Militia Sans is the sans-serif version of Militia. A heavy sans serif with very distinct stenciling, Militia Sans is ideal for strong designs that settle for nothing less than total obedience. A few alternates are sprinkled throughout the character set. Militia Sans comes in all popular font formats, and offers a full range of Latin support, including Western, Eastern and Central European languages, as well as Baltic, Celtic/Welsh, Cyrillic, Esperanto, Greek, Maltese, Turkish, and Vietnamese. The Open Type font is entitled Militia Sans Pro, and contains class-based kerning.

This is not a stencil font. At least it isn't intended to be. The foundation for the entire font comes from a progression in experimental rules on stroke intersections (pinching, separating) while maintaining proportions and elements from a more conventional typeface. More latitude was given to the unicase "Fat" face but still retains the overall flavor of the original. The end result is a typeface that's hard to categorize as any one personality. Most likely a good candidate for logo, display, or headline work, the applications for Encoder are yet undeciphered.

Karben 105 Mono is a monospaced variation of Karben 105. The clean and pure geometry of Karben 105 makes it highly suitable for adaptation to this monospaced variant. It has an even look and retains its legibility at very small sizes. Karben 105 Mono is available in a family of five weights and includes an extended character set to include accents for Central European languages. Karben 205 Mono is also available as a monospaced variant of Karben 205. There is also a stencil version of Karben 105 available.

Reed is a refined calligraphic font based on humanist italic. It contains two weights and a high-contrast Display style for extra large point sizes. Two unusual stencil styles add zest to the type family. The character set includes lots of swashes and contextual alternates. This makes text set in Reed look very close to live calligraphy. Reed works perfectly in labels and packaging of confectionery, cosmetics, perfumery and sparkling wines, as well as greeting cards and event design. Reed was designed by Isabella Chaeva and released by Paratype in 2020.

A set of self-adhesive poster board letters once made by the E-Z Letter Stencil Company and sold under the name "Quik Stik" was the model for School Project JNL. Ironically, the line was discontinued because they did not stick very well - the weight of the cardboard caused the letters (which used a rubber cement type of glue) to pull away from the surface they were mounted to. Unlike vinyl self-adhesive letters (which were formulated for indoor or outdoor use) these cardboard sets were relegated to indoors only; further restricting their usability.

The Kimchi font had its starting point in the making of the film "Cloud Atlas", based on the novel by David Mitchell and directed by Lana & Andy Wachowski and Tom Tykwer. A first version of Kimchi was created for "Papa Song" – an underground fast food restaurant in a futuristic Neo Seoul in the year 2144. It was used for the menus, advertisement and packaging. Kimchi was later further developed to become a useable typeface: it works for headlines, street art stencils and of course as logo font for korean fast food restaurants.

Introducing Remopid typeface, stencil display font with a strong personality. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Four interchangeable all-caps typefaces, made specifically for designers to layer and play with. Here’s more at the designer’s site. It combines hard and soft, geometry and pattern. Layer and mix styles within a single word, retaining coherent visual tone. Havelock Solid operates as a background layer, Multiline sits nicely atop it, Inline frames Multiline’s center strokes, and Stencil lets details peek through. If you’re working with translucent color, the blending can be gorgeous. Please note, if you're also looking at Havelock Titling: both collections are included in Havelock Complete for a lower price.

Goldana is a display layered font inspired by art deco. The base layer is regular; add an extrude and extrude shadow to create a dimensional look. Several of the styles can be mixed and matched together to create different style details. There are several fonts with a stand-alone style and script. The Script fonts are also equipped with OpenType features. (The shadow, drop shadow, drop stripe and stencil styles are not meant to be layered.) Play with the extras collection to create badges with a vintage feel and an art deco style.

