Initially inspired by an untitled typeface from an old hand-lettering book, Berber has been extensively developed over two incarnations to function as a very strong and confident sans. The 2011 Berber revisions have enabled Berber to be used across longer settings as well as its more conventional use on larger applications such as signage. Berber was used as the text face for issue 46 of Eye, the graphic design journal. The typeface now features both king caps and small caps. Extensive additions to the numerals sets and complete opentype sets of international diacritics also extend its usage.

In the 1990s I drew a text face for the San Francisco Chronicle. It was based on W. A. Dwiggins’ Electra and incorporated many features of the Linotype Legibility Series: More compact, with a taller lowercase X-height, etc. That type was called Electric and it was the Chronicle’s text face for nearly a decade, surviving several redesigns. From that, I made Azuza, a more detailed and sensitive style. Azuza was recognized in the TDC2 type competition in 2001. Then it went into hibernation as a Type 1 font family. Today it is back. Six fonts. Open Type.

Edda Glaser’s digitized handwriting is a beautiful script containing many ligatures and alternates. The first lines were drawn in 2012 – however, there are now over 850 glyphs! The elegant and light typeface combines both connected and separate characters, in this way gaining a dynamic flow. The Open Type Features allow you to choose glyph alternates for the beginning and end of words. The script also contains lots of numbers as old-style and titling figures as well as sub- and superscript figures.  The many alternates and swash uppercase letters let you create a versatile look which suits designing magazine and other print media.

Praho Pro is a part of Warsaw Types – a project based on Warsaw’s local typographic heritage. The project, presented at the Museum of Praga, is a collaboration of 12 young Polish typographers. Praho Pro is a multilingual family inspired by the unique, historical character of Praga district of Poland's capital - Warsaw. High contrast, thin serifs, sharp terminals and large x-height are key features for distinctive headlines. The whole family consist of 9 weights and real italics, small caps, superscript and subscript letters, oldstyle, tabular figures and fractions. It covers latin and cyrillic script. Every weight has almost 2000 glyphs.

The Vidal is a display typeface designed in 2016 by Elena Albertoni. It comes in three styles: Regular, Bold and Black. This wide sans-serif with low contrast is inspired by French and British Art Deco lettering and it is suitable for use in medium to large sizes, where it offers good legibility and all its friskiness. The attitude of Vidal when set in all caps derives from the models that inspired the design: mainly capital-only lettering pieces; the essential addition of lowercase letters distinguishes Vidal from similar revivals and makes it a great modern choice.

French type designer Xavier Dupré created this serif FontFont in 2001. The family has 6 weights, ranging from Regular to Bold (including italics) and is ideally suited for advertising and packaging, book text as well as festive occasions. FF Reminga provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Reminga super family, which also includes FF Reminga Titling.

Joyful Script comes with upper and lowercase characters, punctuation glyphs, numerals, web font, and supports international languages. Stylistic sets for several key lower case characters are also available. Perfect for logo marks, typographic quotes over photos, book covers, and packaging design. Note: To access all the alternate letters for this font you will need software with a glyphs panel - such as Adobe Photoshop CC 2015, Adobe Illustrator, Adobe Indesign, etc. The subset of Joyful Script Regular in this kit supports the following languages: Albanian, Basque, Breton, Chamorro, Dutch, English, Finnish, Frisian, Galician, German, Italian, Malagasy, Portuguese, Spanish, Swedish

Sans or serif? Square or rounded? Calligraphic or geometric? Conglomerate is both all and none of these things — a subtle yet unorthodox blend of typographic traits resulting in a clean, unique, and versatile font family with large, open counters for legibility in text yet crisp, sharp details that sparkle at display sizes. Conglomerate is sturdy but never stiff, crisp but never stark — perfect for projects that require a more contemporary feel than either a traditional serif or geometric sans might bring. Conglomerate received a PRINT Magazine Best in Class award, and was one of Typographica’s Favorite Typefaces of 2016.

Pila, designed by Alex Jacque in 2014, is a modular, sans-serif stencil typeface that comes in regular and condensed formats. Crafted to be a bold, punchy, no-nonsense stencil typeface, Pila owes its unique look — as well as its name — to its adherence to the rigid modular system it is built upon. Pila is meant to be used at larger point sizes where visual impact is desired. Pila has a broad glyph set with the necessary characters to support a wide number of languages. Through the use of OpenType Pila can automatically create fractions as well as create superscript and subscript numerals.

