Senza is a contemporary, neutral, all-purpose sans serif family designed by Elena Albertoni. It was specially designed for the use on screen. With open shapes and large x-heights Senza guarantees high legibility for body text in small sizes. Senza ’s character-set covers all European languages written in Latin alphabet including real small caps, ligatures, proportional and tabular figures. Senza comes in four weights from Light to Black with matching italics.

Meet the first typographic family designed by Papanapa. Inspired by leftover chunks of wood found in a workshop we conducted with one of our clients, this type carries an elegant and distinctive personality due to its unexpected angles. Tocco is available in 8 weights, from Thin to Black, and it was designed to be used primarily on headlines, titles or small texts. It also supports basic Latin. We hope you enjoy it!

Capitana is a Geometric Sans with humanistic proportions and open apertures. Distinct ascenders and pointed apexes with deep overshoot give it a cool beauty and classic elegance. Capitana is an ultimate allrounder with 9 weights from Thin to Black, well suited for striking headlines and particularly legible in small sizes due to its open forms. Capitana has a powerful opentype engine with small caps, tabular and oldstyle figures, arrows, alternate letters, fractions, subscript and superscript.

The Bing family is an experimental series of type designs inspired by classic movie marquees and contemporary fabricated signage. The Bing family consists of a multiple contour Inline, a single contour monoline Script derived from the Inline interior, and a single contour Black derived from the Inline exterior. All Bing fonts can be specified independently at medium and larger point sizes, or all three may complement one another as a type system.

Oh Icons is a family of 382 icons divided into three thematic sets. Each set contains 52 characters, plus alternate glyphs in Open Type Stylistic sets. Every icon can be used independently, but you can also merge them to design an adult or a baby figure, a nursery room or to dress a dog. Black backgrounds will let you colour your icons. Have fun and stay tuned for the new topics already in the works!

Amarela Stencil is a contemporary typeface, specially designed for titles, packaging and branding. Sharp serifs and an extreme stroke contrast give the font a classy look and a strong personality. Amarela Stencil comes in 5 weights, ranging from Ultralight to Black, plus two decorative styles- One and Two. As you would expect from Latinotype, this font comes with a standard character set that supports over 200 languages. Alternates and OpenType features are also included.

Insigne Abstractions is a break from working with letterforms and a chance to play with pure abstraction. These ornaments are purely nonrepresentational, and are not letterforms. The abstractions are organic, and some would describe them as magnifications of microorganisms in black and white. There are 72 different ornaments this package. Some potential uses for these ornaments include alien alphabets, navigation buttons for a website, decorative elements, inspiration for logos or background textures.

Prism was mainly inspired by two things, the sketches of Rudolf Koch for Prisma and the proportions of Avant Garde by Herb Lubalin. Even when the proportions and widths stay the same from ExtraLight to Black, you get the opportunity to change the weight and get a complete new look for that typeface by changing the grayscale or color. It is a modern combination for headlines, that want to have a different look.

Clab is meant for branding. The initial characters were build in bold and chunky personality, yet the thin strokes and flowy italics gives it a versatile and unique set of family. The glyphs crafted in low contrast strokes, short ascenders and descenders and low caps. Clab consist of 9 weight from Hairline to Black with each matching italics. Contain more than 400 glyphs with some OpenType features e.g, standard and discretionary ligature, fraction, e.t.c.

Spektra is a multi-script type family that combines 5 scripts: Latin, Cyrillic, Arabic, Greek and Hebrew. It is a variable font - ranging from backslant to italic axis. Its condensed and black shapes are combining the same style concept throughout every script. Progressive shapes contribute to expressing statements on bigger mediums. Spektra combines different locations, cultures and ideas as statements around the world and celebrates the differences among them. Awards • Modern Cyrillic 2021

Coral Pro is a relaxed and very readable script font. Based on the earlier Coral script. It has been updated, and now has all the features usually included in a fully professional font. Language support includes all European character sets. Coral Pro Black is a bolder script than the original Coral, and has an in-your-face, clear and casual look. It's great used for anything from "schoolgirl diaries" to fashion media.

The Grandison Family is a geometric sans-serif grotesque. Originally conceived as a font for logos. It has 9 weight ranges from Light to Black. It is ideal for advertising and packaging, editorial and publishing, logos, branding and creative industries, posters and billboards, small text, pathfinding and signage, and web and screen design. Grandison provides advanced typographic support with features such as case-sensitive forms, fractions, super-and subscript characters, and stylistic alternatives.

French type designer Xavier Dupré created this script FontFont in 2002. The family has 5 weights, ranging from Light to Black and is ideally suited for advertising and packaging, festive occasions as well as sports. FF Jambono provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Mithella is a sans serif family with a pleasant touch. Some letters, especially linear ones, look normative like other rounded sans serifs, but the difference can be seen clearly in curved letters so that it gives a pleasant impression for each series of words. Mithella comes with eight weights ranging from thin to black to complement your design needs be it branding, blogging, logos, advertising, games, cooking, packaging, editorial and publishing, web and screen design.

