If you want to design a classic yet strong touch, try these typography combinations. Tilaa Sans Logo Fonts The Tilaa Sans Logo Fonts were designed by combining Ligatures and Alternates for modern and interactive imaginations. You can enjoy the joy of design through these Opentype Features. Tilaa Serif Display Fonts Tilaa Serif is a beautiful typeface with extensive coverage ranging from editorial design to web design. Manually adjusted italic inclination and 124 Ligatures are innovative solutions for classic and defiant styles. And it is excellent for creating modern and luxurious logos and titles by incorporating rebellious ligatures while maintaining classic skeletons. And, they each contain exquisitely designed Ligatures, and in the case of Tilaa Sans, the best typography solution for 3D effects.

Sign Letterer JNL is the serif version of the Art Deco hand-lettering of Sign Painter JNL—and inspired by original pen lettering found on an old decal catalog sheet from the late 1940s to the early 1950s.

Original sanserif designed in 1962 for Fonderie Olive by the late Roger Excoffon. Excoffon achieves brilliant personal effects by calculated breaking of accepted design canons. Antique Olive™ font field guide including best practices, font pairings and alternatives.

Gritty heat-forge stamped metally goodness. Can withstand up to 255 pounds of pressure psi, it even says so right on the graphic. This is a fun display font inspired by the stamped text on barbells, sewer drains, and of course boiler-plates, not that we see many of those anymore, but I digress... This font contains all the standard sub-255 unicode characters, plus a few extras for flavor. Apply this font with liberal amounts of axle grease and she should last ya a lifetime.

Ardone is a well-modulated humanist serif font family with Garalde roots. A distant ancestor is Minister (a German font designed by Fahrenwaldt in 1929) through my first font, Diaconia Old Style. This first style, book, is slightly condensed and very elegant with thin bracketed serifs. There are many OpenType features with over 600 characters: Caps, lower case, small caps, ligatures, discretionary ligatures, swashes, small cap figures, old style figures, numerators, denominators, accent characters (including CE), ordinal numbers (1st-infinity: lining and oldstyle), and so on. Ardone is designed for text use in body copy.

Husein Script is natural handwritten Ramadan themed script font, which support OpenType features and includes, numeral, punctuation ligatures, and it also supports multi-languages. This typeface is very catchy and natural because it was made using brush pen. This font also include additional extruded style. This font is perfect for branding projects, wedding designs, advertisements, product packaging, product designs, label, photography, invitation, quotes, religious design, ramadan design etc. Husein Script features: A full set of upper & lowercase characters Numbers & punctuations Multilingual language support PUA Encoded Characters Ligatures Layered Style

Alexandrya is a subtly modulated block serif font family with a humanist sensibility and all of my personal style for font design. A distant ancestor of the basic letterforms is Minister (a German font of the 1920s) through my first font in the mid-1990s, Diaconia. There are many OpenType features with over 600 characters: Caps, lower case, small caps, ligatures, discretionary ligatures, swashes, small cap figures, old style figures, numerators, denominators, accent characters (including CE), ordinal numbers (1st-infinity: lining and oldstyle), and so on. It is designed for text use in body copy.

A casual and stylish serif and handwritten typeface called TwoOne is now available! Along with numbers, punctuation, and multilingual letters, it also contains distinct lowercase and uppercase letters, seems really at work among the vintage designs, logos, and brands. The Alternate and Ligature typefaces will be useful for anything you can think of! 2 Styles Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... OTF file format Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Sellomitha (Handwritten/Script) is made according to its name which symbolizes charm and charisma. She is glamorous and wants to be the center of attention.This font is readable, catchy, and easy to use. This font is suitable for quotes, logo designs, magazines, business cards, and many other design projects. Sellomitha is includes: - full set uppercase and lowercase letter; - numerals; - multilingual support; - large number of punctuations; - more than 30 ligatures, and swash. Please add this font as your favourite hit like button, or follow me. I'll very happy for that and appreciated it.

Routhers Retro is a retro bold font that contain Uppercase, Lowercase, Numerals, Accents, Punctuation, 4 set alternates, Ligatures, Swash, and also Underline. You can use to make a logo for branding, best for apparel design, and quotes. This font also already PUA Encoded. What Will You Get: OpenType feature, including 5 Set Alternates, Ligatures, End Swash, and Underlines. PUA Encoded Foreign Languages Support: ÀÁÂÃÄÅÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ PS: Type underscore + number (from 1 to 5). Or copy Rout_5hers in preview bellow.. For another questions, please send a mail to saridezra@gmail.com. Thank You!

