Ruby Dance is inspired by a playful style and combination with hand lettering. Every single letter has been carefully crafted to make your text look beautiful. This font is PUA encoded so you can access extras from character map in most design software. Multi-lingual support is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw. There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). Happy Creating

"Chibi Chubby" is a thick and realistic display font that mimics handwritten characters often associated with kids' styles. Fonts like this generally feature chubby, rounded, and playful letterforms, resembling the handwriting of a child. The thick strokes and rounded shapes contribute to its friendly and approachable appearance. This font could be an excellent choice for various projects targeting children, such as book covers, posters, invitations, or any design requiring a playful and charming typographic style. Its resemblance to children's handwriting adds a personalized and relatable touch to the text, making it appealing for kids-themed designs.

introducing SADIO - the extended signature - This font is created specifically for logotypes. Yes, this font is only suitable for making logos or headline text. This font is not suitable for use in subtitles or main content. It is great for branding, business card, signature, and more. I also created the lowercase swash to completed this product. You can combine the standard character and the swash. It is perfect. Very easy to access the lowercase swash, you only need to add underscore twice after the lowercase characters. For example a_ _ it will be a with swash. Features: Uppercase Lowercase Number & Punctuations Swash PUA encoded

When used in your projects, Nort Right is a fun display typeface. This typeface will make your projects regarding games, children, and special events stylish, professional, and perfect, anesthetizing all audiences with their graphic display adaptability. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, logotypes, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text, start using our fonts for your amazing projects.

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designers' initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost 'plotted' according to a grid-based logic.

The earliest form of Ionic was brought out by Vincent Figgins in 1821 and was intended for display work. In 1863 a more refined version appeared which had more contrast between thick and thin strokes and the serifs were bracketed. Further developments were made, however the robustness of the Egyptian style was retained making the face suitable for newspaper text setting. With a large x-height and strong hairlines and serifs, the Ionic font family became widely used by the newspaper industry as a body type and provided a model for many twentieth century newspaper typefaces.

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designers' initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost 'plotted' according to a grid-based logic.

Worn Gothic, a typeface from the Grit History™ B family, creates rock solid text-- characters that are weathered, defined and strong, like the body of a gargoyle. Worn Gothic is rugged but legible, whose words stay firmly liquid, like dates stamped in concrete. Disjointed K legs create an unnerving look that makes you stare into the structure of the type. Oddities like this complement the integrity of its fluctuating strokes and consistent X-Height. It offers a few stylistic alternates to maintain readability at any size, in many languages. Worn Gothic offers full Greek character support as well as all punctuation.

Raphia is a one-of-a-kind display font designed with caution in mind in order to create a font with a powerful, bold, and noticeable character for your varied creative endeavors, maximizing the impression of beauty. Not only that, but this font works well as text in sentences as well. So, what are you waiting for? Start making your creative ideas more beautiful and extraordinary right now, and don’t forget to employ this font. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, logotypes, and more. Start using our fonts for your amazing projects.

If you've got style and love all the luxuries in life, you're Bon Vivant! Add a touch of luxury and style to your projects too, with the new Bon Vivant Font Collection. It's highly recommended to turn your Opentype features on while using the script font, to make use of it's best features - the multitude of OpenType ligatures. As you type, your text looks like natural handwriting, and less like a monotonous font. The handsome serif comes in 2 weights, regular and bold. Designed to be a perfect complimentary font to the script, its just as striking used on its own.

Meet Voga. Voga is a condensed modern Didone typeface with three weights: Regular, medium and bold. My aim was to create a very elegant and “sexy” typeface with some unique letterforms based on the principle of contrast - curves vs. strong straight lines - thin hairlines vs. thick stems - ball terminals vs. geometric serifs. These contrasts make it a glamourous display font for titles and large typography settings, yet readable at text sizes. Voga was inspired by iconic typefaces such as Bodoni and Didot. It has an extensive glyph set that supports languages for the Americas and most of Europe.

Feel the funk with the retro-inspired Valeson. This groovy mix of the ‘70s and ‘80s has an upbeat rhythm of its own that will make your project boogie. It’s loads of fun with its swashy, calligraphic twist. Push it to the max with plenty of weights. Denser weights are brawny and robust, fantastic for headlines, while medium weights are swell for short bits of text. With all its options, this fun, throwback personality is still streamlined and plenty useful for today’s jobs. It’s loads of fun with its swashy, calligraphic twist. Production assistance by Lucas Azevedo and ikern.

Linotype Beluga is a part of the Take Type Library, winners of Linotype’s International Digital Type Design Contest. The font was designed by Hans-Jürgen Ellenberger to suggest the writing of the Middle Ages but without any specific models from that time. A distinguishing characteristic of the font is its pointed, effusive serifs, which give Beluga its feel of the Middle Ages or of mysticism. In spite of its dynamic character, Beluga is legible even in smaller point sizes, which makes it equally good for headlines as for shorter texts. Beluga combines well with sans serif, slab serif and constructed fonts.

