Ready to elevate your design? For a dramatic design result, you can take it up a notch with our lovely font, Rivage. It is an elegant sans serif font. This font is quite enigmatic, in that its geometric but also has an open curves. The result is a font that looks friendly and professional at the same time. Also, Rivage is versatile enough to be used on tittle or body text. Features: Stylistic Sets Ligatures Alternates Multilingual Supports Numerals and Punctuation It can be used for branding, logos, social media quotes, stickers, posters, vintage designs, wall art, merchandise, social media, and many more. Get more inspiration by seeing the preview. Thank you for purchasing our premium fonts! Happy Designing!

Promea is a Grotesk font meticulously designed with precise engineering in mind. Its amount of kerning, support for tabular/proportional figures, small caps, slashed zero, and fractions will make sure it performs well in all types of environments. Even the auto-centering colon among numbers will make your typography shine! The stylistic inktraps combined with low x-height and high contrast will surely bring you the sharpest typographic experience ever. The font is perfect for text environments like magazines, but it excels at displaying its full range of characteristics. Features: Smallcaps Tabular & proportional figures Small figures & fractions Slashed zero Double/single-story a & g Colon auto-centering vertically among figures (e.g. 10:00)

Lemonilla | Quirky Display Font Lemonilla a bold, quirky display font with a fun, trendy street style vibe. From posters designs to t-shirts and packaging, Lemonilla will give your designs that alternative minimal look and make your creative work look supercharged. Lemonilla was hand-drawn, making its outlines somewhat irregular and quirky. It has an almost hand-lettered look; the characters jump around the baseline giving it a charming but urban look and feel. The modern bold sans serif typeface has a host of alternatives and ligatures included. Combine its bold shapes to give your work a more unique, hipster attitude. Easily create professional cool type lockups that look like hand lettering.

Just like my previous typefaces, my new one, Smooth Buggaloo, also finds its roots in music. The Boogaloo was a popular music style in the 60s, a mixture of Latin and Rock and Roll music. Later Salsa took over this genre. Latin music represents a vibrant, lively and an uncontrollable need to move. In Smooth Buggaloo, you will recognize a swing, flair and a hint of seduction. But despite its vibrancy it can also be understood as a serious, simple and clean typeface. The characters vary between a handwritten and a designed look. Smooth Buggaloo is very suitable for any graphic purpose, like logo- and poster design and it can also be used for longer texts.

Rettyllda is a script-typeface that seems like it was handmade. This typeface has an exquisite, simple, lovely blend and harmony between letters, making it ideal for your particular project. Yes, as you can see, the ligature that gives this Rettyllda font its beauty and sensuality may assure beauty and sexiness in your creative project works. Not only that, but this font has a genuine handwritten feel to it, which has been developed to create a portion and composition that matches your demands. As a result, this typeface is appropriate for craft projects, children’s writing, adventure posters, food banner titles, wedding invitations, product packaging logos, quotations, social networking page covers, and furniture banners, headlines, book covers, and much more.

Experience the amazing feeling with Lastlap that will make your work a lot easier than before. It is a display font designed in a racing theme. In accordance with its theme, Lastlap expresses a brave feeling with its dramatic bold style suitable to use in titles, logos, and any other designs with large-sized texts. Enjoy other incredible features available on this font. Features: Multilingual Supports PUA Encoded Numerals and Punctuation Lastlap fits best on various design projects such as posters, banners, logos, book covers, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Get it now. Happy designing

New foundry on the block, Hooper Type, kicks off it's catalogue with a versatile, story-telling serif font. With a love of the magical and a yearning for adventure, Istoria pushes away from the static, drawing in whisps and whirls that entice and excite, without distracting. Unassuming in it's long form, with delicate strokes that draw the eye, it commands attention when used in short punchy titles, or set in caps. Istoria (meaing both history and story in Greek) delights in having unusual curves, curvy straights and twisty feet which emulate those adventures and myths from days gone by. Type shouldn't interfere with the content, but it absolutely can enhance it. Hope you enjoy it!

Jim Parkinson's Diablo typeface is a single weight display design. The look comes from samples found in early 20th century books on hand-lettering books, as well as general poster lettering styles from that same of the period. Diablo has a touch of the Arts and Crafts" movement in its appearance, and it also looks rather heavy. It is a unicase design, in that there is no real "lowercase." Some glyphs on the uppercase keys are alternates to the capital-style forms found on the lowercase keyboard, like A, E, F, H, J, K, M, N, Q, R, V, W, and Z. In fact, the uppercase itself is a bit more decorated and round than the lowercase. Nevertheless, the upper and lowercase letters may be freely interchanged with each other to create the best possible image for the text. The name of the typeface, Diablo, is another term for the devil, or Satan."

