British type designer Peter G. Warren created this display FontFont in 1995. The family contains 3 weights: Light, Regular, and Bold and is ideally suited for festive occasions, music and nightlife as well as software and gaming. FF Amoeba provides advanced typographical support with features such as alternate characters and case-sensitive forms. It comes with proportional lining figures.

The three Script fonts: Brush Pro, Ballpoint Pro and Calligraphic Pro were derived from the original Ballpoint design. A custom Brush and Calligraphic texture was added to complete the family and twenty-two clip-art illustrations were created for each style. The 3-font package with illustrations is available in the Buying Choices of any of the three fonts.

I accidentally fell in love with type design, and more specifically, the inscription on the historic Bemis building in Seattle. A high waist and great contrast are characteristics of this classic caps lettering that inspired my debut typeface, with additions of 3/4 caps and ornaments to boot. Read and hear more about the creation of this digital revival.

German type designer Jürgen Huber created this display FontFont in 1996. The family contains 3 weights: Regular, Condensed, and Heavy and is ideally suited for film and tv, music and nightlife, poster and billboards as well as software and gaming. FF Angst provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

The Berold font is a modern serif font in a classic style that has a distinct uppercase style. It's perfect for fashion, blog sites, instagram, branding, invitations, business cards, weddings and more. Includes 3 alternative character sets UPPERCASE AND LOWERCASE for word start and end appearance, so your design will look even more unique and interesting.

Mint And Sage is a nostalgic typeface modernized from the old style serifs of the sixties and seventies. With soft serifs suitable for many projects: invitations, postcards, posters, books, advertisements, websites, blog headers, logos, branding, magazines, fashion, photography, editorial design and many others. Typeface Features: - 3 Font Weights (Regular, Outline & Extrude) - Numerals & Punctuation - Stylistic Alternates & Ligatures - PUA Encoded Characters.

Gumok - Ultra Condensend font and Minimalis Character, It's Perfect for logo, name card, magazin layout,headers, or oven large scale artwork What you get dear, you will get : 1. Gumok- A clean San serif font including Upper & Lowercase characters(ALL CAPS), 2. Stylistic alternates Character (9 Character) 3. Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

Cuadrifonte was freely inspired by the lettering from a 1917 poster – the only recorded poster designed by the architect and furniture designer Gerrit Rietveld. It is a hand-drawn bold and boxy typeface, available in 3 handcrafted styles. The family also comes with a very nice picture font, loaded with illustrations that match the typeface look and feel.

Resonant Chilliner is a spectacular duo font (Serif and Script). Perfect for product packaging, branding project, magazine, social media, and much more. Add this font to your favorite creative ideas and notice how it makes them come alive! NOTE: Quick access beginning and ending swash with ligature, add (2-3)x underscore before or after lowercase a-z.

It is amazing how much laundry I have with 3 small kids! Sometimes it feels like I spend half the week sticking laundry in the machine, or hanging it out to dry. Spinwash is a nice brush font. It smells like ‘summer breeze’, is 100% environment friendly and will take the stains out of your designs.

German type designer Critzla created this display FontFont in 1997. The family contains 3 weights and is ideally suited for advertising and packaging, festive occasions, logo, branding and creative industries as well as music and nightlife. FF Bionic provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

The Formetic family can be used for logos, advertising slogans, posters and banners,etc. Designed for use in many different kinds of materials. The design is Sans-serif, modern, geometric and I created digital fonts when designing this first for numbers and players names for a football team. Formetic comes in 6 styles, 3 weighted with corresponding Oblique versions.

Hello Everyone, introduce our new product Font Spook Harder it is Fun Spooky Font .This is a Textured Natural Style and classy style with a clear style and dramatic movement. That is has charming, authentic and relaxed characteristic more natural look to your text. You can activate 3 Ligatures glyphs and 34 Alternate glyphs OpenType panel.

Deserta script is font that curl in your design project. Deserta script is handmade font from Chzalira Co. With this font, you will receive unique script font with round edges. This make your project more sweet and minimalism. Deserta script comes with monoline structure. Have fun for this font! like we create this font with love. :3

German type designer Matthias Rawald created this display FontFont in 1996. The family contains 3 weights and is ideally suited for film and tv, music and nightlife, poster and billboards as well as software and gaming. FF Burokrat provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with tabular lining figures.

French Clarendon was an extremely popular wood type font. Characters are heavy and condensed with bracketed serifs, which measure approximately 1/4 to 1/3 the height of the letter. Dozens of decorative wood type designs have been created based on French Clarendon. It was marketed as a wood letter by William H. Page & Company in 1865.

