The inspiration source for MFC Thornwright Monogram is a beautiful letterset from the "Manuel de Broderies No. 179" by N. Alexandre & Cie. from the late 1800's. Thornwright Monogram is capable of automatic 3-letter monogram formatting as well as bare & floral styles utilizing Ligature & Stylistic Alternates features. We've included both the bare and the original florally adorned versions of the Capitals to offer more design versatility. Download and view the MFC Thornwright Monogram Guidebook if you would like to learn a little more.

A beautiful geometric font for writing titles and sentences that are comfortable to see while reading, unique, simple, and elegant, making this font suitable for you to use in various needs of your design projects. flexible in its use, there are 3 options according to your needs This font is very suitable as text with displays for various kinds of branding, advertisements, posters, banners, packaging, news headlines, magazines, websites, logo design, banners, social media design and of course you can use a lot more.

After a few months my new typeface "Bankal" is here! To create it, I always tried to keep a 90 degree angle. In French when you say that something is "bancal" it means that it's not right. This is why I choose this as a name because despite the name she is right. And for the K it's just for the style here. Bankal is a sans-serif font with 3 variations (bold, regular, light) Check more on my website : https://www.hugokuder.com/ or my instagram : hugokuderdesign

Inspired by food labels, signs and coats of arms, PR-Scrolls is a collection of images which can be used for framing text in contexts where antiquity, craftsmanship, or traditional quality are conveyed. There are several sets of glyphs which work together to make a variety of shapes, or banners of custom length. Most of the glyphs are presented in a range of three or more widths. Scrolls 3 has a greater unity of detail, and a greater variety of form than our earlier designs.

Introducing Black Thone - Inspired by typeface on 70s era, Black Thone has the vintage font & retro font style. with 3 font style, It's super easy to use 3D effect wint Black Thone family font. Three style Font: Regular, Display & Extruded Black Thone is perfect for children product, branding, logo, invitation, stationery, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Black Thone.otf - Black Thone Extruded.otf - Black Thone Display.otf - Multilingual Support --- Hope you enjoy with our font! Attype Studio

Introducing our latest display typeface called Brown House - Vintage Typeface with vintage taste and can make your logotype become more interesting. Best Vintage font with 3 styles Regular,Rough,And Stamp, special alternative glyphs, and multilingual support. inspired by the decorative arts and architecture movement Brown House fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more.

Kъnig – the old Bulgar runes The writing kъnig emerged in the places of ancient Thraco-Bulgarian migrations in ante-deluvial times and developed in stages paralleling the other ancient writings. There have been many interactions and loanings between kъnig and these other writings. The root of the word kъnig (OBg: кънигъı) comes from the Old Chinese k'üen 'scroll' (ModCh: 纸卷 zhǐjuǎn) [57]. The word was loaned directly in the Bulgar language (*kün'ig > *küniv) restoring two individual Old Chuvash forms: 1. *k'ün'čьk > кўнчěк kind of ornament on a woman's garment; *k'ün'-gi / *k'ün'-üg > k'ün'iv book, codex, which is evidenced by the Hungarian könyv book and Mordvinian konov paper borrowings; 2. *k'ün'i- > *k'ün'i-gi > к'әn'iγь > кънигъı. This word has been preserved in Sumerian as kunuku (inscription) and kəniga (writing, knowledge). It is inherited from Bulgar to Slavic: книга (Bulgarian and Russian), књига (Serbian, Croatian and Slovenian), kniha (Czech and Slovak), książka (Polish), and non-Slavic: könyv (Hungarian) languages. Kъnig letters (kъni) have been known from archeological finds for more than 100 years already; however, until recently, no attempt has been made to decipher them, find their phonological value, or connect them to their natural successors: the Glagolitic and Cyrillic alphabets. The oldest mention on the Bulgar runes is found in the mid-9th c. AD work On the Letters by the Bulgarian writer Chernorizets Hrabъr. Being already a Christian, he wrote pejoratively about the pagan Bulgars

