Hello Hoeask is display fonts with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Introducing Gareh Handwritten Marker Note Font, a font that merges the liveliness of handwritten script with a unique, natural touch. Crafted to captivate attention and infuse a fresh vibe into your designs, Gareh strikes the perfect balance between the elegance of handwriting and a casual feel. With expressive characters and authentic marker accents, each letter exudes warmth and originality. Gareh is the ideal solution for design projects seeking a personal and creative touch. Whether you're creating posters, greeting cards, logos, or working on branding projects, this font will leave an unforgettable impression. Every stroke brings inviting warmth and inspirational vibes. With Gareh, you can add a new dimension to your messages. Easy to use, this font grants the freedom to express limitless creativity. Get Gareh now and discover how each letter can lend that special handmade touch to every design of yours." Highlighted Features: – Uppercase, Lowercase, Number, and Punctuation – Special alternates and ligatures – Works on PC & Mac – Simple installations – Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word – Fully accessible without additional design software. – Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy our font and this font is a useful font for your projects!

Great family for all uses, text for advertising or packaging - you choose.

Phoenica Std Mono expands the already large family of my very successful Phoenica. The motivation to develop a new mono-Phoenica family was that I was not satisfied with monospaced fonts in programming code, or simply in e-mail correspondence. The Mono Phoenica solves the problem of a typical monospaced font, a rigid, fixed width. The design gradations from Condensed monospaced to monospaced from 390em to 600em-square incurred a total of 21 fonts. Packages contain the fonts in CFF-OpenType and TrueType format, so you can use these beautiful fonts on all operating systems.

Introducing Flatline Serif, a warm, friendly, and sensual serif font family. Meticulously drawn with high contrast between thick and thin strokes, it’s perfect for headlines, editorial uses, and advertising projects. Makes beautiful luxe logos and wedding invitations, too. Flatline Serif is an expansion of our existing bestseller, Flatline Sans. Flatline includes sixteen styles (eight weights each in both roman and italic), each of which includes nearly 500 glyphs. OpenType features include standard and discretionary ligatures, a small number of character variants, three figure sets, four ampersand styles, and multilingual support (including multiple currency symbols). The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (You can also access most most of these features in Microsoft Word and other similar programs, but you'll need to get comfortable with the advanced tab of Word's font menu. If you need help with this, just ask!)

Introducing Flatline, an elegant, modern sans serif font family. Meticulously drawn with high contrast between thick and thin strokes with the goal of making even the simplest sans serif letters look sensual, elegant, and warm. It’s perfect for headlines, editorial uses, and advertising projects. Makes beautiful luxe logos and wedding invitations, too. Flatline includes six styles (three weights each in both roman and italic), each of which includes nearly 500 glyphs. OpenType features include 20 standard and discretionary ligatures, a small number of character variants, three figure sets, four ampersand styles, and multilingual support (including multiple currency symbols). The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (You can also access most of these features in Microsoft Word and other similar programs, but you'll need to get comfortable with the advanced tab of Word's font menu.) Find inspiration (and sneak peeks at my next font-in-progress) on: Instagram: http://instagram.com/julieatupupcreative My website: http://upupcreative.com

Ailre Heleris is an elegant script font with an expression of natural handwritten style that flows freely. Perfect for titling, long texts that need handwritten feel, branding projects, social media, wedding invitations, greeting cards, elegant packaging, headlines, posters. It features multi language support (for most of Western Europe), contains glyphs with some OpenType features – some standard ligatures, alternates for lowercase letters (beginning and ending swashes).

Komunidad is the Hebrew version of ”Quintana Light”. Suitable for logos and packaging statements. Invoking the OpenType / CONTEXTUAL variant produces the word terminals for all lower-case letterforms as well as diacritic letters. Final Hebrew Glyphs are also added. This can be done individually for each letter as well. Komunidad also contain alternative Swashes and TabOldstyle numerals. (OpenType-Variants may only be accessible via OpenType-aware applications.)

