Emil Rudolf Weiss's eponymous Rundgotisch of 1937 provided the pattern for this streamlined version of classic German blackletters. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Janet Murphy designed ITC Wild West Pi in 1997. A symbol font containing all of the cowboy-like pictograms one could ever need, ITC Wild West Pi includes such symbols as a ten-gallon hat, horseshoes, revolvers, and steer skulls.

The Art Nouveau free-form, hand lettered title on the cover of the 1912 sheet music for Irving Berlin’s “Wait Until Your Daddy Comes Home” formed the basis for Nouveau Song JNL, which is available in both regular and oblique versions.

Designed at ParaType in 1997 by Tagir Safayev. Based on Gasetny Chorny (“Newspaper Black”), of Ossip Lehmann foundry, St.-Petersburg, 1874, and Kompakte Grotesk of Haas. An old-fashioned German sans serif “Grotesque”. For use in advertising and display typography.

Lettering found on the cover of 1915 textbook pamphlets from the Woman’s Institute of Domestic Arts and Sciences, Inc. [of Scranton, PA] inspired the creation of Nouveau Formal JNL. This attractive serif typeface is available in both regular and oblique versions.

A 1916 lettering book provided an example of a slab serif alphabet with Art Nouveau influence designed by Thomas Wood Stevens. This alphabet served as the model for Nouveau Lettering JNL, which is available in both regular and oblique versions.

Lettering specimens from 1910 by an unnamed Dutch calligrapher provided the inspiration for this quirky and somewhat mischievous Art Nouveau font. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

Originally designed by Morris Fuller Benton for ATF in 1927, Sol Hess added a lower case in 1929. Hess also drew Broadway Engraved in 1928 for Lanston Monotype. Broadway has become somewhat of a classic icon as an "Art Deco" typeface.

This naïve script was discovered in a French printers' magazine from 1927. Its total lack of pretension makes it warm and inviting. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

The typeface was designed at ParaType (ParaGraph) in 1991 by Vladimir Yefimov. Based on Anons by Gennady Baryshnikov. An extra condensed sans serif. For use in advertising and display typography. The decorative styles were added in 1997 by Alexander Tarbeev.

The Liberty font was designed by William T. Sniffin and released in 1927. This script is very fine, with a light color. Liberty can be used on stationery and packaging and is also suitable for short pieces of copy in brochures.

Here's an elegant addition to Argentina NF, carefully crafted after the pattern provided by master type designer Morris Fuller Benton in 1919. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.