To celebrate the milestone of our all time bestseller font called Hemera, After four years now we're ready to the next level of it. Please welcome Hemera II. A sophisticated vintage victorian era fonts, inspired from the old advertising and classic sign back in circa 1800 - 1900s. Perfectly fit for your vintage vibes and classic touch on any branding works. Logo, badges, label, headline, retro decoration, you name it.

The Techno sound of the 1990s, a personal computer, a font creation software and some inspiration had been the sources to the F2F (Face2Face) font series. Thomas Nagel and his friends had the demand to create new unusual faces that should be used in the leading german techno magazine Frontpage". Even typeset in 6 point to nearly unreadability it was a pleasure for the kids to read and decrypt the messages."

Varga is a robust, geometric script font designed by Alan Meeks in 1991. It suggests the style of the 1930s and 40s, a time when script fonts were making an appearance in advertisements everywhere. In spite of its bold character, the figures have a dynamic, cheerful look. Setting the lower case letters close together lets the figures flow together harmoniously. Varga is perfect for ads, certificates and headlines.

The Techno sound of the 1990s, a personal computer, a font creation software and some inspiration had been the sources to the F2F (Face2Face) font series. Thomas Nagel and his friends had the demand to create new unusual faces that should be used in the leading german techno magazine Frontpage". Even typeset in 6 point to nearly unreadability it was a pleasure for the kids to read and decrypt the messages."

Wilhelm Klingspor Gotisch appeared in 1925 with the Klingspor font foundry in Offenbach, Germany. Designer Rudolf Koch based his work on the Gothic forms of the 14th century and his broken letter font is often seen in advertisements. However, the ornamental letters do not match today’s legibility standards and Wilhelm Klingspor Gotisch is therefore recommended for use in headlines and short texts with a point size of 12 or larger.

In the MGM musical "Broadway Melody of 1940", a new stage production has its gala opening at the fictitious Lafayette Theater on the Great White Way. The front of the theater is resplendent with classic neon signage, and the theater's name is in an interesting Art Deco design. Musical Number JNL recreates this lettering in digital form.

Dance Lesson JNL is a reinterpretation of the popular "Latin Bold" typeface. The font's name is a reference to the Latin dance craze of the 1950s, when the Cha-Cha, Meringue, Tango, Mambo and even the "Chalypso" - a hybrid of Cha-Cha and Calypso rhythms had everyone moving to the beat of Central and South America.

Caslon Antique is a decorative American typeface that was designed in 1894 by Berne Nadall. It was originally called "Fifteenth Century", but was renamed "Caslon Antique" by Nadall's foundry, Barnhart Bros. & Spindler, in the mid-1920s. The design of the typeface is meant to evoke the Colonial era. Early printers would reuse metal type over and over again, and the faces would become chipped and damaged from use. Caslon Antique emulates this look. Despite the name, it is not a member of the Caslon family of typefaces. The renaming is believed to have been a marketing maneuver to boost the popularity of a previously unpopular typeface by associating it with the highly popular Caslon types. Caslon Antique is popular today when a "old-fashioned" or "gothic" look is desired. It is used by the musical group The Sisters of Mercy on their albums, for the logo of the musical Les Misérables, and for the covers of the books in A Series of Unfortunate Events. It is also frequently used on historical displays. It was used for the previous edition of the Warhammer Fantasy Role-Play. Most recently, it has been used on promotional material for the smash musical Monty Python's Spamalot on Broadway, the West End, and its tour of the United States. British 80's band The The also used the font in several of their music videos, usually displaying several lyrics from the song in the opening scenes. It used on the cover of Regina Spektor's album, Begin to Hope. This description was sourced (in part) from Wikipedia, the free encyclopedia.

Immi 505 is another of Tim Donaldson�s prolific works. Inventive and fun-loving as always, Tim used a pen nib called a ?Brause 505? to create the letterforms for this design. The Brause 505 was an invention of Karlgeorg Hoefer. Hoefer created his typefaces Salto" and Saltino" with this nib. The other part of the name, Immi, is the nickname of Donaldson�s five-year-old daughter Imogen. The resulting unusual curves and open character of Immi 505 create a distinctive rhythm and color appropriate for short blocks of ad copy, titles, music CD covers, and Web page headlines where a bit of extra width is needed."

