Esencia, a CastleType original, was inspired by a Spanish stock certificate from 1941 with 11 beautiful art deco style letters for the words "PERFUMES y ESENCIAS". Slender, elegant, with a Spanish flare. Uppercase only with numerals and punctuation. Supports all European languages that use the Latin alphabet, as well as modern Greek and most languages that use the Cyrillic alphabet. Includes alternate E, F, and S.

In 1951 Alessandro Butti cut a fontfamily for Nebiolo which he called Fluidum. Both weights, light and bold, were now revived and named Butti.

Ramshackle JNL was modeled from a 1940s lettering stencil and takes its place amongst the many vintage stencil font designs redrawn by Jeff Levine.

Lydian is Warren Chappell’s almost calligraphic sanserif, designed for ATF in 1938. Lydian Cursive, done by Chappell in 1940, is much freer and more calligraphic.

Like a phoenix from the ashes - here comes Capitol Pro, a complete redesign of Schriftguss' 1931 Capitol font of which just a few letters existed.

Adroit was designed by Phil Martin in 1981. Adroit’s letters have a strong contrast between thick and thin strokes and a distinct diagonal stress.

The inspiration for the designing of the font Skuul was Letraset in 1981. Font Skuul, for each character has three alternative characters with their automatic replacement.

The Arta font family was designed by David Quay in 1991. Its hand lettered appearance makes Arty a good choice for advertising and other promotional materials.

This typeface is based on lettering by Carl Marx (1911?1991), designed during his first semester at the Bauhaus in Joost Schmidt?s class, in 1932. Although the letter proportions are based on Schmidt?s teachings, the forms are not constructed from compass and ruler, but drawn with brush and marker, lending the words a warm and lively touch. Hidetaka Yamasaki redrew the letters from scratch and added all missing characters for today?s needs. A set of hanging figures, alternates for some critical letterforms (such as f, r, and t) as well as several ligatures make CarlMarx especially suitable for use in body text. As suggested by Marx, Yamasaki captured two weights from the original drawing and perfectly adjusted light and bold to highlight words and create hierarchy in headlines ? without losing or adding space. True to the original, Yamasaki captured the wobbly contour in CarlMarx, preserving warmth in the condensed geometric style of the early 1930s.

The beautiful Art Deco monoline pen lettering on the cover of a 1940s piece of sheet music inspired Central Park JNL. The 1940s was an era when couples took romantic walks along the pathways of Manhattan's Central Park or rode around it in hansom cabs. Big bands played at the major clubs and ballrooms and "uptown" meant the well-to-do. Men dressed in their tuxedos and top hats and the ladies were in their jewels and evening gowns.

Party Invite JNL is a thin, condensed Art Deco sans based on lettering from a letterpress holiday stock cut (the predecessor to clip art) from the 1940s.

Hand lettering from the opening credits of Alfred Hitchcock’s “Strangers on a Train” (1951) inspired Train Car JNL, which is available in both regular and oblique versions.

Brochure Sans JNL is based on Sans Serif No.7 from the 1921 Miller & Richard type specimen book, and is available in both regular and oblique versions.

Based on the 36-point design of the Amsterdam Nobel Inline capitals (1931), Sans Serif Inline™ is designed specially to meet the requirements of today's technology.

Terrace JNL is a bold, sturdy Art Deco titling face based on hand lettering found on the cover of some 1940s-vintage sheet music for the organ.

The hand lettering found throughout the movie trailer for 1942's "Mr. and Mrs. North" inspired Criminal Intent JNL, which is available in both regular and oblique versions.

A revived and updated version of Georg Trump's Amati which was first released by C. Weber Foundry, Stuttgart, in 1951. A compressed multilingual serif font for many purposes.

Monoline Deco JNL is a thin, elegant typeface that is reminiscent of the Art Deco Streamline influence of the 1930s and 1940s, complete with angular and truncated characters.

Adam Roe founded in 1991 Lunchbox Studios as an experiment. Adam is also president and founder of his second company Reelhouse Footage und FK in Los Angeles, California.

Hand lettering used in the trailer for the 1943 movie musical “Broadway Rhythm” was the inspiration for Show Tune JNL, which is available in both regular and oblique versions.

