The initial inspiration for CA Spotnik was the opening title of an early Andrei Tarkovsky movie. There was this very unconventional hand drawn “s” which drew my attention. Despite its strange shape, it felt totally natural in that context. So we made a few screenshots and started to sketch some more letters in order to catch the spirit that attracted us so much. The result is a grotesque typeface with a slight contrast, the proportions are rather wide with a large x-height. The bolder the weight, the wider it gets. In case you find the swirly “s” uncomfortable, there is a standard s included as well. The general atmosphere of the typeface, which could be described as “nerdy but friendly” doesn’t depend on this detail. It’s rather the sum of details derived from the original inspiration.

A tall upright CAP font with small caps. Now includes the Capital German double S (Eszett) ß. Applications include Captions, headlines, packaging, posters, ads, greeting cards, book jackets and/or covers.

Helgis Black is a hand crafted font, inspired by album covers of progressive and psychedelic rock bands of 70's. It is perfectly suited for covers (books, albums), posters and games.

The Neuzeit Office family is designed after the model of the original sans serif family Neuzeit S™ , which was produced by D. Stempel AG and the Linotype Design Studio in 1966. Neuzeit S itself was a redesign of D. Stempel AG’s DIN Neuzeit, created by Wilhelm Pischner between 1928 and 1939. Intended to represent its own time, DIN Neuzeit must have struck a harmonious chord. DIN Neuzeit is a constructed, geometric sans serif. It was born during the 1920s, a time of design experimentation and standardization, whose ethos has been made famous by the Bauhaus and De Stijl movements in art, architecture, and design. Upon its redesign as Neuzeit S in the 1960s, other developments in sans serif letter design were taken into account. Neuzeit S looks less geometric, and more gothic, or industrial. Separating it from typefaces like Futura, it has a double-storey a, instead of a less legible, single-storey variant. Unlike more popular grotesque sans serifs like Helvetica, Neuzeit S and especially the redesigned Neuzeit Office contain more open, legible letterforms. Neuzeit Office preserves the characteristic number forms that have been associated with its design for years. After four decades, Neuzeit has been retooled once again, and it is more a child of its age than ever before. Akira Kobayashi, Linotype’s Type Director, created the revised and updated Neuzeit Office in 2006. His greatest change was to retool the design to make its performance in text far more optimal. Additionally, he created companion oblique to help emphasize text.

Berlin Sans is based on a brilliant alphabet from the late ’20s, originally released by Bauer with the name Negro, the very first sans that Lucian Bernhard ever designed. Assisted by Matthew Butterick, David Berlow expanded this single font into a series of four weights, all complete with expert character sets, plus a dingbat font. Imaginative & little-known, it promises enticing opportunities to the adventurous typographer; FB 1994

Wild Creatures is a bold brush font, in three variations: regular, jumpy and jumpier. The jumpy and jumpier versions of the font include contextual alternates OpenType feature to give the font a bouncy and bouncier baseline. Wild Creatures also includes an all caps feature and a swash dingbat font, perfect to decorate your lettering designs. Use Wild Creatures in all your modern designs, such as quotes, branding, postcards.

A quintet of remorseless homewreckers, each member of the Vamp family contains hypnotic dingbats to lure you into their web. The Vamp family consists of the bewitching Vamp, the bigger, brasher Vamp Bold, the dangerous, psychedelic Psycho Vamp, as well as the lean (but still mean!) Vamp Slim and Vamp Slim Oblique. The Vamp family's seductive art deco form and fiendishly geometric wiles will break your heart and steal your soul.

WORKSHOP Marker is a handwritten font with a casual and modern look. You can use the alternates and ligatures to give your design a realistic, hand painted look. If you find a single repeating glyph, you can change that by toggling between Stylistic Alternates. There are Cyrillic glyphs and more then 100 playful Dingbats in the same style. WORKSHOP Marker is the perfect choice for all imaginative, playful and beautiful things.