Foro was designed in 2012 to be a slab serif with an appealing flow, warm, and less harsh than many slab serifs. It evinces an attachment to humanistic shapes, models and proportions. Foro’s demonstrated strength renders it excellent for texts, and its clear and distinct details are an advantage in display sizes. Foro comes in 16 styles and in OpenType format. All weights contain standard ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows. Foro supports Western European, Central and Eastern European languages.

The Bitstream version of Letter Gothic designed by Roger Robertson in 1956-62 for IBM electric typewriter. It is a condensed, monospaced font resembling a typewriter face, suitable for tabular material. Primarily used for slide presentations and for word processing applications, Letter Gothic is very helpful for printing out software source listing, for informal office communications and for tabular charts where alignment of columns is important. Besides, being a clear and easy-to-read font, Letter Gothic is popular now for display and advertising matters. Cyrillic version was developed for ParaType in 2000 by Gayaneh Bagdasaryan.

Kapra Neue Pro is a younger sister of Kapra Neue – he was the #1 bestselling Grotesque Sans released in 2017 on MyFonts and grandson of Kapra. Now you really have a lot of options to choose! New family is full of everything – 96 weights contain a wide range of instances, from Condensed to Expanded, everything with rounded corners or with sharp ones. Now, font has also: small caps, cyrillic script, and old-style figures. Kapra Neue Pro is inspired by a “You And Me Monthly” magazine, published by National Magazines Publisher RSW "Prasa” in Poland, from May 1960 till December 1973.

Zygon Regular is a shape changing, unicase display font inspired by British cultures and transcultural theory. Zygon Regular was inspired by the 2012 Royal Diamond Jubilee and the notion that the Jubilee, as a multicultural event, would feature celebrations inclusive of all cultures. The typeface is based on the Panjabi syllabary alphabet (Gurmukhi script) combined with the Latin alphabet. Zygon Regular contains a set of stylistic alternates as well as a range of standard and discretionary ligatures. These are accessible in applications that support OpenType features. Zygon Regular is especially suitable as a headline font for designs seeking a cultural edge.

The type family in four basic styles was designed in ParaType (ParaGraph) in 1992 by Tagir Safayev. Based on Frutiger, of Mergenthaler Linotype, 1976 by Adrian Frutiger. Frutiger font was originally designed for use on signs at the new Charles de Gaulle Airport at Roissy. The straightforward sans serif shapes are suited well for both text and display setting. Six additional styles were added in 1998-2000. Multilingual versions of 6 styles (Light, Demi and Extrabold) include Armenian alphabet designed by Manvel Shmavonyan in 1997. Two condensed Cyrillic styles (Demi Condensed and Bold Condensed) designed by Manvel Shmavonyan in 2005.

Linotype Syntax™ Serif is the serif typeface that complements Linotype Syntax™, both created by Swiss type designer Hans Eduard Meier in 2000. With this new design, Meier has at last given shape and structure to the invisible muse that inspired him in the 1950s when he conceived his monoline sans serif based on humanist or Oldstyle letterforms. The calm legibility of this workhorse text family is accented by Meier’s signature of subtle dynamic movement, making it ideal for longer texts in books and magazines. It combines harmoniously with the other Syntax typefaces, Linotype Syntax™ and Linotype Syntax™ Letter.

Grotica is a versatile geometric sans serif contains 7 weights from Thin to Bold. IIt's inspired by the beautiful logotype on old labels and by exploring the Retroica font we've created in 2020. This font is suitable for movies, TV, advertising, packaging, logos, posters, music, branding, posters and so on with a modern design style. With over 600 glyphs per style, Grotica supports around 150 languages in Latin and Cyrillic script. Grotica OpenType Features including alternate glyphs, fractions, contextual alternates, oldstyle and lining (proportional and tabular) numerals, numerators/denominators, superiors/inferiors, and a variety of symbols.

Karol was designed in 2011 as a project in the MA in Advanced Typography from EINA/UAB, in Barcelona. It was born as text typeface inspired by the work of East European type designers. Two years later, Karol is ready for public release, in a collection of eight styles (four weights and matching italics) with high readability, strength and character. A few days before its publication, we received the news that Karol had been awarded the Certificate of Typographic Excellence (Judges’ Choice) of the Type Directors Club. Please check the ‘Read me’ file located in the gallery for more specifications.

German type designer Ole Schäfer created this sans FontFont in 2000. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries as well as software and gaming. FF Fago Correspondence Sans provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining figures. This FontFont is a member of the FF Fago super family, which also includes FF Fago, FF Fago Correspondence Serif, and FF Fago Monospaced.

