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  1. Komorebi by LiffeyType, $9.00
    Komorebi consists of handmade letters made with just a Stabilo pen. It is perfect for large scale texts and headlines. This font is suitable for posters, flyers, business cards or just a beautiful visual with a signature word. The family consists of three styles with both lower and upper case letters, accent characters and special characters. Though I personally recommend using all caps to give your words that bold touch, lower case works just as well!
  2. Glamour Script by Bosstypestudio, $12.00
    Glamour Script in a beautiful handwritten style. Equipped with 380 glyphs. Glamour Script is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Simply as a stylish text overlay onto a background image or anything that requires a touch of elegance. To enable OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version.
  3. Ovane Regular by Tebaltipis Studio, $13.00
    Ovane a new fresh & modern Sans serif with a strong style, a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more! Ovane Clean Display Typeface is the part of a strong and modern Bold display. This typeface both impressive at display sizes and easily readable in text size, while the sharp shapes of the triangular serif and the distinctive letter shapes show their strength in logo design and impressive editorial use.
  4. Keista Heather by Matra Creative, $12.00
    Keista Heather brings her own unique style to every design project. This fantastic script font is best suited for headers of all sizes, and for blocks of text that have maximum and minimum variations. Whether it's for the web, printing, motion pictures, or anything else – Keista Heather would look spectacular. This font is PUA coded which means you can access all the cute glyphs and swashes with ease! It also has many special features including alternate glyphs and ornaments.
  5. Manifestor by Stawix, $40.00
    Manifestor is designed to be an urban culture typeface, it can effortlessly fit, blend and be in very situation at any time without taking up too much attention. It has a clean san-serif structure and proportion, kind to the eyes when set in texts while also look reliable when use in big scale. Manifestor has the simple - easy - comfortable feature, therefore it is a type appropriate for a very wide range of occasion. Manifestor also comes in Variable!
  6. D Blues by W Type Foundry, $29.00
    D Blues its a sans serif typefamily of 9 weights plus matching italics. It is inspired by the neo humanist typefaces with a mix of 20st grotesque sans typeface. D Blues serve very well in web & print design areas, body text, excellent web-font legibility etc… D Blues is equipped with a complete set of opentype features including alternative glyphs, fractions, ligatures and many more. It is perfectly suited for highlighting lettering, magazines, web, interaction design, advertising & logotypes.
  7. Worker by Ndiscover, $29.00
    Worker is a versatile family of geometric fonts with a sturdy industrial feel. It has a vintage flavor and conveys a professional and technical look. It has 5 styles with matching slants and a generous language support. Worker works very well in branding and headlines, but also renders peculiarly well in short strings of text. This design has great personality having the power to create a whole universe of meaning resorting only to a few letters.
  8. Solomon Sans by Fontfabric, $40.00
    The new Solomon Sans type family includes 14 unique design styles. The font family is characterized by excellent legibility, well-finished geometric designs, optimized kerning etc. Solomon Sans is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. The font styles are suitable for any type of graphic design - web, print, motion graphics, etc, and perfect for t-shirts and items like posters and logos.
  9. Hezareh by Si47ash Fonts, $24.00
    Familiar, yet eye-catching! Hezareh with its 2 weights brings a modern and clean serif Arabic/Persian typeface to life! Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Hezareh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.
  10. Evuschka by Petra Sucic Roje, $33.00
    A dramatic contrast between thick and thin strokes, “ball” shapes at stroke terminals, and straight hairline serifs are main Evuschka characteristics. In this font, the x-height is specifically accentuated in relation to body height. In spite of its extreme geometrical shape, Evuschka exudes fairytale romance. Belonging to decorative type fonts, it is best suited for headlines, titles, and small amounts of text in large sizes. Evuschka was selected for TDC Certificate of Typographic Excellence 2017.
  11. Big George NF by Nick's Fonts, $10.00
    Here’s another gem by Ross F. George from the Speedball Text Book. It was originally entitled simply Bold Display (Modern Alphabets on Parade) and had a graduated spatter pattern. This version omits the pattern, but keeps the bold, brassy lines. Use it whenever you need an unusual and dynamic headline with a strong retro vibe. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Moldovan and Romanian.