Hispania Script is a distinctive and distinctly nineteenth century script. It was released by Schelter & Giesecke of Leipzig, Germany around 1890. Particularly noteworthy are the sharply-pointed legs of the upper case ‘K’ & ‘R’ that seem to be characteristic of the period. Similar strokes, often with a slight curve, may be seen in typefaces like Alt-Romanish and Tinteretto by Schelter & Giesecke, Artistic and Lateinsch by Bauer and Berthold and the poster lettering of Edward Penfield. The angle of this script (approximately 24 degrees) and the sharp delicate points must have made the manufacture of this face in metal type a challenge. The resulting type was probably quite fragile and subject to accidental damage. Additionally, the sharp points would be subject to wear. With digital type, these concerns are eliminated. As far as I know, no one has ever dropped a digital letter on the floor. Nonetheless, creating a digital outline for a typeface like Hispania Script, with many crossing strokes, can be quite time-consuming. Even with an accurate scan of a good quality original, it is usually necessary to construct each crossing stroke separately and then remove the overlap in order to obtain a sharp and convincing intersection. Steep internal angles are often defined with two points, rather than one, to minimize ink or toner fill that can muddy the rendering in smaller sizes. Like all formal scripts, Hispania Script is always useful for announcements and invitations. However, the distinctiveness of of this design strongly suggests that there are other applications that may benefit from its use. Step outside the box and try it in some unexpected places. It is the unexpected that often draws a person’s eye.

Marat Sans is a clean and lively sans serif typeface designed by Ludwig Übele. It is characterized by excellent legibility and suits a wide range of typography. The entire family contains 27 styles & weights and includes many OpenType features: various numerals, alternate glyphs, fractions, superiors and inferiors, language features, arrows, case sensitive forms and many more. Marat Sans is the perfect companion for Marat, a soft and elegant serif typeface.

Fair Sans Text is the natural follow-up to the popular Fair Sans - now a text family based on the calligraphic structure and casual construction of its predecessor. As the name implies, Fair Sans Text has proportions for longer text settings, strong headlines, and everything in between. Lively and casual, FST is four weights with true italics. Also included are small caps, old style and tabular numerals, and multi-language glyphs.

Abdo Text is an Arabic Naskh font for books and magazines discriminate accurately design and clarity of reading, it comes in one weight. Will later add mor weights and a copy of it to write the Koran Ottoman drawing. This is an OpenType Font supporting Arabic,and compatible with the various operation systems and modern software. This font also contains many of Stylistic Sets, Ligatures and Justification Alternatives - 775 glyphs.

Modern Grotesk with attractive Display set Gallinari has it. . Gallinari is an attractive Grotesque suitable for all kinds of design needs. Starting from the Heading - Body font is reliable, Has a humanist and geometric character makes it a universal grotesque. Gallinari is equipped with very complete size variants, thin to black, not only that, this font has a condensed style which is paired with Oblique style for a total of 36 fonts in a complete family. What makes it interesting Gallinari has the Uppercase Display set on ss05 bold and sharp, for the letters C, G, O, Q, S, Z completely changed from their basic shape to meet the wild and cool type of display, ss01 ss02 ss03 ss04 is used to give alternative forms of the basic letters (A, P, R, Q, W, Y, a, w, y). Each Gallinari style has more than 680 glyphs and supports various Western European and Cyrillic languages.

Y’all ready for this? Now starting for Insigne: the new serif Mirantz. This rookie all-star plays a precise game every game, cutting at all the right angles to leave your reader impressed and ready to see more. You can always count on Mirantz to lead with solid mechanics and a clean style, but don’t be surprised when the face keeps it real with a little individual flare and creativity. This personal touch is nothing short of elegance in every appearance. So what makes us love this rookie above the other great players in the field? Contrast, for one. Mirantz brings more contrast to the game than most serifs out there. The serifs on this face have a crisp, sharp wedge that naturally draws the reader’s eye. You can’t help but fall in love with its clean, natural style. Mirantz also features a tall x-height and regular proportions that can play a number of positions on the page and still stay strong through the last half of the copy or even the final period. Mirantz is a solid powerhouse player, containing a complete set of small capitals and nine weights from thin to bold. It can play well both down low and up top with its subscripts and superscripts and can move your reader’s eye easily across the copy with its titling capitals, condensed and extended variants, and open style figures. With its options covering more than 72 Latin-based languages, look for this newcomer to have international success in the near future. It you haven’t set your draft picks for this next round of projects, think hard before passing up Mirantz. A capable serif like this one is a guaranteed asset to any team of fonts. Production assistance from Lucas Azevedo.