Christmas Carol is a classic typeface that embraces the holiday spirit. The flowing script's formal nuances evoke the joyful melody of your favorite festive tunes, making it an ideal choice for capturing the essence of familiar warmth and merriment. Infused with a touch of nostalgia, Christmas Carol brings a traditional yet beautiful aesthetic to your seasonal greetings and designs. Whether you're crafting invitations for a celebratory dinner or creating a banner for a winter wonderland event, this typeface wraps your words in the comfort of yuletide cheer. Using the Star version, use parenthesis characters ( ) [ ] { } to make surrounding stars. Example: (reindeer) [sleigh] Use underscore _ to make a swash, or multiple underscores to make them longer. Example: Santa Claus______ The Christmas Carol font family consists of four styles: Regular Script, the decorated Star 1 and Star 2, as well as a Xmas symbol version. Beyond its seasonal charm, Christmas Carol is crafted with precision and quality, offering a suite of OpenType features that include stylistic alternates, contextual ligatures, and additional flourishes, ensuring your creations are as unique as a snowflake. It supports a wide range of languages, covering the all Latin-based scripts, from the frosty tips of Scandinavia to the diverse cultures of Southeast Asia. Designed by Mans Greback, a designer renowned for his dedication to craftsmanship and detail, Christmas Carol is more than a font—it's a celebration of the birth of Jesus Christ.

Orto is a type family of sans serif fonts in eight weights. It's a humanist typeface with real cursive, containing both Roman and Italic styles. The letters are designed to look good on screen, they have a bit narrower proportions and simple shapes. Their structure is based on flat horizontal and vertical strokes, which are emphasized wherever possible. That’s where the name comes from: Orto is an abbreviation of the word orthogonal. Thanks to its narrow width, the typeface is less space-consuming and adapts well to the screens of smaller devices. It is legible in small sizes, thanks to the larger x-height. The characteristic details, like bent ends of diagonal strokes, stand out when used in larger sizes. Orto can be used equally good in print and its overall neutral look fits different contexts. However, its character is pretty recognizable. Orto contains Latin and Cyrillic script and covers six codepages: Latin 1, Latin 2, Cyrillic, Turkish, Windows Baltic and MacOS Roman. It has basic OpenType features like ligatures, oldstyle numerals, proportional and tabular lining figures, fractions, superiors, etc. Capital German sharp S shows up when the lowercase is typed between two uppercase letters, and the Contextual Alternates feature is turned on. The Stylistic Set 01 changes the shape of the Cyrillic b. The Stylistic Set 02 is a shortcut for using Serban Cyrillic alternatives that differ from Russian in cursive.

TT Tunnels useful links: Specimen | Graphic presentation | Customization options TT Tunnels is a modular font family with narrow proportions and a large number of pronounced visual compensators. In the basic version of the typeface, all glyphs have simple chopped shapes, created according to the usual geometric principles. In the alternative version of TT Tunnels, which becomes available when you turn on OpenType feature stylistic alternates or stylistic set 1, the typeface comes to life and turns into a stylized ductal gothic grotesque, in which the design of glyph forms is created based on the pen movements. Despite the fact that TT Tunnels was created as a display typeface for use in short inscriptions and titles, it works very interestingly in the body text, adding a small touch of archaics. This is especially evident in the Bold and Black faces, when the rhythm and thickness of the strokes create a dense set, covering the paper with a solid, dense pattern. The density and style of such a set conceptually refers us to the old Gothic texture and the Old Slavonic script. In addition to a larger number of alternates for lowercase letters, the typeface features an alternate for number 2, an alternate slashed zero, many ligatures, and other useful OpenType features (ordn, frac, sinf, sups, numr, dnom, case, tnum, onum, pnum, liga, salt, ss01, zero). The TT Tunnels includes five faces: Thin, Light, Regular, Bold, Black.