  12. Aloha Brush by Nirmana Visual, $22.00
    Aloha Brush This font is a supercharged, street-wise brush font bursting with energy. With extra feel as a real brush would! Letters are made with brushes on paper. Then scanned and carefully drawn into vector format. Thas 2 styles of regular and italic variations with a more natural look to your text. Aloha Brush is very suitable for use in various media such as; packaging, logos, labels, posters, shirt designs, bulletins, typography, and many other media.
  13. The great by Sulthan Studio, $14.00
    The great display font. The great -This font is perfect for modern projects, quotes, shirt designs, websites, branding, children's designs, svg designs, blogs, logos, invitations and more! The great - includes alternative characters. Coded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book. Windows users can use the Character Map to view and copy one of the additional characters to paste into your favorite text editor.
  14. Menco by Kvant, $59.00
    Menco was inspired by the lettering of engineering, found on blueprints, mechanical drawings, stencils and templates. The family has 5 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries as well as small text. Menco provides advanced typographical support with features such as case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It also comes with tabular lining and proportional lining figures.
  15. Salin by Hurufatfont, $19.00
    Salin is a modern sans serif font family with a geometric and humanist touch. Salin has totally 20 fonts with 10 weights and their appropriate italics. It contains rich opentype features. Includes extended language support, fractions, table figures, arrows, ligatures and more for each weight. Ideal for corporate identity, poster, brochure, orientation signs, and all kinds of graphic design works. “Salin News" and "Salin News Italic” are specially made for long paragraph texts which are written with small sizes.
  16. Lunokhod by ParaType, $25.00
    Lunokhod type family (four weights) was designed by Oleg Karpinsky for ParaType in 2005. Lunokhod is an original wide sans serif with square shapes of oval glyphs. Several Cyrillic glyphs such as Í, Ó, ×, ã, ä, ò have alternate letterforms. For example capital H has two shapes: Latin one with diagonal central stroke and traditional Cyrillic with horisontal bar. Capital Ó and × have symmetrical and asymmetrical shapes. For use in display typography and for short text passages.
  17. Angatha by Amelia Studio, $13.00
    Angatha in a beautiful handwritten style. Equipped with 350 glyphs. Angatha is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Simply as a stylish text overlay onto a background image or anything that requires a touch of elegance. To enable OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version.
  18. ReadMyHand by Linotype, $29.99
    Linotype Read My Hand is part of the Take Type Library, selected from contestants in Linotype’s International Digital Type Design Contests of 1994 and 1997. It is the digitalized handwriting of its Dutch designer, Leon Hulst. As is common of handwriting fonts, the forms of the letters seem spontaneous and individual. Read My Hand is a dynamic font suitable for texts with point sizes larger than 12 and particularly good for documents which should have a personal touch.
  19. Golden Class Font Duo by Subectype, $9.00
    The Golden Class is a font duo between a serif and two modern script fonts. Golden Class is good for logo branding, wedding invitation, typography wedding, quotes text, magazine, or anything you want to do. Golden Class Serif includes numbers punctuation, alternates, and it also supports other languages. Golden Class script was built with OpenType features and includes ligatures, beginning and ending swashes (lowercase alternate), numbers, punctuation, alternates, and it also supports other languages. Thank you!
  20. Linotype Gneisenauette by Linotype, $29.99
    Linotype Gneisenauette is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. The handwriting font was designed by Latvian artist Gustavs A. Grinbergs and is available in eight weights. Linotype Gneisenauette is a dynamic font which also reflects a bit of the optimistic spirit of the 1950s. The font is best used for headlines or middle length texts with a point size 12 or larger.
  21. Beau's Varsity by Beau Williamson, $4.99
    I designed this font a few years ago to address a direct problem. My work demanded small paragraphs of text to be screenprinted in a varsity font style. The house varsity was rather uneven and created small blobs of ink at sharp angles when printed. I designed Beau's Varsity to address both of these problems. The new font eliminated the blobbing, and I like to think my original design is a step up in evenness from the other options.
  22. Kilburn by Talbot Type, $19.50
    Kilburn is a no-nonsense, condensed Gothic sans-serif. For over a century the condensed sans-serif has been the 'go to' font for gravitas and authority. Kilburn continues in the fine tradition of fonts such as Franklin Gothic, News Gothic and Trade Gothic offering a contemporary interpretation of the condensed sans-serif — functionality with personality. Equally at home as both a text and display font, Kilburn is available in five weights from Thin through to Black.