Capitolina is a family of 10 typefaces with a contemporary design style, based on different historical models. The original shape of serifs was a reference to 19th century’s Clarendon types though this inspiration remains as a subtle feature of the final design. Even subtler are the calligraphic influences, better noticed in the italics. The result is a set of typefaces that look more ‘constructed’ than ‘written’, referring to a rationalist style. However, it has a distinct approach to the aesthetic treatment of typographic forms that resembles the humanist tradition. Available in five weights of roman and italic types, Capitolina has a wide glyph palette that contains 800 glyphs in each font. Besides supporting basic Latin, western, central, and southeastern European sets, it has several OpenType features, such as case-sensitive forms, small capitals, ligatures, localized forms, number forms, fractions and more. Capitolina is, therefore, a great choice for projects in editorial design and other related applications.

Jali is a humanist sans serif typeface particularly suited for wayfinding. Jali comes in versions that support Arabic, Greek, and Latin. The name ‘Jali’ means clear in the Arabic language. The design of Jali reflects the ethos of its name. The combination of low-contrast strokes, ample counters, dots, and distinguishable marks make Jali a versatile typeface. With its humanistic voice and clear letterforms, Jali aims at offering a warm and efficient reading experience. Similar to other wayfinding type families, Jali is also well suited for demanding typographic environments. Jali has received two renowned awards: TDC Certificate in Typographic Excellence and Granshan’s 1st Prize, Arabic & Latin Category in 2019.

Magritte is a serif display font with surrealist sensibilities. This is an ideal font for dreamy, unexpected branding, advertising, and merch. It has uppercase and lowercase alphabets, dozens of beautiful ligatures and dingbats, and even includes support for Modern Greek. Magritte has 600 glyphs in Latin and Greek consisting of: the complete Latin alphabet (with all accent marks), the complete Modern Greek alphabet (with all accent marks), 50 ligatures and stylistic alternates, 24 fun dingbats and arrows, numerals including oldstyle figures and fractions, extensive symbols, punctuation, and diacritical markings. The OpenType ligatures are the fun part. To get the most out of Magritte, use software that supports Open Type fonts (Adobe programs, Corel Draw, Affinity Designer, etc). This type family has tons of built-in OpenType ligatures and alternates, which are what make it so customizable and decorative. You can always access the ligatures, alternates, and dingbats through your software's glyphs panel. Languages Magritte includes the Latin and Greek alphabets with all accent markings. The most common languages it supports are: English, Catalan, Danish, Dutch, French, German, Greek, Italian, Norwegian, Portuguese, Spanish, and Swedish.

Inspired by old nature field notebooks, Natura was born out of the passion for new modern hand-calligraphy, designed first with a flexible fountain pen and then digitalized glyph by glyph to get the natural feeling of the dry ink on smooth paper. This family includes five different fonts. Natura regular is an upright script with lots of swashes and ligatures and offers a wide range of flexibility with its many Opentype features. You will also find that its initial and terminal letters can enhance your designs in new and creative ways. Natura Slanted font offers the same functionality than Natura Regular but we changed the angle 16 degrees, creating an elegant feeling. Natura Notebook, is a narrow serif font with a stylised grunge effect with strong, legible vertical height. Natura Icons and Natura Stamps complete the whole family with incredible flourished elements and capital letters inspired by nature. Hand-drawn leaves, plants, flowers, as well as large and small animals add original detail while complementing the font perfectly. Natura is ideal to use for event invitations, special purpose cards, signatures, labels and packages. Check out also ‘Modern Love Slanted’ Turquoise Nautica