Aeonian, designed by Emilia Adorno, was mostly inspired by the iconic morphology adopted by the arts of the 1920s. One hundred years later we can still see the resemblance between the wants and the needs of now and then to reach for the sky, to look ahead and enter the future in style. Now as then, we seek the right tools to do so, then once again, we embrace the rational, yet elegant and stylish forms of simplicity, geometry and symmetry. At the same time, there is a strong and growing need for a warmer approach to creating lovemarks. For that, Aeonian’s alternates hold attractive, soft and inviting shapes to an emotional appeal. Aeonian is a combination of all of them. A rational side entwined with an emotional one. Born a geometric sans, Aeonian ended up being a 2 in 1 font with a sans serif set and alternates reaching over 1200 glyphs. The entire family contains 6 weights, from thin to black, with its matching italics. It features a variety of ligatures to be used as connectors, specially for display. It also offers multilingual support, even for certain display ligatures. Later, Aeonian kept growing, with stylistic alternate sets of initial, mid and final glyphs. These are its arms to reach for infinity with a warm heart. The wide range of possibilities that Aeonian offers, makes it the best font for creating vast design systems with a rich visual language.

Parfait Script Pro takes its inspiration from Spencerian script and pointed brush lettering. Technical Parfait Script has more than 850 glyphs. It’s up to you to choose, it’s up to you to have fun. Parfait would love to play. The font has lots of alternates. They'll certainly either embellish your words or provide more legibility. The alternates are: Standard Ligatures; Contextual Alternates; Discretionary Ligatures; Swashes; Stylistic Alternates; Titling Alternates; Terminal Forms; Historical Alternates * ; Stylistic Ligatures; Stylistic Set 1 and 2 * ; Ornaments. (* These Alternates are only included in Parfait Script Pro). Parfait Script Pro contains everything. Advice: Use designing programs that support the OpenType features named above, so you can easily alternate glyphs. However, for those who don't have this kind of program, or for those who don't want the entire font, we offer Parfait Script Pro as several separate fonts: Parfait Script Standard (the best for text); Parfait Script Contextual (decorative); Parfait Script Stylistic (decorative); Parfait Script Swashes (for giving the last letter a nice touch); Parfait Script Titling (both decorative and more Roman); Parfait Script Endings (for giving the word the look of a signature); and Parfait Script Ornaments (a set of swirls). These versions of Parfait Script Pro are Open-Type programmed too, in order to include the Standard, Discretional and Stylistic Ligatures. Pssst!... Take a look at Parfait Script Pro’s Guide in the gallery section in order to discover this beauty!

Qoodara is a Display sans serif typeface that suitable for strong and modern looks on your works. Qoodara is perfect for sport product, branding, logo, invitation, stationery, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Qoodara Font - Ligatures - Multilingual, US Roman, Latin 1 Support --- Hope you enjoy with our font! Attype Studio

Introducing, Briberra - Realistic Rough Bold Script! Briberra is hand lettering script font that contain stylistic alternate, swash, etc to create your own customized design. You can using this font for quotes, t-shirt design, or whatever you want. This font is support multi language. Support PUA. PS: Type underscore + number (from 1 to 5). Or copy Brib_3erra in preview bellow.. Thank You!

Qekruz is the perfect reflection of modernism’s classic elegance in a stunning serif font. With this theme, this font is an excellent solution for any kind of project that requires an elegant touch of classic modernism. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Browar is a display Grotesk typeface which has Latin & Cyrillic scripts. It comes in 1 weight and it contains 416 characters. Browar includes extended language support (+ Cyrillic), fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate, newspaper, display, magazines, game ui as well as for editorial design.

Specimen | Graphic presentation | Customization options TT Firs Text includes 23 font styles: 11 roman, 11 italic, and 1 variable font. Each font style consists of 898 characters, counting in the characters of the expanded Latin and Cyrillic writing systems. The font has 31 OpenType features, among which are localization features for various languages, circled numerators, and stylistic alternate for the ampersand.

Raavi™ is an OpenType font for the Indic script Gurmukhi, used to write Punjabi. Raavi is based on Unicode, contains TrueType outlines and was designed by Raghunath Joshi (Type Design Director) and Apurva Joshi for use as a UI font. Copyright ™ 2001 Microsoft Corporation. All rights reserved. Character Set: Latin-1, Gurmukhi (Punjabi). NOTE: An OpenType-savvy application is required.

It seems black crayons are out of stock where I live. I can buy all the colors I want, except black ones… I really needed a crayon, so I bought this ridiculously expensive professional marker crayon ($14 for 1!!!) and created this font. Use it for… well, uhm, dunno… book covers, product packaging and restaurant menus? Just have a ball!