  23. Mensura Slab by Graviton, $20.00
    Mensura Slab font family has been designed for Graviton Font Foundry by Pablo Balcells in 2013. It is a modular, geometric typeface with subtle rounded angles that provides a soft, pleasant appearance. It has been conceived to be primarily a display typeface, but given its clarity it can also be used for composing short and intermediate length texts. Mensura Slab consists of 8 styles and 4 weights plus italics. Each containing small caps and several alternate characters.
  24. LiebeMenuLettering by LiebeFonts, $19.90
    LiebeMenuLettering is a collection of commonly used words and phrases found in restaurant signage and menus. Every phrase has been hand-lettered to give your menus or dinner invitations the handmade but professional look they deserve. The most frequently used restaurant terms from four different languages (English, Italian, French, and German) are included in this single font and can be used in any text or graphics application. Combine LiebeMenuLettering with our popular LiebeMenu and LiebeCook fonts.
  25. Mano by Linotype, $29.99
    Linotype Mano is a fresh new font from the Swiss designer Marco Ganz. Urgent and vital, the typeface suggests swift communication or the latest trends: spontaneous and informal, personal and individual. Ganz deliberately gave the characters a marked lean to the right, similar to that of quick handwriting. But Linotype Mano is not only nimble and quick, it also retains its legibility as a text font. Linotype Mano is as dynamic, brisk and casual as modern pop music.
  26. TA Bankslab Shadow by Tural Alisoy, $40.00
    TA Bankslab Shadow I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.
  27. Zalea by Eurotypo, $42.00
    Zalea script is an expressive and dynamic font. It has an appealing "punch" characteristic that gives it its charm and strong visual impact. Zalea was specially thought for labelling and packaging design. It has also good legibility for body text, useful in magazines and web pages. We recommended it for headlines, logos or where a friendly script is needed. Zalea font includes a full international character compliment, alternate characters, swash and ligatures to allow flawless typesetting in OpenType format.
  28. Freight Sans Pro by Freight Collection, $39.00
    A clean, well-lit design, Freight Sans proves that even a workhorse can be a breath of fresh air while remaining invitingly readable. Ideal for boundless headlines and text, the power and detail of this design also serves well in way-finding and display environs. From web to print to apps, it’s hard to imagine a project where Freight Sans wouldn’t do the job with aplomb. When you need a sans serif–you need Freight Sans.
  29. Highills by Grontype, $14.00
    Highills is awesome bold decorative font. created in rounded corner that give this font a tough and calm feel. this font has s good looking as header and as text both. Highills is fit perfectly for branding projects, movies, logos, social media posts, posters, books, and many more. Features: Basic Latin Glyphs Bold Uppercase and Lowercase Letters Alternates & Ligatures Numeral and Punctuation Multilingual Support Thankyou for picking up this font, hope you enjoy it. Regard. Grontype
  30. Happyfin by MNW, $80.00
    Happyfin is a sumptuous font based upon the free nature of a handwritten text, it balances the organic form with the necessary preciseness of a traditional typed font. With a smooth light hearted elegance, this font is perfect for designs involving organic produce and situations where a professional yet fun and friendly typeface is needed. The font has high readability level, and yet conveys a good deal of character and style within the simplest of forms.
  31. Kamerik 105 Cyrillic by Talbot Type, $19.50
    Based on the popular Talbot Type Kamerik 105 , this Cyrillic variation is now available for the first time. Kamerik 105 is inspired by the classic, geometric sans-serifs such as Futura and Avant Garde, but has shallower ascenders and descenders for a more compact look. It's a versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. The Kamerik 105 Cyrillic family comprises of five weights.
