Years ago the company that developed Fontographer marketed a program called Font-o-Matic, a program that distorted fonts in various ways. 99% of what it produced was garbage, but every once in a while it would yield something interesting. Since I had designed a lot of typefaces by that time, I had lots of material to feed it and it was fun to see what it produced. BaumSquiggle is one of rare results that was interesting enough to save and clean up. The source font is Baumfuss.

Genki Desu is one of those Japanese expressions that are used a lot and don’t really mean what you think they mean. You can use it as a greeting: O Genki Desu Ka? (お元気ですか - how are you), or to say you’re feeling fine (元気です - Genki Desu). The word Genki also means ‘energy’ or ‘vigor’. I am not an expert, in fact, there’s so much Japanese I can actually speak (shame on me), but Genki Desu is one of my favourites. Maybe just because it sounds so nice!

Thomas Oldfield’s typeface, Reaper, is reminiscent of inscribed Greek letterforms but he claims that its origin is much simpler than that. “I recall”, Tom says, “that I just began the design by making the uppercase ‘I’ and continued using it to make up the other characters.” The cap only typeface has alternate cap forms in the lowercase positions, including a vastly scaled downed O and Q that make for some unusual text settings. Contrary to what the name might have you believe, there’s a lot of life in this quirky typeface.

Scape is a precisely drawn, contemporary stencil face built from a single weight rounded end stroke. The fine, linear rounded forms create a subtle contrast to the raw utilitarian nature of the stenciled characters. Extremely versatile, Scape is highly legible due to it’s upright, consistently balanced sans letterforms. Stylistically, it exemplifies refinement and clarity with an distinct edge. Features include: Precision kerning Expanded ligature set Alternate characters (O, _, ®) Alternate zero Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Okaeri is a linear display font inspired by Japanese aesthetics, uppercase is decorated with oriental patterns. Okaeri is suitable for typographic posters in oriental style. The font is also suitable for menu and restaurant design, tourist products, magazine and book covers, thematic events design. The font works great both for printing clothes and craft products branding and packaging. Also use individual letters to create logos and monograms. Okaeri includes stylistic alternates for symbols: a, i, o, u. There are also ligatures: aa, ca, ea, ee, ff, ka, ki, la, li, ra, ri, oo, tt, za.

PT Reforma Grotesk was designed for ParaType in 1999 by Albert Kapitonov based on the letterforms of Russian pre-revolutionary hand composition typefaces: Uzky Tonky Grotesk («Condensed Thin Sans»), Poluzhirny Knizhny Grotesk («Semibold Book Sans») and Reforma, of H. Berthold and O. Lehmann foundries (St.- Petersburg). This extra compressed sans serif with distinctive letter shapes is typical for display fonts of the late 19th and early 20th centuries. For use in advertising and display typography. The face got 'Galina' prize at Kirillitsa'99 International Type Design Competition in Moscow.

This variation in the Tangential series (see also the Standard & Rounded families) continues with the angles that give the typeface its name, however a semi-serif is applied wherever appropriate to create a more open, softer variant. The Tangential style I envisaged for the family is complemented by the prominent use of negative space throughout, most apparent on the drop shaped ‘o’ which is a key feature of the typeface and a letterform I'm particularly pleased with. Available in 2 weights, Regular & Bold, in both OpenType OTF & TrueType TTF formats.

Cooper Black The Cooper Black font should be used in display sizes only. Cooper Blacks serifs are rounded and the counters are small. Cooper Black was designed by Oswald B. Cooper for Barnhart Brothers & Spindler in 1921 for advertising and posters. The capital O and Q of the Cooper Black font are tilted back; in the lowercase, the dot on the I and j become elliptical. The extra bold Cooper Black font has a remarkable personality and reproduces well in sizes over 18 point in titles, subheadings and generally short sentences.

Hand drawn shadow entities from the dark corners of Dawnland. Lilith X is ideal for: Initial characters - give your text a unparalleled facelift! Headlines - create a unique look for your posters, event graphics, book covers & music/media/game packaging. Preamble - reanimate the introduction... The main focus and usage of Lilith X are initial characters or headlines for posters, event graphics and music/media/game packaging. The bread text on the gallery images is written in Aeterna . Lilith X contain uppercase and small caps letters A-Z + swedish characters Å Ä Ö.