BetterKamp was originally constructed in 1995-6. It was not constructed to meet any specific purpose but out of curiosity, to see what the result would be if two quite different faces were blended. KampIngriana is the offspring of BetterTypeRight, which has characteristics of a typewriter face without the monospacing, and KampFriendship, which mimics a serifed face drawn by hand. The original blending had many oddities that I did not clean up until 2020 when I also added the semi-bold weights. BetterKamp lacks polish and elegance, but it is very readable at small point sizes.

Niveau Grotesk—the companion of Niveau Serif —is a type family of six weights plus matching italics and small caps. It was designed by Hannes von Döhren in 2013. Influenced by classical nineteenth-century faces, the fonts are based on geometric forms. Because of its straight architecture, Niveau Grotesk has a “punch” in big sizes but is very legible in smaller sizes and longer texts—in print or on screen. Niveau Grotesk is equipped for complex, professional typography with alternate letters, arrows, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

Aladdin Black is the 3rd member of our Aladdin Bold Font Family. This new style is extra bold and slightly rounded on the outsides of the glyphs. It is fat, fancy, fearless, forward, devilish, heavy, and stylized. Aladdin Bold was my first font introduced in 2012. I've always felt there were possibilities of adding styles to this family and something triggered the decision, so...here it is. I took much time deliberating over many of the finer details in this version of Aladdin and I hope the 'devil is in the details' for whoever decides to try on Aladdin Black.

Surpassing traditional Antiqua, our new collaborative font family Audela emerges after overcoming time, national borders, language differences, cultural gaps, and professional challenges. Starting off as an exercise project of our very first intern Léa Bruneau in 2018, Audela slowly shaped into a full-fledged elegant serif typeface of 14 styles under the watchful eye of Plamen Motev, Fontfabric’s Type Director. Three years later, Audela is internally regarded as a breaker of limits earning its name from the French “au-delà,” meaning “beyond.” This new rising star features sharp serifs, flowing letterforms, advanced OpenType features, Extended Latin and Cyrillic support, to name a few.

Maison Luxe is a revival of a very old font designed in France in or around the year 1820. You may have seen this font in the past under the names of Circus, Roma, Madame and Gillé Classic. As of November 2016 we have changed the name of this font from Gillé Classic to Maison Luxe which means Luxury House in French. For many years Joseph Gillé was credited as the original designer of this font however we've recently been contacted by a type historian in France reporting that he could not find any evidence supporting Joseph Gillé as the designer and to the best of his knowledge an artist by the name of Sylvestre may be the true designer. If you love this classic font then you're sure to enjoy the alternate version also with a matching lowercase available from FontMesa under the name of Home Style. This version of the classic with its squared off shadow is true to the original design where Home Style has diagonal lines creating a cast shadow. New in 2016 for Maison Luxe is a new matching lowercase, an uppercase German Double S (versal eszett), Greek character set, opentype features including case sensitive forms and old style numerals. We know you'll enjoy the new additions to this timeless classic design.

Coco Sharp is the newest evolution of the Coco typographic project, developed since 2013 by Cosimo Lorenzo Pancini for the foundry Zetafonts, with the help of Francesco Canovaro and Andrea Tartarelli. Influenced by vernacular grotesques sign-painting and modernist ideals, and inspired by the classy aesthetic of fashion icon Coco Chanel, Coco is drawn on a classic geometric sans skeleton but applies humanist proportions and visual corrections to key letters with the aim to create a warmer, subtly vintage texture on the page and on the screen. Coco Sharp drops the rounded corners of previous incarnations (Coco Gothic and Cocogoose) to pair the typeface display and logo capability with a sharper definition for text use. As in the other Coco families, a wide range of alternate letterforms allows to express different historical moods, including elegant, quirky and unexpected designs able to transform a simple word in a memorable wordmark. The other peculiarity of Coco Sharp lies in the wide choice of x-heights given to the user, both by providing a variable version and five graded sub-families, that allows designers to fine-control text readability and space usage. Large and XLarge versions provide big and easily readable lowercase letters, perfect for small point size typesetting or bold copywriting; Small and XSmall provide smaller lowercase letters with the elegant proportions of Futura and its modernist eponyms, optimized for display use or for adding a classy flare to body text; the Regular x-height offers a "one size fits all" solution that works both for texts and for display use. Alle the 60 weights of Coco Sharp come with a full set of open type features allowing faultless typesetting thanks to small capitals, positional numbers & case sensitive forms. Use Coco Sharp out of the box as a solid workhorse family or enjoy discovering the limitless possibilities of its 2000+ latin, cyrillic and greek glyphs covering over 200 languages worldwide. • Suggested uses: perfect for modern branding and logo design, editorial design, web design, packaging and countless other projects; • 62 styles: 6 weights + 6 italics x 5 different x-heights + 2 variable fonts; • 2011 glyphs in each weight; • Useful OpenType features: Access All Alternates, Small Capitals From Capitals, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Kerning, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Oldstyle Figures, Ordinals, Proportional Figures, Stylistic Alternates, Scientific Inferiors, Small Capitals, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 5, Stylistic Set 6, Stylistic Set 7, Stylistic Set 8, Stylistic Set 9, Subscript, Superscript, Tabular Figures, Slashed Zero • 220 languages supported (extended Latin, Cyrillic, Greek alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Greek, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Irish, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük;

