Capitolium was designed in 1998 at the request of the Agenzia romana per la preparatione del Giubileo for the Jubilee of the Roman Catholic Church in 2000. This type design was the central part of the project for a wayfinding and information system to guide pilgrims and tourists through Rome. Capitolium also continues Rome’s almost uninterrupted two-thousand-year-old tradition of public lettering . It is a modern typeface for the twenty-first century and strongly related to the traditions of Rome. Soon after the completion of this project Unger began contemplating the possibility of bringing the atmosphere of this design to newspapers. Though Capitolium works well in most modern production processes and also on screens, it is too fragile for newsprint. For newspapers sturdier shapes were required as well as more characters to a line of text, and Capitolium News has a bigger x-height than Capitolium. Capitolium News is a thoroughly modern newsface, with classic letterforms linked to a strong tradition. Capitolium News for running text comes in the variations regular, italic, semibold, semibold italic, bold and bold italic. As is possible with most of Unger’s type designs, Capitolium News can be condensed and expanded without any harm to the letterforms. The update to this beautiful font family, Capitolium News, includes the addition of over 250 glyphs featuring full Latin A language support, new ligatures, 4 sets of numerals, arbitrary fractions and superiors/inferiors. Furthermore, kerning was added and fine tuned for better performance.

This late 19th century design conjures up early 20th century Dutch DeStijl lettering with a mostly strict adherence to right angles and minimal stroke modulation. Geometric began its life as a metal typeface from the Central Type Foundry, circa 1884. Soon after, this design was officially licensed to Morgans & Wilcox and was shown in their 1890 catalog in Regular, Light and Condensed Light variations. After acquiring Morgans & Wilcox, Hamilton Manufacturing offered Geometric Light Face Condensed as their own No 3020 and the Geometric Light Face as No 3021. HWT Geometric has been expanded digitally to include a Regular Condensed version. A heavier wood type specimen was found from an unknown manufacturer and digitized as it was found, resulting in the HWT Geometric Shopworn and Shopworn Inked variations. These digital versions all include a full Western and Central European character set of over 380 glyphs.

Marconi was created by Hermann Zapf in 1973. According to Gerard Unger, it was the world's first digital typeface. Zapf’s design was developed as a text face for books and magazines. The round forms of the Marconi follow the principle of the superellipse. The lowercase letters are enlarged as the result of reading tests, while the capital letters are slightly reduced. The 8-point size — normally used for newspapers — looks more like 9 1/2 points. Marconi is a legible typeface with its large and open lowercase letters. It is ideal for long text blocks in newspaper, book, and magazine production.

Perhaps the greatest tragedy in all English history began in 1642 when, for five years, families and friends were divided by violent struggle. Respect for the monarchy was as great then as it is today; but it was squandered by Charles I and Civil War ensued. Out of Cromwell's eventual victory came a period of absolute rule just as arbitrary. In communicating the affairs of Court, Mercurius Aulicus can claim to be England's first regular newspaper, printed at Oxford and reprinted in London almost throughout the entire war. This typeface family echoes the calligraphic scripts of newspaper cartoons of the time.

Dr. Mohamed Font Combines the originality and modernity characterized by the strength of the letters and settings of theModulation marks used in the writing of newspapers, magazines, books, children's books and billboards easy to read and also features new combinations of letters make it was handwritten and this font contains the letters (Arabic - Farsi - Urdu - Latin).

Originally made for the Observer newspaper, in London, this version of Plantin is more condensed than the standard typeface. This condensing is most noticeable in the capitals and the bold fonts. The News Plantin font family was designed primarily for use in a magazine supplement. It retains the robust nature of Plantin but provides better economy in text use.

Tobba is an Arabic typeface for desktop applications, for websites,designed for Newspapers, magazines and cover titles. Tobba font family is Modern style and contains 3 weights: Regular, bold and black. The font includes support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages. Sultan typeface comes with many opentype features.

“Stillson” is an Art Nouveau-influenced font found within the pages of the 1881 Barnhart Bros. & Spindler type specimen book. The digital revival is called Office Manager JNL, and is available in both regular and oblique versions.

This narrow neoclassical font is based upon Schelter & Giesecke’s Schmale Mediäval which was originally released in 1840. By typing [alt] + [shift] + p respectively [alt] + p you have access to the framing elements as seen on the posters.

West Fork JNL is based on the classic wood type Latin Extended (Hamilton, 1888) and is available in both regular and oblique versions.

Wood type maker W. H. Page designed this in 1870. Caps, figures and points only. A great decorative for old-timey poster work.

Introducing Waykers Amor Blackletter Font Waykers Amor Blackletter Font is a handmade Modern Victorian handlettering, which is combining modern and classic typography with some awesome alternates. Yes we back to early 1800s, bring classic touch on this decade. Thanks for use this font. MaulanaCreative.