Halloween is quickly approaching!!! Killen Seven is an excellent choice for any Halloween project. Get inspired by its spooky atmosphere and use it to make any Horror project stand out. It has separate lower and uppercase letters, as well as numbers, punctuation, and multilingual letters. The Ligatures will come in handy for whatever your imagination can come up with! 7 Styles Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

"Archwaltz" a new elegant ligature serif font. Inspired by the word elegant, Archwaltz is a font that is super unique and has a luxurious also modern impression. With lots of elegant ligatures, you definitely don't want to forget it. Archwaltz is ideal for a wide variety of designs, such as news headlines, letter logos, business cards, poster designs, wedding invitations, and many uses in other design projects. Archwaltz containing many characters and ligatures, numbers, punctuation and European Languages. Archwaltz contains: - Standard Character set - Ligature - Few Alternate - Numeral & Punctuation - Multilingual Support Available Regular & Italic Style

Boot Camp JNL has the same roots as Jeff Levine's Condensed Stencil JNL, as they were both modeled from a set of vintage brass interlocking stencils made by the Stafford Manufacturing Company. The previous font was drawn from limited examples of the stencils seen in an online photograph, so a number of the basic characters had to be improvised. Since then, a nearly complete set was obtained and the alphabet and numerals are truer to the original design. Additionally, both Regular and Oblique versions of Boot Camp JNL are available.

Estudiar Script is a natural handwritten made script which is suitable for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc. This typeface is comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc also support multilingual and already PUA encoded. Features : uppercase & lowercase numbers and punctuation Ligatures & Alternates multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

The inspiration source for Bijou Monogram is a cameo alphabet (capitals only) from a vintage embroidery publication. This unique design has been redrawn and expanded to include smallcaps, numerals, dividers, and complimentary bracketing designs for your typesetting use and enjoyment. Bijou Monogram supports one, two, three letter monograms, and numbered monograms (allowing commemoration, memorial, and other styles of labeling). It's a vintage look that works well for a wide variety of classic personalization settings. Download and view the MFC Bijou Monogram Guidebook if you would like to learn a little more.

Hermione Classic-Modern Ligature Typeface by NendesKombet Studio Hermione is a stylish font that is classic, elegant and unique font that uses ligatures to smoothly link letters. Perfect for branding, logos, invitation, masterheads and more. Hermione has 48 ligatures, 63 alternates for upper and lower case as well as numbers and punctuation making it super versatile. Hermione is also included full set of : Uppercase and Lowercase Letters Multilingual Symbols Numerals Punctuation Ligatures Alternates Wish you enjoy our font and if you have a question, don't hesitate to drop message & I'm happy to help

Chicago Shift is a font specialized made for sport theme. Very suitable for for headline, logotype, apparel, invitation, branding, packaging, advertising etc with old school / vintage as well as modern theme. It comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc also support multilingual and already PUA encoded. Features : numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Big Ballpen is a modern, slightly naive handwriting typeface, which has the feel of graffiti with its rough lines. The font lines are basically fat and the thickness is not regular from letter to letter. Some numbers are inspired from Tony Buzan concept of picture-number. For example, the number 2 resembles a swan. Some special characters like €$*#@&{Ç~• are available.

Proudly present Mildstones - Modern Bold Sans, created by ikiiko. A contemporary bold condensed sans serif typeface created to breathe life into headlines with its eye-catching presence. Mildstones attracts attention and takes any design project to a new level with its striking and fashionable look. Each letter in Mildstones has undergone meticulous design in order to convey a sense of power, assurance, and beauty. The font has a sense of verticality and compactness due to the condensed proportions, which also make it easy to fit into small places while keeping outstanding readability. The Mildstones experience is more than simply a font. It has been meticulously designed to be a dependable and powerful typographic in terms of both aesthetic and readability. This type is very suitable for making a headline news, sport advetorial, logotype, branding, poster, magazine layout, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Number & Punctuation Multilingual Support Works on PC & Mac

Mirfak™ is a new take on a work from Adrian Frutiger made in 1964. In the first place, it was a specific alphabet made for only one book. Only lowercases, capitals, numbers and a few mathematical signs where created. Covering only English language, used only once and unknown by most, we considered this Slab Serif as an hidden gem that needed a modernization. Mirfak™ is a result of a project whose goal was to take a beautifully designed Slab Serif and update it so that its technical standards surpass the status quo, leaving us with a truly superior slab serif family. Entirely coded from scratch with Metafont™, this family is not only an update but an expansion of the original concept, covering now most used languages on earth. Modernized and unique, Mirfak’s 3 weights, light to bold, can give a full range of expression for interfaces and corporate design; in print, on screen and in multiple languages.