Foundry Fabriek was inspired by the concepts behind industrial fabrication, where and how parts of materials or structures are united. The systematic grid, formed by stencil shapes, is indicative of the work of Wim Crouwel, consultant on the development of this typeface. The compact character widths of Foundry Fabriek are consistent over the five weight progression, giving flexibility for a variety of applications. The characteristic letterforms have an extra dynamic in large scale, perhaps in cast concrete or laser cut metal, to form integrated components in architectural or signage projects.

Caché is a stylish, condensed sans serif font family in 3 versatile weights (Light, Medium & Bold) with an extended Latin character set. The typeface features economical letterforms with distinctively sheared terminals and occasional stencil characteristics. Designed as a practical all-rounder, it really does live up to its name, providing legibility along with added panache to any heading or copy. In practice, its surprisingly adaptable to most projects; and as usual with ‘ArtyType’ fonts, there are several alternate characters available via the glyph palette, providing that extra dimension when personalising your design projects.

Karben 105 is inspired by the classic, no nonsense DIN, and has a form that follows its highly legible function. Based on a lozenge, it has a clean and pure geometry with even stroke weights. Karben 105 is available in a family of five weights, and is also available with character variations as Karben 205. There are also monospaced variants of both Karben 105 and Karben 205 and a stencil version. All of the Karben fonts feature an extended character set, including accented characters for Central European languages.

Dirty Baker’s Dozen, was released in 1998 and has since become the gold standard in raunchy stencil fonts. This version of Dirty Baker’s Dozen is pants-full of handy symbols, fractions, accents and what not. Need numeric ordinals? Probably not, but if you do, Dirty Baker’s Dozen will be there with boots on and numeric ordinals a-blazing. Two new styles were introduced in 2009: Scorch & Spraypaint. When you're using Scorch or Spraypaint styles in an OpenType savvy application, common letter pairs will be automatically replaced by custom pairs for a more realistic, filthy effect.

Shicken Zoop JNL is based on an old lettering stencil from the early 1950s. The A-Z and a-z keystrokes contain the bulk of the Hebrew alphabet. Additional letters are found on the exclamation point, quote and apostrophe keystrokes. Vowels are positioned on the period, comma, hyphen, colon and semicolon. Please note that this is not a normal Hebrew font; it is in effect a latin font with Hebrew letters appearing in place of latin letters. It will not allow you to copy and paste with other samples of Hebrew text.

Karben 205 Mono is a monospaced variation of Karben 205. The clean and pure geometry of Karben 105 makes it highly suitable for adaptation to this monospaced variant. It has an even look and retains its legibility at very small sizes. Karben 205 Mono is available in a family of five weights and includes an extended character set to include accents for Central European languages. Karben 105 Mono is also available as a monospaced variant of Karben 105. There is also a stencil version of Karben 105 available.

Military style stencil type, badly bruised by shotgun fire, wear and tear. Now ready for action in more languages! Vic Fieger says: "The original letterforms were not the famous military stencil, but were drawn freehand then scanned into Photoshop. Next, they were altered using a series of brushes before being imported into a font. This font has been used in the Flash games Pandemic and Artillery." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "Western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Introducing **ANUSCHKA** - Faux Cyrillic Display Font Faux Cyrillic, pseudo-Cyrillic, pseudo-Russian or faux Russian typography is the use of Cyrillic letters in Latin text, usually to evoke the Soviet Union or Russia, though it may be used in other contexts as well. It is a common Western trope used in book covers, film titles, comic book lettering, artwork for computer games, or product packaging which are set in or wish to evoke Eastern Europe, the Soviet Union, or Russia. A typeface designed to emulate Cyrillic is classed as an ethnic typeface. **ANUSCHKA** came with that protest and propaganda vibe. It's contain a complete Simple Latin Glyphs, with extra ligatures, D-Ligature, Stylistic set for the main character to make it stencil look and distressed look. --- This font can be used with all software that can read standard fonts. Check out my instagram: https://www.instagram.com/anomalicreatype/ Thanks so much for checking out my shop! All the best, **Krisna Teja** Anomali Creatype #typeface #Stencil #FauxCyrillic #Cyrillic #Military #Protest #Poster #vintage #Extreme #design #Vintage #graphic #calligraphy #Retro #typography #propaganda #Poster #blackletter #retrostyle #illustration #Russian #socialist #character #set #uppercase #decorative #black #classic #Uppercase #handmade #capital #bold #number #modern #tattoo #english #art #label #logo #middle #typographic #antique #sign #letterhead #fashion #filmtitles #russia #comicbooklettering #videogames #computergames