I took Arquà’s curvy lines from some details in art nuveau posters from late 1800 / early ‘900, then I added to the mix a little bit of elegance with some weird contrast (look at the S). One hour in the hoven and a modern looking display font came out in 2 weights: Goodboy and the doppelganger Badboy perfect to mix up.

Eastiside Brush is Inspired by a casual style from sign painter who create a beautiful lettering trademark. A classical, timeless, and contemporary. Eastside Brush comes with 3 style, That's script style, cursive style, and capital style for all caps letter. It s should be easy to mix and match which best style for your design. Multiple language are available to all fonts.

Masserini is inspired by the 20's art deco era of colorful posters, fonts, and typography with a vintage flair. With its strong geometric shapes and letters, like a style of sans serif that was used in signs and posters during that time period. This collection consists of a variety of widths, weights, and variants to suit your creative needs.

Tiffanky is a Classic Cursive monoline font casual and clean stoke font includes alternate lowercase and opentype features Ligatures inspired by the late 80's sign board. It support multilingual more than 100+ language. This font is suitable for logo design and any awesome project you create. Make stunning work with Tiffanky Monoline font. Give your designs an authentic handcrafted feel. "Tiffanky Monoline Cursive Font" is perfectly suited to stationery, logos and much more. Thanks for Download, Maulana Creative

Krague is a a 50's revival sans serif font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Krague font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Krague font. Cheers, Maulana Creative

Moblick is a 90's vibes sans serif font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Moblick font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Moblick font. Cheers, Maulana Creative

Goldluck is a 70's retro script font. With bold slant stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Goldluck font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Goldluck font. Cheers, MaulanaCreative

Dooky is a Quirky 90's vibe Display Sans font. Wide Heavy stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Dooky font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Dooky font. Cheers, Maulana Creative

If you're looking for a sci-fi inspired, retro-futuristic display font with limitless applications, look no further than Arachnology. Arachnology is a stylish, confident, and versatile display font inspired by the neo-futuristic graphic design movements of the late 90's & early 2000's; and takes cues from the extremely prevalent Japanese and European design influence of that time period. All while refreshing it for a new generation of creatives. Featuring an extensive set of Western alphabetical characters, numbers, special characters, and punctuation; Arachnology includes everything creatives (professional and hobbyist alike) demand from a modern, creative display font. "Arachnology Standard" provides highly-stylized glyphs, apt spacing, weight, and contrast for high legibility in any use-case! "Arachnology Heavy Titling" provides all those benefits, with an additional feature! All its characters (both upper and lowercase) share a single height. Experiment with mixing upper and lowercase glyphs to find the combination that best suits your titles, and especially your personal taste!

Espinosa Nova is a revival based on the types used by Antonio de Espinosa, the most important Mexican printer of the sixteenth century and very probably the first punchcutter anywhere in the American continent (1551). In 2010, its main fonts were awarded two certificates of excellence: one by TDC2 (Type Directors Club Typeface Design Competition), one by Tipos Latinos (Biennial of Latin American Typography). According to Robert Bringhurst, it is “an unusually intelligent family of type, reaching back to one of the most exciting moments in typographic history and reaching forward to the typographic future”. All of the fonts intended for setting text include small caps, five sets of figures (oldstyle and lining, both proportional and tabular, plus tabular small caps), many f and long s ligatures, and capital sharp S (U+1E9E). In addition, the Capitular fonts allow to create interesting effects by overlapping layers. This family feels very comfortable in books, but it can be used everywhere a touch of classic & elegance is required.

This bold yet elegant script is patterned after the logotype lettering from a 1927 issue of the French film magazine named, not surprisingly, Ciné Miroir. Ornate without being fussy, this font’s large x-height gives it a strong color, a commanding presence and a remarkably contemporary feel, even after more than three-quarters of a century. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

An early 1960s hand-lettered trade publication ad for an upcoming single 45 rpm release inspired the type design of Miss Rhythm JNL. The nickname of "Miss Rhythm" was given to Ruth Brown because of her popular "jump tunes"; that is rhythm and blues with an uptempo beat. Because the trade ad for her record was the inspiration for the font, it was only fitting to use that nickname as the font's name in honor of her.