Hold on to your hats, there’s a new orchestra in town - the Banda Nova! Banda Nova is a crowd pleaser, feeling equally at home on the retail shelf as well as on the cover of your favorite magazine. The 7 weights included in the package offer a wide variety of styles, with delicate and elegantly thin weights morphing into cute, bulbous giants sure to bring a smile to anyone’s face. This versatility makes Banda suitable for virtually any design project, including logos, headlines, covers, packaging and more. We took the time to reimagine Banda, removing traces of our youthful naivety and expanding on everything that made it so good in the first place. Our team is proud to welcome back one of our earliest typefaces in a refreshed and much-improved rendition/adaptation, now featuring full Cyrillic support and almost twice the number of original characters. Are you ready to take center stage again? Download: PDF Specimen | Trial Fonts

Chilead is reminiscent of the early days of magazine publishing. Its elegant curves, high contrast and all-round heartwarming feel are perfect for art projects and typography across all mediums. Chilead is a sans serif font that looks great in titles, when used in larger sizes – but is not out of the place in a text either, which makes it a perfect choice for artists and designers who pursue not only the aesthetic qualities of the font, but also its functionality. Originally designed in 2019 and fully updated and expanded in 2022, Chilead offers users a large set of ligatures (both standard and discretionary) and a number of alternative forms for letters (such as a, v, w, y, etc). Chilead comes equipped with 600+ glyphs, which covers most of Latin-based scripts. Carefully kerned, Chilead is ready to be used in any project that requires a typeface that combines unique and stylish letterforms with a modern feel.

The hand lettered credits from the 1950 Humphrey Bogart film “In a Lonely Place” inspired the digital version called Screenwriter JNL, which is available in both regular and oblique versions. The font was named after the profession of the main character (Dixon Steele) who was a Hollywood screenwriter.

Freak Mailers is a rounded combination font duo. Sans serif typeface with crazy Script Typeface . But make this font look unique. Freak Mailers clean classic and mindful , it combine in one font, use this font for anything beauty place for your logo, headline, cover book, magazine and many more.

The Stephenson Blake foundry in England, made two fonts, Flemish Expanded and Flemish Condensed. In our view, one was too wide, the other too narrow; so we redrew it and renamed it Brussels. Why not? Belgium is one of the few places where you may still hear Flemish spoken.

In the 1970s, Face Photosetting in London was known as the preeminent typesetting house in London. Steve worked in the studio in Newman Street and Hanway Place. El Paso Pro is a family of typefaces based on a unique single font design from the Face Collection, called El Paso.

Dalliance Script is based on the elegant handwriting found on a map of a horrific battle between the Habsburg Coalition and France which took place at Ostrach, in southwest Germany, in 1799. A roman style, and flourishes, were added to turn Dalliance into a fully functional typeface family.

This face was part of a continuing evolution of an almost unreadable typeface. There are two styles, one with stripes and one without. The striped style can be placed in a layer above the unstriped style to give the letters two colors. Zebraw was derived from the typeface Porker.

Neues Bauen is a Bauhaus inspired font with some interesting glyphs. It is slightly rounded in places, but sharp in others and it will most certainly make your designs stand out. Neues Bauen in other words, like the style that emerged in pre-war Germany, is a statement.

This typeface is extrapolated from the ‘We the People’ calligraphy of the handwritten US Constitution Preamble which employed a style based on German Text and Square Text exemplars from George Bickham’s penmanship copy-books, the most celebrated being The Universal Penman published in 1743. The original Constitution document was transcribed onto parchment by Jacob Shallus, a Pennsylvania Assistant Clerk, over a weekend in 1787. Shallus’s biographer, Arthur Plotnik (The Man Behind the Quill, 1987), notes that he was paid $30, a modest monthly wage at the time. He also suggests that the calligraphic headings, ‘We the People’ and ‘Article’, may have been inserted by Shallus’s 14 year old trainee son, Francis, “The manner in which the ‘Article’ headings are squeezed into the space Shallus allowed for them suggests a second hand—and perhaps not a very experienced one.” The unconventional backslant of the headings would seem to support this contention, and at the end of the document there is perhaps a novice’s inconsistency in the structure of the letter n between that used for ‘done’ and those used for ‘In Witness’. However, one has to admire the elegant swagger of the wavy t, h and l which the K-Type font extends to the b, f and k. Also, the simpler, Schwabacher-style W, an enlarged version of the lowercase w, is a little less flamboyant than the capital W from the German and Square texts in Bickham’s manuals. For designers using OpenType-aware applications, the typeface includes some Alternates, including a Bickham-style W, the letters t, h and n with added flourishes, two simpler forms of the A, and a few roman numerals for numbering articles. Also some ornamental flourishes and a round middle dot/decimal point. Punctuation marks are drawn in square, calligraphic style, but an alternative round period/full stop, for use with currency and numerals, is available at the period centered position (though placed on the baseline), accessed by Shift Option 9 on a Mac, or Alt 0183 on Windows. The full phrase, ‘We the People’, has been placed at the trademark keystroke and can be accessed by Option 2 (or Shift Option 2) on a Mac, or Alt 0153 on Windows. For designers who find the backslant awkward or unpleasant, the licensed typeface also includes two additional fonts which have a vertical aspect that may be more conducive to graphic design layouts. ‘We The People Upright’ and ‘We The People Upright Bold’ both retain the distinctive style, and the heavier weight is only slightly emboldened, just enough to add some punch.