Classic XtraRound is a companion typeface to Classic Round, designed by Ben Blom. Although Classic Round has a lot of roundness, Classic XtraRound has more. Classic XtraRound has maximum roundness — no sharp corners, anywhere. Classic XtraRound has maximum roundness — and is still legible. It can be used as an interesting workhorse in small text sizes. It makes eye-catching headlines in big display sizes. Classic XtraRound can be combined in any way with Classic Round, to create an interesting variation and sameness within the same document, brochure, catalog, advertisement, etc. For more information about Classic XtraRound, download the PDF Specimen Manual.

Vianor this is a lovely vintage label font. It is presented in two styles, regular and rough, as well as a decorative layer for them. This font works great with text, but it looks even better with display titles, logos, and others. This font is included many alternates for the uppercase and lowercase has alternatives for uppercases and many alternates for lowercaes, with them you can make your design more expressive, varied and playful, change them and you will see how many options you can get for your design, also use ornaments to complement your design.

Feloxi is a crafted neon-inspired font giving us the creativity to replicate traditionally hand-made lettering from the imagination of their computer. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Epoca-Classic, designed in 2012, is the contrasted sister of Epoca, also suited for text and display. As is the case with Epoca, Epoca-classic has economical proportions, a neutral appearance and a discreet elegance. It is fresh, crisp and distinguished. Its well-balanced proportions result in an even text flow which allows for pleasant reading even with large amounts of text. Epoca-Classic comes in twelve weights, in OpenType format and with extended language support for more than 40 languages. All weights contain small caps, standard ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals.

Humanistic sanserif in 4 fonts The Parisine Office typeface family can be considered as the text version of the Parisine. When Parisine xheight fit Helvetica large xheight, Parisine Office is more close to Gill Sans in term of proportion, as it was developed for Ratp, the public transport in Paris to allow compatibility with documents set in Gill Sans without changing the length of text. Parisine Office by default is a humanistic sanserif available in 4 fonts perfect for text setting. The design of the italic lowercases is more cursive than in Parisine. About Parisine Parisine helps Parisians catch the right bus Observateur du design star of 2007

Mangaba is a condensed font designed to create a hand-drawn feel for texts in small spaces. It is great for packaging and labels as well as titles and other short texts. It has low contrast and high x-height. Blend well with other hand drawn, cursive and san serif fonts. Includes Latin characters, punctuation, diacritics and old-style numbers. It is a font inspired by the Brazilian cerrado, a region similar to the savannah, with low trees, with twisted trunks and exotic fruits, such as Mangaba. ?Mangaba Pro is perfect for bringing a natural and exotic touch to logos, packaging and even texts on social networks.

Apothecary Serif is a font collection inspired in vintage and antique prints. Great for texts or headings and perfect as a pairing font. Design quotes, packaging, wedding invites or labels and branding with a vintage style. Lovingly designed to match my original Apothecary Script (sold separately) Includes: - Apothecary Serif: a serif font with an antique print press texture. - Apothecary Serif Spaced: beautifully spaced for texts or as a pairing font. - Apothecary Serif Caps: rich bold and tall textured capitals font that includes the lowercases as a secondary uppercase font, slightly smaller. Great for headings or as drop caps. - Apothecary Serif Caps Spaced: beautifully spaced for texts or as pairing font.

Designed in 2012 by Olivier Gourvat, this font family is inspired by the euskaran (basque language) font. Redesigned with modernism, this new font respects the traditional euskara language with lowercase addition. These nuances give Kara a traditional appearance for both text and headlines, but can be used for many more applications such as titles, decoration, posters, cartoons... Kara Text & Display support a wide range of languages, with more than 500 glyphs and OpenType features like case-sensitive forms, contextual alternatives, stylistic alternates, fractions, proportional and tabular figures. With its 2 fonts, Kara is an ideal font family for text, brand identity, signage, print and web design.

Reba Samuels is based on the 2007 release Rebecca Samuels. While Rebecca was largely intended for text use Reba aims to be more versatile with an extended weight scope and added cut varieties. While Rebecca’s slab character is developed in the Reba serif, the ’seriffed’ italic of Rebecca is abandoned in favor of a simple italic sans, better matching the serif in plain text. The weight extremes are very useful for headlines while the middles do better in text. The robust and angular shapes of the serif matches the straightforward sans. The extreme contrast between the thin and the black cuts opens up great opportunities in any design project.

Presenting Grillith fonts. This font is created with a unique combination of each character. looks real and can be used for all your project needs. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Introduce Sigmatone Inspired by old skool graffiti tagging, and street art, we created this Typeface, drawn in Procreate app, then vectorized and crafted carefully. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Loose is a hand-drawn font with a slightly sloppy yet relaxed look. All glyphs have been handcrafted by illustrative designer Zeptonn. It contains lots of Open Type goodness to ensure you'll be able to give your entire text that random and handcrafted feeling. It's great for setting fun text for headers, posters or cards. Or hey, you could use it as a nice alternative for something that starts with "Comic" and ends with "Sans"! The typeface contains nice takes on traditional standard ligatures, a few discretionary ligatures and even provides contextual and stylistic alternates. This is all provided to ensure your text can have that awesome loose feeling!