The Vtg Stencil fonts from astype are based on real world stencils from several countries. The Vtg Stencil Marsh design was derived from 1 inch stencils, cut by a Marsh R machine. Marsh produced stencil machines since 1922 and was one of the most important manufacturers for such marking machines. The design is part of the American industrial heritage. PDF Specimen

In August 1930, Jan Tschichold described a new typeface, that is "producable by everybody without further knowledge" in the publication Börsenblatt für den Deutschen Buchhandel. Sebastian Nagel has extended the original drawing to 7 weights (black, extrabold, bold, semibold, regular, semilight and light), with full coverage of the Latin 1 character set. All fonts also include small caps and alternate characters.

High Society, upper class and very posh indeed! Magnifique is a modern, elegant, stiff upper lipped serif typeface. Classy, luxurious and opulent, Magnifique is ideal for markets such as fashion, jewellery, perfumes and grand events. The typeface contains uppercase and small caps. The glyph set includes all languages covered in Basic Latin, Latin-1 Supplement and Latin Extended-A scripts.

Stengkol Font Family of 20 fonts and 1 font cowboy illustration. Slab serif with various font styles with layered fonts. It's easy to use various fonts in one design and combined with cowboy illustrations. Stengkol Font Family comes with: - Uppercase. - Lowercase. - Numerals. - Punctuation. - Multilingual. Stengkol Font Family is perfect for t-shirt designs, merchandise, posters, qoute, tickets, logotype and other designs. Thanks.

Film Poster is an ultra condensed sans serif display typeface with geometric forms. It can be used in many creative ways, all kinds of graphics, posters, advertising materials, text composition. It fits perfectly for the film industry as well as many other fields. Font include multilingual support (Latin-1), uppercase and lowercase letters, numerals and a large range of punctuation.

Make your instant X-mas and Winter Holiday Greeting cards with the HF Xbats dingbats. 26 regular (capitals, A-Z) and 26 inverted (lowercase, a-z) images with the upcoming Winter Holiday Season as a theme. 7 instant Holiday Messages (numerals, 1-5 and inverted on 6-0 for English; ¡, !, ¿ and ? for Spanish) will make your Greeting complete in any combination.

Sevigne [sey-vee-nyey] is a highly refined, contemporary geometric stencil, inspired by the ambience of high-end fashion and luxury combined with the raw, utilitarian nature of the stencil. The inclusion of over 130 unique ligatures expand it’s sensibility of alluring, well-balanced letterforms and distinctive style. The stencil marks are atypically placed and vary throughout, giving it a purposely forward presence. Stylistically, as an all-caps typeface, Sevigne exudes a greater sense of harmony and polish due to it’s unicase form where the interplay of a limited amount of characters is the focus. Subtle, considered details are found within individual letters, contrasted by the complex, intersecting forms that make up the various ligatures. With multiple stylistic sets added to the expanded ligatures, individual letters and ligature pairs can be carefully exchanged to fine-tune text settings for a unique custom type solution. Features include: Precision kerning- Expanded set of over 130 Ligatures, including alternates (ae, oe, fi, fl, ffi, ffl, ffj, ff, fh, fj, ft, tt, th, ct, st, oo, og, go, ogo, gog, la, ea, ev, ew, fy, ez, et, oc, ga, do, uv, vu, yu, uy, nn, mm, xy, yx, ao, oa, ac, da, aq, nt, aa, ll, ss, ut, tu, ka, ca, ag, of, off, co, ne, nr, nl, nd, nk, hn, mn, me, mp, al, an, af, ar, ak, ah, ad, ab, and, gg, all, co, ço, he, the, tl, tn, tf, tr, tk, td, tb, te, am, ame, amb, tm, ap, tp, wu, uw, kt, tz, ra, za, mk, xx, yy, vv, ww, ky, fu, oq, cc, cq) Alternate characters (A, G, R, Q, _, $, ®, •, ¶) Slashed zero Full set of numerators/denominators Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Eksja is a modern slab serif available in four weights, each with a corresponding italic. All the fonts in the family have small caps, the extended latin character set, diacritical f-ligatures, enclosed numerals (numbers in circles) and case-sensitive punctuation. The general design of the typeface has been with a strong human touch in mind. The ends of the serifs have been given a subtle rounding, just enough to take the edge off which, when coupled with the largely humanist structure of the design, creates an open, friendly and approachable design, abandoning the usual geometric severity commonly associated with slab serif typefaces. Eksja contains quite a comprehensive numerals system. Obviously, each font has the standard proportionally and tabularly spaced lining and old-style figures but, crucially, the tabular numerals share the exact same width in each font variant. That means that you can choose to use the thin, regular, bold, black and their italic forms all in the same setting and they will always line up. In addition to the 'normal' numerals there are super-script and sub-script numerals and OpenType fractions that can be automatically composed as you type. There are also the enclosed numerals, numbers inside a circle, that are useful for numerically listing items and, thanks to the wizardry of OpenType, they can contain any number of digits (typically, enclosed numerals are precomposed single digits, only encompassing the 0–9 range, the enclosed numerals in Eksja can go to double digits, triple digits or, in fact, any number of digits*). *The automation of the enclosed numerals is accessed via either "Stylistic Set #1" or "Stylistic Alternates" which requires the use of an application that supports OpenType stylistic sets or stylistic alternates, such as Adobe's InDesign or Photoshop.