Fuglesans is a homage to the first Swede in space. The sans serif font is inspired by Scandinavian aesthetics, Sci-fi movies and space. Use it for visionary brands or designs that aspire to be high-tech, modern and futuristic. The font is currently available in 3 weights, Light, Regular and Bold, and comes with over 200 glyphs.

Zuider Postduif was my very first font design 3 years ago and I decided to remake and extend it including the Cyrillic alphabet and some OpenType features. It looks pretty cool as printed text(lyrics, poems) and fits best for decorations, posters, menu carts for restaurants, brochures, newspaper headlines or logos. It’s comfortable to read above 12 px.

Delighter Script is simply perfect blended fonts with 3 style. Including 10 font and extras. Delighter is inspired from many lettering, poster, quotes, logos and brands. It's perfect for advertising, magazines, editorial, poster, branding, logo type, header, titles, packaging, display etc. A good combination for helping your design, just mix and match and you'll be very authentic.

Tobba is an Arabic typeface for desktop applications, for websites,designed for Newspapers, magazines and cover titles. Tobba font family is Modern style and contains 3 weights: Regular, bold and black. The font includes support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages. Sultan typeface comes with many opentype features.

Amoniac is a geometric modern minimalist sans serif display font. A fusion of artistic old world and the future, creating a unique contrast of new style. This typeface consist of 3 weight with optional alternate glyph. Pick your own style, rounded or sharp. perfect usage includes logo, poster, display, headline, t-shirt design and many more.

Bagor is a sans-serif typeface with a heavy touch. The concept is a big x-height and small ascender. Comes with 3 widths, namely: normal, wide, and expanded. And also a round version, making it 6 styles. Complete with ligature, alternative glyphs become an attractive choice. Bagor is perfect for branding, titling, headline, and more.

The three Script fonts: Brush Pro, Ballpoint Pro and Calligraphic Pro were derived from the original Ballpoint design. A custom Brush and Calligraphic texture was added to complete the family and twenty-two clip-art illustrations were created for each style. The 3-font package with illustrations is available in the Buying Choices of any of the three fonts.

Tarquin is a All-Caps sanserif typeface, inspired by the beautiful hand-painted sign. It has a strong personality, high contrast stem, and widely opened counter to improve the readibility as it designed for display purposes. It's available in 3 different style, REGULAR, STENCIL, and SHADOW designed for display purpose design Crafted beautifully and carefully with hand.

Acton is a deceptively simple, grid-based design. Though derived from a 2 by 3 arrangement of blocks, it uses white spaces to allow for more complex shapes – for example as the R – where the underlying 3 by 5 arrangement is apparent. It also departs from this strict grid-based logic for characters such as the the T, L, f and r, whose cross-bars are shorter than they would otherwise be in order to promote optical evenness. No elegant solution could be found for the V, which in geometric fonts can appear very similar to the U, lacking as it does the cross-bar that can differentiate a square A from the capital form of the n. However, the resultant diagonal retroactively proved useful on the lower-case e and a, characters that otherwise would have more uninteresting design solutions.

Shell Shock was inspired by stencil typefaces used on military tanks and ammunition boxes. It can be enhanced with a separate set of bombs and warning signs for the typographer in power. Shell Shock Cloak is the ultimate add-on for Shell Shock. This 3-layered 'Cloaking Device' enhances the existing Shell Shock. Put the 3 Cloak layers on top of Shell Shock and suddenly it's camouflaged and you will hardly be able to find it. Use only one extra Cloak layer to give Shell Shock that cool distorted look, like those damaged warsigns on military vehicles. If you only use the Cloak layers you can create background patterns and structures. Try using different color combinations and you'll be surprised by the possibilities of Shell Shock Cloak. It's preferably seen on clothing, skateboards, party flyers, posters or other daring design.

The Overleys is a handwritten font with quick dry strokes and a signature style. perfect for branding projects, homeware designs, product packaging or simply as a stylish text overlay to any background image or posters. The Overleys has an entire alternate glyph set. This is accessible simply by their own separate font file - just install this as normal and select 'The Overleys Swash' , ‘The Overleys Alt' or ‘The Overleys Brush’ in your text-tool. The Overleys includes 3 Font files: 1. The Overleys - A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. 2. The Overleys Alt - The second version of The Overleys, with a completely new set of both lower and uppercase characters. 3. The Overleys Swash - A set of 26 hand-drawn swashes, with cool touch to underline you’re The Overleys text.

