Kubrick is an experiment in extremes. The Light font is very tall and slender, the Black font is very massive, and Kubrick's slender counters push some of its glyphs to the edge of recognition. The thin counters and negative spaces also give text set in Kubrick a definite visual sparkle, especially in all-uppercase settings. Because of its extreme letterforms, Kubrick is recommended only for large display use. The default letterspacing is set fairly wide to keep text legible. Kubrick was a double-experiment. One part of it was to see how heavy and massive a typeface I could make while still keeping it legible. The other part was to develop a Multiple Master font. Multiple Master fonts were a format developed by Adobe that allowed the user to change things like the weight and width of a typeface. Monollith started as just such a Multiple Master typeface, but when Adobe discontinued the Multiple Master format, I stopped work on the typeface. Later I decided to continue work on it, but as five separate font weights: Light, Medium, Bold, ExtraBold and Black. Very rectilinear letterforms with extremely narrow counters and negative spaces. The five fonts go from very thin and condensed to very heavy and extended. Use in large display settings where unornamented high visual impact is desired.

Evanston Tavern is a square typeface and the sans-serif version to Evanston Alehouse. Inspired by the years that prefaced the ratification of the American Prohibition, this typeface mimics the signage commonly seen outside of saloons, taverns and alehouses during that time. Back to the modern era, Evanston Tavern is more than just a vintage inspired typeface. It works in modern and futuristic settings with multiple styles, opentype alternatives and ornamentation. The family provides a robust 61 total fonts, within it's 3 styles of regular, stencil and inline. Each sub family includes 4 weights and 5 widths. It has special features that add depth to the typeface, with discretionary ligatures and stylistic alternatives. It also includes a complimentary set of ornaments, including a vintage graphic set from the era, as well as modern frames, borders and icons. This typeface works great at logos, packaging, and other display settings. Pair this font with Evanston Alehouse and have a great combination of serif and sans-serif square letterforms and a large array of ornaments! Here’s a snapshot of what you get with Evanston Tavern: - 3 Styles: Regular, Stencil and Inline - 4 Weights: Light, Regular, Medium and Black - 5 Widths: 1826 (condensed), 1846 ( narrow) 1858 (regular), 1893 (wide) and 1919 (expanded) - 2 capital Heights: Capitals and small caps - 2 Alternatives: Discretionary Ligatures and Stylistic Alternatives - 1 Ornaments font with over 100 graphic extras

Sibylle is a handmade script font. I used a medium sized Japanese brush pen and coarse paper to create the ‘eroded’ effect. Sibylle comes with double letter ligatures and stylistic alternates for the o (plus all accented o’s).

Kolyada is a modernist semi-serif with a friendly nature. This type is well-suited for use in retail, magazines, logotypes, books, etc. It comes with 4 styles, from Ultra Light to Medium, each with its Upright Italics.

Alipe Script is a new script typefaces family. Alipe Script family has light, medium and bold fonts, all with ligatures, alternates and a set of ornaments. It can be used for text as well as for titling applications.

Cocomat has been designed by Francesco Canovaro and Debora Manetti as a development of the Coco Gothic typeface system created by Cosimo Lorenzo Pancini. It shares with all the other subfamilies in the Coco Gothic system a geometric skeleton with open, more humanistic proportions, a sans serif design with slightly rounded corners and low contrast proportions, without optical compensation on the horizontal lines, resulting in a quasi-inverted contrast look in the boldest weights. What differentiates Cocomat from the other subfamilies in Coco Gothic are some slight design touches in the uppercase letters, with a vertical unbalancing reminiscent of art deco design, notably evident in uppercase "E", "A","F","P" and "R" - while lowercase letters have been given some optical compensation on the stems, like in "n","m", "p" and "q". These design choices, evoking the second and third decade of the last century (Cocomat is also referred as Coco 1920 in the Coco Gothic Family) all give Cocomat a slight vintage feeling, making it a perfect choice every time you need to add a period vibe or an historical flair to your design, like in food or luxury branding. The typeface, first published in 2014, has been completely redesigned by the original authors in 2019 as Cocomat PRO to include eight extra weights (thin, medium, black and heavy in both roman and italic form), extra open type features (including alternate forms, positional numerals), and extra glyphs making Cocomat cover over two hundred languages using latin, cyrillic and greek alphabets.