Honeydrop is a script that mimics the action of a heavily-laden inky pointed brush, dancing across the page . Designed by Jeremy Dooley, its unique form is great for branding and packaging, especially for all-natural food items. The typeface also has a bit of Eastern flavor to it. Five different distressed variants make Honeydrop stand out. Its many alternatives help to advance your project. These variants allow you to change the final character of the lowercase letters. Besides, there are ligatures that extend the natural writing feel. Opentype override options round out the fonts, including random replacements to create a unique look and feel; each time you use the font you get a unique result. Each font has sixty five alternate characters. Also included are many unique textures that help the typeface adapt to different situations; you will find them of great use. Grab the extra sweet and flavorful typeface Honeydrop today.

Cohort is a strong and crisp geometric sans serif. Cohort uses a rounded rectangle as its central motif. Although the geometric design is minimalistic, Cohort has a variety of unique letterforms that keep the design from being too predictable and maintains a bit of beautiful nuance with plenty of legibility. Cohort's six different weights give it a great deal of versatility, from its sharp and potent black weight to the fresh and razor sharp thin. Cohort can be used for logotypes, headlines or short blocks of text. Cohort includes many useful OpenType features, including a set of upright italic swash alternates, ligatures, small caps, fractions and old style figures, sharper and more unique counterforms and simplified characters for titling. OpenType-capable applications such as the Adobe suite or Quark can take full advantage of automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of latin based languages.

With this charming new layered typeface, the possibilities are endless with your vision behind it. Accomplish the effect you've been searching for by layering these exceptional fonts and altering opacity and color, for a unique custom appearance that yells “hello there!” Play around a bit with the potential of Le Havre Layers. Build effects which include realistic 3D appearances reminiscent of the storefronts of old and adding centerlines, dotted centerlines, and shadow variations. Inspired by the affable appearance of vintage signage from the 1930s to the 1960s, Le Havre Layers spacing is altered from Le Havre Titling’s to accommodate shadows and other options properly. With its generous width it sends a message of refinement and grace. The geometric and art deco curves are a beautiful addition to your work. Mix and match with the other members of the Le Havre Hyperfamily. There are many amazing design solutions for you to discover. See what you could build with Le Havre Layers!

Birka is the first typeface I designed from scratch. It took a whole year of my weekend and evening hours and is the typeface that teached me everything I know about type design. It is easy too see that I had Garamond in mind when drawing it. Birka is beautiful" was the comment of the well known Swedish designer Bo Berndal when he first saw it. That comment gave me the courage to design more and more typefaces. In a Danish article about Scandinavian type design, Birka was taken as example of a typical Swedishness in typography. I am not sure what the writer had in mind, but it surely sounded well. Birka has its name from the ancient Viking town Birka, whose remains are found not far away from Stockholm. Birka was released in 1992."

Fragment Pro is a part of a larger OpenType font family (see also Fragment Pro Inline). It is an elegant, soft and decorative typeface built on classical proportions. Its outlines have been carefuly crafted with a high attention to detail, so it could be used even at very large sizes. Fragment Pro is derived from the separately sold layered Fragment Pro Inline, however it has been significantly optimized for standalone use. Fragment has been conceived to be used as a display typeface in publications, titles, logotypes etc., but it is surprisingly legible even in smaller print sizes. Thanks to its strictly onefold oulines, Fragment can be also used as a stencil typeface. Fragment supports many OpenType features and offers great multilingual support for most of the Latin-based languages. Feel free to download the detailed PDF Specimen.

Utshani means "grass" in the African language: Zulu. Grass has softness but it also has great strength and many African craft implements are made from it. When we describe someone as being "like the grass", it is meant as a compliment for it means that they can be tender and strong. The fluid African font, Utshani, was designed to suggest the flexibility and strength of grass. In this way it contrasts with the majority of other "African-inspired" fonts, which tend to be heavy and hard-edged. It can be used in a wide variety of situations, in adverts and on posters and invitations. The font includes all upper and lower case letters, all numerals and punctuation as well as all special and accented characters. The font has been professionally letterspaced and kerned, and the inter-line gap has been carefully checked.