Sevigne [sey-vee-nyey] is a highly refined, contemporary geometric sans, inspired by the ambience of high-end fashion and luxury. The inclusion of over 130 unique ligatures expand its sensibility of alluring, well-balanced letterforms and distinctive style. Stylistically, as an all-caps typeface, Sevigne exudes a greater sense of harmony and polish due to its unicase form where the interplay of a limited amount of characters is the focus. Subtle, considered details are found within individual letters, contrasted by the complex, intersecting forms that make up the various ligatures. With multiple stylistic sets added to the expanded ligatures, individual letters and ligature pairs can be carefully exchanged to fine-tune text settings for a unique custom type solution. Features include: Precision kerning- Expanded set of over 130 Ligatures, including alternates (ae, oe, fi, fl, ffi, ffl, ffj, ff, fh, fj, ft, tt, th, ct, st, oo, og, go, ogo, gog, la, ea, ev, ew, fy, ez, et, oc, ga, do, uv, vu, yu, uy, nn, mm, xy, yx, ao, oa, ac, da, aq, nt, aa, ll, ss, ut, tu, ka, ca, ag, of, off, co, ne, nr, nl, nd, nk, hn, mn, me, mp, al, an, af, ar, ak, ah, ad, ab, and, gg, all, co, ço, he, the, tl, tn, tf, tr, tk, td, tb, te, am, ame, amb, tm, ap, tp, wu, uw, kt, tz, ra, za, mk, xx, yy, vv, ww, ky, fu, oq, cc, cq) Alternate characters (A, G, R, Q, Z, _, $, ®, •, ¶) Slashed zero Full set of numerators/denominators Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Ledare is a dynamic sans-serif typeface. Created by Mans Greback between years 2019-2021, this expressive font leads the way of your message with confidence and determination. It has a soft, easy-going outlook, yet is formal and rigid. The Ledare family consists of 14 fonts: Thin, ExtraLight, Light, Medium, Bold, ExtraBold and Black, with each weight as italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

From the same page of a vintage German lettering textbook entitled “50 Alphabete fur Technikur und Fachschulen” (loosely translated to “50 Alphabets for Technicians and Specialized Schools”) that inspired Trippy Hippy JNL comes Eleckatrical Banana JNL. It’s another novelty, free form Art Nouveau hand lettered alphabet that works well in recreating 1920s period pieces or for designing a retro-inspired rock and roll concert poster reminiscent of the 1960s. The name of the typeface is from a line in the 1966 pop hit “Mellow Yellow by Donovan (Leitch), and his extended pronunciation of ‘electrical’: “…E-lec-a-tric-cal’ banana is going to be the very next craze…” Caps only Fonts. Eleckatrical Banana JNL is available in both regular and oblique versions.