Dynamic and sportive. A well-balanced experiment for sparkling headlines. Glance Slab is an experimental design that plays on the tension between connection and detachment. In this typeface, serifs may be detached and some strokes may not connect to their stems. This creates a dynamic impression of balance and movement. The elegance of an ice skater and the determination of a quarterback: Glance Sans has it all. Where a curve meets a stem and where serifs seem to “hover” near their respective letters, the nonjoining elements create an impression similar to a stencil typeface. But here, the function of the gaps differs from strictly stencil designs: while the gaps provide a “sparkling” effect in Glance Slab that’s clearly visible in large sizes, they take on the role of ink traps when set smaller, making for surprisingly legible body copy. With its strong visual character, this font family is quickly recognizable, making it perfectly suitable for branding and any large-scale application, such as posters, billboards, and event signage. Glance Slab consists of seven weights from Thin to Black. Each style has a character set of about 570 glyphs, which includes circled numbers and arrows (positive and negative versions), ligatures, extended language support, and many other features.

TT Phobos useful links: Specimen | Graphic presentation | Customization options TT Phobos is a pliable display serif with a soft and gentle character. The features of the typeface are the moderate contrast between bold and thin strokes, pliable visual compensators, and the counter-clockwise bend of internal ovals. In addition to 6 weights and 6 italic, TT Phobos also includes two original decorative fonts, inline and stencil. Despite its pliability and display character, TT Phobos is dynamic enough and is well suited for text arrays even in large text blocks. The serifs of letters are completely asymmetrical and bring in dynamics when reading the text from left to right. Thanks to the harmonious contrast of black and white forms and internal negative spaces of the letters, as well as its broad letter spacing, the typeface is well read in small sizes. In this case, the character of the letters is completely preserved, partially thanks to the exaggerated elegant visual compensators. The ornamental pattern used in TT Phobos Inline varies for capital and lowercase letters. Capital letters implement a more complex double inline with a rhombic element in the middle, and in the lower case features a simplified form of the inline, made in a single movement. Thanks to the original cutting, TT Phobos Stencil stands out for its expression, and the rounded cuts add even more visual style to the font. TT Phobos consists of 14 faces: 6 weights (Light, Regular, DemiBold, Bold, ExtraBold, Black), 6 Italics, inline and stencil. There are 17 ligatures in TT Phobos, including several Cyrillic ones. The typeface has stylistic alternates, which adds an italic effect to the upright fonts, and a little solemnity of the upright version to the italics. In addition, we have not forgotten about the old-style figures and other useful OpenType features, such as ordn, sups, sinf, dnom, numr, onum, tnum, pnum, liga, dlig, salt (ss01), frac, case.

The classic modernist FS Alvar grew out of a library of pure modular shapes gathered by Fontsmith’s master of the abstract starting point, Mr Phil Garnham. “It was a collection that just had to be explored and brought to life in a typographic voice. “We debated long and hard about this. It was big decision to make a shift away from the typefaces that people knew us for. And we didn’t want to compromise our reputation of well crafted typographic quality”. Modular forms A headline font that’s both graphic and functional, in the modernist tradition, FS Alvar focused Fontsmith’s eyes on the bigger issue of what makes a font show its age. “Looking at those fonts from the 1980s that were supposed to represent the ‘future’,” says Phil, “they looked so dated now. With Alvar, we weren’t concerned with creating future-thinking typography but with exploring form for form’s sake, and how that can evolve to create letterforms. Modular forms with a typographic eye.” Stencilled The concept for Alvar first materialised back in 2001 with some sketches Phil made while still at Middlesex University. Eight years later, something made him dig them out again. “There was something really nice about the proportions of that first design. Working on it again, I thought about it properly, but it still needed something to give it that edge. “Jason stood up in the studio and supplied the missing link: ‘Why don’t we make it stencilled?’ He didn’t mean in an obvious way, but by building a kind of architectural stencil into the form. It worked and the idea of using an architect’s name (Alvar Aalto) to describe the font felt perfect.” Featured in... The three weights of FS Alvar are made for standout headlines in advertising campaigns and magazines. Alvar has had a starring role in campaigns for brands from Nike to Amnesty International, as well as on CD covers, record labels and packaging.