Bessemer is an all-caps sans-serif display font inspired by industrial lettering from the 20th century. On its own, it has a predominantly factory-made feel, but is versatile enough to work well in a variety of settings. In other words, it feels just at home on a series of technical guides as it does on a range of hair styling products. Bessemer comes in 5 weights ranging from Light to Bold and has been designed with chamfered edges. This makes it really easy to customize and create your own custom type. It also includes the following OpenType features: • Proportional Lining Figures • Tabular Lining Figures • Superior & Inferior Figures • Numerators & Denominators • Ordinals • Fractions Perfect for logos, posters, t-shirts, packaging and use in video. Delivered in TTF and OTF format. Supports all Western, Central and South Eastern European languages.

RARE BIRD SPECIMEN I From the the doyenne of modern calligraphy - Maybelle Imasa-Stukuls - we bring you Specimen I, a charming script lettered in Ms. Imasa-Stukuls' signature hand. OBSERVATIONS Specimen I stands on its own. Its subtle nuances make it stand out in a flock of fonts. It is easily recognizable, but it is never one to be too showy. Give it plenty of white space, so every quirk and curve can be noted. DEFINING CHARACTERISTICS Opentype programming, old style numerals, in and out-stroked letter forms at beginning and end of words, six alternate lowercase t cross-strokes, Roman numerals, seamlessly connecting script ligatures, alternate lowercase letters, realistic double-letter ligatures, basic Latin encoding. POTENTIAL SIGHTINGS Book covers, children's literature, broadcast titling, unique product designs, website titles, logo designs, restaurant menus, and gourmet food labels.

Eggad features letters on eggs. It can be a fun font to use at Easter or for any egg-related message. Some of the eggs - those on the upper-case keys - have their large end on the bottom and others - those on the lower-case keys - have their large end on the top. The font uses the contextual alternatives feature of OpenType to alternate the big-bottom and big-top eggs. If you only want eggs with big tops or with big bottoms, turn this feature off. Eggad comes in two styles, a regular style in which the eggs are outlined and a bold style in which the eggs are solid. Both are monospaced. The two styles can be layered to color the eggs. Alternatively, background color can be added (dot accent and ring characters) or the outline color can be changed (sterling and yen characters) using layers in the regular style. If you are typing numbers and you want the start to be big-bottom number, switch on OpenType style set 1.

Hand drawn narrow typeface designed for one of our books. You can layer different styles over the background style to achieve lots of colorful effects. Use just one style to get a single color letter or set the shadow and fill over the background style to get a full, three color mode. Mr Happy has upper and lowercase characters with up to three alternate glyphs. Build in OpenType Contextual Alternates feature will automatically set alternate glyphs depending on frequency of appearance of the same character (even in web font but only in HTML5 browsers). The script doesn’t throw random glyphs. For example in the word “HIPPOPOTAMUS” you will automatically get three different “P” glyphs and two “O” glyphs. It really works great but of course you can always fine tune it by hand.

Epilepsja is an all-caps type family perfect for display works. It has been derived from stencil-sprayed and painted letters in the city space. The glyphs are simple but unordinary. Every letter has something from 3D illusion, but is flat simultaneously. The main feature and asset of this family is the ability to create multicolor text. Epilepsja consists of three styles: Outline, Solid and Fill. Outline is the base from which the other two styles are created. When you mix Solid with Fill, you can create two-color Outline style. Solid is neat and legible in small sizes. There are alternative uppercase/lowercase characters, digits, diacritics of western, central and southeastern Europe and Africa, punctuation and symbols including currency. Use it for posters, headlines, magazines, websites or anything you like.

Do you remember a typeface called Meccanica? I didn’t think so. Well, it was pretty unique – too unique for most people’s tastes it seems. Anyway, this is Technica, Meccanica’s more conservative little brother. Essentially, this typeface is a geometric sans that retains the structure of Meccanica, but tones down most of the hexagonal elements. The chamfered terminals are retained, but sharpened, and a more technical approach is instilled with each glyph being fine-tuned for optimal performance and aesthetics. The result is a refined sans serif that has enough personality to differentiate itself from the myriad of others available – undoubtedly, Technica will deliver a distinctive tone to your own typographic designs. Key features: • 9 weights in Roman and Italic • Western European character set (Adobe Latin 1) • 250+ glyphs per font.