Leo is an economic magazine and book face meant for use in sizes suitable for immersive reading, with different cuts optimized for different body copy size ranges, like footnotes and legal text. Designed with the explicit intent of relaying information without calling attention to itself, this typeface places itself squarely on the "function" side of the eternal debate about form versus content. The roman Leo fonts were built with as little ornamentation as possible, with wedge serifs, a high x-height and a skeleton somehwat rooted in the designers' reflections on the modern, post-war Dutch archetype. Rather than follow traditional models with entirely different forms, contracted widths and steep slants, the Leo italics deliver naturally subtle emphasis in reading by closely relating to the forms, stance and rhythm of their roman counterparts. The 12 Leo fonts contain over 700 glyphs each, and include support for the vast majority of Latin languages. Included OpenType features are built-in small caps, lining and oldstyle figures in both proportional and tabular sets, superiors, numerators, denominators inferiors, ordinals, automatic fractions, ligatures, and optional long descenders for optimal counterspace management in book and magazine text layout. For more information on Leo's character set, features and some print tests, please consult the PDF in the gallery section of this page.

The first typeface developed by Latinotype Team. Corporative is a semi serif font that has a marked personality and distinctive traits, what makes it suitable to be used at large text sizes.Since it is a condensed font, it can also be used in smaller sizes. Corporative and Corporative Sans come with the Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative provides users with a wide range of characters, weights and widths for every project. By combining different variants,designers can achieve the best results. The family consists of 64 fonts: a basic family that includes 8 weights plus italics, an alternative family of 8 weights with matching italics and 2 condensed families, one regular and one alternative, both with italics. Latinotype has added new faces to its team. Latinotype Team nowcomprises: Javier Quintana, César Araya, Bruno Jara, Luciano Vergara and DanielHernández. Corporative was created by Latinotype Team and developed by Javier Quintana and César Araya, under the supervision of Luciano Vergara, Miguel Hernández and Daniel Hernández.

Corporative Sans typeface is developed by Latinotype Team. Corporative Sans is the new version of Corporative. This font has a marked personality and distinctive traits, what makes it suitable to be used at large text sizes. Since it is a condensed font, it can also be used in smaller sizes. Corporative comes with the Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative provides users with a wide range of characters, weights and widths for every project. By combining different variants, designers can achieve the best results. The family consists of 64 fonts: a basic family that includes 8 weights plus italics, an alternative family of 8 weights with matching italics and 2 condensed families, one regular and one alternative, both with italics. Latinotype has added new faces to its team. Latinotype Team now comprises: Rodrigo Fuenzalida, César Araya, Bruno Jara, Luciano Vergara and Daniel Hernández. Corporative was created by Latinotype Team and developed by Javier Quintana, Rodrigo Fuenzalida and César Araya, under the supervision of Luciano Vergara and Daniel Hernández.

Peckham, designed by Daniel Hernández, is a contemporary and versatile slab serif of 8 weights (and matching italics)—ranging from an elegant Thin to a heavy Black—with strong serifs that give it a playful look while preserving the overall geometric structure of the font. Peckham comes with the standard Latinotype set of 395 glyphs resulting in a language support for 94% of the languages using the Latin alphabet. The font also includes stylistic alternates (A, R, Y, a) which provides extra versatility. The name of the font reminds us of the city that witnessed the birth of Vincent Figgins (1766). Figgins became known as the type designer who first included slab serif fonts in a commercial catalog. Peckham pays homage to classic typefaces yet looks very contemporary. Digital editing and corrections by Alfonso García.

Say hello to Saturday Script! A a care-free, casual, handwritten script with authentic tell-tale dry brush imperfections. Saturday Script has the added bonus of having 'multiple personalities'! Saturday Script has 2 sets of lowercase stylistic sets, allowing you to make each word look completely unique to the next. Whether you need "flaunty & loud" or "soft & romantic" Saturday Script has the look for you. There are 2 variants of Saturday Script, to add even more flexibility to your designs: Regular, and Oblique

