“Xenon” is a single upper and lowercase font with an edgy and brutal look, well suited for poster designs, logos, headlines, and experimental typography. Supporting both Cyrillic and Latin alphabets, it contains more than 400 glyphs.

Challah is a display font containing 295 glyphs. Letters are very diverse, but because they contain several shapes characteristic for each other - they retain a certain coherence. When creating the font, the main inspiration was to take from the Brazilian graffiti trend - Pichação and Korean typography. Most of the letters are the same size and width, however, when designing, we also tried to include at certain moments small "surprises" that will surely interest and surprise the user of the above-mentioned typeface. The font fits very well into the urban structure, therefore it perfectly matches the art on the walls with the art on the billboards, creating a kind of dialogue.

Introducing Rofak, a unique and captivating display font. Rofak takes inspiration from Arabic script and introduces a distinct rounded design to the characters. This choice softens the edges while preserving the elegance of Arabic calligraphy, resulting in a typeface that exudes a sense of warmth and approachability. Rofak prioritizes readability by maintaining low contrast between strokes and curves. With its unique combination of rounded forms and low contrast, Rofak is versatile and well-suited for diverse design projects. Rofak fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

The "Erimboo" font is a perfect embodiment of the beauty and elegance of calligraphic style. Key Features: ~ Smooth lines and beautiful handwriting flow. ~ Elegance and a classic touch, suitable for designs that require a luxurious ambiance. ~ Creative and diverse letter characters, making it perfect for titles, logos, invitations, and much more. ~ Includes various opentype options like ligatures, alternate characters, and numerals for flexibility and variation in your designs. The "Erimboo Script " font is the perfect choice for those who appreciate the beauty of calligraphy in their designs. With its unique characters and unparalleled quality, this font will be a valuable asset in your collection.

Bllides is a Handwritten Marker font casual and clean stoke font with alternate and opentype features Ligatures inspired by the 60's notes letterform. It support multilingual more than 100+ language. This font is suitable for logo design and any awesome project you create. Make stunning work with Bllides Handwritten font. Cheers, MaulanaCreative

Introducing Mobalys - Where Elegance Meets Nature Embrace the beauty of nature with Mobalys, a captivating font that seamlessly blends the grace of elegant script with the modern simplicity of sans serif. Immerse your designs in the lush greenery of a go-green theme, accompanied by stunning leaf illustrations that breathe life into your creations. Elegance in Every Curve: Mobalys boasts an exquisite script style that adds a touch of sophistication to your projects. Each curve and swirl is carefully crafted to exude elegance. Modern Simplicity: The sans serif elements bring a contemporary flair, ensuring versatility in usage. Whether it's a sleek logo or a clean headline, Mobalys adapts effortlessly. Nature's Embrace: Dive into a world of greenery with Mobalys. The font is adorned with enchanting leaf illustrations, adding a touch of organic charm to your designs. Let the beauty of nature seamlessly integrate into your projects. Extensive Character Set: With 730 characters at your fingertips, Mobalys provides a diverse range of options to express your creativity. Explore a plethora of possibilities with ligatures, alternates, swashes, and more. PUA Unicode: Unleash your design freedom with Mobalys' Private Use Area (PUA) Unicode support. Access additional characters and symbols for a truly customized touch to your work. Elevate your designs with Mobalys, where the synergy of elegance and nature creates a visual masterpiece. Immerse your audience in the refreshing green world and let your creativity flourish. Mobalys is not just a font; it's an experience.

Sewing Patterns 3 is the latest installment in the Sewing Patterns font series and this time it's all menswear. This dingbat was inspired by men's fashions from the 1920s to the 1960s. Like it's predecessors, the numbers take a quick dive into children's styles from those eras.

The 1946 foreign publication entitled "100 Alphabets Publicitaires" ("100 Advertising Alphabets") collects a number of interesting and attractive lettering samples for design inspiration. One such example is Asian-inspired and was re-drawn as the digital type face now named Martial Arts JNL.

handwritten decorative variable font A few fonts already exist which have been drawn in accordance with the exact same principles. But these are just drawn - only drawn. The ANATOLE FRANCE retains the hand script character in spite of its stringent composition. An old portfolio of script patterns from the 1920s or 1930s, which appeared in the Georg D. W. Callwey Publishing House in Munich, includes among its pages one with a handwritten poster script, as was very typical for the 1920s. To begin with, there is the emphasized decorative character, which stands out due to stressing the stems. Next, the attempt to portray the character forms with the help of a few but always recurring basic elements is driven to the limits. Theoretically speaking, that which should have led to a contrived, geometrically determined type, obtains a likeable and pleasant look through the ductus of the manually guided brush. The classic version of ANATOLE FRANCE includes 5 fonts: Light, SemiLight, Normal, SemiBold, Bold. The variable font allows seamless font weights from 300 (Light) to 700 (Bold). Alternate letterforms are available through the appropriate OpenType features: style set 1 (O Q V) style set 2 (v w)

At first glance, »Angulosa M.8« is one of those fonts that a technician or engineer would probably draw. And yet it differs fundamentally from typefaces constructed in this way. The right angle forms the basic element of the »Angulosa M.8«, but that's about it with the pure mathematics. Serif-like upstrokes and downstrokes on some letters improve readability, and carefully used slants makes the appearance a little friendlier. The proportions are not based on any mathematical principle, but are derived from freehand writing of the letterforms with a broad quill. In terms of style, »Angulosa M.8« belongs most closely to the modernist, constructivist typeface attempts, such as those undertaken at the Bauhaus in the 1930s. The styles of »Angulosa M.8« range from "Condensed" to "Expanded", from "Light" to "Black", plus the respective oblique form, which in this font is slanted to the left. All variants can be adjusted continuously in the variable font: the font width ranges from 50 to 150, font weight from 300 to 900, upright [0] and italic [1]. The »Angulosa M.8« supports all European languages including Eastern and Central European, Turkish, Greek and Cyrillic.

The font is intended to be used as a header or headline font. Most of the characters are based on the same rectangle and therefore contain the same width which displays symmetry. The font contains 300+ glyphs which includes uppercase letters, lowercase alternates, numbers, symbols, accented characters for multiple language support.

Axionhero is an experiment which include a simple grid built font. I took the font, and smashed it into grunge letters. Believe me, it works very well - maybe that's because the font has got almost 400 different ligatures! You will need to use OpenType supporting applications to use the autoligatures.