Yotta was created for situations where a thin sans with a little extra style is required in branding, advertising promotional projects — it is especially suited for the FASHION retail industry. The extended stroke feature (in u/c B,DP,R and l/c a,b,dg,h,m,npq,u,y) is discreetly applied so it does not dominate. I guess “quasi-serif” might be a way to describe Yotta. “Yotta Thin” and “Yotta Thin Italic” is a friendly Opentype and ready for you to unleash your creativity! btw. Yotta is big, very big: the name comes from YottaByte, as in Megabyte (one million bytes), Gigabyte (one billion (109)Terabyte (one million million (1012), Petabyte (a million gigabytes), Exabyte one quintillion (1018), Zettabyte one sextillion (1021), & Yottabyte (one septillion (1024)

During the Covid pandemic, I noticed that a lot of public figures (politicians, actors, influencers and even kings and princesses) had to apologise for not following the social distance rules, the lockdown rules or the 'stay at home' rules. They threw parties, went on holidays abroad and - in general - made a nuisance of themselves. When I finished this font, I decided to call it Public Figure! Public Figure is quite a neat, handmade font. It doesn't stick to the rules (but does like to keep up appearances), likes to party (but manages to stay safe) and brightens up your work (without being too gaudy). Public Figure comes with two alternate sets for the lower case glyphs (that cycle as you type) and a massive amount of diacritics, including Vietnamese.

Australian designer and art director Wayne Thompson has loved typography “ever since I received a battered second-hand Letraset catalog at the age of 10.” He based ITC Django on the handwriting of an acquaintance -- “a fellow I know who writes and illustrates children's books and is also a commercial artist” -- who called himself Django, after the jazz guitarist Django Reinhardt. “I felt that that name Django suited the funky, lively feel of the face,” says Thompson. But he adds, “Django has a split personality: it appears loose and easy at first, but after looking at it for some time I felt an edginess come through that was slightly psychotic.” The looseness of the lowercase contrasts with the spikiness of the capitals. The “edginess” is especially apparent in words in all caps.

The single-named, multi-talented designer Joluvian now lives in Madrid. But he grew up in the “Caribe” of Venezuela, where thick jungles meet endless beaches, and fecund trees bear juicy fruit – a tropical paradise where music and dance vibrate in the humid air. The Tropical pack, designed by Joluvian and digitized by Ale Paul, echoes the spirit of his birthplace. Its three faces are casually stylish – a bold, wet-looking display script, an inky, textured brush script, and hand-penned capitals with a felt-tip look. Like a fruit cocktail, each ingredient is tasty on its own, but they combine even more deliciously. Sprinkle the included catchwords, shapes, and bursts in your layout to complete the easygoing, Carribbean vibe. Each face includes alternates and support for multiple Latin languages.

Introducing Raph Lanok Typeface which has a elegant hand lettering brush style. So it looks natural like a handmade, because Raph Lanok family have a more choice characters. This font is best used for your design project that have the concept of fun, brave and sporty. Can also be applied to the design of a logotype, header website, making some lettering for a quote, t-shirt design etc. Raph Lanok has three font styles that are similar but with a different character, named Raph Lanok Future and Raph Lanok Rusty but that you also get Raph Lanok Swash with a line fast brushed of a used font. Raph Lanok Typeface deserve to be in your fonts collections, because it is unique and has many options of alternative glyphs. Thank you and enjoy :)

Moron is a distinctive and idiosyncratic display typeface: a winsome-but-nasty, old-and-yet-new drawing of Victorian sans-serif letterforms (with some 1970s sausage fonts thrown in). Moron started life as a sans-serif redrawing of Nylon but developed into a unique typeface with a character all its own. It is based, very loosely, upon Victorian Tuscan and Grotesque type found in the churches and cemeteries of the city of Glasgow. These letterforms originated before the dawn of modernism and at a time when the Arts and Crafts Movement was flourishing. In this age of early mass production and mechanisation, the Victorian ability to balance functionality with ornamentation had fascinating results. The typography of that period displays a unique combination of industrial heft and romantic decoration.

Modulario is a geometric sans with some disturbingly individual features. A few capitals owe a bit too much to Roman proportions. The circular O serves to distinguish it from the zero, and the luxuriously wide W and M are both pointed in the middle, although alternatives to the more contentious letters are available within the font. The lowercase shows a little more handwriting influence than is customary – we are used to seeing a writing-style curve at the base of the l, Modulario extends the influence to the i and a, and also sports a uniquely scripty s.

Do you sometimes have an appetite for a bit more wholesome typography? Do you find the ubiquitous sans serifs too industrial and bland in taste? Opt for something more organic: Wonder – a rootsy yet contemporary type family. With a deliciously juicy approach to serifs and a chunky texture, Wonder is a real treat among typefaces. Despite its rustic flair, Wonder is perfectly adaptable for contemporary contexts from branding to packaging, mobile apps and beyond. Savvy features such as multiple numeral styles (old style figures, tabular figures, subscript and superscript numerals), small capitals and swashes are included in all Wonder fonts. Enjoy!