Modulus Pro, the extensive update to Modulus. This update was built around the original Modulus Font. This rounded sans-serif has a larger glyph set which covers many languages. Modulus Pro now comes in 8 weights from Extra-Light to Black. This updated version was designed with the designer in mind, you have many stylistic alternates to get creative with and make some really cool customised typography. A large range of examples have been designed to show just how versatile and creative you can get with this font family. It's fun but has a cool, edginess to it at the same time. Modulus Pro is not just another rounded sans-serif, you are going to want this in your font list.

I used to be a tour guide and I traveled to China numerous times. Usually, the itinerary mentioned going to a restaurant in Beijing and eating ‘Beijing Roast Duck’ (北京烤鸭), a famous dish that has been prepared since the Imperial era. Typically, the whole duck is sliced at your table. The skin is crisp, glazed and thin and you should eat it with thin pancakes and thinly sliced spring onion. Of course, if I had to guide several ‘China tours’ in a row, I would often eat something else (there is only so much Beijing Duck you can eat). Peking Duck is a nice, handmade, Chinese Ink font. Use it for your restaurant menu, your book covers or your posters, advertising oriental food!

Wouldn't it be nice to have an assortment of little hand-lettered words? Words like “The” or “A”; “With” or “At”; “To” or “From”? Headline Helpers Three are word accents that can go just about anywhere. Set off the title of your next design project with one of these little gems. Or use a Helper with your new product introduction headline. Convenient instructions and character map come as standard equipment with this highly desirable addition to your type library. Headline Helpers Three is available in the OpenType Std format. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. A Windows TrueType version of this font has also been provided if you prefer normal keyboard access.

Introducing Leathery! It's a modern script font with a signature-style look and ballpoint texture effects. It's very recommended for you who want to make some designs with natural handwriting using a ballpoint. leathery will work for name card design, invitation design, wedding design, posters, packaging, book cover title, quote, social media post, etc. Features: Ligatures Numerals & Punctuation Swashes Accented characters Format File: OTF, Web Multiple Languages Supported How to use this font: Just open your Opentype features ( Minimum Compatible with Adobe Photoshop CS 6 and Adobe Illustrator CS 6 ) in Adobe Photoshop go to Window - Glyphs and all the alternates will appear while using the script font to use the ligatures and swashes. As you type, your text will look like a natural signature or handwriting.

Wouldn't it be nice to have an assortment of little hand-lettered words? Words like “The” or “A”; “With” or “At”; “To” or “From”? Headline Helpers Four includes word accents that can go just about anywhere. Set off the title of your next design project with one of these little gems. Or use a Helper with your new product introduction headline. Convenient instructions and character map come as standard equipment with this highly desirable addition to your type library. Headline Helpers Four is available in the OpenType Std format. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. A Windows TrueType version of this font has also been provided if you prefer normal keyboard access.

Rustle Fighter - A Handbrush Gaming Typeface. Rustle Fighter is a dynamic and gaming handbrush typeface that packs a punch with its bold and commanding presence. Inspired by the untamed brushstrokes of a skilled artist, Rustle Fighter captures the raw energy and strength of handwritten text. Each letter carries an impressive weight, with its rough edges and uneven lines creating a sense of intensity and ruggedness. Whether used for headlines, logos, or bold designs, Rustle Fighter makes a powerful statement, demanding attention and leaving a lasting impression. With its versatile nature, this typeface effortlessly adds a touch of rebellion and authenticity to any project, making it a go-to choice for designers looking to inject a fierce and artistic flair into their creations.

Ghimli Antique was created using the ping-pong method, based on the graphic idea of Artem Rulev and the participation of Vladimir Anosov in the future. Then we sent the font file to each other, adding something of our own and making corrections, and so on many times. Ghimli Antique has already managed to get 2nd place in the Granshan competition in the Cyrillic section. The name was obtained by combining the name of the dwarf Gimli and Studio Ghibli. The font is quite evil, incredibly dense, bold. It looks like when the dwarves closed ranks and go to defend their lands from the invasion of the orcs. Suitable for short word design, logo creation, menu layout and use in movies about gnomes and anything fantastic.