Romina is a neoclassical font family with a hight contrast, developed for numerous uses, ranging from news to magazine and catalogs to corporate design and web. The Romina family consists of 7 weights from extra light to extra bold with matching italics. Romina provides advanced typographical support with features such as ligatures, small capitals and case sensitive forms but also some dingbat, special glypfhs and the others opentype features.

In the DR Krapka Round typefamily, the pixel has a round shape. The font supports OpenType features and contains small capitals, ligatures, oldstyle figures, terminal forms, historical forms, stylistic sets. The dingbats, arrows, emoji are also present. For small texts, it is recommended to use DR Krapka Round-FontSize10px in the font size 10 px. DR Krapka Round typefamily supported European languages based on Latin, Cyrillic and Greek scripts.

In the DR Krapka Rhombus typefamily, the pixel has a rhombus shape. The font supports OpenType features and contains small capitals, ligatures, oldstyle figures, terminal forms, historical forms, stylistic sets. The dingbats, arrows, emoji are also present. For small texts, it is recommended to use DR Krapka Rhombus-FontSize10px in the font size 10 px. DR Krapka Square typefamily supported European languages based on Latin, Cyrillic and Greek scripts.

Bats, Cats, Ghosts and Ghouls, Zombies, Witches and Spiders galore. Cackling to herself alone in her coven, our very own Scary Godmother, Lilou, threw eyes of newts and wings of bats into her cauldron and sent her unearthly children down the street with mischief in mind. Our Halloween Dingbats have every kind of Spooky Monster she could imagine, and a few more besides. Keep your porch light on. Trick or Treat

In his book of 100 Wood Type Alphabets, Rob Roy Kelly called this face "Teutonic". This version adds lowercase letters, missing in the original, plus a few woodcut dingbats in the brackets, bar, section and florin positions. Named for a charming town in the Texas Hill Country, founded by German settlers in the mid-1850s. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Say hello to Suerte. This new typeface with inverted contrast and bifurcated serifs was inspired by Caslon’s Italian type and by Aldo Novarese’s Estro, published by the turinese foundry Nebiolo. Our aim was to develop a wood type typeface adding a new personality incorporating Tuscan serifs. The complete alphabet was designed with a flat long brush and Indian ink and then vectorized. Suerte contains a big set of icons and dingbats.

As you can see above, Grante can smartly fit pretty different needs. While lowercase letters are bold-with-soft-edges, caps are magic: this font counts more than 100 ligatures for you to play in an OpenType-aware application. It is worth mentioning that even without OpenType tricks it is possible to use these ligatures, setting them "by hand". We hope you enjoy. Hey! Have we said that dingbats are included?

Kiddy Kitty is a soft and friendly sans-serif type family which consists of 6 upright italic and 5 italic weights. It supports Western and CE Latin and Cyrillic, and it also has some ligatures and swashes and 16 carefully drawn cat dingbats in each font. Kiddy Kitty is good for greeting cards, children's books and package design. It is designed by Vasily Biryukov with some support of Alexandra Korolkova.

Graphen family is a hand drawn typeface with 5 different weights. This font contains script that replaces glyphs with their alternates. It is based on checking the same glyphs in close range - not on a random appearance. Every weight was designed with attention to detail, so it can be used in small sizes and even on big posters. Weights include different features, such as dingbats or old style figures.

This font is packed with over 1,100 glyphs and gives you vast possibilites to give handwritten feel to your text - be it in English, Íslenska, Russian, Cymraeg or Čeština. Apart from featuring great number of letters there are also dingbats, roman numerals and mathematical operators included. Recommended to use in projects where personalized, legible, cheerful and straightforward look is required. The design is inspired by mature handwriting, unisex in expression.