Luks Deco took inspiration from the glory of Roaring 20’s when the Art Deco style rose to its heyday. The strong geometric shape emphasizes the touch of retro yet modern style. Luks Deco is a good choice who wants to give Art Deco vibes to their designs. Luks Deco’s weight range from light to black, suitable to cater of all you need. The O,C,G and Q letters (and all glyphs that have circle form) have a bit different shape from light to black which will give unique display look for overall design. - Uppercase

Look no further KINURE from Blackletter for the perfect Gothic font! This is a professional-grade font that you should use to design Labels, Retro, Stamps, Badges, Oktoberfest Posters, or anything else. It’s perfect for any kind of project that needs a bit of a gothic touch. Plus, it comes in a variety of beautiful, harmonized shapes so you can use the perfect word for your project. Whether you’re looking for a font for your logo, label, or badge, or you’re looking for a font for your latest music video or movie, KINURE Blackletter is the way to go!

Darling heights font is the perfect choice for a handwritten design. You can use it for quotes on your blog, posters, and other marketing materials, or even wedding invitations. Darling heights also includes 164 ligatures that will connect letters smoothly – helping to make the words flow more naturally. This font is perfect for leaving a lasting impression and making any design bit more special than usual.\ Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products. ~Redy

England's own Sean Phillips wanted a lettering font to suit his distinctive work with Joe Casey on WILDCATS -- and we gave it to him! Of course, the tricky bit was working on Sean's Northern accent, and making sure that every time words like color, favorite and neighborhood popped up, the letter "u" was correctly inserted. Sean's font has now undergone months of Beta testing and is now ready for release to the public. Yes, Sean Phillips, your favourite British Master of Comic Book Art is coming to a neighbourhood near you soon -- now in Full Colour!

It’s Krusty! It’s a Krypt Kicker! It’s a Killer Kween! Its serifs are like dynamite with a Laser Beam! KomiKraft’s new font Krazy Klown isn’t just white greasepaint and clown shoes, it’s hiding in the drain system ready to surprise you with alternate Kharakters, Killer ligatures… and did we mention Krazy Klown shoes? Kooky John K Roshell has kooked up a kinky font that is the perfect Kompliment to Monster Mash and Carry On Screaming. It’s a little bit Tiki and a whole lotta Kicky! Features two weights with alternate uppercase alphabets • Languages: Western & Central Europe • Features: Automatic Alternates & Connecting Ligatures

Fluffapalooza a fluffy handwritten font. It has a fun, warm, raw, cute, happy atmosphere, and gives a little bit quirky dorky vibes. Inspired by a personal touch of cuteness, cheerfulness, and passion. Fluffapalooza has a bouncy style if you acces the alternate. you can have a lot of variation by combining the glyph whatever you want. Fluffapalooza can easily be matched to an incredibly large set of projects and is good for communicating your brands, especially if you want to make a raw, artsy, handmade, and add a personal touch. So spice up your design and enjoy the font.

Bakey is a modern and bold script typeface inspired from 60's and 70's script lettering. With bold high contrast stroke, fun character with a bit of ligatures and alternate stylistic. To give you an extra creative work. This font is perfect for to create logos, branding, stickers, shirts, signs, posters, quotes, instagram posts, procreate designs and more! Note This font is not included with "Shadow/ Extrude", it was created manually for display purposes only. Features : · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded Hope you enjoy with our font!

Berryfield started as an experiment: making a font entirely out of geometric shapes. It started with a couple of circles and a couple of rectangles, and was constructed entirely from those parts, and parts made from those parts! For the uppercase, I took style inspiration from the heavy serif classics. But when it came time to create the lowercase set, I took a sharp turn and looked to fun unicase fonts, creating uppercase-height lowercase letters, in addition to uppercase alternates. When I finished Berryfield Regular, I liked it so much I made a lighter version (almost like a typewriter font), and a heavier version, to give you even more variety! Each font in the family contains over 520 characters, including over 300 extended Latin characters for language support. There are also a number of alternate letters to choose from, as well as superscript ordinals (ST, ND, RD, and TH), all of which are PUA-encoded for easy access no matter what design program you're using. Berryfield was a ton of fun to make, and I hope you have a ton of fun using it! It's smooth and easy for both print and crafting; the uppercase alone is straightforward enough for a magazine headline, but combining in the lowercase makes it quirky and fun.

Baker ST is all caps type family. The family includes 5 styles, from regular to decorative, and includes multi-language support. The decorative uppercase is a bit different to the lowercase.

BoldAyres is the heavy version of my Ayres Royal that was inspired by famous calligrapher Ayres and a little bit by a Bavarian King. Your lover of Blackletter typefaces, Gert Wiescher