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  1. Vtg Stencil UK No. 2 by astype, $29.00
    The Vtg Stencil series of fonts by astype are based on real world stencils. The UK No. 2 design was derived from authentic one inch A2 Roman stencil plates from Great Britain, manufactured around the 1950s.
  2. Monument - Unknown license
  3. Zydeco JNL by Jeff Levine, $29.00
    Zydeco JNL gives the 'Latin' style spur serif treatment to Jeff Levine's Halavah Twist JNL, for a new and fun typeface named after the Louisiana French-Creole music popularized by accordion player Clifton Chenier in the 1950s.
  4. Secret Operation JNL by Jeff Levine, $29.00
    The movie poster for the 1952 bank heist drama “Kansas City Confidential” had its title hand lettered in a condensed serif stencil design. This inspired Secret Operation JNL, which is available in both regular and oblique versions.
  5. Keynsia by Greater Albion Typefounders, $7.95
    The Keynsia family revives the spirit of the 1950s. Its simple and elegant lines make for an eye-catching set of display faces. A range of different styles are on offer, all with an extensive character set.
  6. Roadside Diner JNL by Jeff Levine, $29.00
    The hand painted signage from a 1950s era photo of the Miami Diner Restaurant in Miami, Florida inspired the digital version of its 1940s-influenced lettering. Roadside Diner JNL is available in both regular and oblique versions.
  7. Roquette by ITC, $29.00
    Roquette is the work of British designer Martin Wait, a casual all capital wedge serif typeface which brings the 1950s back to life. The undulating baseline and lively spot illustrations of Roquette will pep up any headline.
  8. Schoolmarm JNL by Jeff Levine, $29.00
    A large assortment of stencil lettering guides made in the 1940's, 1950's and 1960's have been a treasure trove of wonderful "lost" stencil type designs. Schoolmarm JNL continues this series by font designer Jeff Levine.
  9. Evening Out JNL by Jeff Levine, $29.00
    Based on an example of [circa] 1950 Finnish embroidery lettering, Evening Out JNL is a classic Art Deco design with contrasting thick and thin lines. This elegant and stylish typeface is available in both regular and oblique versions.
  10. Waxahachie NF by Nick's Fonts, $10.00
    This unusual take on a typical woodtype typeface is based on a 1950s Stenso lettering template and, appropriately, takes its name from a small town in Texas not far from Dallas, locally noted for its grand Victorian homes.
  11. Ronsard Crystal by Red Rooster Collection, $60.00
    The original Ronsard Crystal began its life as a single-weight VGC photo display font in the 1950s. We liked it so much, that we decided to design four traditional weights to go with the original inline version.
  12. Sign Letterer JNL by Jeff Levine, $29.00
    Sign Letterer JNL is the serif version of the Art Deco hand-lettering of Sign Painter JNL—and inspired by original pen lettering found on an old decal catalog sheet from the late 1940s to the early 1950s.
  13. Alfrere Banner by Greater Albion Typefounders, $12.00
    Alfrere Banner is a 1950s inspired masthead typeface, designed to complement our ‘Alfrere Sans’ typeface family. These two Banner faces, offered in regular and incised forms, emphasise horizontal lines and have a distinct ’streamline-era’ feel to them.
  14. Song Crafter JNL by Jeff Levine, $29.00
    Song Crafter JNL was modeled from the writer credits on the cover of the 1943 sheet music for "This Love of Mine", a tune popularized by Frank Sinatra. The typeface is available in both regular and oblique versions.
  15. Phenix American by Monotype, $40.99
    Phenix American was designed by M.F. Benton in 1935. The Phenix American font is a headline design with condensed sans serif characters that look good on corporate stationery and packaging as well as on magazine and brochure covers.
  16. RMU Bison by RMU, $35.00
    RMU Bison is my revival of Julius Kirns hot-metal font, which first was released by Weber in 1935. The versatile timeless brush font was extended as to cover the main Western and Central European languages plus Turkish.
  17. Egizio by Linotype, $29.99
    Italian designer Aldo Novarese first created Egizio in 1955. Egizio is a Clarendon-style typeface, based on type fashions that were especially common in Britain during the 19th Century. This font is a popular choice for newspaper headlines.
  18. Remington - Unknown license
  19. Engravure by Monotype, $40.99
    Robert Wiebking based the Engravure face on the Engravers faces developed by American Type Founders around 1903. Engravure can be used as a titling font for magazines, brochures, and book covers. It is also suitable for packaging and stationery.
  20. Game Rules JNL by Jeff Levine, $29.00
    While this bold, chamfered typeface may look like a sports font, it actually came from the opening credits for the 1955 Western film “The Man from Bitter Ridge”. Game Rules JNL is available in both regular and oblique versions.