🏆 Selected for Tipos Latinos 7 with a Certificate of Excellence. With semi-rounded terminals, Graviola is soft and friendly. The family consists of 16 fonts, from Thin to Black and matching italics. While the intermediate ones are suited for body text, the extreme weights look specially beautiful at display sizes. Each font contains 530+ glyphs, supporting more than 90 languages. Stylistic sets provide alternates in two groupings (a, v, w, y and G, g, &).

Presenting JHC Audemars, an impeccably crafted condensed serif font exuding a resolute and refined character. Distinguished by its unique inverted letter shapes, this font embraces an avant-garde aesthetic. Boasting a comprehensive range of weights from Thin to Black, along with an elegant italic style, JHC Audemars ensures versatile application in various design contexts. Ideal for sophisticated branding and editorial endeavors, this font effortlessly merges strength with sophistication, delivering a commanding and memorable typographic presence.

Compact and condensed, Fazon font family belongs to design inspired by vintage typefaces. It is available in 7 weights – from Light to Black. Contrast in letter design gets higher as weights get thicker which assigns dose of display elements in heavier weights of Fazon. Contains 5 stylistic sets (4 for uppercase and 1 for lowercase letters) and fractions. Fazon covers extended Latin character map. Ideal usage: packages and labels, posters, titles, websites.

Dexa Round is the round cornered version of the Dexa Pro superfamily. It has 18 fonts with thin to black weights, along with their true italic counterparts. With more than 770 glyphs per font, It supports all the Latin languages as well as the Cyrillic ones. OpenType features: small caps, caps to small caps, alternates, old style figures, tabular lining, old style tabular lining, language localizations, ligatures, superscript, subscript, numerators, denominators, fractions, historical forms.

Teorema. Well balanced Reading. Looking for a geometric yet flexible character? Teorema typeface combines different geometric shapes, according to a pragmatic approach that favors flexibility and ease of use. The font is distinguished by the contrast between perfectly circular shapes, and other, more angular ones in search of a formal balance aimed at optimizing the recognizability of the characters and finally the legibility of the text. Worthy of a geometric “theorem”? Try Teorema for free. Download a free version of Teorema Regular and Bold with a reduced character set. Check it out!

In many ways, handmade items fit as collectibles, because they look unique and not boring. Dephion is one of the handmade fonts we made to give a casual and natural impression that brings modern style calligraphy made in a very manual way. We want to get out of the habit of seeing perfect font types by making the shape imperfect and irregular. Dephion presents three styles: Dephion Script Regular, Italic and Dephion Sans. You can pair them to create a variety of attractive designs with a sense of casual.

Ingone is a slightly irregular sans-serif face. It was designed to complement PattyDay and HeyPumpkin, but can be used alone if you need an informal, friendly sans-serif font. It has only one weight, but the family includes a shadowed style. In 2018 the inside of the shadowed version was separated out and made a separate typeface. The letters have the shapes of the regular version but the spacing of the shadowed version and can be layered with the shadowed version to easily produce lettering with two colors.

Created exclusively for an exhibition catalog for the exhibition 'Hail to the King, Baby!'. CA Hail to the King is based upon different letters taken from handmade signs from all over the world. You will find a lot of unexpected specials: irregular character sizes and styles (uppercase characters are bold; lowercase characters are in regular style) everything that makes CA Hail to the King so varied and unpredictable. In addition to west European diacritics an extensive central European character set were added including some very nice stylistic alternates.

inner shadow is a great display font that brings out a street art vibe. the inner shadow appears in capital letters and a unique variety of ligatures. Inner Shadow is a graffiti font that combines the improvised qualities of urban graffiti with the subtlety and regularity of typeface. the inner shadow is spaced letter to letter individually so spacing will work smoothly, regardless of irregular shape expression and also includes a decorative font, which has clouds, underlines, arrows, crowns, halos, and more to add flavor. on your design.

Redoneta™ is a contemporary geometric sans serif family of 6 weights with its matching italics. From a refined Thin to a solid Regular and a forceful Bold gives us multiple voices and uses according its multipurpose vocation. Also, its smooth and clean shapes gain more personality with his alternates: from rounded to square and angular forms across 7 combinable stylistics sets. Dozens of Latin languages supported and other OpenType features as fractions, superscript, subscript, tabular figures, arrows and more give useful tools to the user for editorial design, web or others intensive uses.

Inspired by a love of geometry, combined with an obsession with all things stencil type! HAZMAT is a distinctive stencil, using angular characters to give the font an energetic look and feel. Created with the intention to be different from other stencils, the cut of the font has been designed to create eye catching and intriguing displays. HAZMAT works very well at small sizes for legible and detailed typesetting and is equally successful when used at bigger sizes for creating large format, powerful graphics. The font is available in two styles - Regular & Oblique.