Borrowdale is a valley and civil parish in the English Lake District. In the 16th century a major deposit of graphite was discovered near Seathwaite, which kickstarted the pencil industry. Borrowdale font was made with one of my son's coloring pencils (which probably does not contain a single molecule of graphite). It is a very legible and easy-on-the-eye font, ideal for children's books, texts and product packaging. Comes with a mother lode of diacritics.

Volgarie is a modern serif font that gives a unique touch to any design you create! This font has small lines or flourishes at the end of the strokes that make up letters and symbols, with various alternates and ligatures in each character, while display fonts are intended to be used in larger sizes for headlines, titles, and other attention-grabbing elements. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

The type­face “Mallorca Dirty Numbers Vol 1” is desi­gned for the Typo Gra­phic Design font foundry in 2017 by Manuel Vier­gutz. The playful dis­play font is designed on holiday photos of different numbers (house numbers, graffitis, handwritten menu cards …) from Mallorca. An alphabet built with numbers. 524 gly­phs with A–Z, a–z, 0–9 and 99+ deco­ra­tive extras like ornaments, arrows, ding­bats, emojis, sym­bols, geo­ma­tric shapes, catch­words, deco­ra­tive liga­tures (type the word “LOVE” for ❤ or “SMILE” for ☺as OpenType-Feature dlig ) and of course many many numbers (20+ stylistic sets). For use in logos, maga­zi­nes, pos­ters, adver­ti­se­ment plus as web­font for deco­ra­tive head­lines. The font works best for dis­play size. Have fun with this font & use the DEMO-FONT (with redu­ced glyph-set) FOR FREE!

The type­face “Netherlands Dirty Numbers Vol 1” is desi­gned for the Typo Gra­phic Design font foundry in 2017 by Manuel Vier­gutz. The playful dis­play font is designed on holiday photos of different numbers (house numbers, graffitis, handwritten menu cards …) from the Netherlands. An alphabet built with numbers. 342 gly­phs with A–Z, a–z, 0–9 and 40+ deco­ra­tive extras like arrows, ding­bats, emojis, sym­bols, geo­ma­tric shapes, catch­words, deco­ra­tive liga­tures (type the word “LOVE” for ❤ or “SMILE” for ☺as OpenType-Feature dlig ) and of course many many numbers (20+ stylistic sets). For use in logos, maga­zi­nes, pos­ters, adver­ti­se­ment plus as web­font for deco­ra­tive head­lines. The font works best for dis­play size. Have fun with this font & use the DEMO-FONT (with redu­ced glyph-set) FOR FREE!

Introducing "Karina" is a modern playful font. Step into a world of contemporary charm with "Karina," a font designed to infuse your projects with a perfect blend of modern aesthetics and playful whimsy. Karina doesn't just bring letters to life; it introduces a dynamic trio of styles — regular, extrude, and fun — adorned with patterns in fun styles that add an extra layer of delight to your designs. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

A romantic little modern calligraphy font duo that will all whisk you off your feet! It comes with an extra dingbat font with oodles of sweet little flourishes and embellishments too! Tanglewoods Script has a lovely whimsical character with the natural organic flow from a real calligraphy pen. It’s perfect for weddings, feminine logos, branding, invitations, quotes, social media, websites, and well....just about anything pretty! :) It includes opentype features - stylistic alternates for the lowercase letters, and a comprehensive set of natural looking Ligatures to add to the natural nature of the typeface. The Complimentary sans serif font, Tanglewoods Sans, is a whimsical and light-hearted uppercase font. The extra dingbat font, Tanglewoods Extras, has 62 beautiful flourishes and embellishments, all available by hitting the keystrokes A-Z, a-z and 0-9.