Meet Arlen, a funky, variable type family in 36 styles. Inspired by 20th century hand-painted signs and the visual culture of the 1980's, Arlen adds a little extra to this already charismatic mix. Arlen is a display sans serif that can be freely used for larger bodies of text. Among its most prominent visual features are high contrast, flaring stems and dynamic letterforms. With 860 characters in each font, Arlen supports most Latin-based languages and offers a large number of extra characters, dingbats, alternate glyphs, ligatures, and punctuation marks. Some of the most useful OpenType features are included too, such as Case-Sensitive Punctuation, Stylistic Alternates, Tabular Figures, Fractions, Localization, and a lot more. Some letters and characters come in two versions: thin and bold, and you can easily alternate between the two using a corresponding stylistic set. Arlen is a cheerful typeface that conveys kindness, good cheer, and only good vibes. It would feel at home both in digital and print mediums; it can be used in advertising, editorial design, social media, web design, packaging, or personal design projects. With versatility at its heart, Arlen would be a perfect typeface for large design systems that require multiple styles for typesetting.

The first inspiration for Missiva was a sixteen century letter from S. Francisco Xavier (St. Francis Xavier) but then I adapted my own handwriting in order to have the basic character set.

PipeDream is a thick, slab-serif typeface. It is perfect for short, attention grabbing headlines. Inspired by 1990's computer games this bold face is a force that refuses to be ignored.

Psychoart Typeface , contemporary of Psychedelic Serif font, inspired by 1970’s era. Psychoart offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

The idea was to mix liberty lettering with 70’s psychedelic posters and dedicate a font to Groupies. Check out the alternative glyphs and icons included. Have fun and be a Groupie

Avento this is a wonderful vintage font designed in the Art Deco style. With it, you will be transported to the era of the 20s-60s. it will add charm, estetica and create a unique atmosphere of this time in your design project. this font includes four styles : regular, InLine, thin outline and bold outline, as well as it has many alternates that you can use to play with the dynamics of the font. This font is easy to use and has OpenType features. Following international .

Magic Love is an amazing hand lettered script font, looking attractive and natural. Every single letters have been carefully crafted to make your text looks beautiful. This font contains over 260 glyphs, including over 57 alternate characters with swashes. It has over 60 extended Latin characters for multilingual support. Magic Love is suitable for invitations, branding, advertising, poster design and more, and is also PUA encoded so all characters are accessible via Character Map, Font Book, or the font management program of your choice.

This duo of handlettered-style vintage Americana fonts is a versatile package that can not only provide that subtle secret sauce that transports the viewer back 60 or 70 years to the neighborhood grocery store, it's also capable of conjuring up a very forward-looking and relaxed modern vibe. Whether it's the extra bold mid-century signpainter style of the sans serif, or the quick-brush liveliness of the casual script, you'll find this versatile pair is a real go-to for a variety of great looks.

Introducing our new retro style font, designed to take you back to the good old days. With its bold and playful design, this font is perfect for creating eye-catching designs that evoke nostalgia and fun. Inspired by the groovy typography of the 60s and 70s, this font features thick and rounded letterforms, playful curves, and a distinct retro feel. Its versatility and legibility make it a great choice for a wide range of projects, from branding and packaging to posters and social media graphics.

Initially started as an extension to Praline MCL, Roca transformed into a new font family - influenced by the same fonts as Praline - Windsor and Cooper Black - the hits of 60s and 70s – with a hint of Bookman. Created in 2 styles and 6 weights that can be mixed and match, it contains 24 fonts including alternates and true italics . It is full of OpenType features – stylistic alternates and ligatures. This multilingual font family supports most of the European languages as well as Cyrillic ones (Russian and Ukrainian).

Manaline includes a hand lettering look that is attractive and natural. Every single letter has been carefully crafted to make your text look beautiful. This font includes over 233 glyphs, including over 30 alternate characters with swashes. It has over 60 extended Latin characters for language support. This font is suitable for invitation, branding, advertising, classic design, poster design etc, and also this font is PUA encoded so all characters are accessible via Character Map, Font Book, or the font management program of your choice.

