Touch Me is a Script hand-drawn style typeface—designed by Coto Mendoza—resulting from polyrhythmic exploration, sign deconstruction and altered calligraphic contrast plays with watercolour brush. Coto has been using these experimental calligraphy techniques when creating the catchwords for Macarons, the Boho Family, Bikini Season Script and Matcha Script and so forth. Touch Me was inspired by a character in a story written by Coto while attending a literary workshop with Ina Groovie in Santiago de Chile. The character is a tribal girl who lives on an island in the Caribbean. She is heir of ancestral knowledge and possesses wild beauty, very passionate and sensual: intense, strong and free. These features are reflected in the polyrhythm of the typeface's curves: an irregular baseline, variable x-height, different lengths of initial and terminal strokes (that sometimes expand and sometimes shrink) and amount of brush pressure that generates changes in contrast within the characters. This way, when composing, signs with stroke contrast randomly alternate with monolinear ones and with signs of altered contrast, thanks to the typeface's OpenType programming. The family, with more than 3,000 glyphs, provides a number of alternative characters, swashes, ligatures, initial and terminal forms, in short, a vast ocean of choices! Touch Me is a spontaneous typeface with a fresh and unique personality. It is the perfect choice for short text in both print and digital formats. The family comes with a Script Regular version and a seductive Script Drop that you will enjoy a lot! The Extras set includes some catchwords, dingbats and ornaments that allows for endless composition options. The family also comes with a Caps version —designed by Luciano Vergara—in 2 styles: a funny and big-headed condensed Sans Grotesk display of inverted vertical proportion plus a Grotesk, neutral and slightly expressive Petite. Both versions, available in 6 weights, have been especially designed to create hierarchies when composing. This allows for balance between strokes of different weight when it comes to the Sans and Script fonts. Come and dare yourself! Touch Me! Thanks Alisa for sharing your amazing and beautiful picture with us.

Overview of BD Megatoya Consists of 41 fonts, including nine upright, nine italics, nine extended, nine extended italics, all in nine weights from thin to black. 4 outline version in black weight. 1 variable with three axes (weight, width, slant). 1,470 glyphs in each font. Opentype features include small caps, stylistic alternates, ligatures, complete numeral figures, ordinal, case-sensitive forms. language support: Western European, Central European, and Southeastern European. About BD Megatoya Taking a geometric sans serif approach, we designed the letterform with details on round characters to pursue harmony and leave a slightly boxy feel to the extended style. The stylistic alternate is one of our concentrations to make them versatile yet still preserve consistency in stem and metrics to provide good readability in small text. Overall, the various treatments for each character will encourage each other to dynamic colours, flexible, and functional impressions in their application. Slicing edges The edge of the letter slice in 45 degrees will give the impression of a sparkle of light when you look at them for the first 2 seconds (our experience). This is what we did a few years ago when working on automotive branding. The word-mark logotype with slicing form gives an exclusive and different impression from its crowds. If you agree with us, does BD Megatoya deserve to be called a problem solver in branding projects? Jump over to .ss07, .ss08, .ss09, and .ss10 to find them! The Features BD Megatoya font family includes 41 great fonts in nine weights, an extended character set of over 1400 glyphs, multilingual support such as Southeastern Europe, Central Europe, Western Europe. Also advanced & useful open-type features: case-sensitive forms, small caps, standard and discretionary ligatures, stylistic alternates, ordinals, fractions, numerator, denominator, superscript, subscript, circled number, slashed zero, old-style figure, tabular and lining figure. Use BD Megatoya BD Megatoya is very suitable for branding projects and many designs purpose like advertising, posters, invitations, branding, logos, magazines, merchandise, presentations, etc. It's a FREE Get one weight from the BD Megayoya family for Free! Apply to your amazing projects and enlarge your creative tools by adding the complete BD Megatoya family to your font library.