In the 1930s, it was popular to take day-trips by train to the seaside in the British Isles. Many posters were designed by the various regions to advertise these excursions; it is from one of these posters that Inverness was created.

Vocalist JNL is a bit of a novelty Art Deco typeface based on hand lettering from some 1940s sheet music. Using the classic "thick and thin" style of the day, a number of letters and numbers have wedges cut out of their designs.

A simplified blackletter designed by Peter Behrens, architect and graphic artist who came into prominence around 1900. Issued by Rudhard's Typefoundry, Offenbach A. M., this face was typical of many in the Jugendstil period. Its squarish look works well in Craftsman period layouts.

Thin, elegant and thoroughly Art Deco is the thick-and-thin (slightly flared) alphabet found on page 31 of Samuel Welo’s 1930 instructional book “Lettering Practical and Foreign”. Redrawn digitally as Evening Dress JNL, it is available in both regular and oblique versions.

A 1940s Australian song folio featuring tunes performed by singer-actress Deanna Durbin had her name hand lettered in an interesting Art Deco style sans. This became the basis for Song Folio JNL, capturing all the nuances of the original in digital form.

The chapbook Pen & Brush Lettering and Practical Alphabets, published by Blandford Press, Ltd., London, in 1929 averred that these letterforms suggested a lightface version of Neuland. And so they do, with the added bonus that this typeface, unlike its inspiration, includes lowercase characters.

A lobby card for the 1929 movie musical “Broadway Melody” features the bulk of the film’s title hand lettered in a playful sans serif style. This design is now available as Movie Musical JNL, which is available in both regular and oblique versions.

The hand lettered title on the 1940 sheet music for "Pledge to the Flag" is a stencil design with wider rounded letters (such as the C, G and O). It is now available as Stencil Product JNL in both regular and oblique versions.

The hand lettered screen credits for the 1940 film “The Proud Valley” feature a bold, hand lettered sans serif type design with strong Art Deco influences. This is now available as Paducah JNL, which is available in both regular and oblique versions.

Comic Opera JNL (and its oblique version) is a wide, bold sans serif type design with an Art Deco influence based on a 1930s namesake poster from the WPA (Works Progress Administration) advertising a performance put on by the Federal Music Project.

National Parks JNL was based on a 1930s WPA (Works Progress Administration) poster where the word "National Parks" was hand lettered in an unusual and eclectic Art Deco style. Bold and non-conformist, the typeface is available in both regular and oblique versions.

The name and design inspiration for Theater Bar JNL comes from an image of an old bar with an overhead neon sign in very stylized sans serif lettering (most likely from the 1940s) and is available in both regular and oblique versions.

Designed at American Type Founders in 1930-33 by Morris F. Benton. An all-capital sans serif featuring squared-off letters with rounded corners. For use in advertising and display typography. Cyrillic version was created at ParaType by Tagir Safayev in 1997.

The poster for the 1930 film “Show Girl in Hollywood” had the title hand lettered in a squared Art Deco style with some angled cross strokes. This became the basis for Dancing Girl JNL, which is available in both regular and oblique versions.

Federal Streamliner was inspired by lettering seen on the side of a 1950s/60s era train. It speaks of the designs of the 'streamline' era and is ideal for retro projects invoking the 30s, 50s or 60s needing a simple distinctive display face.

Common Stencil JNL takes a vintage lettering stencil from the 1980s with imperfectly bent cutting dies [which unintentionally gave the characters a distressed or "grunge" look] and recreates it in a digital form. The design is available in both regular and oblique versions.

Named for a Manhattan neighborhood, Sutton Place JNL is based on a 1930s-era poster advertising training in the “Household Arts” that was produced by the Federal Art Project in Ohio; a segment of the larger Depression Era WPA (Works Progress Administration).