A totally off-the-wall sans serif font based on the titling from one of ABC's Movie of the Week series from 1969 called Daughter of the Mind. Turn on Contextual Alternates to automatically alternate between Capitals and Lowercase as you type to really make the font dance!

The hand lettered title on the poster for the 1929 film comedy “Why Leave Home?” inspired Movie Set JNL, which is available in both regular and oblique versions. A classic “thick-and-thin” design with early Art Deco influences, this condensed typeface is perfect for any period projects.

Uppsala is a new and original uncial typeface designed by Paul Shaw in collaboration with Garrett Boge in 1998. Its strongly chiseled shapes were inspired by historical northern European manuscript lettering. The face is appropriate for short text or display settings. Uppsala is part of the LetterPerfect Swedish Set

Play like a child with letter forms, fill the gaps of a stencil with a ballpoint pen and work this to generate a digital type. Régua (Ruler, in Portuguese) is the result of a typographical joke with the upper cases made by Buggy, a Brazilian typographer, in 1998.

This typeface is Mergenthaler Linotype’s unlicensed version of Futura, copied weight by weight from Bauer. It was produced in 1939 when Metro failed to gain a significant share of the market, and was later adopted by ATF. The small sizes of Book and Heavy cut for classified are original.

Mr. Gogoll's successful revival of Arno Drescher’s Super Grotesk was awarded the 1999 Kurt Christians Award. The Drescher Grotesk family consists of seven roman weights, including a version designed for use at small point sizes. Drescher Grotesk is a classic German geometric design, complete with the original “angled” brackets.

German type designer Vivien Palloks created this display FontFont in 1998. The family contains 3 weights: Light, Regular, and Bold and is ideally suited for festive occasions. FF Kurt provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Dutch type designer Donald Beekman created this display FontFont in 1999. The family contains 2 weights: Regular and Italic and is ideally suited for music and nightlife and poster and billboards. FF Totem provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

OHIO is a rough headline type in the tradition of Louis Oppenheimer. It is closely related to Lo-Type from Berthold, redesigned in the 1980s by Erik Spiekermann. Matter of fact, I discovered Ohio while visiting Erik in Berlin, searching his endless archive. Your typeface-looter Gert Wiescher

This casually elegant typeface is based on an unnamed offering from Pen & Brush Lettering and Practical Alphabets, published by Blandford Press, Ltd., London, in 1929. Good taste dictates that, because of the ornate and unusual letterforms of the uppercase letters, the font never be used as all caps.

Stockholm is a contemporary roman typeface designed by Paul Shaw in collaboration with Garrett Boge in 1998. Its strong yet refined roman character shapes were inspired by twentieth century Swedish lettering. The face is appropriate for both text and display settings. Stockholm is part of the LetterPerfect Swedish Set

Goteborg is a an original italic typeface designed by Paul Shaw in collaboration with Garrett Boge in 1998. Its graceful yet sturdy character shapes were inspired by twentieth century Swedish lettering. The face is appropriate for both text and display settings. Goteborg is part of the LetterPerfect Swedish Set

Visage is a contemporary text family designed by Garrett Boge in 1988. Its delicate serifs, subtly tapered stems, and generous proportions offer both distinction and readability to the text at any size. The family consists of five weights - Light, Book, Medium, Bold and Black, with corresponding oblique styles.

Dutch type designer Donald Beekman created this display FontFont in 1999. The family contains 2 weights: Regular and Italic and is ideally suited for music and nightlife. FF Stargate provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Mister Hand was created in 1998 from a found object. Chank scanned it in, cleaned it up a little and voila! It's a retro version of the American Sign Language finger spelling alphabet. Uppercase is only the hand shapes, lowercase has the hand shape with the corresponding letter beside it.

Dreamy JNL was modeled from the hand-lettered title on the sheet music cover for "If I'm Dreaming" and features an Art Deco type design with engraved lines in both regular and oblique versions. The Jerome Kern song was from the 1929 First National/Vitaphone picture "Sally" starring Marilyn Miller.

El Hombre is a classic Chank Font from the earlier days of the internet. A consistent fan favorite since its initial release in 1999, this bouncey, blockey font has a sinsister charm and a sassy jaunt to it. It's now available on MyFonts for your personal or commercial use. ¡Muy guapo!

The simple song title "May I", found on the sheet music from the 1934 Bing Crosby-Carole Lombard film "We're Not Dressing" was hand lettered in a blocky, ultra-bold Art Deco design that foreshadowed the techno look of the 1970s and 1980s. This became the basis for Art Techno JNL.