Baturet is a whimsical and playful display font that adds a touch of casual charm to any project. The fluid and organic shapes of the letters give this font a unique, handcrafted feel, making it an excellent choice for creative designs, branding, and projects that require a touch of personality. Whether you're working on invitations, posters, or any other design where a playful vibe is desired, Baturet is sure to bring joy and a sense of fun to your typography. **Uppercase

Nombre Sans was created mainly under the concept of «Splendid» which means: Magnificent, Gorgeous or Sumptuous. A typeface with a handcrafted concept with abundant things and accentuated shapes. The design of Franela has a particular personality in the ecosystem of typefaces where each character draws attention due to its organic shapes. Is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. More about Nombre Sans www.estudiocalderon.com

SS Vortax is a space-age themed display sans featuring broad strokes and tight spacing. This close relative of Galaxus features imposing Capitals with some sharp slants in the Italic version. It’s designed to cover horizontal blocks effortlessly. Most characters have curves on the exterior with right angles on the interior. This dynamic contrast makes it a great choice for a video game/app, toy packaging, or sports logo. SS Vortax is equipped with European accents for international support. Please check glyph maps for all supported characters.

Say it with authority and style with Boppa Delux, a big, bold display font in four weights. For use in OpenType aware applications, Boppa Delux includes small caps, alternates, case sensitive forms, and more.

Churchward Lorina is a four weight typeface family originally designed in 1996 by New Zealand type designer Joseph Churchward. A personable geometric sans serif, it possesses some of Churchward's trademark quirkiness but reamins highly legible and readable on screen as well as in print. The family includes Light, Regular, Bold and Black.

TXT101 is a fresh, friendly typeface for mock text and borders. As a retro-cool digital successor to the pencil marks that were hand-drawn as placeholder text in the analog era, TXT101 includes 52 styles, from Arch to Zigzag, with a couple of loops, several slants, and a swell set of waves. If your final copy is TBD, use TXT101 to mock up roman, bold, italic or light. TXT101 looks GR8 and is EZ to set. BWTM! Corner pieces make TXT101 a complete and charming bordering typeface. All patterns come in four weights, so you can make frames and borders for everything from little labels to big broadsides. Corners (north, south, east, west) are TTLY a snap to select from their own stylistic sets. DIY: MIX & MATCH TO CREATE COOL PATTERNS! Many styles have aligning baselines, so glyphs will connect. Single- and double-line variations abound, and you can combine weights (light, regular, bold, black) as well as styles. BTW, feel free to insert word spaces or leave them out.

Here in the heart of Santa Monica, in the disused 1940s aircraft hangar we like to call the Comicraft Studios, we know that times are tough. As we were driving to “work” in the back of our chauffeur driven Humvee limo, sipping martinis out of the navels of Playboy bunnies and wondering what font we should release next, we decided it was time to reach out to the poor people. Yes, we felt it was time to create a font for the huddled masses yearning to breathe free, for the wretched refuse of our teeming shores. A font, if you will, for the tempest-tossed. It’s a little skinny and might be described as pinched and starved, but it’s guaranteed to see you through this current economic crisis as only the 26 letters of the alphabet can. It was a tall order, but Jazzy JG Roshell created this one while he was in line at the bank, waiting for his personal bailout. Meticulously crafted using one of those ballpoint pens attached to the cashier’s station by elastic, Credit Crunch is the Hamburger Helper of comic book fonts. It’s kind of a hybrid -- just like the Priuses our trophy wives drive to their personal plastic surgeons -- and it’s solar powered and also comes with a tank full of good old fashioned Biro ink. The Recession, Climate Change AND Global Hunger will probably end mere minutes after you crack open your life’s savings to buy this font. How can you afford NOT to...? See the families related to Credit Crunch: Credit Extension.

