Step back in time to the glamour and glitz of the 1950s with Bouffant, the font that will transport you straight to the heart of this iconic era. This unique script style combines compact retro curls with genuine grit, making it the perfect choice for those looking to add a touch of vintage charm to their designs. With its bespoke ligatures, Bouffant is able to reduce noticeable repetition, resulting in a more natural and realistic impression. Whether you’re creating t-shirts, posters, or any other form of design, this font is guaranteed to give your work an authentic 1950s vibe. Why wait? Start incorporating Bouffant into your designs today and let the retro magic begin! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

This quirky charmer is based on a typeface called "Les Catalanes", designed in 1952 by Enric Crous-Vidal for Fonderie Typographique Française. Appropriately, it is named for the king of quirky Cataláns.

In the 1970s I was anxious and distressed about the future. I was right. In 1975 Future Imperfect was submitted to, and rejected by, Letraset. I wish I’d kept the rejection slip.

The gently spurred serif hand lettering found on an advertisement for Berkshire Stockings (circa the 1920s) was the inspiration for Nouveau Elegance JNL, which is available in both regular and oblique versions.

Taken from the hand-lettered name on a 1930s-era tin for Cadet condoms, Bed and Bath JNL is pure Art Deco with thin line weight and varying character widths and shapes.

Personal Note JNL gets its inspiration from a semi-calligraphic pen alphabet found in the 1960 edition of the Speedball® lettering textbook and is offered in both regular and oblique versions.

Polo is one of Ralph M. Unger's original designs, a very beautiful non-slanted script font, quite lively despite its upright characters. Polo is reminiscent of the wild brush typefaces of 1960s.

Local Jeweler JNL was inspired by an online image of a vintage 1940s-era store sign. This type design features a thin Art Deco sans serif in both regular and oblique versions.

A 1940s edition of the Speedball® Lettering Pen instruction book yielded the design that Brushmark JNL is based on. This lettering also lends itself to projects with tropical or jungle themes.

This beautiful roman style typeface is inspired from an E.C. Matthews book. Although the book we have is dated 1967, the style appears to have been created in the 1920s or 30s.

With virtually no characters containing negative space to kern, Mainline JNL is an experimental typeface with a monospaced, fixed width design, utilizing a retro-techno-1980s look for a clean headline feel.

Chamferwood JNL is another interpretation of the block lettering style most popular during the late 1800s and the early 1900s. The design was modeled from examples from a set of wood type.

Medieval (Latinised) Futhark After the arrival of Christianity in Scandinavia, the Runic alphabet was Latinised and was used occasionally, mainly for decoration, until 1850. This version is the latin runic script version.

Cyberglass JNL is a throwback design to the Techno rage of the 1980s, when everything seemed to be typeset in lettering that represented something to do with computers, electronics or outer space.

PipeDream is a thick, slab-serif typeface. It is perfect for short, attention grabbing headlines. Inspired by 1990's computer games this bold face is a force that refuses to be ignored.

Striptease JNL is the bold, brash, "your-name-in-lights" companion to Showgirl JNL, and was inspired by a scene in an old television show depicting a burlesque house of the 1930s.

Voilà, the Meister Antiqua font family, which was originally released by Typoart, Dresden, circa 1951, is again available as a remastered, modernized and digitized version, with swash caps integrated in the Italics.

Psychoart Typeface , contemporary of Psychedelic Serif font, inspired by 1970’s era. Psychoart offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

The Bentele-Unziale letters are transcribed from letters drawn by Prof. Ernst Bentele which are displayed in Hoffmanns Schriftatlas (1952). The size of the original is matched when set at 84 pt.

Introducing of our new product Monsterian is a Handmade Moster Display Font with a natural style and dramatic movement. Best for horror poster,project that need horror vibes , designs look modern, unique and fun. It’s perfect for labels, quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, photography overlays, signs, scrapbooking, tags and so much more! is perfect for homeware designs,branding projects, Logo design, Quotes product packaging, graffiti style with a fun theme very good for graffity poster, flyer, childrenbook, cartoon, comic etc.

Titles from the 1938 movie "Service Deluxe" starring Vincent Price and Constance Bennett were the inspiration for the similarly named Art Deco typeface Service Deluxe JNL.

This font was inspired by a 1950’s Royal Quiet De Luxe Typewriter, and features textured letters & symbols, creating a realistic look & feel without needing to source your own antique machine! Each keystroke on an old typewriter shows variations based on the ink ribbon & how hard or soft the typebars strike the ribbon & paper. This font was designed to provide multiple options for each letter so that you can further customize the look & feel of your text.