The Bunken Tech Sans superfamily: A reminiscence of constructed fonts of the modern age designed with considerably cleaner forms. Bunken Tech Sans follows in the best tradition of the straight-lined and somewhat angular structures of its predecessors while offering a much more open and mild design. The shapes of the letters are therefore reduced to the most essential elements: The spurs on a, b, n and other lower case letters occur just as little as decorative or style details, the lightly rounded inside edges are more pleasing to the eye than certain historic role models and make for a harmonic, flowing style. Use In particular Bunken Tech Sans stands out as an easy, distinctive headline font with its straight-lined, technical design. Open counters and large x-height make it equally suited for use in shorter texts. It is also perfectly complemented by Bunken Sans or Bunken Slab in longer texts (available soon). Features Available in 10 styles with widths ranging from Light to ExtraBold with associated Italics. All of the styles are very extensive: Support for at least 58 languages, Small Capitals, 9 number sets (e.g. Lining, Oldstyle, Tabular and Small Cap Figures), ligatures, alternate characters, numerous Opentype functions, and lots of other small features that make it more pleasant to work with the font on a daily basis as well as fulfilling typographic desires. Each style contains more than 870 characters! Each style is available in a professional (Pro) and standard (Std) edition with a reduced range of functions. (Language support, OpenType features and number of glyphs). Details can be found on the respective pages. Bunken Tech Sans is part of the Bunken Tech superfamily and is available in Condensed, Normal and Wide. Also of interest: The slab serif variation Bunken Tech Slab Features in Detail: 12 Weights: -Light -Book -Medium -SemiBold -Bold -ExtraBold and corresponding Italics 3 Widths: -Condensed -Normal -Wide Alternate Characters: A, E, F, L, S, e, f, t, s, y, etc. Small Capitals 5 Sets of Figures: -Lining Figures -Old Style Figures -Tabfigures -Old Style Tabfigures -Small Cap Figures Automatic Ordinals Automatic Fractions Extended Language Support and more...

NEW! Includes a set of 42 connecting word character glyphs along with 23 alternate lowercase glyphs. MARLIN is a condensed vintage style serif display font that works great for logos, packaging, branding, menus, advertising, and posters. The lowercase letter set has different letterforms allowing you to mix and match upper and lowercase for a variety of looks. In Illustrator, the custom connecting word set can easily be accessed in the "Type → Glyphs" panel and in Photoshop through "Type → Panels → Glyphs Panel".

The 1913 sheet music for "There's A Girl in the Heart of Maryland (with a Heart That Belongs to Me)" may have had no shortage of words in the title - fifteen to be exact, but it also offered some nice hand lettering in the Art Nouveau style. Maryland JNL is a condensed typeface with an unusual twist. The "S" and "G" both have spurs on them, which is reminiscent of the preceding Victorian period and the popular spurred Tuscan alphabets of the time.

A compact geometric sans serif typeface influenced by Bauhaus and the early modernist era. Precise shapes are optically adjusted to create a clear, natural typeface with excellent legibility across various applications. Corbert compact is part of the popular Corbert type system; other widths include Normal, Condensed and Wide. Details include over 590 characters; OpenType features consist of five variations of numerals, including inferiors, superiors, fractions, alternative lowercase a, e and g, and language support covering Western, South, and Central Europe.

Cover Sans is a humanist geometric typeface with an orthogonal structure, which provides stability when composing a text. Open shapes and low x-height give this font balance and makes it an air-breathing typeface. Cover Sans is a stable and strong condensed font that works well for magazines and publishing. The strong personality of its alternative characters gives the font a modern and elegant style, which makes it ideal for use on annual reports as well as on business logotypes.

Waika is a modern sans serif font that seamlessly blends a rounded aesthetic with condensed proportions, resulting in a contemporary and versatile typeface. Its smooth curves and absence of serifs contribute to a clean and friendly appearance, making it suitable for a wide range of applications. The deep inktrap adds a touch of sophistication and uniqueness to each character, ensuring legibility and visual appeal in various design contexts. Waika is a dynamic choice for projects seeking a balance between modernity and approachability.

An image spotted on the internet of a brass shipping stencil for the Royal Quality Brand (for the John H. Fitch Company of Youngstown, Ohio – a coffee and spice merchant). The lettering style for “Royal Quality” was a hand-cut, condensed, slightly flared sans serif with various character flourishes, giving the letters a stylish, somewhat regal look. Expanding on this idea, a full character set was developed and redrawn digitally as Royal Stencil JNL, which is available in both regular and oblique versions.

Yet another san serif typeface, Yassitf is a generic sans, a font meant to blend in rather than stand out. It has little contrast and is almost monoline. It includes three widths: condensed, narrow, and regular. The widths have four to six weights: ultra thin, thin, light, plain, bold, and extra bold. Further, each width and weight combination has both upright and italics styles. The thirty fonts in the family contain several open-type features, including both proportional and tabular (monospaced) numbers.

Developed from condensed san serif families of the 90’s to 00’s, Morl brings together the distinctive features of the time but presented in a simpler design. Its potential is increased with Original, Sans, and Rounded options which offer varied moods. Suitable for publications, web and product designs, Morl can fit either headlines or body. It’s also effectively supported in various devices. The family comes in 10 weights, making it available to use for your required tasks in 60 styles.