So y'think youse gonna whack me, huh? Y'think that font o' yours is packin' enough heat to finish me off? Huh? Is that what youse is thinkin'? Well go ahead, but if y'whack me then every two bit hood in Alphabet City is gonna hunt youse down and kern youse like the rat you are! So go ahead, show them you're the Big Boss, the Kingpin of Crime, the Godfather... but you won't see me beggin' for my life, 'cause I got pride, see? I got --RATATATATATATTATATATATTATAT... Ahhh... fuggedaboutit!!

I'm always experimenting with new ideas for display fonts. I took the inside counter of a capital 'O', divided it into quarters, and applied an outline stroke to all the elements. By removing two quarters of the inside counter I had the beginnings for an interesting new design. Of course, the hard part was getting all the other letters in the alphabet to work well together using this approach. It's often a labor of love trying to shape an idea into a new typeface. I find the entire process stimulating and rewarding.

Vododeo JNL is directly named for the free-form sheet music title lettering from Jack Yellen and Milton Ager's "Vo-Do-De-O". The term itself was a catchphrase made popular during the era known as the "Roaring 20s". Yellen and Ager were responsible for such hits as "Ain't She Sweet" (1927) and "Happy Days Are Here Again" (1930) along with countless others. During his career, Jack Yellen provided lyrics to over 200 songs. As a side note, Yellen was married to a distant cousin of type designer Jeff Levine's late mother.

The 'VanderHand' font is a friendly and easy to use handwritten font. It is so loaded with ligatures it could easily pass for actual handwriting. The font was created with a felt-tip brush pen and so there are natural thick and thin parts in the characters. All writing was done upright with tightly fit characters. As a result this font has a unique 'instant logo' quality. But you should really try this out for yourself. O, and the font was written by Jeroen van der Ham. It's his handwriting. That's why it's called VanderHand.

"Le Mano" is a captivating serif display font that seamlessly blends classic elegance with modern sophistication. Crafted with precision, its graceful strokes and refined serifs exude a sense of timeless charm, making it a versatile choice for various design projects. This font commands attention with its distinctive and carefully balanced letterforms, each meticulously designed to offer a harmonious flow and readability. The deliberate spacing and clean lines ensure clarity, even at larger sizes, while maintaining a graceful presence in smaller text. Features: - Uppercase, Lowercase, Number, and Punctuation - Standard and Special Ligatures and alternates - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even works on Microsoft Word - Fully accessible without additional design software - Multilingual Support, ä, ö, ü, Ä, Ö, Ü, ß, ¿, and ¡. Utilizing this font for titles, headings, or focal points within a design can create a unique juxtaposition that captures attention and adds a touch of sophistication to the fun and spooky theme. If you're looking to insert "Le Mano" into your designs for these themes, consider experimenting with its application in headlines, titles, accent text, horror theme, and horror font, leveraging its elegant yet slightly haunting aesthetic to amplify the overall feel of the design.

The purpose of this monospace font is to display braille in an original although rather steganographic way. Its glyphs are built from a flat hexagon which can be read as 3 rows of 2 vertices (i.e. regular braille glyph grid). The initial design is illustrated by glyphs 'ç' (no dot) and 'û' (6 dots) as shown by poster 5. Glyphs are connected to each other, thus 6 connections for each hexagon (2 on left/right and 4 on top/bottom). In the final design many diagonal segments of the hexagon were removed for esthetical reason. Text is displayed not as a honeycomb but as a lattice instead which mixes hexagons, squares and "irregular convex octagons" (mostly unclosed), the design favored squares over octagons. The whole slightly resembling a PCB. Text can be framed with 3 sets of Frame glyphs (as shown in Poster 4): Octagonal: { €, °, £, µ, §, ¥, ~, ¢ } which can be mixed with Rectangular High Rectangular Low: { è, é, ê, ï, î, à, â, ä } Rectangular High: { Â, ù, Ä, Ê, Ë, ô, õ, ë } which can be mixed with Octagonal NB: When using Frame glyphs, it is advised to show Pilcrow (¶) and Non Breaking Space, which are replaced by empty shapes (e.g. in Microsoft Word, use CTRL+8 or use [¶] button in the ribbon).