Moire™ Regular is a block-style sans serif font designed by Jim Ford in the spirit of typefaces popular during the 1950's. The Moire Regular font is slightly more streamlined for a more contemporary voice than its predecessors. Moire Regular is useful for all modern display settings in signs, publications, reports and presentations. The Moire Regular font will also reproduce well in on-screen uses from User Interfaces to web graphics. Character set: Latin 1.

Linotype Gneisenauette is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. The handwriting font was designed by Latvian artist Gustavs A. Grinbergs and is available in eight weights. Linotype Gneisenauette is a dynamic font which also reflects a bit of the optimistic spirit of the 1950s. The font is best used for headlines or middle length texts with a point size 12 or larger.

Minicomputer is an exceptional typeface that pays homage to the antique look of computer fonts from the mid-20th century. It is a magnetic ink typeface, characterized by a versatile range of seven weights and italics, which is perfect for graphic design themes. Minicomputer also includes OpenType fractions and numeric ordinals, as well as an array of mathematical symbols that can add depth to any design. With its OpenType old-style numerals feature, Minicomputer enables users to evoke the original MICR E-13B numerals, the very numerals that were once used in bank checks. Back in the 1950s, the MICR E-13B numerals were printed in magnetic ink and were associated with the innovative technology of the time. But that didn’t stop Leo Maggs from creating Westminster, a typeface that emulated the look of the MICR E-13B. Soon after, dozens of magnetic typefaces appeared and quickly became fashionable. By the 1980s, home computers emerged, and the once fashionable magnetic typefaces became outdated. They were replaced with pixel fonts and dot matrix typefaces, which gave a fresh look to digital designs. However, designers today are reviving the magnetic typeface trend in a new context. Magnetic typefaces are now associated with a vintage look that has a unique and synthetic feel and an association with 1960s fashion trends. Despite the half-century since the first magnetic typefaces appeared, designers had limited choices when it came to using them, mainly having to rely on digitized versions of analog fonts from the 1990s. Minicomputer offers an exciting and modern take on the magnetic ink typeface and is a must-have for any designer or writer looking to add a touch of the past to their work. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Tony Wenman designed the display typeface Bottleneck in the early 1970s and its figures reflect the spirit of the times. Its distinguishing characteristic is the extreme heaviness of the serifs in the lower third of the characters, a trait which the viewer could associate with the plateau shoes of the 1970s. Bottleneck is a carefree, playful typeface which can be found even today on entertainment fliers and retro advertisements. When used sparingly in headlines and slogans, it is a real eye-catcher. Similar typefaces are Julia Script, by David Harris, and Candice, by Alan Meeks.

Cowboya is a typography with concave Tuscan serif very contrasted and modernist inspiration with letters in small caps, includes 4 versions of the font that can be used by superimposed layers which results in multicolored typographic titles. For the design of this typeface I was inspired by the credit titles used in the black film directed by Frizt Lang in 1950 called "The House of the River", to the drawing of the original forms of the letters i added decorative elements to give the fonts a festive character, traditionally this type of decorative fonts that emerged in Italy in the nineteenth century were used in large headlines and posters that were closely related to circus shows, carnival or environments of the Far West American. I have also rounded the sharper joints of the antlers and counterforms to create a contrast with the sharp Tuscan serifs which brings a modern background of retro inspiration and soft shapes.

Quite Animated JNL is based on hand-lettered Art Deco titling for a 1930 advertisement promoting a group of Columbia Pictures cartoons featuring George Herriman's "Krazy Kat". Available in regular and oblique versions.

Here's something you don't see every day—Italian Art Deco woodtype. It's suave but unsophisicated, an unpretentious charmer. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

A sample of monogram lettering entitled "Style 204 - Modern Block" (probably circa 1940s) yielded the thin Art Deco alphabet model for Dress Shirt JNL, which is available in both regular and oblique versions.

Designed for ParaType in 1990 by Lyubov Kuznetsova. A bold square-serif style. For use in advertising and display typography. The decorative style was added in 1993 by Lyubov Kuznetsova and Alexander Tarbeev.

Jan van Krimpen’s famous Lutetia, released at the late 1920s, revived by a complete fresh design. To get access to all ligatures in both styles, it is recommended to activate Discretionary Ligatures too.

Another Speedball pen alphabet from master draftsman Ross George, this face is bold and lively. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Market JNL is based on lettering found on a circa 1940s office supply product. There is a distinct Art Deco feel to this font, and it lends itself perfectly to all retro projects.