Introducing Allaize Blackletter Display Font. Allaize Blackletter Font is a handmade Modern Victorian handlettering, which is combining modern and classic typography with some awesome alternates. Yes we back to early 1800s, bring classic touch on this decade. Thanks for use this font. Maulana Creative.

Introducing Claist Decorative Display Font. Claist Decorative Display Font is a handmade Modern Victorian handlettering, which is combining modern and classic typography with some awesome alternates. Yes we back to early 1800s, bring classic touch on this decade. Thanks for use this font. Maulana Creative.

Morning Paper JNL is part of a small series of fonts re-drawn from screen captures of original vintage newspaper headlines. The typefaces are classic wood and metal faces that were popular in all forms of print of the time. This sans is a companion to Final Edition JNL and Evening Paper JNL.

Hasan Enas is an Arabic text typeface. This font is designed for reading texts and inspired in the simple lines of Naskh calligraphy. It supports Arabic, Persian and Urdu. The characteristic of its design is easily recognizable and very stable to use for extended texts in magazines, newspapers, books, and other publications.

Geometris Round Semi-Condensed is a modern versatile sans-serif typeface. What differentiates Geometris Round Semi-Condensed from the other fonts is an exceptionally distinctive design. It is brilliantly suited for graphic design and display use and perfect for logotypes, t-shirts, packaging, brand identity, books, magazines, newspapers, posters, billboards, and advertising.

Kunze font was inspired by the work of German graphic artist Carl Kunze (Minden, 1884). Kunze is a fat display font; a little rough around the edges, a little wonky in places, but very distinguishable and useful. Comes with extensive language support.

It has a higher uppercase structure than the normal ones. It has a condensed, rounded and squared character. It is a typeface which you can use in posters, packagings, newspaper & magazine ads, logos, banners, promo images & soccer uniforms.

NF Elena was designed by Nikolay Savchuk. NF Elena was created on base Katerina sans-serif typeface. It is brilliantly suited for graphic design and display use and perfect for magazines, newspapers, books, websites, brand identity, and advertising.

Old English is a digital font that was produced by Monotype's design staff, circa 1990. But its roots go much further back: the face's design is based on that of Caslon Black, a Blackletter type cast by the venerable William Caslon foundry in England, circa 1760. This design has been popular throughout England for centuries. Its style of lettering, conveniently also called Old English, can be found all over the UK. Old English-style typefaces belong to the Blackletter category. They nicely combine the design attributes of both the medieval and Victorian eras. This is mostly because their Textura forms, which were born during the Middle Ages, became quite fashionable again in the late 1800s! This Old English font is very legible for a Blackletter face. Perhaps that is why it is more familiar to readers in the UK and North American than German Blackletter varieties, like Fraktur. A favorite once again today, Old English is ideal for certificates, diplomas, or any application which calls for the look of stateliness and authority. It's a sturdy and sure bet for newspaper banners, holiday greeting cards, and wedding announcements.

Old English is a digital font that was produced by Monotype's design staff, circa 1990. But its roots go much further back: the face's design is based on that of Caslon Black, a Blackletter type cast by the venerable William Caslon foundry in England, circa 1760. This design has been popular throughout England for centuries. Its style of lettering, conveniently also called Old English, can be found all over the UK. Old English-style typefaces belong to the Blackletter category. They nicely combine the design attributes of both the medieval and Victorian eras. This is mostly because their Textura forms, which were born during the Middle Ages, became quite fashionable again in the late 1800s! This Old English font is very legible for a Blackletter face. Perhaps that is why it is more familiar to readers in the UK and North American than German Blackletter varieties, like Fraktur. A favorite once again today, Old English is ideal for certificates, diplomas, or any application which calls for the look of stateliness and authority. It's a sturdy and sure bet for newspaper banners, holiday greeting cards, and wedding announcements.

Old English is a digital font that was produced by Monotype's design staff, circa 1990. But its roots go much further back: the face's design is based on that of Caslon Black, a Blackletter type cast by the venerable William Caslon foundry in England, circa 1760. This design has been popular throughout England for centuries. Its style of lettering, conveniently also called Old English, can be found all over the UK. Old English-style typefaces belong to the Blackletter category. They nicely combine the design attributes of both the medieval and Victorian eras. This is mostly because their Textura forms, which were born during the Middle Ages, became quite fashionable again in the late 1800s! This Old English font is very legible for a Blackletter face. Perhaps that is why it is more familiar to readers in the UK and North American than German Blackletter varieties, like Fraktur. A favorite once again today, Old English is ideal for certificates, diplomas, or any application which calls for the look of stateliness and authority. It's a sturdy and sure bet for newspaper banners, holiday greeting cards, and wedding announcements.