Awardos is a complete solution for awards, badges and all kind of certificates. This font allows to mix various borders, laurels and icons to create a very unique badges. To quickly create an unique badge, type any number, any uppercase character and any lowercase character, for example 0Aa, 5Gk, 9Kl, 7Fr etc. To add starfield, start with a symbol (!"#$%&'()*+,). Glyphs included: 12x starfields - characters: ! " # $ % & ' ( ) * + , 16x borders - characters: 0 1 2 3 4 5 6 7 8 9 : ; < = > ? 36x laurels and outer elements - characters: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z À Á Â Ã Ã Ä Å Ç È É Ê   12x crown icons - characters: a b c d e f g h i j k l 12x cup icons - characters: m n o p q r s t u v w x 12x number one digits - characters: y z à á â ã ã ä å ç è é ê It is not required to use a symbol from every category. For example only laurel with crown icon can be used, or only starfield with the cup icon. Awardos Inverse is an inversed version. The outline borders are still included, used symbols are: [ \ ] ^ _ { | } ~ ¢ £ ¤ ¥ ¦ § €

Introducing Gareh Handwritten Marker Note Font, a font that merges the liveliness of handwritten script with a unique, natural touch. Crafted to captivate attention and infuse a fresh vibe into your designs, Gareh strikes the perfect balance between the elegance of handwriting and a casual feel. With expressive characters and authentic marker accents, each letter exudes warmth and originality. Gareh is the ideal solution for design projects seeking a personal and creative touch. Whether you're creating posters, greeting cards, logos, or working on branding projects, this font will leave an unforgettable impression. Every stroke brings inviting warmth and inspirational vibes. With Gareh, you can add a new dimension to your messages. Easy to use, this font grants the freedom to express limitless creativity. Get Gareh now and discover how each letter can lend that special handmade touch to every design of yours." Highlighted Features: – Uppercase, Lowercase, Number, and Punctuation – Special alternates and ligatures – Works on PC & Mac – Simple installations – Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word – Fully accessible without additional design software. – Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy our font and this font is a useful font for your projects!

Modulario is a geometric sans with some disturbingly individual features. A few capitals owe a bit too much to Roman proportions. The circular O serves to distinguish it from the zero, and the luxuriously wide W and M are both pointed in the middle, although alternatives to the more contentious letters are available within the font. The lowercase shows a little more handwriting influence than is customary – we are used to seeing a writing-style curve at the base of the l, Modulario extends the influence to the i and a, and also sports a uniquely scripty s.

Every morning, after the kids have gone to school, I vacuum the floor and remove about half a kilo of breadcrumbs… No, not really have a kilo, but any given bird could probably survive on the leftovers. When it was time to name this font, Breadcrumbs was all I could think of! Breadcrumbs and children seem to go together well, as they are featured in Hansel & Gretel and Hop-o'-My-Thumb. Breadcrumbs font is a happy, sloppy fairytale font, which you can use for your book covers, your party posters and maybe crumbly bread packaging. But that is entirely up to you.

Naming this typeface Troika, the Russian word meaning "group of three", seemed apt because the starting point in this design process was a three sided letter 'O'. This triangular type styling became a template guide for the rest of the character set. Troika is a highly distinctive, ultra modern typeface with idiosyncratic letterforms that make for striking headlines, particularly at large display sizes. Challenging, futuristic and experimental, always unique, and with caps as characterful as the lower case. Troika being derived from the French 'Triangle' and the Latin 'Triangulus' it seemed only fitting to design three weights: Light, Medium & Bold.

Mollen is sans serif font family that designed to be functional. Each glyphs are shaped by geometrical form with specific visual structure: Simple and clean form with low contrast stroke, rounded 'o' in the normal width, mix diagonal and straight cuts on terminals and finials. Low capitals, with flat top and low descenders. With this personality, Mollen meant be fit for modern, contemporary and technological nuance. Mollen consist of 48 font with 8 weight: From Thin to ExtraBold and 3 width: Condensed, Narrow and Normal. With each matching Italics. It also contain 425 glyphs and several opentype features.