Distort, expand and shrink. Working the shapes of letters as something fluid, like clay or rubber. The unexpected result leads young designers to bewilderment. Oxe is common expression among people in the northeast of Brazil, a slang that expresses amazement and baptizes the digital type created in 1999 by Buggy.

University Roman font is based on Speedball hand-lettering. Designed at the Letraset Type Studio in 1983. University Roman is notable for its narrow capitals with crossbars that sit well above the median line. This unique roman design evokes a romantic air in display work such as packaging and advertising.

An ad found within the pages of the Sept. 7, 1939 issue of Motion Picture Daily for "The Man They Could Not Hang" had the film's title hand lettered in a slightly stylized bold sans serif design. This is now available as Criminal Trial JNL, in both regular and oblique versions.

Kings in Disguise is a chunky, balloon font of the sort used extensively during the 1970s. It has a retro, disco feel and is ideal for signs and logos. The name comes from a great comic book series published in the late 1980s. The engraved style has a limited character set.

Eckhardt Fancy JNL was named in honor of Al Eckhardt (1929-2005), a talented sign painter and good friend of font designer Jeff Levine. The design was inspired by a vintage alphabet found within a collection of decorative display alphabets from the type collection of the late Dan X. Solo.

In the June 18, 1929 issue of “The Film Daily”, the curvy and casual hand lettering found within the ad for the movie “Such Men are Dangerous” belies that this was actually a pre-code drama. Digitally redrawn as Movie Arts JNL, it is available in both regular and oblique versions.

Dutch type designer Donald Beekman created this display FontFont in 1999. The font is ideally suited for music and nightlife, poster and billboards as well as software and gaming. FF Automatic provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

The cover of the 1939 sheet music for "I Wonder Who's Kissing Her Now" has the title set in an outline sans - or is in an inline? With almost equal space and line weights, it can be either! Outline Sans JNL in available digitally in both regular and oblique versions.

Even the original founder, Barnhart Bros. & Spindler, thought this was a freaky font, and indeed they called it "Freak" when they introduced it in 1889. It was reintroduced in 1925 under the somewhat more elegant name of "Bamboo," and is one of the prizes that the collectors of antique metal types seek.

Carta is a map font designed at Adobe by Lynne Garell in 1986. Carta's development began with the study of a variety of maps from sources such as the U.S. Geological Survey and National Geographic. A diverse set of symbols, Carta can be used in city planning, travel, socio-economic, and survey maps.

Cordel is the first digital typeface created by the founder of Tipos do aCASO in 1998. Its design refers to the unique woodcuts features used to illustrate the covers of old cordeis, pamphlets of Brazilian northeastern popular poetry. This unicase font presents irregular widths and spacing, a caricature of those woodcut graphics.

Harlow is a decorative font designed by Colin Brignall which appeared with Elsner + Flake in 1979. The outline alphabet complements the standard characters and its shadows make its forms seem lighter. Most distinctive in harlow font is the contrast between the relatively regular forms of the lower case letters and the extravagent capitals.

An original display typeface designed by Andrey Belonogov. It was originally named Rouble and under this name it was awarded a first degree diploma of the Typefaces nomination at the “Graphite” Graphic Design Festival, 1999, and a diploma at the ATypI International Type Design Contest “Bukva:raz!”, 2001. Released by ParaType in 2008.

A roman face designed in the early 1980s by Ed Benguiat for ITC, ITC Benguiat shows a strong Art Nouveau influence. As with ITC Korinna, the stress of the ITC Benguiat font family occurs in the upper half of each capital. This distinctive typeface is particularly useful for display and advertising work.

Diotima was designed by Gudrun Zapf von Hesse in 1948, the italic even earlier, in 1939. Diotima is a festive font particularly well-suited to invitations, programs and poems. The delicate italic draws attention to text which should be emphasized. Zapf von Hesse’s Ariadne Initials and Smaragd are perfect complements to Diotima.

In 1929 Chauncey Griffith at Mergenthaler commissioned W.A. Dwiggins to design a warmer and less mechanical Geometric Sanserif to compete with Futura. Dwiggins’ best efforts proved that human warmth had little to do with cool geometry; for twelve years, until the introduction of Spartan, Mergenthaler lost ground to Intertype’s licensed version of Futura.

Fidelio is a chancery italic typeface with swashes, designed by José Mendoza y Almeida in 1980. Written with a broad nibbed pen, it has Caps with swash versions, Lower Case and a wide number of ligatures. It is one of the most complete and appealing calligraphies. Fidelio is a Trademark of BauerTypes SL

The sheet music for "Dancing Butterfly" had the title of the 1929 composition hand lettered in what can be only described as an odd hybrid of letters with an Art Nouveau stencil influence. This quirky style became the basis for Odd Stencil JNL, which is available in both regular and oblique versions.