These initials set I collected from “Tractatus sacerdotalis de sacramentis”, published in the city of Lugrun, printed by Arnaldum Guillermum de Brocario in 1503. Tractatus font family has Regular and Colored styles. It's all you need to precisely imitate medieval style text. Use this font as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in regular black letter font. You’ll get Drop Caps & Numbers set. --- *You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ * *Please note that the Canva & Corel & Affinity doesn't support color fonts!* *Please download this test file with only A letter ( https://www.dropbox.com/s/1lr7fify0n520ms/Tractatus-Test.otf?dl=0 ) to check your app & system.* --- Best, Roman. Thank you!

Corvus is a display serif font family, stylized with elegant soft turns that soften the sharp ends. Due to its structure, this font can meet your needs in all your modern or classic creative projects. Corvus is ideal for creating your creative projects on similar subjects with its gloomy and Modern Gothic stance. Absolutely perfect for titles, magazines, books, invitations, logos, packaging design, branding and more! Character Ranges: Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, Letter like Symbols,Arrows, Mathematical Operators, Miscellaneous Technical, Geometric Shapes, Miscellaneous Symbols, CJK Symbols And Punctuation, Private Use Area (plane 0), Alphabetic Presentation Forms Uppercase typeface Lowercase typeface Numbers Symbols Multilingual With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

Asherah - Serif font family - Multilingual support, 12 Style - OTF Asherah is a modern serif font family. This font family is multilingual supported and 12 different styles. With different character designs in its structure, it can meet your needs in innovative pursuits. It has a timeless structure where you can create your modern-elegant or classic design alternatives. Well suited for books and magazines, editorials, headlines, websites, logos, branding, advertising and more. Asherah font family can meet your needs in all modern and classic creative projects. CHARACTER RANGES : Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, CJK Symbols And Punctuation, Private Use Area (plane 0), Alphabetic Presentation Forms With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

• Composed of 3 sets: Normal, Compact, Expanded. • Consisting of 3 distinct optical sizes: Display and Text, Expanded. • Comprises 102 fonts • Support for 28 languages: Afrikaans Albanian Catalan Croatian Czech Danish Dutch English Estonian Finnish French German Hungarian Icelandic Italian Latvian Lithuanian Maltese Norwegian Polish Portugese Romanian SlovakSlovenian Spanisch Swedish Turkish Zulu Swedish Turkish Zulu • Contains OpenType features with alternates or substitutes • Tabular Figures • Ordinal numbers • 74 icons (It will keep updating.) • 72 graphic patterns for designer (It will keep updating.) • 28 brand symbols (It will keep updating.) • 27 arrows glyphs • 0-99 line circled glyphs • 0-99 solid circled glyphs • A-Z line circled glyphs • A-Z solid circled glyphs Halenoir is a modern sans serif with a geometric touch that support for 28 languages. It comes in 10 weights, 102 uprights and its matching outlines, Obliques, pattern, so you can use them to your heart’s content, in each of which there are more than 801+ glyphs. Halenoir is composed of 3 types: Original, Compact, Expanded, and each is designed to be suitable for mobile, graphic, and editorial design. Halenoir comprises 102 fonts, consisting of three distinct optical sizes: Display and Text. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Halenoir and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Useful links: Gravitica PDF Type Guide and Specimen (You can know how to use icons and arrows, other glyphs.)