Oracul is a modern display font with Bohemian motives. The font is created in a psychedelic retro style and decorated with the stars. Oracul includes stylistic alternates and ligatures. The font is suitable for the design on the theme of astrology, mysticism, spirituality, witchcraft, magic, esotericism, fortune-telling, tarot. Oracul has extensive language support, it includes English, French, German, Italian, Spanish, Portuguese, Danish, Norwegian, Swedish, Finnish, Estonian, Turkish. Oracul font includes stylistic alternates for symbols: E, H, I, J, L, O, Q, T, U, Y. There are also ligatures: MA, RA, KA, XA, AA, AM, RM, OO.

Calps is a condensed sans serif font. An unfussy design, the font is designed to be consistent across such letters as a, b, d, q, p, g and C, G, O, Q, creating a uniformity for the set. Each corner of the line is carved to decrease its sharpness, adding a touch of friendliness. If the standard font is not sufficiently condensed, there is a slim variation offering narrower proportions. In addition to the slim variation, the font also comes in roman and italic versions in 9 weights, offering a total of 36 variations for the font.

Introducing, A NEW RETRO BOLD FONTS WITH STYLISH AND ICON ALTERNATES, Psyche lover! Psyche lover is a retro font serif based that contains stylish alternates! You can make a unique branding retro and psychedelic designs with this fonts. This stylish bold fonts also included extrude and outline style that will compliments the regular style for more retro looks! This fonts suitable to use for poster, branding, merchandise, and any retro style! The "Love" shape also included in this font as an alternates for character "o". You can see all the alternates from preview above!! Also support multilingual and already PUA Encoded! Thank You!

A font drawn in a rounded rectangle looks modern – if we do not mind that it was in vogue mainly in the 80s of the last century and was created in the fifties, when various Italian designers noticed that the outline of a glass TV screen is actually the letter “o“. Since then, this progressive idea has undergone many improvements, which can be summarized in the notion of “popular-scientific typographic revival”. The present incarnation called “Superscience” has the advantage of having extreme variations and nicely simplified letters, as well as the usual repertoire of OTF functions and playful variations.

Luks Deco took inspiration from the glory of Roaring 20’s when the Art Deco style rose to its heyday. The strong geometric shape emphasizes the touch of retro yet modern style. Luks Deco is a good choice who wants to give Art Deco vibes to their designs. Luks Deco’s weight range from light to black, suitable to cater of all you need. The O,C,G and Q letters (and all glyphs that have circle form) have a bit different shape from light to black which will give unique display look for overall design. - Uppercase

Architype Universal is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals underpin the design philosophies of the modernist movement in Europe. Their ‘universal’, ‘single alphabet’ theory limits the character sets. Architype Bill was developed from the few letterforms created by Max Bill for a 1949 exhibition poster. All the forms, with the exception of the letter ‘o’, were constructed using only straight lines and triangles on a purely mathematical basis, that showed the continued influence of his earlier Bauhaus training, and the universal alphabet principle.

Colmcille was designed by a Gaelic scholar, typographer and printer, and first released by Monotype for composition casting in 1936. The design intention was to provide a Gaelic looking type which worked well as a roman text face. The digital version of the Colmcille font family has been made in collaboration with the designer's son, Dara O Lochlainn. A number of changes have been made, including a new set of figures and the addition of a bold weight. Although originally designed as a text face, Colmcille can be used for advertisements, flyers, in fact wherever a touch of Gaelic charm is required.

The name of this blackletter font was chosen due to the centennial of the Bauer Foundry, Frankfurt am Mai, in 1937. Ernst Schneidler probably created then the most beautiful of all fraktur fonts. They are the fruit of countless calligraphic drawings and of many years of professional experiences. Zentenar Fraktur became in its time the workhorse among German blackletter fonts. To access all ligatures in both styles, it is recommended to activate Standard and Discretionary Ligatures. The round s can be reached by typing the # key, and the combination N-o-period plus the OT feature Ordinals gives you the Numero sign.