Nazhdak is a handwriting sans serif of three styles sketched with a felted pen and digitized afterwards. Designed in 2001 under the impression of Erik van Blockland's FF Kosmik typeface. Nazhdak is searching and investigating boundaries between regular and irregular typefaces. In spite of ragged letterforms and general laxity the face is rather good for small sizes, and in large sizes it completely shows its crude fascination. The main destinations are small informal text compositions and display typography. Nazhdak was designed by Zakhar Yaschin and released by ParaType in 2009.

An interesting hand lettered example of Art Deco lettering (minus the letter ‘L’) was spotted on Pinterest and served as the inspiration for Deco Sketch JNL. Because there was no attribution as to the age or source of the alphabet, it can only be surmised that it was a scan from a 1930s or 1940s source. The original showed many of the irregularities of pen lettering, and had rounded terminals. The digital version has been redrawn more uniformly with flat terminals. Deco Sketch JNL is available in both regular and oblique versions.

NK_Fracht Square (meaning Cargo or Freight) is a stylized version of Neue Konstrukteur Square. It is more suited for headline and display purposes, but can also be used quite successfully for short blocks for running text and captions.

"Galaxy Power" is an elegant display block font that is perfect for action movie titles, graffiti, 3D works, advertisements, banners, posters, branding, stickers, mockups, and more. This font is equipped with uppercase, lowercase, numerals, punctuation, and multilingual support.

NK_Fracht Round (meaning Cargo or Freight) is a stylized version of Neue Konstrukteur Round. It is more suited for headline and display purposes, but can also be used quite successfully for short blocks for running text and captions.

Militaria JNL is a collection of various military insignias modeled from vintage printer's blocks. While this in no way represents all ranks, specialties and branches of the military, it is still a nice little package for themed projects.

I created CemeteryWalk in 2018 to illustrate a program for a local cemetery walk. CemeteryWalk places letters on pictures of gravestones. In 2022 I expanded the family by placing three different sets of letters on the gravestones. Each of the four different sets of letters on gravestones has two styles, one with black letters on white gravestones and the other with white letters on black markers (the bold style). The bold style can be placed beneath the plain style to add color or texture. All eight styles are caps only, with the lower-case letters having different shapes for the tombstones but the same letters as in the upper case. There is only one set of accented characters and it is where the upper-case letters are found. Each also has an alternate set of characters that are somewhat similar in appearance and it can be accessed using the OpenType feature of stylistic sets. A final typeface in the family is a picture font of items that may be found on old tombstones.

Palo Slab is an epic font family made up of 9 weights in four widths, along with italic & oblique options to total a massive 108 styles. Using our 2020 release Palo as the base, the slab version began to take on its own life and personality to become a unique entity in its own right. From super punchy heavy weights to the delicate lighter weights, the Palo Slab super family is a versatile beast that offers you ultimate flexibility. The heavy weights ranging from Compressed Black to Wide Black are built with super tight spacing and love to be big and bold, so perfect for showing off your brand. The Italic styles add curves to the slab feel, providing a beautiful flow, but we've also included an oblique option if you want to use the blockier version. Palo Slab features extensive latin language support as well as OpenType features such as case sensitive punctuation, old style figures, scientific numbers and ligatures, + arrows. You can check out our 2020 release Palo here.

German type designer Erik Spiekermann, created this sans FontFont between 1991 and 2010. The family has 28 weights, ranging from Hairline to Black in Condensed and Normal (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, small text as well as web and screen design. FF Meta provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options—oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic, Greek, and Hebrew writing systems. FF Meta Variable are font files which are featuring two axis and have a preset instance from Hairline to Black and Condensed to Roman In 2011, FF Meta was added to the MoMA Architecture and Design Collection in New York. This FontFont is a member of the FF Meta super family, which also includes FF Meta Correspondence , FF Meta Headline , and FF Meta Serif .

Embrace the captivating elegance of LaRuja, a modern serif font that seamlessly blends feminine grace with unwavering strength. Its distinctively high contrast between horizontal and vertical lines creates a dynamic interplay of elegance and structure, making it a versatile choice for a wide range of applications. LaRuja's gracefully tapered terminals and subtly curved arches exude a sense of refined femininity, while its sturdy serifs and well-defined letterforms project an unyielding strength. This unique balance of characteristics makes LaRuja the ideal choice for projects that demand both beauty and substance. LaRuja's extensive language support, encompassing over 90 languages, makes it a global font that can be effortlessly adapted to diverse cultural contexts. From fashion magazines and branding materials to websites and marketing campaigns, LaRuja seamlessly conveys your message across borders. LaRuja's comprehensive weight system, ranging from Thin to Black, enables you to tailor the font's appearance to suit the specific needs of your project. The lighter weights, such as Thin and Light, exude elegance and sophistication, while the heavier weights, such as Semibold and Black, project authority and impact. Happy creating everyone!