Arsenica is a serif typeface designed by Francesco Canovaro for Zetafonts, and developed by a design team including Mario De Libero, Andrea Tartarelli and Cosimo Lorenzo Pancini. The design of Arsenica takes its inspiration from Italian poster design at the beginning of the century, a time where typography, lettering and illustration where closely interwoven. Dawning nationalist movements, rather than using the modernist language, pushed on traditional Old Style letterforms often imbued with Art Nouveau and Deco sensibility. Artists like Giorgio Muggiani not only illustrated posters for Cinzano, Pirelli and Rinascente, but also provided logo design for newspapers, like "Il Popolo d'Italia". Starting from this mix of eclectic influences, Canovaro first developed the Arsenica Antiqua family, designed as display typeface that keeps the original Old Style low-contrast, wide proportions and quirky stylistic inventions. These where then distilled in a high contrast, Arsenica Display family, expanding the weight range to include both poster, ultra-bold weights and lighter weights that give the design a distinct calligraphic flavour. Bringing the letterforms into contemporary taste meant also developing alternate letterforms that were included in the Arsenica Alternate family, that drops the art nouveau details in favour of a more controlled modern serif aesthetic. Finally, Arsenica Text was developed by expanding the design space in the optical size axis, creating a low contrast, strongly readable old style typeface family, with a reduced weight set, oriented for long body copy typesetting. The final result is a superfamily of 41 weights, covering the design space with an expanded charset of over 900 glyphs, with full coverage of over 200 languages using latin and Cyrillic alphabets. All the weights of Arsenica come with a full set of open type features allowing to explore its vintage-inspired visual inventions thanks to stylistic sets, discretionary ligatures, contextual alternates and positional numbers. Two variable typefaces are included in the full family, allowing you to explore the design space and precisely control not only the weight but also the optical size design variations. • Suggested uses: perfect for elegant modern branding and logo design, fascinating editorial design, expressive packaging and countless other projects. • 43 styles: 7 weights + 7 italics, 4 different styles + 2 variable fonts. • 942 glyphs in each weight. • Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Discretionary Ligatures, Kerning, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Oldstyle Figures, Ordinals, Stylistic Alternates, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 5, Stylistic Set 6, Stylistic Set 7, Stylistic Set 8, Stylistic Set 9, Slashed Zero. • 216 languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük.

Cassius & Cassius Italic are a postmodern typeface system from the Garaldes family. The main characteristic of this type family is its inverted anatomy and projected terminals. Cassius was meticulously designed with special focus on its structure. With its proposal for a fresh, attractive and rhythmic system, Cassius gives great personality to all kinds of composition. The family consists of 5 weights from regular to black, with respective Italics. Each instance includes; Case sensitives Accents, Ligatures, Fractions, Small Caps, Old Style Figures, Case Sensitives (symbols and punctuation) and more. This font is perfect for books and magazines compositions, and in general for the construction of immersive printed or digital texts.

Black Ridge is a strong and rugged typeface, supplemented by its tall x-height, angled cuts, and quirky curves—all giving it a unique touch of character. It was inspired by the bold, modern, and condensed sans-serif typefaces created by typographic pioneers such as El Lissitszky, Herbert Bayer, and Jan Tschichold of the early twentieth century. This typeface is intended for display headlines and comes with a customary set of Latin characters, including diacritics, accents, symbols, mathematical glyphs, and more. Black Ridge comes in five styles—thin, light, regular, bold, and black—and supports over 80 different languages. Each weight contains a set of alternate glyphs and discretionary ligatures specially designed for better spacing and aesthetic enhancements for the more awkward character pairs such as fi, fl, rv, TY, FT, and more.

Introducing my new modern Renaissance serif typeface Sogia. Vintage font with unique thin line decoration elements. Perfect to use in any fashion labels, glamour posters, luxury identity, etc. What's included? * Regular style * Uppercase and lowercase * Numbers * Symbols * Ligatures * Punctuation * Multilingual support I hope you enjoy this font. Follow my shop to receive updates of products and the very hottest news! If you have any question or issue, please contact me: kaer.pro@gmail.com Please request to add additional characters and glyphs if you need! Thank you!