Eric Stevens's latest typeface, ITC Lintball, combines two unusual features: its letterforms are based on the serifless lettering inscribed in stone by the ancient Greeks, yet the wobbly edges of the strokes, and especially the slightly wider “lintballs” on the ends, suggest lettering done on paper with a modern felt-tip pen. The ball motif is carried through in the fat dot under the raised capital O, and in the similar dot used in place of a crossbar in the capital A. There's an angularity to many of the strokes, especially in the lowercase, that gives Lintball its distinctive character.

The inspiration for this font came from a wall-writing in Cuba. At first glance we thought: "There is something wrong with the wall-writing." But a closer look revealed, that it just mixed up different stroke-styles. That "feature" became the designing principle behind CA Segundo: Round characters like O, U or C are available either with a fat or a thin stroke, whereas other characters with orthogonal lines come in two different styles – uppercase characters emphasize the vertical strokes, while lower cases emphasize the horizontal strokes. This gives you the opportunity to design just while you type.

With the famous and much used Eurostile and Bank Gothic in my mind I wanted to design a mono-line font as simple and legible as possible. A square with rounded corners, i.e., the letter ‘o’ as its basis. From there on back to basics, so straights remained simple straights with 90° endings, whatever the angle. Numbers are monospaced. The result seems to be a pleasantly balanced and neutral font. Excellent for display purposes and surprisingly legible in even small sizes. This perhaps typical approach by an architect led to the name of the font: ArchiType.

Kaikoura is a small town on the east coast of the South Island of New Zealand. It is a very pleasant, laid-back place where the mountains meet the sea. Kaikoura is also the best place in the world to spot sperm whales. Kaikoura font is quite similar in appearance: it is laid-back and beautiful, has sharp peaks and generous curves. I am still trying to find out how to add whale watching to this description… Kaikoura is an all caps font with a lower case alternative for the o and y. It comes with an ocean of diacritics.

In the wake of the Enlightenment and the French Revolution there was a desire for a clear classical blackletter font without frills. That is why in 1793 the famous printer and editor Johann Friedrich Unger and his partner Johann Christian Gubitz accomplished their own fraktur. Now you will be able to use both regular and bold styles of this highly readable blackletter font. It is recommended to activate both OT features Standard and Discretionary Ligatures to access all ligatures in both these fonts. Typing N-o-period and activating the ordinal feature gives you the numero sign.

Wade Sans Light was designed by Paul Hickson and Key Characters and appeared in the ITC library in 1990. The basic forms of the font are those of a constructed sans serif, as seen in the circular O and triangular A. The low x-height of the lower case letters make this font particularly reserved and graceful and the high ascenders give it a certain elegance. The high, wide capitals need a lot of space and dominate the overall look of this font. Wade Sans Light is reminiscent of the elegant cabarets of the 1920s and 30s.

Mix Basic is just your basic everyday handwriting. This was written initially on a post-it using a fine tip Frixion pen. The font was then digitized, cleaned up, and converted into a font. Since this is basically your everyday handwriting, it has a multitude of creative applications. Think label design, greeting cards, social media quotes, handwritten notes replication, and more. Use as you please! Mix Basic includes the following characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*()`~•· ÷×+−±≈=≠≥≤[]<>:;’”,.\|/?{}“”‘’-–—_…©®‹›«»°¹²³¡¿₱¢€£¥§† ÁÀÂÄÃÅĂĀĄÆĆĈČÇÐĐÉÈÊËĖĒĘĜĤIÍÌÎÏĪĮĴŁŃÑŇ ÓÒÔÖÕŌŐØŒŔŘŚŜŠȘŤȚÚÙÛÜŮŰŬŪŲẂẀŴÝŶŸŹẐŽŻÞ áàâäãåăāąæćĉčçðđéèêëėēęĝĥıíìîïīįĵłńñň óòôöõōőøœŕřśŝšșťțúùûüůűŭūųẃẁŵýŷÿźẑžżþ Alternates/Ligatures for: & R a e i m o u y ee mm nn oo rr tt