning devices, and not necessarily by humans. However, because of its "techno" look, it has been re-discovered for advertising and display graphics. OCR B was designed in 1968 by Adrian Frutiger to meet the standards of the European Computer Manufacturer's Association. It was intended for use on products that were to be scanned by electronic devices as well as read by humans. OCR B was made a world standard in 1973, and is more legible to human eyes than most other OCR fonts. Though less appealingly geeky than OCR A, the OCR B version also has a distinctive technical appearance that makes it a hit with graphic designers.

You are looking at the friendliest, happiest and most faithful of puppies. It comes to greet you as soon as your eyes see it, radiates its joy, wags its tail, jumps in circles, and begs to be played with. Showboat is a very unique bragger of a font. Its bouncy metrics and whimsical shapes are a sure formula for attention. People will soak it in and feel happy while they do. How can anyone greet such happy letters with anything other than a smile? No matter how many fonts your design box has, you can be sure that none of them is this radiant, lively or cute. This happy camper comes in four fonts: two weights and a large number of corresponding ligatures and alternates. Showboat can be used in a vast number of design applications; flyers and webs for parties, pre-teen and teen events, scrapbooking, candy branding, posters, children's publications and web sites, pet stores and products, toys, and many many other things.

Stabile is a rather stylish casual font with ​​loads of good vibes and alternates: there are four glyphs for each letter, two for each numeral plus swashes to this side and the other. Two for each side, in fact. It's a flexible font that looks unique and quite distinctive, with its charming uneven look that gets even more uneven when Contextual Alternates are turned on. Stabile family brings a delish accompanying font, Stabile Toys, packed with organic shapes inspired by the breathtaking work of the american artist Alexander Calder. These play together deliciously well, you can bet. Are you prepared to balance them? Enough reading, then, just go ahead! A couple quick notes on usage: . Go with Contextual Alternates to instantly cycle glyphs. Eye-catching results guaranteed! . Swash feature turns on (guess what...) swashes. But there's always alternative swashes, like to this side going up or to this side going down, that side up or down, so it's cool to pick your choices through a glyphs palette​.​

Type designer Hannes von Döhren created Brevia, a soft sans-serif type family consisting of seven weights plus matching italics. The fonts have a hint of a brushed feeling and come across as casual and friendly. Nevertheless Brevia’s architecture is straight, making it perfect for longer texts. Because of its large x-height, it also performs well in very small sizes. Brevia’s heavier weights are slightly more curved and have an eye-catching appearance. They unfold their strength especially in greater sizes. This contemporary type family is intended to be used in applications like Cosmetics, Service, Food and Advertising–basically everywhere a pleasant feeling should be conveyed. Brevia is equipped for highly professional use. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes small caps, fractions, old style-, lining-, tabular numbers, scientific superior/inferior figures and a set of arrows.

Perm your hair, squeeze into your lycra, and retro-fy your text with Bayshore! A totally tubular mono-line script font straight out of the 80's. This hand-drawn font is perfect for creating slick & stylish lettering. Whether it’s for logos, product packaging or merchandise, Bayshore is guaranteed to give your text an unmistakeable retro quality. Bayshore comes as a single font file with added features allowing you to customise your text; End Swashes • Each lower-case character has a separate ‘end-swash’ version, use this for the last letter in a word to give it a custom-feel styling. These end-swashes are accessible via any software with Opentype capabilities, simply by turning on ‘Stylistic Alternates’. Underline Swashes • Four swashes of varying lengths are also available, simply by typing any of the square brackets [ ] { }. These can be used to underline your text and give it a real eye-catching quality.

Discover The Noerman, an exciting graffiti font inspired by gemstone designs. With its vibrant and playful style, this font is perfect for creating eye-catching graffiti posters, Hip Hop music artwork, children's posters, flyers, children's books, cartoons, comics, and more. The Noerman unleashes your creativity with its unique blend of uppercase and lowercase characters. Express your urban artistry with the expressive and dynamic letterforms that make every word pop off the page. From bold tags to intricate graffiti pieces, this font brings an authentic street art vibe to your designs. Designed for versatility, The Noerman features a comprehensive character set that includes numbers, punctuation, and multilingual support. Break language barriers and reach a global audience with ease. The inclusion of ligatures adds extra flair and enhances the seamless flow of your typography. Unlock endless possibilities with PUA (Private Use Area) Encoding, providing access to special characters and glyphs. Let your imagination run wild as you create custom designs that leave a lasting impression.