  32. Mono Spec by Halbfett, $30.00
    Mono-Spec is a monospaced family of sans-serif type. At least in default settings, all characters across the typeface share a common width. That fixed setting is condensed, and the aesthetic style of Mono-Spec’s letterforms is very industrial. A sister family, called Mono-Spec Stencil, is also available. Its design strays away from the mechanical nature of Mono-Spec, and it channels the spirit of resistance and street culture. Mono-Spec ships in two different formats. Depending on your preference, you can install the typeface as a single Variable Font or use the family’s five static OpenType font files instead. Those weights run from Light through Bold. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Font have vastly greater control over their text’s stroke width. The Mono-Spec Variable Font’s weight axis allows users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. Whatever format you choose, the Mono-Spec fonts are equipped with several OpenType features. The most striking of these can be activated via a Stylistic Set. That will replace several letters – like “B”, “E”, “F”, “H”, and “I” with double-width alternates. Those alternates take up as much space as two characters placed next to each other otherwise word. The effect of Mono-Spec’s double-width alternates is striking, and their use strikes a strong chord in any display typography applying them.
  33. Chroman by Larin Type Co, $16.00
    Chroma this is a modern and elegant typeface. It carries a bold weight and with it in highlight the main thing, make a title or logo and much more. It can also be more expressive and playful, thanks to the many alternates that are harmoniously combined in this font and make it more attractive and expressive. Try to change the alternatives, ligatures and you will get a lot of options for your project that will make it unique. This font is easy to use and has OpenType features.
  34. Zania by Agnieszka Ewa Olszewska, $20.00
    Zania is a display typeface. Its characteristic element is cutting in the stem that makes this font very memorable and easy to recognize. Contains stylistic alternates, ligatures, diacritics, and OpenType features that will help you make your project more unique. Has an experimental vibe and nice movement from left to the right thanks to serifs placed in the top left and bottom right part of the letter. It has smooth edges that make it look more friendly. The letter contrast is high. Looks good in logotypes, branding, magazine titles, book covers, posters.
  35. Squabslab by Gassstype, $23.00
    Hello Everyone, introduce our new product Squabslab - Handmade Bold Font Display, inspired by the title of the sports poster and We make it very energetically. Squabslab font with strong and challenging nuances. very suitable for the title, typography, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.
  36. Lerum by Larin Type Co, $15.00
    Lerum this is elegant stencil font. Classic serif, bold weight, stencil style, it all carries this font and with it in highlight the main thing, make a title or logo and much more. It can also be more expressive and playful, thanks to the many alternates that are harmoniously combined in this font and make it more attractive and expressive. Try to change the alternatives, ligatures and you will get a lot of options for your project that will make it unique. This font is easy to use and has OpenType features.
  37. Uncencored Halloween by Ably Creative, $12.00
    Uncensored Halloween is a cute font for Helloween. Expertly designed to become a true favorite, this font has the potential to take your every creative idea to the highest level! Add it to any of your Halloween-related designs and see how to make it come alive, add this font to your creative ideas and see how to make it so scary. An uncensored Halloween font, eye-catching, cute horror-style font for you to use in your future projects. With this unique font, you're sure to make your designs stand out!
  38. Larch by Mans Greback, $29.00
    Larch is a clear and crisp high quality script typeface. It consists of five weights: White, Bright, Shaded, Dark & Black. Each style is working great separately, but they make the perfect combination together. Larch is designed by Måns Grebäck in 2016. The font supports hundreds of languages. It contains contextual and stylistic alternates, swashes and ligatures. Write # after any lowercase letter to make swashes! You can also write % after the following letters to make left swashes: b d f h i j k l t Example: Black% Lar#ch
  39. Ahganirya by Hishand Studio, $15.00
    Ahganirya is display font that boasts a modern, minimalist design, making it perfect for businesses looking for a clean and sophisticated look. The font's elegant curves and sharp edges make it a stunning choice for logos, business cards, and other design projects. Ahganirya font offers versatility and flexibility to designers looking to create a cohesive and professional brand identity. Whether you're working on a print or digital project, Ahganirya font's legibility and unique design will surely make your work stand out. Complete with - ligatures - alternates - regular - italic - icon - kerning - multilingual support
  40. Norando by Larin Type Co, $16.00
    Norando this is a modern and elegant serif font. It carries a bold weight and with it in highlight the main thing, make a title or logo and much more. It can also be more expressive and playful, thanks to the many alternatives and ligatures that are harmoniously combined in this font and make it more attractive and versatile. Try to change the alternatives, ligatures and you will get a lot of options for your project that will make it unique. This font is easy to use and has OpenType features.
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