Poster Gothic was inspired by showcard lettering samples featured in the book,""Commercial Art of Show Card Lettering"" by James Eisenberg, published by D. Van Nostrand Company in 1945.

Xylo Sans letterforms are based on a typeface from Miller & Richard type foundry, from circa 1911. They are presented here with a rough wood texture, in two xylographic flavors.

Amongst the pages of a 1946 foreign publication entitled "100 Alphabets Publicitaires" ("100 Advertising Alphabets") is the casual brush stroke sans that was the design basis for Relaxation JNL.

Lydian is Warren Chappell’s almost calligraphic sanserif, designed for ATF in 1938. Lydian Cursive, done by Chappell in 1940, is much freer and more calligraphic. Life is a journey.

The free form hand lettered titles for the 1961 film “The Children's Hour” inspired the digital typeface Late Hours JNL, which is available in both regular and oblique versions.

Convicted JNL is a condensed, chamfered sans serif type design inspired by opening credits from the 1940 film of the same name – available in both regular and oblique versions.

Fancy Antique Display is a uppercase display font inspired by French decorative alphabets from the 1940's and 1950's. Perfect for headlines, logos and everything above the body.

Big Band JNL is a classic Art Deco typeface in every sense of the word. Large, bold and innovative in its sectional construction, the font is based on a lettering example found in a 1941 Speedball® Lettering Pen instruction book. The basic alphabet was used for the model, with a new set of numbers and additional characters created by Jeff Levine in order to make this font fully functional in today’s digital designs.

For our latest Master of Comic Book Art, Roarin' Rick Veitch, we've created a Brat Pack of fonts worthy of a Maximortal! This is The One! This will make your Heartburst! If you Can't Get No Rick Veitch between 1941 and 1963, wipe that Swamp Thing off America's Best Greyshirt, because this font is nothing short of A Miracle, Man! It's Epic! Abraxas and the Earthman and your Army @ Love recommend it.

A bold, classic wood type newspaper headline was the inspiration for Early Edition JNL. The source of the type design was actually a dummy newspaper with the headline “Thursby and Archer Murders Linked” [which was used in the 1941 film noir classic “The Maltese Falcon” featuring an all-star cast headed by Humphrey Bogart, Mary Astor, Peter Lorre and Sidney Greenstreet]. Early Edition JNL is available in both regular and oblique versions.

John Sigvard ‘Ole’ Olsen and Harold Ogden ‘Chic’ Johnson were musicians-turned-comedians who rose to fame in the zany 1938 Broadway musical review “Hellzapoppin'”. They reprised their roles in the 1941 film adaptation of the show, and the opening title card of the film has “Hellzapoppin'” hand lettered in a tall, condensed sans serif design with an inline. This is now available as Wild Comedy JNL in both regular and oblique versions.

This font was inspired by the old form of the so called "Kurrentschrift" German handwriting, based on late medieval cursive. It is also known as "Alte Deutsche schrift" ("Old German script"). It was taught in German schools until 1941, when Adolf Hitler decided to forbid it. As it is a little hard to read, we are proposing here two versions: the "pure" Kurrentschrift, and an adapted "Easy" one, with simplified difficult characters.

Designed at ParaType in 1995 by Alexander Tarbeev, based on PT Compact, 1991, by Vladimir Yefimov. A decorative style was added in 1996. For use in advertising and display typography.

The bold hand lettered title on the 1940 sheet music for the band piece "Drexel Marching Song" was the inspiration for Drexel JNL; available in both regular and oblique versions.

Maître d' Stencil JNL is based on an alphabet example found in the 1949 French lettering book “Album de Lettres Arti”, and is available in both regular and oblique versions.

Cooper Black, commissioned by Barnhart Brothers & Spindler, is the best known of Oswald Cooper’s typefaces. Bitstream has expanded the 1921 original into a complete series of round-edged text faces.

A 1940s-era package of "Herald Square" carbon paper sold by the F.W. Woolworth 5 & 10 cent stores offered up the hand lettered Art Deco design of Stationery Department JNL.

The hand lettered title on the 1943 sheet music for "This Love of Mine" formed the basis for Deco Style JNL, which is available in both regular and oblique versions.