Do you want your visuals to be louder? Hurtmore typeface can make your visuals more powerful. A fun handwritten design with a realistic scribble style. It can add a sense of loudness and boldness to your visuals. Hurtmore also features a unique stylistic alternating character. You can mix and match it however you like! It is perfect for packaging, posters, quotes, editorial, and branding projects that need a bold impact. Features: - Total 232 Glyph - Uppercase - Alternates & Ligature - Numerals & Punctuation - Multilanguage Supports 60+ Latin based languages

Hello Summer, an amazing hand lettering font with an attractive and natural look. Every single letter has been carefully crafted to make your text looks beautiful. Hello Summer includes over 250 glyphs and over 53 alternate characters with swashes. It has over 60 extended Latin characters for language support. This font is suitable for invitation, branding, advertising, classic design, poster design, and more. Hello Summer is PUA encoded so all characters are accessible via Character Map, Font Book, or the font management program of your choice.

Love and Heart is an amazing hand lettering font with an attractive and natural look. Every single letters has been carefully crafted to make your text looks beautiful. This font contains over 256 glyphs, including over 57 alternate characters with swashes. It has over 60 extended Latin characters for language support. Love and Heart is suitable for invitations, branding, advertising, poster design, and more. It is PUA encoded so all characters are accessible via Character Map, Font Book, or the font management program of your choice.

BB Strata™ (Pro) is the first font with only octagon angles (±45°), polyspacing (same width in every weight), optical shape and monoline variants for any type of use. The ideographic system was created for an exhibition in 2015 to visualize the process and results of scientific investigations in a historical and contemporary context. ● 9 Variants (incl. SS19, SS20) ● 37 Opentype-Features/Style ● 60 Stylistic Sets (20/Variant) ● 90 Styles (incl. SS19, SS20) ● 40 OT-Features/Style ● 97 Languages Support ● 31,920 Glyphs (1064/Style)

Introducing Vintage Waves. A retro bold serif which will bring you back to 60s feel. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

The Farfa fonts were designed for institutional use, commissioned by the City of Fara in Sabina, Italy. This project started from the study of the manuscripts found in the Abbey of Farfa, penned in a variant of the lower case of “Carolingian” typical style of that area. The Capital, ligatures and Small Caps, however, are based on the uncial writing that often appears in those codes and manuscripts. Farfa Abbey is a territorial abbey in northern Lazio, central Italy. It is one of the most famous abbeys of Europe. It belongs to the Benedictine Order and is located about 60 km from Rome, in the commune of Fara Sabina The origin of the Abbey is still unknown. Archaeological discoveries seem to prove that the first monastic establishment was built on the ruins of a pagan temple. The Vandals destroyed the first monastery in the fifth century. Only a few documents from the sixth-century prove the early presence of the monastic community. It had the heritage of Charlemagne (S VIII), the Lombard chiefs, and later the Carolingians, succeeded in withdrawing Farfa from obedience to the Bishops of Rieti, and in securing many immunities and privileges for the monastery. Farfa was at this period the most important monastery in Italy both from the point of view of worldly possession and ecclesiastical dignity.

Introducing a new vintage font called “Hostel Vintage“. Inspired from vintage typography and lettering in the 70’s and 80’s combine with bold typography style. With a total of 534 glyphs with 359 alternate, you can make letter combinations for lettering with a lot of options. Come with open type feature ( a lot of alternates and end swash), its help you to make great lettering. Hostel Vintage best uses for Logotype, heading,cover, poster, logos, quotes, product packaging, header, merchandise, social media & greeting cards and many more. This font is also support multi language.

Fette Deutsche Schrift also known as Koch-Fraktur or Kochschrift was created by Rudolf Koch for Klingspor foundry between 1908 and 1910. The basis of this font is a publication in the magazine “Das Plakat” of September 1921. The font contains swash capitals to use as dropcaps, contextual alternates, glyphs for line endings, ligatures, discretional ligatures for use in German, ornaments and other OpenType features. It supports all the European languages using Latin alphabets (including slashed S and slashed long s used in Latvian old orthography till 1930s).