  21. Microgramma by URW Type Foundry, $35.00
    Designed to Swiss principles by Alessandro Butti and Aldo Novarese for Nebiolo in 1952 as an improvement on the squared-off Bank Gothic capitals. The design was revisited by the same designers ten years later; Eurostile was the result.
  22. Lawbreaker JNL by Jeff Levine, $29.00
    The December, 1935 movie poster for James Cagney in “Public Enemy” has its title hand lettered in a bold, squared, slab serif type style. Now digitally recreated as Lawbreaker JNL, it is available in both regular and oblique versions.
  23. Good Vibes - 100% free
  24. ComixHeavy - Unknown license
  25. West Coast Antics NF by Nick's Fonts, $10.00
    This roly-poly romp through the alphabets is based on a showing from Carl Holmes' 1950s book, ABC of Lettering, published by art-for-the-masses magnate Walter T. Foster. Named as an apt companion to my East Coast Frolics.
  26. Roman Holiday NF by Nick's Fonts, $10.00
    A rollicking fun, freewheeling font based on designs compiled by R. Henderson in the 1903 book, The Signist. Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.
  27. Pen Nib Western JNL by Jeff Levine, $29.00
    Inspired by the hand lettered phrase “the pen is mightier than the sword” in a 1923 promotional blurb for Speedball lettering pens, Pen Nib Western JNL recreates the decorative style of this vintage artistic gem in both regular and oblique versions.
  28. Faust Text by Solotype, $19.95
    Barnhart Bros. and Spindler called this Faust Text when they introduced it in 1898. A quarter of a century later, they brought back a number of obsolete faces and renamed them. This one became Missal Text in their 1923 catalog.
  29. Dez Weimar Plakat Pro by Dezcom, $20.00
    Dez Weimar Plakat Pro was inspired by a 1923 Weimar Bauhaus exhibition poster. It is in strict keeping with Constructivist rectilinear thought of that time. Dez Weimar Plakat Pro includes multiple language support including Greek and Cyrillic-- contains nearly 800 glyphs.
  30. Express by ParaType, $30.00
    Express® is based on the lettershapes of Express typeface designed for Ludwig & Mayer in 1957 by Walter Hoehnisch. A tall, bold script with even inclination. Cyrillic version developed in 2001 by Natalia Vasilyeva. For use in advertising and display typography.
  31. Sarcastic by Barnbrook Fonts, $30.00
    Sarcastic is a monoline display typeface. It draws influence from a visual language of mid-twentieth century consumerism: 1950s script typography and the rhythmic forms of interconnected neon lettering. Sarcastic is perfect for contemptuous quips, disparaging proclamations, and castigating commentary.
  32. HT Pizzeria by Dharma Type, $19.99
    Ht Pizzeria is strong looking script for eye-catching part. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!
  33. PL Trophy by Monotype, $29.99
    Frank Bartuska designed Trophy Oblique in 1950. It is a freestyle script face, good for packaging and titles. The PL Trophy Oblique font is more like contemporary handwriting than most script faces making it a perfect choice for personal messages.
  34. LTC Keystone Ornaments by Lanston Type Co., $24.95
    LTC Keystone Ornaments is a set of over 100 glyphs based on "running border" ornaments from Keystone Type Foundry of Philadelphia, circa 1903. These geometric dingbats can be used individually for decorative emphasis, or combined in repetitive lines or complex patterns.
  35. Sanvito by Adobe, $35.00
    Designed for Adobe in 1993, Sanvito is an informal script face based on the designer's handwriting. An almost upright, non-joining script, the Sanvito font family is useful where an informal feel is required in advertising, packaging and on labels.
  36. Gangsar by Surotype, $20.00
    Gangsar is a Condensed typefamily, Inspired by Enge Hermes (1935). Having 6 weights including italic version, strong character, Sharp edges and proportional contrast. The typeface is versatile and can be successfully used in Branding, Posters, Magazines, Websites, Mobile Apps, etc.*
  37. Reform School JNL by Jeff Levine, $29.00
    The extra bold sans serif stencil lettering on movie posters and lobby cards for “Reform School Girl” (a 1957 film by American International Pictures) was the basis of Reform School JNL, which is available in both regular and oblique versions.
  38. Quorfid JNL by Jeff Levine, $29.00
    Quorfid JNL is Jeff Levine's version of an old classic- Orplid. Especially popular in the 1950s, this cast shadow outline font has a decidedly hand-made look to it. From headlines to point-of-sale signage, it fits into all applications.
  39. Window Dressing JNL by Jeff Levine, $29.00
    A picture of some cast metal letters in a 1950s architectural signage catalog was the basis for Window Dressing JNL. The clean, simple lines as well as the unusual letter form of the B and R inspired this digital interpretation.
  40. The idea of creating this font is based on Koch’s Schmale Deutsche Anzeigenschrift which was released in 1923 by Klingspor in Offenbach, Germany. This font was entirely redrawn and completed with the help of a few basic letters and the numerals.
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