My goal was to make a design that might fit in anywhere,” says Jim Ford about his Quire Sans™ typeface. “I wanted it to be highly functional and sexy at the same time.” With one foot comfortably in the realm of oldstyle design and traditional book typography, and the other in evolving electronic media, the Quire Sans family does, indeed, fit in just about anywhere. As for sexy, someone once quotably wrote, “A great figure or physique is nice, but it's self-confidence that makes someone really sexy.” Yes, Quire Sans is sexy, performing confidently in virtually any setting. 2014-06-26 00:00:00.000 57.9900 F43063-S193385 42831 Neue Frutiger World Monotype https://www.myfonts.com/collections/neue-frutiger-world-font-monotype-imaging https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/279026_ed8c8093fe1ac59ebe9e3ee1d9262c8e.png Neue Frutiger World is designed for global use with an impressive range of 10 weights, from Ultra Light to Extra Black, with matching italics. It embodies the same warmth and clarity as Adrian Frutiger’s original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. Neue Frutiger World supports more than 150 languages and scripts including Latin, Greek, Cyrillic, Georgian, Armenian, Hebrew, Arabic, Thai and Vietnamese. “Before Neue Frutiger World it was not an easy task for western brands to find families in Arabic, Hebrew, Thai and Vietnamese which match with their Latin,” says Monotype type director Akira Kobayashi, who led the Neue Frutiger World project. “They may find a type with closer expression, but there was no guarantee if the bold version in the non-Latin family matches the bold in their Latin. Neue Frutiger World offers a better solution.” In addition to Neue Frutiger World’s linguistic versatility, it works hard across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments. The Neue Frutiger World fonts can be paired with Monotype’s CJK fonts: M XiangHe Hei (Chinese), Tazugane Gothic (Japanese), Tazugane Info (Japanese), and Seol Sans (Korean). These were all designed to address brands’ needs to expand into Asian cultures and solve for global typographic challenges.

Borek is a geometric monoline sans-serif display font. It works well in both display and text applications.

Tina is another powerful script designed in the style of the classic forties and fifties American advertising fonts.

Originally written out in his own blood by Shrill Richard Starkings, this font is NOT FOR THE NERVOUS!

Did you ever draw something with you finger in milk that has been just spilled on the table?

This is a revival of a Wagner & Schmidt font, released in the first quarter of the 20th century.

A neat handwritten font in an upright, feminine style. The bar key | contains a cute slice of cake.

Bangilan Script Font I hope this font is interesting to use in your design projects. thank you GFRcreative

MM Zaftig is a display typeface for setting text in posters and headlines where big impact is needed.

Little people that appear to be made with putty stretching themselves in fun configurations to spell out words.

Essential version of PragmataPro™. It contents a selection of glyphs useful for programming in English language only.

Diffie is a funky font that is informal yet legible, in 4 standard versions and 2 FX versions.

a free digitization of ancient types of Ottaviano Scotus, from incunabula times, printed in Germany by Anton Koberger

Dakon Script Font I hope this font is interesting to use in your design projects. Thank you GFRcreative

DB Fright Night is a collection of fun sketches and doodles just in time for Halloween. Happy Haunting!

Gargoyle is designed for use in headings, informal announcements or any project where a friendly look is desired,

A chunky fat font perfect for titles in both a chalkboard sketch style and a regular solid version.

ARTypes Initiales ombrées transcribed from 84-pt letters made by Gillé fils in 1828, descended to Deberny & Peignot.

The Brigida font was influenced by a very common European letter form used in Sweden between 1350-1500.

Westro is great for portraying western look and feel in a poster, banner or any kinds of headlines.

A unique semi geometric type that is inspired by natural round forms that flow in a sweet harmony.

Blarak Script Font I hope this font is interesting to use in your design projects. thank you GFRcreative

A highly decorative set of capitals suggesting nineteenth century forms, designed by Louis Minott for VGC in 1965.

Decorative Arrows JNL is a collection of twenty-six decorative arrows provided in right and left facing directions.

STAR7 Racing Font I hope this font is interesting to use in your design projects. thank you GFRcreative

Kapelka's design was prompted by a candy wrapper and brush lettering. For use in advertising and display typography.

Based on an ancient secret writing system. NOTE: this font comes with an interpretation guide in pdf format.

Mortised Caps join the victoria font Renouveau in a classic mortised frame from golden times of american foundryes.

Asdonuts Display Font I hope this font is interesting to use in your design projects. thank you GFRcreative

Ariesa Blackletters Font I hope this font is interesting to use in your design projects. thank you GFRcreative

This font family is based on original Roman capitals created by Ludovico Vicentino Arrighi in the 16th century.

PragmataFlash is the version of Pragmata to use in Macromedia Flash at 9, 11 and 12 point size.

Patented in 1867, this face adds peaks and shadows to the Egyptian form so popular at the time.

Anderik Script Font I hope this font is interesting to use in your design projects. thank you GFRcreative