Introducing Monalibra, an elegant vintage handcrafted font. Designed with a really clean and clear monoline cursive script typeface that is easy to read while keeping a sense of personality. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Introducing, Argusho font a modern typeface that takes a classic style. Designed to give the impression of elegance and luxury with a classic feel. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

The Destrubia is made with the concept of a modern contemporary font display that gives a unique impression because it has a curvy and distortion shape. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with the script, sans, or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Shelottra is an elegant beauty fancy display font with expressive shapes and characteristics to bring magical imagination in your design. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with the script, sans, or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Introducing Rahma, display font in Arabic style. Designed with a digital flat-pen and gothic typography technique which gives the elegant looks of the letters. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Lajoya is a unique and natural handwritten script. The appearance of the strokes is in the form of light, free-flowing brush strokes. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Almirab Script is a classic Script font inspired by Arabic classic handwriting that uses a flat pen (or signature pen) and is written in the low height of letterforms. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Introducing a new font from our Script Collection called Willydope. This hand-drawn typeface is made in a digital hand-drawn style with a classy scripted look. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Bottega is a script bold classic font with a relaxed theme, featuring a lovely style. This font was created to look as close to a natural handwritten script as possible. It is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Roseva was inspired by the France art decade between art nouveau to art deco which combines classic typography with awesome features to bring a classic touch to this decade. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Erghon is a handwritten font with quick dry strokes and a signature style. It's perfect for branding projects, homeware designs, product packaging or simply as a stylish text overlay to any background image or posters. Erghon has an entire alternate glyph set. This is accessible simply by their own separate font file - just install this as normal and select 'Erghon Swash' , ‘Erghon' or ‘Erghon’ in your text-tool. Erghon includes 2 Font files: 1. Erghon Regular - A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Erghon Swash - A set of 26 hand-drawn swashes, with cool touch to underline your text set in Erghon.

Breuer Condensed is a mechanical sans ideal for captions and headline settings, and may also be suitable for moderate lengths of body copy with its comprehensive offering of OpenType features. The italics are optically adjusted obliques with a selection of augmented lowercase glyphs to provide a warmer read. The overall design ensures a distinct aura of technical precision in a personable tone. This family of eight fonts is designed to accompany the Breuer Text and Breuer Headline sets released in 2007. Breuer Condensed offers a 76% narrower footprint compared to Breuer Text and is fine-tuned to render typographic color equivalent to each sibling Text weight.

Please note: Sindelar webfonts are exclusively available at willerstorfer.com Sindelar is a capable, contemporary text face addressing today’s news design requirements. Its large x-height, low contrast and robust serifs grant a high legibility in small sizes. The balanced, well chosen proportions make the typeface economic (i.e. space saving) without giving it a too narrow appearance. These characteristics make it the ideal choice for extensive text setting in newspapers and magazines – on paper and on screen. Named after famous Austrian football (soccer) player Matthias Sindelar (1903–1939), one of the best players of his time, the typeface shares two major qualities with its namesake: their technical brilliance and their way of performing aesthetically to the last detail. The football player’s nickname »Der Papierene« (the Paper-man) elegantly refers to the media too. Although optimised for small sizes, Sindelar’s low contrast and robust serifs give the typeface a strong impact and an unmistakable personality in larger sizes. Sindelar’s calligraphic influences can be noticed in the Italics best. The italic letters are inclined by slightly different angles, respecting the letters’ shapes and proportions and resulting in a balanced, yet vivid appearance. Sindelar comes in 18 styles – nine weights in Roman and Italic each. Each font is equipped with a huge character set of about 980 glyphs and various OpenType features.

A new font in the style of a dot matrix/needle-printer. I have used some slightly smaller dots when designing the diacritics - this makes them easier to separate from the main letters. I have also used variable letter widths (and kerning), as opposed to the technology's original monospaced design - this to make the text more readable. Matrise Pro has a more modern/streamlined design, while Matrise Text Pro features a more "oldstyle" look with spurs and notches... ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Hassan is a traditional-style Arabic text face designed by Hassan Sobhi Mourad, an experienced calligrapher and teacher of the art and first produced by the Linotype Design Studio (U.K.) as a PostScript font in 1993. An individual Naskh style, Hassan cleverly combines elegant proportions, echoing an inscriptional Thuluth in its tall vertical stems and deeply rounded final jim and ain. The effect of verticality is enhanced by the tense, reined-in kerning strokes of ra and waw, the well-poised lam-alif, and the compactly drawn ligatures. The broad-band strokes of Hassan Bold smooth some of the angularity and relax the tension apparent in the Light. The traditional-style ligatures are rendered with an easy flow. Because of the economical character count, Hassan Light and Bold text may be headed by the compact titling styles (Hisham, Mariam) as well as designs like Ahmed or Kufi which answer to the inscriptional qualities of Hassan. In addition to other uses, Hassan would be particularly suited to document text-setting. Hassan’s two OpenType weights include Latin glyphs from Janson Text Roman, and Janson Text Bold, respectively, inside the font files, allowing a single font to set text in both most Western European and Arabic languages. The OpenType glyph ranges incorporate Basic Latin and the Arabic character set, which supports Arabic, Persian, and Urdu. The fonts include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.