Chamfer, released by Barhart Brothers & Spindler in the late nineteenth century, provided the pattern for this simple, elegant headline face. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

2010 OuttaSpace is a late space age font with geometric yet organic characters. Ideal for use in posters, cards, invitations etc. 2010 OuttaSpace Icons show you what it's all about in the universe. 2010 OuttaSpace supports West European languages.

Originally issued as Apollo by the Central Type Foundry of Saint Louis, this face evokes the glamor of late Victorian era. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Wolverhampton is a new Neo-Victorian face from Greater Albion Typefounders. It's something of an example of starting with a small idea and running with it. This family of three typefaces (Regular, Small Capitals and Capitals) was inspired by a line of lettering seen on a late 19th Century enamel advertisement made by Chromo of Wolverhampton (hence the family name). The family grew, topsy-like, from a recreation of these initial fifteen capital letterforms to the three complete typefaces offered here. The three typefaces are ideal for advertising and poster work with a Victorian, Edwardian, or 'Steam-punk' theme. They would also be eminently suitable for signage inspired by the same eras or (as we've seen a number of our other typeface families prove very popular) for book covers of period related novels and historical works. Finally, these slender elegant display faces are just plain fun!

Ganges Slab is a condensed slab serif typeface inspired by Central European advertising typography from late XIX century. It is a perfect match for Ganges Sans. The font has condensed proportions and original letter shapes. Ganges is designed mainly for editorial design, especially for display use, as well as short paragraphs of text. Its narrow proportion makes it very practical to use for posters and magazine covers. Characteristic letter forms fit great for branding, logo and packaging design. It is also a very interesting choice for websites and e-book headlines. Ganges Slab family consist of 27 fonts - 9 weight, 9 italics and 9 obliques. It supports extended set of latin languages, as well as broad number of OpenType features, such as case sensitive forms, standard and dicretionary ligatures, stylistic alternates, contextual alternates, lining, oldstyle and tabular figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Based on the popular Microbrew Family (Rising Star, May 2014), Signyard is a display family trapped in time. Inspired by vintage restaurant and hotel signs, Signyard comes decked out in incandescent bulbs for a an authentic retro feel. The family has a unique vintage cinema style, but also works well with a variety of subject matter including weddings, birthdays, breweries, coffee houses, cigar shops, and many more. Signyard is an all caps display font, but the lowercase act as alternates. For super-easy alternates, just mix uppercase and lowercase letters. To add to the realism, Signyard includes double-letter ligatures. Sporting a healthy compliment of features and languages, Signyard is a very versatile display family. Signyard features 6 styles, 4 layers, symbols and opentype features. Opentype features include automatic fractions, subscript numbers, superscript numbers, and double-letter ligatures. Also included are old style numerals, and catchwords. (in the symbols font)

CA Saygon was originally conceived for a large corporate design project, but as this was never implemented, the way was free to make a public font. As a striking corporate typeface, it transports the fractions of a society after the post-modernist phase. After hundreds of sketches a bunch full of letters were selected, some of them quite twisted, others rather conventional. The combination of these letters reflects a rebellion of individuality but also leads to a coherent typeface. Additionally there are alternative letterforms in the Stylistic Sets or in the glyphs palette, which keeps the font always exciting to the designer. Thanks to the Cyrillic and Latin Extended character sets, a huge language area is covered that even extends to Vietnam! Numerous OpenType features make life easier for the professional typographer: There are fractions, superscript and subscript numbers, as well as proportional and tabular numbers.