Rain Lily is a hand lettered sans-serif font. The monoline font is cute, simple, and could be used for any project! - Contains over 200 accented characters for language support. Some of the languages supported are: English, Spanish, Portuguese, German, Italian, French, Polish, Catalan, Irish, Norwegian, Croatian, Gaelic, and more! If you would like to know if a certain language is supported, please contact me with the language and/or any special characters you wanted to know about.

Jason Uncial, a unicase font, was created by Dutch designer Coen Hofmann. Uncial hand writing began to spread in Europe at the time of the late Roman Empire (200 A.D.). It influenced both the Carolingian Minuscule as well as our present lower case letter forms. Uncial fonts are still very much in use. It is used for headlines, display, titles, certificates, and not surprisingly, very much in Ireland or for anything with a Gaelic/Irish or Celtic touch.

Bestfriend Signature is a beautiful handwritten font that radiates stylish and sophisticated vibes, featuring smooth and flowing strokes with 250 ligatures that perfectly mimic human touch. The elegant and smooth letter shapes are well-balanced, creating a harmonious and charming design. This font is perfect for adding an elegant touch to any type of design project that requires a natural handwriting feel What's Included : 250 Opentype Ligatures & 200+ Multilingual glyphs PUA Encoded Characters - Fully accessible without additional design software.

BR Firma is a geometric sans serif consisting of 8 weights ranging from Thin to Black with matching italics. It supports an ‘Extended Latin’ character set that covers over 200 latin based languages. BR Firma provides advanced typographic support with features such as case sensitive forms, fractions and slashed zeros. It comes with multiple figure sets and is ideal for print, advertising, publishing, branding, software and gaming as well as being optimised for web and screen design.

Mulidey come with 200+ glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.

GUI Design Icons is pack of about 200 icons for every possible user interface (GUI). What makes this font special is combinations. There are background and foreground objects which you can combine any way you like. Imagine you have an icon of shopping cart. By just adding another symbol, you can make an icon for adding that item to shopping cart, removing the item, showing favorites or any other possible combination. See image example for some fresh ideas!

From 2019 back to the 90s … The typeface “Czykago Rough” by Alexander Branczyk and Manuel Viergutz is a re-issue of the font “Czykago” published in 1995 by the font label “Face2Face”. Designed as a re-release for the Font Foundry “Typo Graphic Design” in 2019. The rough sans serif display font is inspired by the 80s and 90s. Glyhph-Set: Latin Extended (Adobe Latin 3). 907 glyphs with 3× A–Z & a–z and 350+ decorative extras like icons, arrows, dingbats, emojis, symbols, sign of the zodiac, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (4× stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Czykago Rough ■ Font Weights: Cond + Stretch + Mix + CondBG + Icons + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat: .otf (Open­Type Font for Mac + Win) + .ttf (True­Type Font) ■ Glyph Set: 907 glyphs with 350+ decorative extras like icons ■ Lan­guage Sup­port: 80+ for Latin Exten­ded (Adobe Latin 3). Afrikaans, Albanisch, Baskisch, Bemba, Bena, Bosnisch, Dänisch, Deutsch, Englisch, Estnisch, Färöisch, Filipino, Finnisch, Französisch, Friulisch, Galizisch, Gusii, Indonesisch, Irisch, Isländisch, Italienisch, Kabuverdianu, Kalenjin, Katalanisch, Kinyarwanda, Kölsch, Kornisch, Kroatisch, Lettisch, Litauisch, Luhya, Luo-Sprache, Luxemburgisch, Machame, Madagassisch, Makhuwa-Meetto, Makonde, Malaiisch, Manx, Morisyen, Niederländisch, Niedersorbisch, Nord-Ndebele, Norwegisch Bokmål, Norwegisch Nynorsk, Nyankole, Obersorbisch, Oromo, Pare, Polnisch, Portugiesisch, Rätoromanisch, Rombo, Rukiga, Rumänisch, Rundi, Rwa, Samburu, Sango, Sangu, Schottisches Gälisch, Schwedisch, Schweizerdeutsch, Sena, Shambala, Shona, Slowakisch, Slowenisch, Soga, Somali, Spanisch, Suaheli, Taita, Teso, Tschechisch, Türkisch, Turkmenisch, Ungarisch, Vunjo, Zulu ■ Spe­cials: Alter­na­tive let­ters, sty­listic sets, automatic con­text­ual alter­nates via Open­Type Fea­ture (3× different versions of A–Z & 0–9 + a–z), Euro, kerning pairs, stan­dard & deco­ra­tive liga­tures, Ver­sal Eszett (German Capital Sharp S), 350+ extras like Dingbats & Symbols, arrows, hearts, emojis/smileys, stars, further numbers, lines & geometric shapes ■ Design Date: 1995–2019 ■ Type Desi­gner: Alexander Branczyk and Manuel Viergutz