Dexa Pro is now available on variable version. The family was designed by Ceyhun Birinci in 2020 with an inspiration to create a contemporary super family with inspiration from classic sans serif families. It's a workhorse family consisting of condensed, narrow, normal and expanded widths. Each width has a wide weight range from thin to black, along with their true italic counterparts. With more than 770 glyphs per font, It offers a ton of language support from all the Latin languages to Cyrillic.

Magdelin is a minimal yet warm gothic sans with normal and alternate families. At its core, the design has simple forms and low contrast, yet it takes some qualities from the humanist class with its calligraphy or cursive-inspired details found in the italics and the bowl shapes of characters like b and d. The small x-height, longer ascenders and descenders, and semi-condensed proportions give it a bit of a vintage or classic feel while still appearing contemporary and modern.

P22 Wood Type is a set of four fonts based on 19th Century American wooden printing types. Wood Type Regular is a condensed Tuscan styled font with a lower case and international character set. Wood Type Small Caps is a variation of the regular with small caps in place of the lower case. Wood Type Extras One & Two feature over 150 borders, stars, pointers, combination dashes, manicules & other decorative embellishments. Perfect for evoking 19th Century printing & Americana at its most genuine.

Sangor is an unique vintage condensed font. This font designed all round corners that makes it look more soft and charm. Sangor is regular and outline all-caps font that is great for short headlines and titles, but it looks great in print design, vintage mood board, branding, logotypes, titles, editorial design and modern and vintage design. Sangor Features: Single weight Punctuation & Characters Ligatures Glyphs included superscript & Symbol Currencies Multilinguals Thankyou for picking up this font, Happy creating. Regard, Grontype

Danish type designer Jan Maack created this display and sans FontFont in 2008. The family has 18 weights, ranging from Light to Bold in Condensed, Normal, Expanded, and Extra Expanded (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries, poster and billboards as well as sports. FF Cube provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with tabular oldstyle and tabular lining figures.

Gilmore Sans Extra Bold Extra Condensed Titling is a sans serif typeface that was inspired from early designs by the renowned English typographer Eric Gill. It was designed in 1992 by A. Pat Hickson (P&P Hickson) and Steve Jackaman (ITF) exclusively for the Red Rooster Collection. It has a clean, fresh, sturdy feel that is exceptionally powerful at display size. The typeface lends itself well to a variety of projects, including everything from packaging to signage to high-profile advertising campaigns.

Sheet music for the 1910 composition "Good-By Betty Brown" has its title hand lettered in a thick and thin, condensed sans serif design reminiscent of lettering found in later comic strips and books of the 1930s and 1940s. Transcending both the Art Nouveau and Art Deco styles, Funny Papers JNL gets its name from the slang reference Americans of the early 20th Century gave the Sunday comics pages in their local newspapers, and is available in both regular and oblique versions.

Geometric typography with serif, extra condensed retro look and very elegant for use in publications, graphic design and advertising where you need an exclusive typography with great horizontal space saving for headlines and paragraph texts. It has a complete set of capital letters and numbers and monetary symbols in small caps, also alternative letters such as the 'A' capital letter or the lowercase 'a' type alpha. Use the following keys to write the bitcoin symbol and the partisan icon: b #, a #

Introducing Hello Hiltown - Playfull Condensed Hello Hiltown is the perfect font for all your fun and minimalism designs. The main font file is equipped with ordinary characters. Everything is made with the funny brush. So you can be sure they will work well together! It is suitable for you to use in making t-shirt design, quote, label, packaging, logo type, or long writing. Because we have compiled kerning and matrices that are tailored to your needs. Caps Only Fonts.

German type designer Svend Smital created this sans FontFont in 1999. The family has 6 weights, ranging from Regular to Bold in Condensed and Normal and is ideally suited for film and tv and editorial and publishing. FF Super Grotesk provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Zuume Rough is a textured, bold, condensed sans display family. A sister to Zuume, this version features a rough printed texture for a more natural and raw look. The fonts can be tightly spaced and stacked for a visual punch or loosened for a little more breath. A distinct characteristic is the notched and extended ink traps meant for both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, sports, logos, and more.

Introducing Bulgano is condensed display font with 2 styles, regular and outline. It's classic & casual looks, make it perfect for everything from labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Gubia font family has been designed for Graviton Font Foundry by Pablo Balcells. It is a geometric, sans serif typeface with a slightly condensed design. It has been conceived to be most suitable for all sized headlines, as well as short and middle length text blocks. The standard styles give texts a classic appearence while alternate styles give texts a playfull one. Gubia consists of 8 styles, 4 weights plus alternates, each containing small caps and glyph coverage for several languages.