XXII CoolScript - The vibrant typeface with a ton of alternates MAJOR UPDATE This is a big update of XXII CoolScript. First of all, from now it’s a whole family with 7 new weights from ExtraThin to Black. It comes with more than hundred additional glyphs, some more alternates, ligatures, numerals and fitting opentype features for fractions and two extra ampersands. This lovely script font by Lecter Johnson is another, more soft and round one in the series of Doubletwo Studios’ script fonts (XXII YeahScript, XXII AwesomeScript). Its wonderfully designed letters, ligatures and alternates may bring a charming and individual handwritten look to your creation. This fonts are designed to easily create logos, headlines and text phrases within a blink of an eye. Just open your glyphs-palette* and simply chose, from up to 27 different alternates and variations per glyph, the one that fits best for your needs. *For further information visit the Behance Project.

OCR A and OCR B are standardized, monospaced fonts designed for Optical Character Recognition" on electronic devices. OCR A was developed to meet the standards set by the American National Standards Institute in 1966 for the processing of documents by banks, credit card companies and similar businesses. This font was intended to be "read" by scanning devices, and not necessarily by humans. However, because of its "techno" look, it has been re-discovered for advertising and display graphics. OCR B was designed in 1968 by Adrian Frutiger to meet the standards of the European Computer Manufacturer's Association. It was intended for use on products that were to be scanned by electronic devices as well as read by humans. OCR B was made a world standard in 1973, and is more legible to human eyes than most other OCR fonts. Though less appealingly geeky than OCR A, the OCR B version also has a distinctive technical appearance that makes it a hit with graphic designers.

Several roads have been closed around my village, so I need to drive alongside narrow country roads ro get my groceries done. The roads are so narrow that two cars cannot pass, so you need to use the (muddy) kerbs. A lot of cars these days have Xenon lights and they shine really bright and blue. I am non xenon-phobic, but I can tell you that the ‘old’ yellowish headlight were softer on the eyes, especially when you’re trying to navigate narrow country roads! Yes, I know, a long story leading nowhere, but a little personal story (in my opinion) is better than a boring text full of technical bla bla. A font is a font after all and I don’t need to explain what it looks like, because you can see that for yourself! Headlight Blue is a handmade, all caps display font. It comes with all the trimmings, including two sets of alternates that cycle as you type.

Large font sizes are often hard for the eyes to see and difficult to read. As a consequence, you have to give a lot of extra effort just to find out the right, legible font type with a great weight for your brand. Restages is a capitalized display serif font with less thickness for an effortless readability. This font type is perfect for formal contents because of its stylish, elegant characters to strengthen the impressions delivered. Furthermore, this font is truly legible due to its simple, regular serif forms to ease readers to recognize each letter correctly. Make use of the font features available here. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Restages fits best for various design projects, such as brandings, posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Cute Letters is a hand drawn font family in two styles with extensive character sets. Cute Letters - Hearted is a vibrant happily singing script, all capital as well as some lowercase letters are decorated with heart shapes. Second: Cute Letters - Heartless is still as vivid as it’s sister Hearted but a little less briskly, some straightened forms and without the decorative hearts. Both styles are readable and suitable for longer texts in medium point sizes. Cute Letters Hearted & Heartless is a part of the Light Hearted Font Collection that is inspired by a recording of Jean Baudrillard with the title, "Die Macht der Verführung" (The Power of Seduction) from 2006. Further inspiration came from the article, "The shape of the heart: I'm all yours". The heart represents sacred and secular love: a bloodless sacrifice. by British writer Louisa Young printed in EYE magazine (#43) London, 2002.

Lectio is a Roman font based on a Venetian Renaissance early typefaces, but with a modern and expressive design. His obvious calligraphic influence favors continuous text reading. The generous internal "eye" gives Lectio an appropriate legibility, its soft and organic modulation avoids fatigue, its robust character is attractive and stimulating in large bodies, especially for use in headlines. Lectio comes in two versions: Lectio and Lectio B. Lectio has seven weight and their corresponding slanted variables (true italics). Lectio B is composed only of Italics in six weight. The ascenders are slightly lower, the descending are more regular and the oblique trace of some letters have a more constant rhythm. Each of these faces has the optimum amount of contrast agains the background and clear and open internal letter shape. These fonts include diacritics for CE languages, Old Style figures, standard and discretional ligatures.