Thuressia Script is casual and pretty with lots of swashes. It can used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signature, book covers, posters, quotes and more. Thuressia Script features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Thuressia Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, please let me know. I'm happy to help!

Platipus Script A sweet handlettered font, casual and dynamic with a dancing baseline.. all to add an authentic touch to your designs. perfect for Branding, Logos, Greeting Cards, Wedding Stationery, Quotes etc. It comes with a handy set of Opentype Stylistic Alternates, Ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Files included: These coded with PUA Unicode. Mac users can use Font Book and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn Thanks so much for looking, I really hope you enjoy it and please don't hesitate to drop me a message if you have any issues or queries :)

Balanga is a smooth, elegant and flowing handwritten font. It has a beautifully balanced character, goes well with many designs. Balanga features varied baselines, smooth lines, beautiful glyphs, and stunning alternatives. Hand-drawn design elements allow you to create many beautiful typographic designs in an instant such as branding, web and editorial designs, prints, crafts, quotes, It's great for logo types, wedding invitations, romantic cards, labels, packaging, name spelling and other . Add to your most creative ideas and see how they make it happen! Balanga includes OpenType style alternatives, ligatures, and International support for most Western Languages. To enable the OpenType Stylistic alternative, you need a supporting program such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. Balanga is coded with PUA Unicode, which allows full access to all additional characters without having to design special software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any additional characters to paste into your favorite text editor/application.

If there was an American Typeface Hall of Fame, Bank Gothic, designed by the great Morris Fuller Benton would hold a place of special distinction considering this design has survived so many trends in typographic fashion since being introduced in 1930. It's just as desirable today as it was over eighty years ago; arguably more. Today, Bank Gothic is a very popular choice as a titling face for science fiction books, posters and countless television and movie titles. It is also a popular typeface for use in computer games and digital graphics. GroupType’s 2010 revival of this American classic is true to the design, the period, and Benton’s aesthetic. GroupType worked with some of the most talented and experienced type designers that were historically grounded and sensitive to this design project. Fortunately, Mr. Benton has left us a large selection of other great typefaces for insight and guidance. GroupType’s new revival includes the original three weights in regular and condensed style but also a new small cap and lowercase in each font necessary for 21st century typography.

Synthica is the advanced version of a geometrically constructed typeface – designed for a thesis project in summer 2010 in Pforzheim. In the context of electronic music and the profound analysis of its parameters, this typeface is primarly based on a strict modular grid. Additionally, the ascender, descender and the x height had slightly been increased in order to even out a visual difference in size between the glyphs. The name „Synthica“ dervives from a basic principle in electronic sound synthesis. Sinus, triangle and square are some of the basic waveforms in the synthesizers’ oscillator section and were thus used as geometric modules for the grid. The modularity and geometry also derive from different structures of electronic music. The strong emphasis on diagonal lines creates a rhythmic typeface that connotates electronic music patterns with highly recognisable glyphs. The contrast between digital and analog is another basic idea of this typeface: while Synthica Outline has a more synthetic and fragile character, the filled version Synthica Black serves as the analog counterpart.

Moodnight script is a new, very interesting brushed font. This font family is perfect for branding projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm and more. Moodnight offers OpenType features, some ligatures and swashes, initial and terminal letters, and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn Moodnight is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. Thanks so much for looking and please let me know if you have any questions.

Angler Fish is a new, very interesting brushed font. This font family is perfect for branding projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything needing personal charm and more. Angler Fish offers OpenType features, some ligatures and swashes, initial and terminal letters, and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn Angler fish is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. Thanks so much for looking and please let me know if you have any questions.

The Antares font is modern handmade font, dinamic and also has beautiful opentype features. The Antares font is great for Branding, Logo Design, Lettering,Logotype, Clothing, Poster, magazine and other design project. Antares Script features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Antares Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, please let me know. I'm happy to help :) Thanks