PL Davidson Americana is an all-capital typeface based on woodcut designs from the nineteenth century. The PL Davidson Americana font was designed by M. Davison in 1965, during the revival of American headline faces.

The free form hand lettering comprising the titles and credits for the 1966 romantic comedy “The Glass Bottom Boat” were the model for Sightseeing Boat JNL, which is available in both regular and oblique versions.

The 1963 German release poster for "What Ever Happened to Baby Jane?" features a creepy, sinister, hand-lettered type design that became the model for Creepy Events JNL, available in both regular and oblique versions.

PL Davidson Americana is an all-capital typeface based on woodcut designs from the nineteenth century. The PL Davidson Americana font was designed by M. Davison in 1965, during the revival of American headline faces.

This typically handwritten script fonts are based on my own handwriting. First release of the Hybi4-Script was back in 1999. Now it’s renewed and completed with many more special characters and a bold style.

On the 1966 movie poster for “Seconds”, Saul Bass designed a hand lettered title utilizing a ‘futuristic’ stencil style. This inspired the digital typeface Time Count JNL, which is available in both regular and oblique versions.

Dave West released the Behemoth Semi-Condensed font in 1960. With nineteenth-century wood-cut influence PL Behemoth Semi-Condensed is an example of the revival of slab serif styles, popular in the sixties and seventies.

Paying homage to the 1960s and 1970s designs of Tom Carnase and Herb Lubalin, Homage Condensed is a digital revival and recutting of LSC Condensed in two weights along with italics and numerous stylistic alternate characters.

The dust jacket for the 1929 Western novel "The Raider" by Charles Alden Seltzer featured the title and author's credits in a hand-lettered extra bold stencil design. This became the model for Raider Stencil JNL.

A light hearted comic flare serif typeface inspired by a 1964 Speedy Gonzalez cartoon title, Hideway celebrates cartoon lettering. Alive with character, this typeface brings an air of familiarity as the retro lettering dances through your designs.

This freeform exercise in typographic design echoes the looseness of early 1960's advertising. Brian breaks almost every typographic rule we can think of — but so what? The bold letterforms of Big Limbo are anything but stuck!

The hand lettered show card brush lettering in the trailer for the 1960 musical comedy “Bells are Ringing” (starring Dean Martin and Judy Holliday) inspired Musical Comedy JNL, which is available in both regular and oblique versions.

A large assortment of stencil lettering guides made in the 1940's, 1950's and 1960's have been a treasure trove of wonderful "lost" stencil type designs. Schoolmarm JNL continues this series by font designer Jeff Levine.

The hand lettered pre-Deco style title and songwriters' credits on the cover of the sheet music for 1929s "The Love Parade" were the models for Deco Days JNL, which is available in both regular and oblique versions.

The hand lettered cast credits for the 1939 film “Golden Boy” (starring Barbara Stanwyck, Adolphe Menjou, William Holden and Lee J. Cobb) was the model for Golden Moment JNL, which is available in both regular and oblique versions.

Decade Nouveau JNL is based on examples of an Art Nouveau wood type with a bit of Latin/Western typographic flare, and yet it is also reminiscent of the style's revival during the hippie movement of the 1960s.

Original sanserif designed in 1962 for Fonderie Olive by the late Roger Excoffon. Excoffon achieves brilliant personal effects by calculated breaking of accepted design canons. Antique Olive™ font field guide including best practices, font pairings and alternatives.

A record album entitled “Calypso” by the Talbot Brothers had a hand lettered cover with a free form style reminiscent of the early 1960s. This inspired Dance Records JNL, which is available in both regular and oblique versions.

The Art Nouveau hand lettered title on the sheet music for the 1909 composition "If the Wind Had Only Blown the Other Way" was the basis for Courtship JNL, which is available in both regular and oblique versions.

This revival of the typeface Baldur, published by Julius Klinkhardt in 1901, is a fine, harmonious and legible Art Nouveau font named after Ferdinand von Reznicek (1868-1909), one of the leading artists and illustrators of those times.