"PGF Caprina Pro" is an audacious and rough geometric sans-serif font inspired by the wild and untamed personality of mountain goats (the word "caprina"‘ in Spanish is related to or resembling ‘goats’)—amazing animals which can skilfully climb up slopes and withstand very cold temperatures. Was originally developed under the Latinotype team supervision and is now upgraded to this Pro version that comes in 20 font styles, with 739 glyphs each, supports now more than 200 Latin-based languages and includes a wider OpenType features range like: Stylistic Alternates ‘set 01’ for b, d, g, p, q, i, j, t, y, &, I, G, M Stylistic Alternates ‘set 02’ for d, g, j 4 Stylistic Alternate from ‘set 01’ to ‘set 04’ for Enclosed Numbers (circles and squares) Stylistic Alternate ‘set 05’ for curved 3 and ‘Zero with dot inside’ Contextual alternates automatically turns ‘zero’ into a ‘slashed zero’ in alphanumeric contexts Contextual alternates automatically turns “Il” into a serif for improve its legibility Case Sensitive when "All Caps" is activated for ß, ¡, ¿, () [] {}, ‹› «», •(bullet), *(asterisk), -(hyphen) Standard Ligatures for fi, fj, fl Discretionary Ligatures for tt, tr, www, LL, TT Lining Numbers Old Style Numbers Tabular Lining Tabular Old Style Numbers Slashed zero on every number figures Numerators and Denominators from 0 to 9 for any Fraction expression Superiors and Inferiors from 0 to 9 for any scientific notation Ordinal forms for ‘a’ and ‘o’ Localized language customization for German, Dutch, Polish, Catalan, Romanian, Moldavian, Turkish, etc. Every OpenType option is also accessible via Character Map allowing users and designers to choose an alternate design for a particular character. “PGF Caprina Pro” is well-suited for high-impact action publishing and advertising as well related with adrenalynic and extreme sport design stuff.

Eraser Carved is based on an alphabet set that was hand carved from pencil erasers. A combination of upper and lower case letters makes this a fun and quirky alphabet.

Torbjörn Olsson's Interrupt is a salty dog of a sanserif, harboring memories of freighters unloading their cargo in a run-down port. Interrupt works great for signs, and looks just fine painted on the side of a wooden crate or stencilled on an old tarpaulin. Interrupt is recommended for use over 36 points. You have run out of packing crates and would like to use it on paper? Sure, Interrupt can add its sturdy sailor's gait to any medium... just don't set any novel in Interrupt. Not even Melville. Interrupt is an OpenType typeface for both PC and Mac.

✒️Radja Wolly✒️is a font inspired by the Blackletter typeface, made with a modern impression but still looks strong and stencil tyle. Supported by alternative options such as swash, ligature and alternative characters, making The Radja Wolly Typeface very easy to create designs with strong or vintage themes. In addition, The Radja Wolly Typeface font is also supported with multilingual characters that can be used in several international languages. The Radja Wolly Typeface is very suitable for use in making music album cover designs, tattoo logos, wishkey labels, packaging pomades and so on which are made with dark and strong concepts.

Rever is an experimental typeface by a young designer Sasha Smirnov. It clearly alludes to 19th century typefaces with reverse contrast, but still the character shapes are as simple and geometric as possible. Rever answers the question “What can a reverse-contrast typeface look like today?” Its set of styles is non-traditional: in addition to a regular one, there are also an oblique (slanted to the left, not to the right!) and a stencil styles. The typeface can work for typographic experiments of any kind -- web, print or motion design. The font was released by Paratype in 2019.

Maat is a modular geometric stencil display font that includes a number of modular pattern characters, and can be used to create designs that echo early Modernism by merely applying letters, patterns and color. Maat is a loose interpretation of a hand lettered alphabet by the late Dutch designer Jurrian Schrofer called Sans Serious which was included in Wim Crouwel's publication Letters of Maat. It is inflected with a bit of influence from British designer Ken Garland's similar lettering form the cover of his textbook, The Graphics Handbook. Maat derives its name from the title of Couwel's booklet.