Poarch is a clean and modern condensed font, the font well designed as a sans serif font with all caps. It has round tip angle and different style as a sans font in common. The font is perfect for any project such as Brochure/Magazine Header, Logo Tagline, Flyer Titles and it also can be a paragraph text font. Features: Uppercase and Lowercase Regular, Light and Italic Version Numeral and Punctuation Ligatures Multilingual Support Modern Look Thankyou for Choosing This font Regards, Grontype

Zuume Soft is a high-impact, condensed sans serif family with a soft touch. A sister to Zuume, this version features round corners for a friendlier appearance. The lighter weights give a sharp, technical feel while the bold, blacker weights can be tightly spaced and stacked for a strong visual punch. The notched and extended ink traps add both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, sports, logos, and more.

The capitals of Register share a similar construction to Morris Fuller Benton’s 1930 Bank Gothic for American Type Founders, but iron out the broader curves and add ‘ink traps’ to emphasise the machine aesthetic. Register also provides the lower case missing from Bank Gothic. Available in two main widths, each in five weights plus reweighted italics with cursively-derived letterforms, plus a bold condensed, Register has been used for the Sochi Winter Olympics, Source magazine and releases from Transient Records.

It was during a visit to the Roman Forum that we were inspired by a seemingly unique style of lettering on a tablet among the ruins. The Latin message was chiseled in a condensed, free-style manner, almost as if it were intended as a personal note. While the stone showed only the capital letter forms of the period, we felt the creation of a lowercase would help extend the fonts usability and also add a whimsical feel to the design.

Eckhardt Sans JNL continues Jeff Levine’s “mini series” of fonts modeled after hand-lettering used by sign painters; and named after his good friend, the late Al Eckhardt of Allied Signs in Miami, Florida. Clean and somewhat condensed, this sans face has chiseled edges on many characters and the warmth of the lettering once made by brush or ink pen. Use this font in conjunction with any casual typeface to invoke the days of sign shops and talented lettering artists.

Introducing Las Valles a tall Ultra condensed sans serif font coming in 4 styles. If you are looking for Strong letters with a ton of unique Ligatures and style to choose, Las Valles is the perfect fit. This fonts is perfect for headlines, quotes, Logo, Web, magazine covers, editorial design, print posters, signage, window shop design, and much more. HOW TO ACCESS ALTERNATE CHARACTERS & LIGATURES Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type - glyphs

Vin (translated from Ukrainian as “he”) is a superfamily consisting of three robust typefaces with pronounced vertical stems and rounded corners. All three typefaces feature very large x-height for even more expression and assertiveness. Vin Slab Pro is a condensed rigid slab-serif with extra-large x-height and rounded corners. It is designed specifically for short texts to add significance and emphasis. Be sure to check other two typefaces of Vin superfamily: Vin Sans Pro and Vin Mono Pro .

Need to cram a zillion words on to a single page? Nicotine is your vice. Cram it. Nicotine Jazz is a bit more musical as it trades uppercase and lowercase letters for an interesting unicase effect. Italic can be used for extra emphasis. The condensed nature of the Nicotine fonts allows for impressive use at larger, poster sizes. Another interesting tidbit? The I in Nicotine is a silhouette of a traditional filtered cigarette; that's how the font got its name.

Magnitude is a font inspired by classics like Eurostyle and Bank Gothic, with geometric characteristics and dynamics style. Designed to be used in a wide variety of applications such as advertising, corporate projects, branding and retail product design. The font is well-suited for headings, display use and short text. The Magnitudes family is available in 36 weights, ranging from light to heavy, to condensed and expanded with matching italics. The font contains a character set of 401 characters supporting 206 different languages.

If you are looking for an elegant typeface, with strong impact and delicate details, then Galadali is the perfect choice for you. With a complete range of resources, like small caps, old-style and lining figures, fractions, superior and inferior letters, figures, and weights from light to heavy, Galadali offers a wide variety of combinations for you to create with. Galadali's multiple alternates and swashes can add extra spice to your designs. A tall condensed typeface specially designed for beautiful titles.

Plasto is a complete grotesk sans serif family. The quirky letterforms and its slight width variation characterized the typeface as fun and playful as "plastic" in a graphic layout, fit for various design spaces, fit for both informal or functional purposes, fit for large display and also small text. Plasto complete family contains 54 styles with two axes; Weight and Width. The weight consists of 18 styles from Thin to Black, and the width consists of 3 styles, condensed, normal and expanded.

Haymer stands at the apogee of legibility and clarity. Its design embodies symmetry, even stroke widths and a subtle rounded quality to give an instinctive appeal to the reader and to the designer. Haymer is modern yet characterful and is ideal for use as a text family, online and wherever instant easy readability is required. An extensive family is offered, in four weights, regular and condensed widths, lower case and capital (small and petite) forms as well as display inline faces.