Noemí is a broad typeface based on a formally classic skeleton, but with a strong Meccano character, where its quadrangular serifs are the protagonists of the slab style. It is a typeface designed to solve the basic problems of newspaper printing, adapted to a novel and strong communication, in the case of a wide typeface and with generous ink traps making the impression. Noemí was born from the need to create a broad, functional typeface family with a strong compact character intended for use in the press. Intended for editing and layout in a newspaper / magazine with a wide range of subfamilies thought and designed to achieve a diverse graphic functionality; designed from the same common skeleton, with a style based on the mix between the Mecan characters of traditional typewriter fonts and Roman fonts.

Antique Embellishments JNL collects more vintage wood type ornaments and embellishments from the late 1800s and is a perfect companion to Antique Ornaments JNL.

Franz Fiebiger (1880 - 1932) was an Austrian painter and designer who was associated with the Vienna Secession. In 1908 he created a beautiful poster for the Kaiserjubiläums Möbel Ausstellung - a furniture exhibition during the Kaiser's Jubilee. Fiebiger Zwei (meaning Fiebiger Two) is the second font based on one of the hand made typefaces gracing this poster. As I had to work with only a few glyphs, I designed the missing ones myself. Fiebiger Zwei comes with language support befitting a Kaiser...

Introducing Camera Obscura - ClassyType, created by ikiiko. Camera Obscura was inspired by typography from a vintage New York City newspaper. In particular, this typeface is designed to give a formal yet old style look Camera Obscura has a serif typeface with bold to light contrast. A style commonly used in magazines and mass media in his era. This typeface is perfect for an formal layout, newspaper, magazine cover, and also good for vintage product, food & beverages, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates Multilingual Support Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Introducing Walking Broadway - Bold Type, created by ikiiko. Walking Broadway is a serif bold type, that inspired by typography from a vintage movie & newspaper at that era. This typeface is designed to give a formal yet old style look. Walking Broadway has a distinctive bold to light contrast shape. A style commonly used in movie, magazines, and signage in that era. This typeface is perfect for an formal layout, old movie poster, newspaper, magazine cover, and also good for vintage product, food & beverages, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates & Swashes Multilingual Support Works on PC & Mac Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

EXCLUSIVE! Read all about it! The latest scoop from Comicraft is sure to be in all the newspapers today! The Times are a changin' -- comic book letterers everywhere can say a font farewell to typesetting the front pages of Planets and Bugles in Helvetica, Verdana or Gill Sans! Superhero's Pal, Johnny "Roshell" Olsen, was up all night writing copy for the late-night edition, making sure that your newspaper headlines and copy have a warm, pen lettered look... some might say a Rosen-glow! Put a little Extra Extra in your bylines and maybe there's a Pulitzer and an Eisner in your future! Not ready to purchase? Get ExtraExtra Engraved free with any purchase, or by subscribing to our newsletter at the bottom of this page. Features Seven fonts (Regular, Italic, Bold, Bold Italic, Heavy, Heavy Italic & Engraved) with upper and lower case alphabets.

Dekros has the look and feel of an Art Nouveau font when a key feature in much of the design of the 1890s was characterized by intricate linear and flowing curves that were based on natural and organic forms.

This is Solotype's alternative sans serif version of the once popular caps-only font Atlanta issued by the Central Type Foundry in St. Louis in 1885. As we often do, we have created a lowercase, adding to its versatility.

No. 508 is a chunky, friendly, modulated gothic font. Strokes have a gentle inward curve at the median, with the tops and bottoms of the letters slightly wider. The face was introduced by William H. Page & Company in 1890.

A surprisingly modern looking condensed sans serif issued by Mackellar, Smiths & Jordan foundry in 1887. Its narrow width makes it useful for long copy headlines. Designed by the freelance type cutter Charles Beeler who did many fonts for Mackellar.

Introducing Maltiner Display: A versatile, elegant, and sophisticated condensed serif font inspired by classic typography and newspaper headlines. Designed to excel in display settings, Maltiner Display prioritizes typographic excellence, offering a bold yet refined aesthetic. With unique letterforms and sharp edges, Maltiner Display provides ligatures and special characters, the perfect choice for luxury projects.

Based on the original design of Nicholas Jenson 1470-76, this is a revival of one of the popular wooden type fonts of the 19th century. This font was also created in a slightly different version by William Morris circa 1890. Suitable for text.

Grosvenor is part of the Staunton Script Family of fonts designed by Ted Staunton for his historic novel centered around a family bible and the handwritten annotation through seven generations. The Grosvenor font is a loose script based on copperplate writing circa late 1800s.

Bahud Aroyek Decorative Display Font Blackletter Bahud Aroyek Vintage is a handmade Modern Victorian handlettering, which is combining modern and classic typography with some awesome alternates. Yes we back to early 1800s, bring classic touch on this decade. Thanks for use this font. MaulanaCreative.

Introducing High Noon; this very old font originally known as Antique Tuscan dates back into the 1800s and was available only as an uppercase font. Now with the addition of a new never-before-seen lowercase you'll find new uses for this old classic.