I am happy to introduce my new handwritten script font Sweet Tooth. This font is bouncy and cheerful. It will look perfect for branding, package and menu design. Hand-drawn script font Sweet Tooth contains 2 sets of uppercase and 3 sets of lowercase letters and a big set of ligatures helping to imitate handwriting. Multilingual support is included. No special software is required to use Sweet Tooth font, it is PUA encoded. For designers who do have OpenType capable software: you can access alternates by turning on 'Ligatures' buttons on in Photoshop's Character panel or via any software with a glyphs panel, e.g. Adobe Illustrator, Photoshop CC, Inkscape. Features: 2 sets of Uppercase 3 sets of Lowercase Numerals & Punctuation Ligatures Multilingual support I hope you love it and if you have any question, feel free to contact me! Thanks! Lena (instagram @almaz_dolzhe)

Mr Robot is a typeface designed for our next book for children. We wanted to have a colorful, dimensional and edgy looking letters for headlines. There are three ways to use Mr Robot. You can align three text frames with same text but with different colors and font styles (Regular, Shadow 1 or Shadow 3 and Shadow 2) or with ALLinONE font style but select a different OpenType Stylistic Sets (set 1 is like Shadow 1, set 2 like Shadow 2 and set 3 like Shadow 3). This works great but we don’t like to have unnecessary text frames in our layouts so we added a very cool Contextual Alternates OpenType feature. You just need Mr Robot ALLinONE style and only one text frame. First make sure that Contextual Alternates is off. Type every character three times (RRROOOBBBOOOTTT), select colors for each letter (first letter of every three is a side shadow, second is bottom shadow and third is a front of the dimensional letter). When everything is set just turn Contextual Alternates back on. Styles and alignment will be set automatically. Check out the Users Manual for a visual explanation. For web fonts it is better (at least for now) to use the first method (with font styles) as the OpenType features are not supported in older browsers.

Salt&Spices Mono is the mono lined version of Salt & Spices Pro. Where Salt & Spices Pro has the rough contours and high contrast that is typical for dip pen calligraphy, Salt & Spices Mono has clean crisp smooth letterforms that result in a totally different look and feel. Great for creating neon effects. Fun features like connecting spaces and long swashes for customization of words and phrases are preserved in Salt & Spices Mono. This versatile 10 font family, consisting of 4 casual script styles: Regular, Bold, Shadow and Bold Shadow offers great flexibility. For instance: the appearance of initial and terminal letters can be customized using the glyph pallet. Contextual alternates, Swashes and Stylistic sets give you the ability to replace spaces by 3 alternate connecting spaces or add swashes to initial/terminal letters. Double letter ligatures help sustain the natural flow of handwriting. In addition to the 4 script styles 3 SmallCaps Sans styles and 3 SmallCaps Serif styles were added, all mono lined. They add great variation to your designs and supplement and support each other perfectly. Add exceptional language support to all that and you have the perfect ingredient to spice up even the most demanding design project. You'll need an Open Type savvy application to get the most out of Salt & Spices Mono.

Madison Antiqua was original released as a metal typeface for hand-setting in 1965. The letters were produced by D. Stempel AG in Frankfurt, Germany. Their design was based heavily on an earlier German typeface named Amts-Antiqua, which had also been produced by Stempel. Amts-Antiqua is credited to Henrich Hoffmeister, and he developed it between 1909 and 1919. Madison Antiqua is an excellent selection for body text in magazines and newspapers. The typeface features a characteristic x-height, and attention-grabbing serifs. For a time, Madison Antiqua was associated with advertising design, because of its namesake: Madison Avenue in New York. Madison Avenue is a global center of advertising excellence.

Cephalonia is a geometric sans-serif with a unique set of alternates that draw their inspiration from classical greek engravings. The crossbars in the alt characters O, E, F and D are the most notable examples of this greek influence. The landscape of Greece and in particular its islands were the inspiration behind the angular A, H and G, which conjure images of rolling hills and waves. Cephalonia's alternate Q and ampersand are completely original designs. Cephalonia combines the simplicity and elegance of the most famous geometric sans-serifs while adding original embellishments that make it something new and exciting. The end result is a typeface that can evoke a classic feeling while simultaneously holding an edgy contemporary feel.

This family was created from the set of font faces used in Lima (Peru) by Antonio Ricardo in 1584 for the first publication ever printed in Southern America: a four-page leaflet in Spanish entitled "Pragm·tica sanciÛn" with information about the new Georgian calendar of 1582 which had not yet been communicated to the colonies. In our two styles (Regular & Italic), font faces, kernings and spacing are as close as possible to the original. This Pro font covers Western, Eastern and Central European languages (including Celtic), Baltic and Turkish, with standard and “long s” ligatures in each of the two styles. A,B,D,E,F,M,N,P,R,V,W swashed capitals in the italic style.

Guillaume is a small family of text fonts with its roots in the French sixteenth century. The roman is based on the types of Guillaume Le Bé (c.1525–1598), and the italic on those of Claude Garamont (Garamond) (d. 1561). Garamont’s romans have inspired countless modern interpretations, but his italics, despite their merit, have attracted much less attention. Guillaume offers extensive support for European languages, and is best suited for use in applications that support OpenType. Among its OpenType features are ligatures, small caps, several sets of numerals, contextual alternates, intelligent implementation of long ‘s’ and other period features, and fractions. For more detail, please see the pdf available in the Gallery.

Right now it is melon time: the supermarkets are full of them: Galia, Honey Dew, Piel de Sapo… Back in Casa Hanoded we're quite happy with the abundance of melons! So, when I created this cute little font, naming it was easy. Honey Dew is a shaky all caps font with different upper and lower case glyphs. I created alternate letters for both upper and lower case closed glyphs (like a, b, d, o, etc.) - including their accented brethren (aacute, abreve, acircumflex), etc. There is an alternate & and @, plus the Æ, Œ, Ø, æ, œ, ø, þ and Þ. You should have guessed by now that Honey Dew comes with a whole stack of diacritics.

Bristol and Bristol Adornado (also known as Greco) was first released by Fundición Richard Gans of Madrid, Spain, in 1925. The Richard Gans Foundry is a defunct Spanish foundry which existed from 1888-1975. Throughout its existence, types were designed by a number of people including José Ausejo Matute (d. 1998), Antonio Bilbao (who created Escorial in 1960), the son Ricardo Gans, and Carl Winkow. GroupType's versions of this font pair have been with FontHaus since the mid 1990s. Bristol is a charming and strong period design. Its structure is masculine and vertical. A great poster font and the Adornado style is an excellent choice for an eye-catching large drop cap.

Handsome, adventurous, legible and elegant, this script has the feel of practical handwriting from past centuries. Aquiline is based on a cursive italic style influenced by the 16th century European writing masters. The Aquiline design team turned to Ludovico degli Arrighi, the great 16th century writing master, for period ideas on how to improve, strengthen and add grace to the font. Aquiline has strokes and gestures that seem very like the writing of Arrighi and Mercator, such as the flamboyant balloon of a flourish on the cap A; the graceful flourishes on the cap B, D, and L; and the compact lowercase with tall ascenders. Aquiline has a strong personality and is historically correct.

Zomsenso is an angular, semi-modular typeface that supports OpenType alternates. The angular part means that the entire* font uses only angular segments and shapes. The alternate glyph shapes are under Stylistic Set 01. This font includes Seven Segment display (U+E000 to U+E07F) and arbitrary fractions (U+E1nd, n=numerator; d=denominator) that are mapped to the Private Use Area, so users can easily insert them via Unicode input. You can combine these fractions with the superscript and subscript numerals to create more fractions. This font can be used for essays, signs, logos, posters, commercial projects, videos, and many more. *except the circles in the Geometric Shapes block, which are still round

dT Jakob started as a revival by Gustavo Soares for Paul van der Laan’s class at the Type and Media Masters, in The Hague, NL – back in 2007. There are quite a few excellent geometric sans typefaces available, but we did want to make our contribution and have a fine geometric face to offer. dT Jakob was born out of Erbar, by Jakob Erbar, one of the very first geometric sans, released in metal around 1926. Our goal was to make a versatile typeface, that handles display and text typography beautifully. To achieve that we designed a complete range of weights, matching italics and lots of OpenType Features. Hope you enjoy it :D

This font was created inspired from a handwritten copy of the "Brief story of the second journey in Canada" (1535) by French explorer Jacques Cartier. It is an early "Civilité" manual style, closely looking like the "Civilité" script font carved by Robert Granjon a few years later and still strongly influenced by blackletters forms, clearly visible in the capitals or long s, d, e, f or t forms. (Look at our "1557 Civilite Granjon Pro" and the latest "1638 Civilite Manual"). It is containing Western (including Celtic) and Northern European, Icelandic, Baltic, Eastern, Central European and Turquish diacritics. Historical forms, titling alternates and the numerous lower alternates or ligatures made the font looking like a real various hand.