Santika Script with 172+ glyphs. Alternative characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type feature can be accessed using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop version of Corel Draw X, and Microsoft Word. And this Font has provided PUA unicode (custom coded font). so that all alternative characters can be easily accessed in full by a craftsman or designer. Santika Script Santika Script Italic Happy Designing

Florian Fecher’s Lektorat font family is one for the books, and for the screens, and for the magazines. While an editorial’s main goals are to entertain, inform, and persuade, more should be considered. For example, clear divisions are necessary, not just from one article to the next, but in how each is positioned as op-ed or fact-based, infographic or table, vilifying or uplifting. From masthead to colophon, Lektorat has six concise text styles and 21 display styles to captivate, educate, and motivate within any editorial purpose. Magazines and related publications are notoriously difficult to brand and then to format accordingly. The research behind Lektorat focused on expression versus communication and what it takes for a great typeface to accomplish both tasks. In the changeover from the 19th to 20th century, German type foundry Schelter & Giesecke published several grotesque families that would become Lektorat’s partial inspiration. Experimentation with concepts from different exemplars gave birth to Lektorat’s manifest character traits: raised shoulders, deep incisions within highly contrasted junctions, and asymmetrical counters in a sans family. After thoroughly analysing magazine publishing and editorial designs, Florian discovered that a concise setup is sufficient for general paragraph text. So Lektorat’s text offering is concentrated into six total styles: regular, semibold, and bold with their obliques. Stylistic sets are equally minimal; an alternate ‘k, K’ and tail-less ‘a’ appear in text only. No fluff, no wasted “good intentions”, just a laser-like suite to focus the reader on the words. The display styles were another matter. They aim to attract attention in banners, as oversized type filling small spaces, photo knockouts, and in subsidiary headings like decks, callouts, sections, and more. For these reasons, three dialed-in widths — Narrow, Condensed, and Compressed — complete the display offerings in seven upright weights each, flaunting 21 headlining fonts in total. If being on font technology’s cutting edge is more your goal, the Lektorat type family is optionally available in three small variable font files for ultimate control and data savings. The Lektorat typeface was forged with a steel spine for pixel and print publishing. It unwaveringly informs, convincingly persuades, and aesthetically entertains when the tone calls for it. Its sans serif forms expand in methodical ways until the heaviest two weights close in, highlighting its irrepressible usefulness to the very end. Lektorat is an example of how much we relish entering into an agreed battle of persuasion — one which both sides actually enjoy.

Patrilya Script A New Romantic Script Calligraphy made with a touch of lovely and charming attraction that adds to the impression of a beautiful and elegant. a charming typeface and So beautiful on invitation like greeting cards, wedding invitation, branding materials, business cards, quotes, posters, headings, signature, logos, t-shirt, letterhead, signage, label, news, posters, badges and more Patrilya Script has a script typeface and extra letters and included floral ornaments that allows you to be more fancy and more extraordinary in designing. Patrilya Script requires no special software to use or access the alternate letters. You can even use Patrilya Script in basic writing apps like Word For those with Opentype capable software ( Photoshop CC or any version of Illustrator/ Indesign), Patrilya Script also comes with Opentype features such as access to all the alternate letters and double letter ligatures. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Don't forget to check out other cool fonts on our store and wait for new fonts. Follow our shop for upcoming updates including additional glyphs and language support. feel free to send me a message, comment, like and share. Thanks

Amdeira Script is a bold style script font. elegant, simple and slightly vintage look. This font is equipped with open types such as: ligature, Stylistic Sets, Last alternative. In addition, this font also supports multiple languages. You can mix and match your best combination. And besides that, this font is suitable for your design needs such as: poster design, magazines, logos, branding, packaging and many more. To enable the OpenType Stylistic alternatives, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC (With Glyphs Panel), Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Encoded PUAs are also supported. Access font characters compatible with Silhouette Studio, Cricut Design Space. Simply copy and paste alternate characters using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac)

Love Future is a bold style script font. elegant, simple and slightly vintage look. This font is equipped with open types such as: ligature, Stylistic Sets, Last alternative. In addition, this font also supports multiple languages. You can mix and match your best combination. And besides that, this font is suitable for your design needs such as: poster design, magazines, logos, branding, packaging and many more To enable the OpenType Stylistic alternatives, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC (With Glyphs Panel), Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Encoded PUAs are also supported. Access font characters compatible with Silhouette Studio, Cricut Design Space. Simply copy and paste alternate characters using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac)