Firmin Didot is credited with establishing the Modern genre of serif typefaces, of which Beaux Arts Didots stands as an exemplary model. Like the French neoclassical architecture of its namesake, Beaux Arts has all the hallmarks of the early nineteenth-century style: a clear and confident construction consisting of simple yet strong lines. Use it for elegant and formal settings, or when a direct typographic tone is desired. Mix it with styles of similar sensibilities such as Plinc Hanover and Davison Spencerian. Digitized from the original Photo-Lettering film matrix in 2014 by Jean-Baptiste Levée. BEAUX ARTS DIDOT CREDITS: Typeface Design: Photo-Lettering Staff Typeface Digitization: Jean-Baptiste Levée Typeface Production: Ben Kiel Typeface Direction: Ken Barber Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Grrr is a headstrong modular display typeface with a large amount of alternative glyphs. It consists of eight weights ranging from Thin to Black. A variable font is also available. The typeface is designed on a modular grid and it proudly ignores the rules of optical compensations: the horizontal and vertical strokes have identical thickness, and round and triangular letters have no overshoots at all! All these peculiarities are making the typeface usable at sizes from 21pt and larger in print and approximately from 24px on non-retina screens. Grrr is especially good at extremely large sizes. The typeface includes three stylistic sets with even more bizarre letterforms. These sets activate a cyclic pseudorandom substitution of letters from a range of alternates — the letterforms keep changing as you type! The typeface was designed by Dmitry Goloub and Alexandra Korolkova and released by Paratype in 2019.

The typeface Hearts Love Smile (All We Need Is LOVE) is designed in 2018–2021 for the font foundry Typo Graphic Design by Manuel Viergutz. A font-collection from rough hand-printed old wood letters, rubber-stamps and plastic stamps till clean vectors, photos … 302 glyphs of LOVE. Decorative extras like icons, arrows, dingbats, emojis, symbols, decorative ligatures (type the word LOVE for ♥ or SMILE for ☻ as OpenType-Feature dlig). For use in logos, magazines, posters, advertisement and packaging plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Hearts Love Smile ■ Font Styles: 1 Icons + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Glyph Set: 302 glyphs / decorative extras like arrows, dingbats, emojis, symbols ■ Design Date: 2021 ■ Type Desi­gner: Manuel Viergutz

Designed by Daniel Hernández and Paula Nazal. Corrections and review by Alfonso García and Rodrigo Fuenzalida. Trenda is a geometric sans-serif typeface based on the uppercase of Trend —a Latinotype font, released in 2013, that was very well received. This new typeface comes with a wider character set that offers a complete family of uppercase and lowercase in different weights. Trenda is a versatile easy-to-use functional display font with a strong personality, especially its uppercase, which makes the designer’s work easier. Trenda’s lightest and heaviest variants are ideal for display use while its middle weights work well with short and mid-length texts. This typeface has been designed especially for corporate projects, logotypes and publishing. Trenda comes in 8 weights, ranging from Thin to Heavy, and includes matching italics as well as small caps and alternates. The family contains a 634-character set that supports 206 different languages.

Inspired by the hand-lettered sound effects found in comic books, Dave West takes a three-dimensional deep dive into the genre with his extensive onomatopoeic alphabet originally designed for Photo-Lettering, Inc. The sonorous voice of Kerpow’s caps captures “cartoon” brilliantly, while the accompanying lowercase provides options for broader applications. Turn to Kerpow for eye-catching children’s book covers, fast casual restaurant marketing, or family fun centers, and…BAM!…all eyes will be on your design. Originally drawn in the late 1960s, Kerpow was digitized by Allen Mercer in 2011. Please note that the shaded version of the typeface is composed by layering the Regular font and a separate Drop Shadow font. Some assembly required. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

The best way to radicalize your typographic expression is to use Blackletter! Gothic calligraphy had been used throughout all historical periods without much of the principal development the Latin typefaces underwent. However, since the invention of movable type, even now its slight variations over time can be seen. Blackletters are always used where emotions are required, be it spiritual literature, romantic novels, decadent poetry or extreme music. Dracula is a typeface dedicated to classical horror. I started to draw its letters along with my illustrations for Argo publishers in spring 2017. I needed a specific typeface for book cover and chapter titles to emphasize the mysterious atmosphere of the text. Sharp teeth and claws on a thin blackletter skeleton shall remind of the early vampirism in literature. Its slightly narrowed face enhances a thrilling feel of anguish and despair, whereas the darkest cut may work well on funeral announcements.

Behance presentation https://www.behance.net/gallery/51305239/Geometrica Geometrica is a low contrast rounded geometric Sans with a mid 19th/early 20th century simplicity air yet modern and minimalist. The font was inspired by the idea of creating a typeface with uppercase/lowercase characters and small caps having the same proportion. The result is a font with a moderate width, generous x-height, and short ascenders and descenders, giving it a compact and clean look. Geometrica comes in 10 weights plus italics—each variant with 589 glyphs—and contains a number of OpenType features that allow you to create very ‘good looking’ designs. Geometrica provides a wide range of choices for any design project and it is especially recommended for UI/UX and app design, branding and corporate design, in 2017 it was selected as one of the 10 best Sans of the year by FontShop.

German type designers Hannes von Döhren, Christoph Koeberlin and the FontFont Type Department created this sans FontFont in 2013. The family contains 10 weights from Hairline to Black and is ideally suited for film and TV, advertising and packaging, editorial and publishing, logo, branding, music and nightlife, software and gaming, sports as well as web and screen design. FF Mark provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. NEW: the new FF Mark W1G versions features a pan-European character set for international communications. The W1G character set supports almost all the popular languages/writing systems in western, eastern, and central Europe based on the Latin alphabet and also several based on Cyrillic and Greek alphabets.

The Typeface «Mixcoatl» by Elia Salvisberg was developed as a part of a course at the Lucerne School of Design and Art in 2016. Based on the book «The Empire of the Inca», a display-font has been created, which is inspired by the graphic language of the South American Empire of the Incas. At the beginning, only capital letters were designed but there was the desire for a complete typeface – which is why the missing signs were added. The font is based on a grid, so the characters are constructed equivalently and a uniform geometric font arose. The name was adopted from the god of hunting who plays an important role in the mythology of the Aztecs and appears in various forms. The uppercase letters can also be represented and combined in two alternative character-sets, so there are a lot of opportunities to combine uppercase words in different forms.

I created this font in 2016 with the name “Burtons”, and now here I am turning it into “Badhorse”. If you’re looking for the perfect touch of vintage flair for a design project, Badhorse is an exceptional choice. Pairing a rustic serif with a decorative handwritten script, Badhorse offers two distinct type designs that complement one another beautifully. This font duo is effective on product packaging, particularly for wares that prefer a handcrafted, artisan approach to their finished presentation. Badhorse is ideal for strong branding, identity, and logo design, as its letter forms effortlessly express a tone of familiarity, reliability, and timelessness. Advertising spreads and menu layouts will also take advantage of this modern classic, conjuring a sense of nostalgia and comfort in the viewer. Badhorse offers stylistic alternates and ligatures through OpenType, as well as symbols, punctuation, and international characters for additional language support.

This is a grotesque typeface which was derived from an older more simple version designed back in 2000. Bulletin Sans Pro is distinguished by its selective deep cuts which give this typeface a robust and contemporary look. These cuts become more apparent at larger sizes while they create a more subtle effect at smaller sizes. For intense titles try the black version. When space and legibility for long texts are critical, use the lighter versions. The family consists of 10 fonts—from black to light—including true italics. It supports 20 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic. Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban lifestyle.

Quadrim - Serif Font Family - Multilingual -12 Style (2020) On the basis of Quadrim, it is a mix of the old-fashioned Roman serif family. The old style serif combination combines, modern aesthetics with fantasy and Art Nouveau serif fonts, making Quadrim a versatile family that can be used in many different design projects. This font offers a wide variety of styles to help you discover the best mood for your projects, from body text to large titles, from classic styles to modern and bold styles. It is very suitable for book and magazines, magazine covers, editorial, titles, websites, logos, invitations, branding, advertising and more. CHARACTER RANGES : Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, CJK Symbols And Punctuation, Private Use Area (plane 0), With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

My son’s name is Ata Caner Yüksel. After building this character, I wanted to honor him by using his name for this font. I think it fully reflects the character I created in my mind. Ata Rounded, only one of the four other deep end with rounded corners consist of sharpened flat plate. Matched to one another and are optimized for screen. The family, with eight weights plus matching italics, was designed by Bülent Yüksel in 2016. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, way-finding, and signage, as well as web and screen design. ATA provides advanced typographical support for Latin-based languages. Case-sensitive forms, classes and features, small caps from letter cases, fractions, superior, inferior, denominator, numerator, old-style figures, stylistic alternates; just one touch easy In all graphic programs. You can enjoy using it.

Stapel is a contemporary closed sans serif with sci-fi looking forms and eloquent, thin stroke joints. The superfamily consists of three subfamilies of different width: Normal, Narrow and Condensed. Each subfamily contains seven weights with corresponding true italics. Additionally, there are several extra wide bold styles. All these styles work perfectly in headings and short display texts. Another important subfamily is Stapel Text which includes upright and italic styles of lower contrast and more generous spacing. Text styles are great for body text in small and medium point sizes. Most styles include alternate characters, proportional and lining figures, math symbols, fractions, currency signs and case-dependent punctuation. A wide range of styles and typographic features makes Stapel ideal for use in brand identity, infographics and all kinds of designs related to technology, science, finance, politics or sports. Stapel was designed by Alexander Lubovenko and released by Paratype in 2020.

Philip Bouwsma returns with yet another great manifestation of historical calligraphy. Luminari is an amalgam of High Middle Ages writing, a blend that combines the ornate Church hands with the simple Carolingian from the ninth to the fifteenth centuries. Its majuscules are particularly influenced by the versals found in the famous Monmouth psalters, as well as those done by the Ramsey Abbey abbots in the twelfth century. The minuscules also exhibit some influence from the book hand of prolific humanist Poggio Bracciolini from the early fifteenth century. Italian and essentially romanesque in style, Luminari exercises a slight tension between the round forms and the angular “gothic” styling. Luminari was updated with plenty of alternates and expanded language support in 2012. It now supports a very wide range of codepages, including Cyrillic, Greek, Central and Eastern European, Turkish, Baltic, Vietnamese, and of course Celtic/Welsh.

My son’s name is Ata Caner Yüksel. After building this typeface, I decided to honor it with my son’s name. I think I fully reflects the character I created in my mind. Ata typefamily, only one of the four other deep end with rounded corners consist of sharpened flat plate. Matched to one another and are optimized for screen. The family has eight weights plus matching italics was designed by Bülent Yüksel in 2016. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, way-finding and signage as well as web and screen design. ATA provides advanced typographical support for Latin-based languages. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures, Stylistic Alternates in just one touch easy In all graphic programs. You will enjoy using it.

Because all good things can get better. Texta was born in 2014, a collaborative project of the study of humanist models from Edward Johnston to Adrian Frutiger. Texta Pro is a contemporary and rational sans, almost invisible, but not quite. It is a workhorse for any type of project. New design of symbols such as Section, Partialdiff, Dagger, approxequal, among others. Expansion of monetary signs (Bitcoin, Peso, Franc, etc.) Basic ligatures fi, fl. Includes Cyrillic. Added set of small caps for Latin, Cyrillic, numbers, punctuation and monetary. Increased set of monetary and mathematical symbols. Set of 983 glyphs, 487 more glyphs than the update. New ligatures ff, ffi, ffl, It has two stylistic sets, ss01 and ss02 (tails). Set of numbers with versions: higher, lower, denominators, numbered, old, modern and tabular for the last two cases. New fractions added. Set of case sensitive signs.

Introducing Lucky Change Font - A Brand New Serif Font with Classy and Premium Shape, More Opentype Feature, more neat curves Lucky Change Font Inspired by Simply and Luxury Typography. Lucky Change Font is a very versatile font. you can use this font to various design. Basics can improve more than 200 alternates character where can collaborate with premade logos and vector pack WHAT'S YOU GET ? Unique Letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! Fully accessible without additional design software. I really hope you'll get pleasure using Kagnue font and it will be perfect addition to your font collection! Contact me with an inbox message If you have any question. Thank you! Happy Creating.

Introducing George Town new generation Typeface with 6 Weights. George Town Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. George Town is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Six Weights. Thin, ExtraLight, Light, Regular, Medium, and SemiBold Features: Numerals, extended punctuation & Basic Symbols(200+ Glyphs). Expert kerning and quality crafting. Uppercase Letters & Lowercase Letters 24x7 Support Thank you for taking the time to look into the font.

This is Berka, a low contrast hybrid typeface which combine grotesque typeface traditions with geometry and a little touch of humanistic . This font family comes in 7 weights from Thin to Black with matching italics. Each family member of Berka also equipped with useful OpenType features such as Ordinals, Superscripts, Subscripts, Stylistic Alternates, Stylistic Sets, Proportional Lining, Standard Ligatures, Fractions, Numerators & Denominators. Each font has 490+ glyphs which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported! Berka will be suitable for many creative projects. With its versatility, Berka typeface will be suitable for logos, posters, presentations, headlines, lettering, branding, quotes, titles, magazines, headings, web banners, mobile applications, art quotes, advertising, packaging design, book title, and more!

Elegance flows through Couturier Poster soul. The new cousin of early launched Couturier, brings higher contrast and an extended family, perfect for big sizes. Inspired by the didones from the 18th century, its design its heavily influenced by contemporary ideas makes it suitable to use for almost anything you can think of. Equipped with swashes, ligatures, small caps and alternates, this typography is very versatile and allows you to set a big range of compositions with discretion or personality. Couturier Poster comes in six weights and matching true italics, from thin to black. It's a good choice to pair with Couturier for smaller sizes and Couturier Poster for the big titles. It has a set of 1248 characters that cover more than 200 languages derived from latin.

A triple threat, Letteria Pro is a typographic trio designed for branding and packaging. With the soul of a broad nib pen and the grace of a brush, it has five weights and a lot of style. In order to achieve a pragmatic contrast between a composition’s communication levels, we have created a mechanical typeface with only capital letters in sans and slab versions that elude to a De Stijl style. Ligatures and swashes provide a plethora of options, including Thin, Light, Regular, Bold and Black weights, while its companions offer a single weight. Together, this Latinotype original covers more than 200 languages within the Latin alphabet. Yet another powerful tool for your arsenal of fonts that command consumer attention.

Mondo News is a typeface designed to fulfill digital and paper publication editorial needs, its cared equilibrium between slightly condensed proportions and generous «x» height, offers optimum performance without compromising legibility. The modulation of thick and thin strokes in the middle weights is balanced for extensive text reading, while on the heavy weights becomes more dramatic making them ideal for strong headlines. Equipped with 760+ glyphs, support for more than 200 languages, smallcaps, alternates, ligatures, dingbats and plenty of OpenType features, Mondo News modern interpretation of tradition performs excellent both on screen and on paper, satisfy the most demanding editorial needs and will nourish your pages with a convincing and reliable atmosphere. Mondo News is part of the Untype Mondo family typographic system.

I, uh, don't know quite what to say. I'd toiled so long over Pumpkinseed back in '96 that I guess I needed a good, wild ride to shake out the head cramps, or something. Whatever grabbed me, it forced me to sit down and design a typeface real fast directly in Fontographer (had never done that before). Took less than two hours to finish the regular character set. No way to explain it, but the exercise actually paid off -- I think. And now that there was Speed Bump, there simply had to be a companion dingbat set. (Beats the heck out of me.) So check out Speed Bump's wacky character(s) and, if you're really bored, the 200-some-odd little pictures in Speed Bump Pi.

Meet Proda Sans, a humanist typeface with geometric construction inspired by the humanist-style sans serif faces that were popular in the mid 20th-century. Its calligraphic influenced letterforms have been adjusted to have geometric’s low-stroke-contrast for better legibility. The medium x-height give it a warm and delicate appearance, and keep your page bright. It's a family of nine weights plus matching italics. The thin and the black weights are great for display purposes. The light, book and regular weights are well suited for longer paragraphs and smaller texts.​​​​​​​ Proda Sans is developed for advanced typography needs. The OpenType fonts have an extended character set to support 200+ latin-based languages. For full presentation please visit my Behance post.

It is spurless, minimum contrast with vertical cut terminals, and it is called Algera. It sounds strong and wild, doesn't it? This font family comes in 9 weights from Thin to Black with matching italics. Each family member of Algera also equipped with useful OpenType features such as Ordinals, Superscripts, Subscripts, Stylistic Alternates, Stylistic Sets, Proportional Lining, Standard Ligatures, Fractions, Localized Forms, also Numerators & Denominators. Each font has 490+ glyphs which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported! Algera will give you a different touch to your creative projects. This typeface will be a great choice for logos, posters, presentations, headlines, lettering, branding, quotes, titles, magazines, headings, web banners, mobile applications, art quotes, advertising, packaging design, book title, and more!

Javiera is a geometric sans-serif typeface with humanist attributes. One of its main features is its small x-height, which makes ascenders and descenders look longer. The contrast gives the font a more stylised look, typical of humanist fonts. Curves and rounded terminals make Javiera a smooth, friendly and versatile typeface, well-suited for branding, magazines and publishing projects. User can take more advantage of the versatility of the font by enabling alternative characters included in the set. Javiera comes in 6 styles—from Thin to Black—plus matching italics, giving a total of 12 fonts. The font’s extreme weights are perfect for display use. Javiera family contains a set of more than 400 characters and supports over 200 different languages.

Sweet Lullaby is consisting of a fashionable handwritten-style script make looks stylish. This font was created to look as close to a natural handwritten script as possible by including standard ligatures and stylistic alternates. Sweet Lullaby is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and anything that you want. More than 200 of glyphs Standard Ligatures Stylistic alternates Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Drop me message if you have any questions. Or you can mail me at damarkurung8@gmail.com Hope you enjoy it Thanks

Inspired by something experimental and modern but still has a strong and elegant characteristic. Neugro Typeface is a experimental sans serif font well-suited for display use; its orthogonal terminals and short ascenders and descenders make it ideal for block of texts. By mixing different weights, you can have a wide range of design options—short text, isolated words, logos, titles, branding design, posters, etc. The Neugro family comes in 18 weights—from a thin and condensed thin to an expanded and Black. Its character set supports over 200 different languages. Equipped with various additional unique and modern alternative characters, it gives you a very strong composition of identity and personality. This font really deserves to be on your desktop*

1776 Independence was designed inspired mainly from the Caslon typeface used by John Dunlap in the night of 1776 July 4th in Philadelphia to print the first 200 sheets of the Congress' Declaration of Independence establishing the United States of America. I just added accented letters and a few others, with respect for the original design. A render sheet,enclosed with font file, help to identify them on keyboard. It can be used as web-site titles, posters and fliers, editing ancient texts, menus or greeting cards as a very decorative font... This font supports as easily enlargement or small size, remaining clear and easy to read from 8 or 9 points to 72 and over. It gives a smart look especially to prints.

Introducing NorthBay Grotesk new generation Typeface with 5 Weights. NorthBay Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. NorthBay is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Five Weights. Light, Regular, Medium, SemiBold and Bold Features: Numerals, extended punctuation & Basic Symbols(200+ Glyphs). Uppercase Letters & Lowercase Letters 24x7 Support Thank you for taking the time to look into the font.

Meet Moreno – a semi serif typeface full of personality and flavor. A display typeface in its nature Moreno is free and informal yet stable and trustworthy. Moreno comes with extensive OpenType support - with its more than 15 OpenType features Moreno is giving you a great variety of stylistic alternatives as well as wide range of ligatures, tabular lining numerals, oldstyle numerals, fractions and many more. It comes in 8 carefully chosen weights from Extra Thin to Black plus their matching italics. Together with the 4 additional styles, Moreno becomes a diverse type family of 80 fonts suitable for a wide range of design needs like retail, package, food, branding etc. With its language support - over 200 languages, Cyrillic included - it is ready for world domination!

Jacques Pro Display is a Brand New Elegant Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies. Mackenzie Font would be perfect for branding, headlines, Captions, paragraphs, and posters. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile The Typeface includes Eight Weights - Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold and ExtraBold Numerals and extended punctuation (200+ Glyphs). Expert kerning and quality crafting. Thank you for taking the time to look into the font.

Cotterway Display is a Brand New Elegant Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies. Cotterway Font would be perfect for branding, headlines, Captions, paragraphs, and posters. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile The Typeface includes Six Weights - Light, Regular, Medium, SemiBold, Bold and ExtraBold. Numerals and extended punctuation (200+ Glyphs). Expert kerning and quality crafting. TTF, OTF and WebFonts Included. Thank you for taking the time to look into the font.